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David McK (3425 KP) rated The Hound of the Baskervilles in Books
Jun 16, 2019
Perhaps the most famous of Arthur Conan Doyle's Sherlock Holmes mysteries, in which the super-sleuth investigates the supposed Baskerville family curse of the hell-hound on the moors.
What else can I say? Originally serialised by Arthur Conan Doyle, there's been many attempts to adopt this for TV, film or stage over the years, right through from the classic Basil Rathbone 1939 classic (and which many - myself included - still envisage Holmes as) to the more modern BBC Benedict Cumberbatch TV series, one of which has an episode largely based on this story.
Mysterious deaths, ghostly hell-hounds, escaped convicts and the marshy moors all play a part in this ...
What else can I say? Originally serialised by Arthur Conan Doyle, there's been many attempts to adopt this for TV, film or stage over the years, right through from the classic Basil Rathbone 1939 classic (and which many - myself included - still envisage Holmes as) to the more modern BBC Benedict Cumberbatch TV series, one of which has an episode largely based on this story.
Mysterious deaths, ghostly hell-hounds, escaped convicts and the marshy moors all play a part in this ...
Joss Whedon recommended The Court Jester (1956) in Movies (curated)
Matthew Krueger (10051 KP) rated Tower of London (1962) in Movies
Dec 20, 2020
Haunted Memories
Did you know that Vincent Price appeared in the 1939 version of "Tower of London" with Boris Karloff and Basil Rathbone. I thought that was intresting. Anyways this version adds the horror element to it mixed with historical drama and it does a good job. The drama added with the horror combines well.
The plot: In 15th-century England, Richard III (Vincent Price) desperately wants the throne, but his ailing brother, King Edward IV (Justice Watson), instead bestows it upon his other sibling, Clarence (Richard McCauly). This sends Richard into a homicidal rage, resulting in Clarence's murder and the deaths and torture of many others who could keep the crown from the crazed man. But as the mayhem continues, Richard's sanity slips, and the ghosts of the murdered men begin to haunt the beleaguered royal.
Aside from the historical setting, the movie is not connected to the 1939 film of the same name, starring Price, Basil Rathbone and Boris Karloff.
The movie was meant to be the first of a three-picture contract between Corman and Small. Corman later called the movie:
"The most foolish thing I’ve ever filmed. Every night he [Small] would come to see me or call me. The script was changed, reworked without my consent. Lots of strange things were happening all the time, and finally I asked him to tear up our contract. He realized he wouldn’t get anything worthwhile out of me and tore it up. I have nothing against Eddie Small. He’s an old man who had lots of success during the thirties, and who doesn’t know that times have changed".
I thought it was a really good film.
The plot: In 15th-century England, Richard III (Vincent Price) desperately wants the throne, but his ailing brother, King Edward IV (Justice Watson), instead bestows it upon his other sibling, Clarence (Richard McCauly). This sends Richard into a homicidal rage, resulting in Clarence's murder and the deaths and torture of many others who could keep the crown from the crazed man. But as the mayhem continues, Richard's sanity slips, and the ghosts of the murdered men begin to haunt the beleaguered royal.
Aside from the historical setting, the movie is not connected to the 1939 film of the same name, starring Price, Basil Rathbone and Boris Karloff.
The movie was meant to be the first of a three-picture contract between Corman and Small. Corman later called the movie:
"The most foolish thing I’ve ever filmed. Every night he [Small] would come to see me or call me. The script was changed, reworked without my consent. Lots of strange things were happening all the time, and finally I asked him to tear up our contract. He realized he wouldn’t get anything worthwhile out of me and tore it up. I have nothing against Eddie Small. He’s an old man who had lots of success during the thirties, and who doesn’t know that times have changed".
I thought it was a really good film.
Matthew Krueger (10051 KP) rated The Comedy of Terrors (1964) in Movies
Mar 30, 2020 (Updated Mar 30, 2020)
Vincent Price (1 more)
Boris Karloff
Price and Karloff
The Comedy of Terrors- It is a blend of comedy and horror which features several cast members from Tales of Terror, made by AIP the year before. Its funny, hilarious, laugh of loud, terrorfying and scary. Plus you have both Vincent Price and Boris Karloff which is a hugh plus in my books. Two iconic legend horror actors.
The plot: Waldo Trumbull (Vincent Price) is an amoral undertaker in 19th-century New England who takes to murdering people to have enough cash to support his drinking habit. Desperate for money after a widow stiffs him for a burial, Trumbull and his assistant, Gillie (Peter Lorre), decide to kill the wealthy Mr. Black (Basil Rathbone), their landlord, to whom they're indebted. But murdering Black proves to be quite a challenge, as he seems to keep recovering from death every time they do him in.
Its a classic movie, with two horror icons and mixs horror with comedy.
The plot: Waldo Trumbull (Vincent Price) is an amoral undertaker in 19th-century New England who takes to murdering people to have enough cash to support his drinking habit. Desperate for money after a widow stiffs him for a burial, Trumbull and his assistant, Gillie (Peter Lorre), decide to kill the wealthy Mr. Black (Basil Rathbone), their landlord, to whom they're indebted. But murdering Black proves to be quite a challenge, as he seems to keep recovering from death every time they do him in.
Its a classic movie, with two horror icons and mixs horror with comedy.
Matthew Krueger (10051 KP) rated Son of Frankenstein (1939) in Movies
Oct 9, 2020
Boris Karloff (3 more)
Bela Lugosi
Basil Rathbone
Lionel Atwill
The Monster's Alive Once More
Son of Frankenstein- is a great continuation of the frankenstein franchise. Boris Karloff os back as the monster but this would be the last time he would play the monster in the universal monster universe. Its sad cause when you think of frankenstein, you think of Boris.
The plot: Baron Wolf von Frankenstein (Basil Rathbone) is determined to prove the legitimacy of his father's scientific work, thus rescuing the family name from disgrace. With the help of Ygor (Bela Lugosi), a grave robber, Wolf successfully reanimates the monster (Boris Karloff) his father originally brought back from the dead. But when several villagers are killed mysteriously, Wolf must find the culprit in order to vindicate his creation, or face the possibility that he may be responsible.
Universal's declining horror output was revitalized with the enormously successful Son of Frankenstein, in which the studio cast both stars.
After the ousting of the Laemmles from Universal and the British embargo on American horror films in 1936, Karloff and Lugosi found themselves in a career slump. For two years, horror films were out of favor at Universal Studios. On April 5, 1938, a nearly bankrupt theater in Los Angeles staged a desperate stunt by showing Frankenstein, Dracula and King Kong as a triple feature. The impressive box office results led to similarly successful revivals nationwide. Universal soon decided to make a big-budget Frankenstein sequel.
Son of Frankenstein marks changes in the Monster's character from Bride of Frankenstein. The Monster is duller and no longer speaks, explained by being injured by a lightning strike. The monster also wore a giant fur vest, not seen in the first two Frankenstein films, perhaps to add color to his appearance when the film was planned to be shot in color. He is fond of Ygor and obeys his orders. The Monster shows humanity in three scenes: first when he is disturbed by his image in a mirror, especially when compared to the Baron. Next, when he discovers Ygor's body, letting out a powerful scream, and later when he contemplates killing Peter but changes his mind. While the first two films were clearly set in the 1900s, this film appears to take place in the 1930s, judging by the appearance of a modern automobile.
Peter Lorre was originally cast as Baron Wolf von Frankenstein, but he had to leave the production when he became ill. Replacing Lorre was Basil Rathbone, who had scored a major triumph as Sir Guy of Gisbourne in The Adventures of Robin Hood, released the previous year.
According to the documentary Universal Horror (1998), the film was intended to be shot in color and some Technicolor test footage was filmed, but for artistic or budgetary reasons the plan was abandoned. No color test footage is known to survive, but a clip from a Kodachrome color home movie filmed at the studio and showing Boris Karloff in the green monster makeup, clowning around with makeup artist Jack Pierce, is included in the same documentary.
Its a excellent universal monster film.
The plot: Baron Wolf von Frankenstein (Basil Rathbone) is determined to prove the legitimacy of his father's scientific work, thus rescuing the family name from disgrace. With the help of Ygor (Bela Lugosi), a grave robber, Wolf successfully reanimates the monster (Boris Karloff) his father originally brought back from the dead. But when several villagers are killed mysteriously, Wolf must find the culprit in order to vindicate his creation, or face the possibility that he may be responsible.
Universal's declining horror output was revitalized with the enormously successful Son of Frankenstein, in which the studio cast both stars.
After the ousting of the Laemmles from Universal and the British embargo on American horror films in 1936, Karloff and Lugosi found themselves in a career slump. For two years, horror films were out of favor at Universal Studios. On April 5, 1938, a nearly bankrupt theater in Los Angeles staged a desperate stunt by showing Frankenstein, Dracula and King Kong as a triple feature. The impressive box office results led to similarly successful revivals nationwide. Universal soon decided to make a big-budget Frankenstein sequel.
Son of Frankenstein marks changes in the Monster's character from Bride of Frankenstein. The Monster is duller and no longer speaks, explained by being injured by a lightning strike. The monster also wore a giant fur vest, not seen in the first two Frankenstein films, perhaps to add color to his appearance when the film was planned to be shot in color. He is fond of Ygor and obeys his orders. The Monster shows humanity in three scenes: first when he is disturbed by his image in a mirror, especially when compared to the Baron. Next, when he discovers Ygor's body, letting out a powerful scream, and later when he contemplates killing Peter but changes his mind. While the first two films were clearly set in the 1900s, this film appears to take place in the 1930s, judging by the appearance of a modern automobile.
Peter Lorre was originally cast as Baron Wolf von Frankenstein, but he had to leave the production when he became ill. Replacing Lorre was Basil Rathbone, who had scored a major triumph as Sir Guy of Gisbourne in The Adventures of Robin Hood, released the previous year.
According to the documentary Universal Horror (1998), the film was intended to be shot in color and some Technicolor test footage was filmed, but for artistic or budgetary reasons the plan was abandoned. No color test footage is known to survive, but a clip from a Kodachrome color home movie filmed at the studio and showing Boris Karloff in the green monster makeup, clowning around with makeup artist Jack Pierce, is included in the same documentary.
Its a excellent universal monster film.
BankofMarquis (1832 KP) rated Enola Holmes (2020) in Movies
Oct 18, 2020
A Winning (enough) combination
I'm a sucker for Sherlock Holmes. I grew up watching the fantastic black and white Holmes films from the 1940's starring Basil Rathbone and Nigel Bruce. I checked out '70's Holmes flicks like MURDER BY DECREE and the 7 PERCENT SOLUTION and then re-fell-in-love with Holmes with the Jeremy Brett BBC SHERLOCK HOLMES TV series of the 1980's and, of course, Benedict Cumberbatch's modern take on the master sleuth in the 2000's was "must see TV" for me. I was even on-board with Robert Downey Jr's. "take" on this iconic sleuth and was thrilled when Sir Ian McKellen portrayed an elderly Sherlock Holmes in MR. HOLMES.
So...I eagerly awaited the Netflix treatment of the "younger" sister of Sherlock Holmes in ENOLA HOLMES -and, I gotta say, I wasn't disappointed.
Based on the Young Adult series of novels by Nancy Springer, ENOLA HOLMES introduces us to the (heretofore unknown) younger sister of Sherlock and Mycroft Holmes. Raised by a fiercely independent mother in the late 1880's, Enola goes searching for her when she goes missing and gets mixed up in the "The Case of the Missing Marquess" along the way.
Millie Bobbie Brown (STRANGER THINGS) is a winning, charismatic (enough) performer as Enola. She is a steady and sure hand at the helm of this ship throughout the course of this 2 hour and 3 minute adventure. While I would have liked her to command the screen more with her presence, she does enough to make it a good, solid, effort.
The supporting cast is just as good. Helena Bonham Carter (FIGHT CLUB) is perfectly cast as Enola's (and Sherlock's and Mycroft's) mother - she has that fierce streak of independence and "don't mess with me" energy while carving her own path. She is the type of character that one would go looking for if she went missing. Sam Claflin (HUNGER GAMES: CATCHING FIRE) is finely unrecognizable (at least to me) as Mycroft - written in this piece as the more "traditional" of the Holmes family and Henry Cavill (MAN OF STEEL) brings a strong arrogance to his portrayal of Sherlock. He also brings something else - heart - to this character, a character trait that has "traditional" fans of this character up in arms. For me, it works well in the context of this film.
As for the film itself - it is good (enough). I found myself enjoying the mystery and the characters and enjoyed my time in this world. It's not anything new, but it's like putting on a pair of old shoes - comforting to wear.
This is an adaptation of the first book of the series, and I, for one, hope that there are more. It's a winning combination that was pleasant to watch.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)
So...I eagerly awaited the Netflix treatment of the "younger" sister of Sherlock Holmes in ENOLA HOLMES -and, I gotta say, I wasn't disappointed.
Based on the Young Adult series of novels by Nancy Springer, ENOLA HOLMES introduces us to the (heretofore unknown) younger sister of Sherlock and Mycroft Holmes. Raised by a fiercely independent mother in the late 1880's, Enola goes searching for her when she goes missing and gets mixed up in the "The Case of the Missing Marquess" along the way.
Millie Bobbie Brown (STRANGER THINGS) is a winning, charismatic (enough) performer as Enola. She is a steady and sure hand at the helm of this ship throughout the course of this 2 hour and 3 minute adventure. While I would have liked her to command the screen more with her presence, she does enough to make it a good, solid, effort.
The supporting cast is just as good. Helena Bonham Carter (FIGHT CLUB) is perfectly cast as Enola's (and Sherlock's and Mycroft's) mother - she has that fierce streak of independence and "don't mess with me" energy while carving her own path. She is the type of character that one would go looking for if she went missing. Sam Claflin (HUNGER GAMES: CATCHING FIRE) is finely unrecognizable (at least to me) as Mycroft - written in this piece as the more "traditional" of the Holmes family and Henry Cavill (MAN OF STEEL) brings a strong arrogance to his portrayal of Sherlock. He also brings something else - heart - to this character, a character trait that has "traditional" fans of this character up in arms. For me, it works well in the context of this film.
As for the film itself - it is good (enough). I found myself enjoying the mystery and the characters and enjoyed my time in this world. It's not anything new, but it's like putting on a pair of old shoes - comforting to wear.
This is an adaptation of the first book of the series, and I, for one, hope that there are more. It's a winning combination that was pleasant to watch.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)