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City of Shadows
City of Shadows
Victoria Thompson | 2021 | Mystery
9
9.0 (1 Ratings)
Book Rating
Target: A Fake Medium
Newlywed Elizabeth Miles Bates is enjoying her new life in 1919 New York City, but she has to call upon her conman roots when her friend Anna Vanderslice comes to her for help. Anna’s mother has started going to a medium, spending money they don’t have in their budget to do so. Elizabeth quickly confirms that the medium is a fake, and her husband, Gideon, figures out that there is more to the plot than Elizabeth originally thought. Can she figure out how to stop the medium?

I enjoy this series since the caper storylines are a break from the mysteries I normally read. This one was a bit more straightforward than some of the others, but I still enjoyed every page, and there were a few branches to the plot I didn’t expect. Another draw to this series is the characters. They are their usual charming selves here. The multiple viewpoints add to the fun since some of the reactions to the events are funny. Yet, the characters have some real depth to them and I love seeing how they are growing as the series progresses. If you are looking for a little something different in a crime novel, this is one you’ll enjoy.
  
The Boss (2016)
The Boss (2016)
2016 | Comedy
5
5.7 (10 Ratings)
Movie Rating
Where's the comedy?
Melissa McCarthy is one of the biggest stars in Hollywood. Her rise to fame has been nothing short of extraordinary, helped in part by her leading roles in The Heat, Spy and of course the hilarious Bridesmaids.

However, each of those examples of comedic brilliance had one thing in common, apart from McCarthy, director Paul Feig. He brings out the very best in the actress and we’ll see if this formula continues to work with the controversial Ghostbusters reboot, released later this year.

For now, McCarthy teams up with director and real-life husband Ben Falcone (Tammy) in The Boss. But does it offer you a laugh a minute?

The Boss follows the fall from grace of Michelle Darnell (McCarthy), one of America’s wealthiest women, and her efforts to get back on top. Her plan? To start a cake-making empire. Alongside her for the ride is long-suffering assistant Claire (Kristen Bell). Side roles are reserved for Game of Thrones star Peter Dinklage as Michelle’s rival and Kathy Bates as her mentor.

Unfortunately, the biggest problem The Boss has is one that blights many films nowadays; the best bits have already been shown in the trailer. For an action adventure, this is disappointing, but for a comedy, it’s silver-screen suicide. Having laughed in the pre-release clips already, the rest of the film is as barren as the Sahara when it comes to raising a titter.

That’s a real shame as the film’s plot, whilst hardly ground-breaking, is fundamentally solid and the acting is, Dinklage’s hammy performance aside, decent. McCarthy in particular takes a poor script and injects some much-needed spice into it – a testament to her incredible talents as a comedienne. Bell is on-point and bounces off McCarthy’s presence very well while Kathy Bates provides the film with one of its more memorable scenes, albeit one already used in the trailer.

There’s also a well-choreographed bust-up between two groups of teenage girls that manages to raise a chuckle, but again the majority of it was added to the most recent trailer.

Overall, The Boss is McCarthy’s second true turkey with Tammy being the first, but there’s no blame to be placed on her shoulders here. Michelle Darnell is a cracking character, despite her striking resemblance to Rita from Coronation Street, and is one that deserves far better than a film that’s light on laughs and has to rest on the laurels of its lead star – now that’s just lazy.

Perhaps the next time her husband asks her to star in one of his comedies, she should really, really think about it first.

https://moviemetropolis.net/2016/06/11/wheres-the-comedy-the-boss-review/
  
Fried Green Tomatoes (1991)
Fried Green Tomatoes (1991)
1991 | Comedy, Drama
Onscreen female friendships are the best!
When a friendship between an awkward tomboy and a shy girl blossoms into a thriving southern business in 1930s Alabama, the two young women have much to deal with including racism, domestic violence and even a murder.

Meanwhile, a middle aged woman meets a kindly old lady in a nursing home. The old woman begins to tell the tale of the two girls. The woman is intrigued and keeps coming back for more.

How does it all turn out? Does the girls' friendship endure and persevere?



I remember seeing this film when it was first released in 1991, but didn't revisit until yesterday.

Hot off their Academy Award wins, Kathy Bates and Jessica Tandy are just marvelous and Mary Louise Parker and Mary Stuart Masterson are perfect as the young woman forming their lifelong bond.

Even book author Fannie Flagg makes an appearance during one of the group sessions the middle aged woman attends. They get to talk about their vaginas! (Having never done so myself, I can't see the fascination!)

I think this ranks with Steel Magnolias as one of my favorite this type of film I have seen. Just poignant and one of those "Dramedy" "Happy/Sad" kind of films.

  
40x40

Cumberland (1142 KP) May 18, 2019

Love this movie!

The Highwaymen (2019)
The Highwaymen (2019)
2019 | Crime, Drama, Mystery
The legend of Bonnie and Clyde is cemented in criminal folklore. The murderous couple were idolised by the public for their robin hood style capers. They left a trail of destruction during their crime spree that was eventually ended in a spectacular ambush.

That ambush was orchestrated by former Texas Rangers Frank Hamer (Kevin Costner) and Maney Gault (Woody Harrelson), who were coaxed out of retirement by Texas Governor Miriam ‘Ma’ Ferguson (Kathy Bates) as the only ones capable of taking down the two outlaws.

The onscreen chemistry between Costner and Harrelson is great and the grumpy old men regail each other with tales of the past and how things have changed – not always for the better. It is this chemistry which holds the film together.

Their road trip takes them through quiet and sometimes picturesque Southern American landscapes and towns, as they retrace the bloodshed that Bonnie and Clyde leave behind. Bonnie (Emily Brobst) and Clyde (Edward Bossert) are seen but never heard and only glimpsed now and again, this subtle approach leaves the light to shine firmly on the long arm of the law.

The project itself was earmarked for a Paul Newman and Robert Redford pairing, something that I would have love to have seen given their previous work. As it was it fell to the hands of Costner and Harrelson who both do an admirable job.