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Mark @ Carstairs Considers (2320 KP) rated City of Shadows in Books
Dec 15, 2021
Target: A Fake Medium
Newlywed Elizabeth Miles Bates is enjoying her new life in 1919 New York City, but she has to call upon her conman roots when her friend Anna Vanderslice comes to her for help. Anna’s mother has started going to a medium, spending money they don’t have in their budget to do so. Elizabeth quickly confirms that the medium is a fake, and her husband, Gideon, figures out that there is more to the plot than Elizabeth originally thought. Can she figure out how to stop the medium?
I enjoy this series since the caper storylines are a break from the mysteries I normally read. This one was a bit more straightforward than some of the others, but I still enjoyed every page, and there were a few branches to the plot I didn’t expect. Another draw to this series is the characters. They are their usual charming selves here. The multiple viewpoints add to the fun since some of the reactions to the events are funny. Yet, the characters have some real depth to them and I love seeing how they are growing as the series progresses. If you are looking for a little something different in a crime novel, this is one you’ll enjoy.
I enjoy this series since the caper storylines are a break from the mysteries I normally read. This one was a bit more straightforward than some of the others, but I still enjoyed every page, and there were a few branches to the plot I didn’t expect. Another draw to this series is the characters. They are their usual charming selves here. The multiple viewpoints add to the fun since some of the reactions to the events are funny. Yet, the characters have some real depth to them and I love seeing how they are growing as the series progresses. If you are looking for a little something different in a crime novel, this is one you’ll enjoy.
Movie Metropolis (309 KP) rated The Boss (2016) in Movies
Jun 11, 2019
Where's the comedy?
Melissa McCarthy is one of the biggest stars in Hollywood. Her rise to fame has been nothing short of extraordinary, helped in part by her leading roles in The Heat, Spy and of course the hilarious Bridesmaids.
However, each of those examples of comedic brilliance had one thing in common, apart from McCarthy, director Paul Feig. He brings out the very best in the actress and we’ll see if this formula continues to work with the controversial Ghostbusters reboot, released later this year.
For now, McCarthy teams up with director and real-life husband Ben Falcone (Tammy) in The Boss. But does it offer you a laugh a minute?
The Boss follows the fall from grace of Michelle Darnell (McCarthy), one of America’s wealthiest women, and her efforts to get back on top. Her plan? To start a cake-making empire. Alongside her for the ride is long-suffering assistant Claire (Kristen Bell). Side roles are reserved for Game of Thrones star Peter Dinklage as Michelle’s rival and Kathy Bates as her mentor.
Unfortunately, the biggest problem The Boss has is one that blights many films nowadays; the best bits have already been shown in the trailer. For an action adventure, this is disappointing, but for a comedy, it’s silver-screen suicide. Having laughed in the pre-release clips already, the rest of the film is as barren as the Sahara when it comes to raising a titter.
That’s a real shame as the film’s plot, whilst hardly ground-breaking, is fundamentally solid and the acting is, Dinklage’s hammy performance aside, decent. McCarthy in particular takes a poor script and injects some much-needed spice into it – a testament to her incredible talents as a comedienne. Bell is on-point and bounces off McCarthy’s presence very well while Kathy Bates provides the film with one of its more memorable scenes, albeit one already used in the trailer.
There’s also a well-choreographed bust-up between two groups of teenage girls that manages to raise a chuckle, but again the majority of it was added to the most recent trailer.
Overall, The Boss is McCarthy’s second true turkey with Tammy being the first, but there’s no blame to be placed on her shoulders here. Michelle Darnell is a cracking character, despite her striking resemblance to Rita from Coronation Street, and is one that deserves far better than a film that’s light on laughs and has to rest on the laurels of its lead star – now that’s just lazy.
Perhaps the next time her husband asks her to star in one of his comedies, she should really, really think about it first.
https://moviemetropolis.net/2016/06/11/wheres-the-comedy-the-boss-review/
However, each of those examples of comedic brilliance had one thing in common, apart from McCarthy, director Paul Feig. He brings out the very best in the actress and we’ll see if this formula continues to work with the controversial Ghostbusters reboot, released later this year.
For now, McCarthy teams up with director and real-life husband Ben Falcone (Tammy) in The Boss. But does it offer you a laugh a minute?
The Boss follows the fall from grace of Michelle Darnell (McCarthy), one of America’s wealthiest women, and her efforts to get back on top. Her plan? To start a cake-making empire. Alongside her for the ride is long-suffering assistant Claire (Kristen Bell). Side roles are reserved for Game of Thrones star Peter Dinklage as Michelle’s rival and Kathy Bates as her mentor.
Unfortunately, the biggest problem The Boss has is one that blights many films nowadays; the best bits have already been shown in the trailer. For an action adventure, this is disappointing, but for a comedy, it’s silver-screen suicide. Having laughed in the pre-release clips already, the rest of the film is as barren as the Sahara when it comes to raising a titter.
That’s a real shame as the film’s plot, whilst hardly ground-breaking, is fundamentally solid and the acting is, Dinklage’s hammy performance aside, decent. McCarthy in particular takes a poor script and injects some much-needed spice into it – a testament to her incredible talents as a comedienne. Bell is on-point and bounces off McCarthy’s presence very well while Kathy Bates provides the film with one of its more memorable scenes, albeit one already used in the trailer.
There’s also a well-choreographed bust-up between two groups of teenage girls that manages to raise a chuckle, but again the majority of it was added to the most recent trailer.
Overall, The Boss is McCarthy’s second true turkey with Tammy being the first, but there’s no blame to be placed on her shoulders here. Michelle Darnell is a cracking character, despite her striking resemblance to Rita from Coronation Street, and is one that deserves far better than a film that’s light on laughs and has to rest on the laurels of its lead star – now that’s just lazy.
Perhaps the next time her husband asks her to star in one of his comedies, she should really, really think about it first.
https://moviemetropolis.net/2016/06/11/wheres-the-comedy-the-boss-review/
Andy K (10823 KP) rated Fried Green Tomatoes (1991) in Movies
May 18, 2019
Onscreen female friendships are the best!
When a friendship between an awkward tomboy and a shy girl blossoms into a thriving southern business in 1930s Alabama, the two young women have much to deal with including racism, domestic violence and even a murder.
Meanwhile, a middle aged woman meets a kindly old lady in a nursing home. The old woman begins to tell the tale of the two girls. The woman is intrigued and keeps coming back for more.
How does it all turn out? Does the girls' friendship endure and persevere?
I remember seeing this film when it was first released in 1991, but didn't revisit until yesterday.
Hot off their Academy Award wins, Kathy Bates and Jessica Tandy are just marvelous and Mary Louise Parker and Mary Stuart Masterson are perfect as the young woman forming their lifelong bond.
Even book author Fannie Flagg makes an appearance during one of the group sessions the middle aged woman attends. They get to talk about their vaginas! (Having never done so myself, I can't see the fascination!)
I think this ranks with Steel Magnolias as one of my favorite this type of film I have seen. Just poignant and one of those "Dramedy" "Happy/Sad" kind of films.
Meanwhile, a middle aged woman meets a kindly old lady in a nursing home. The old woman begins to tell the tale of the two girls. The woman is intrigued and keeps coming back for more.
How does it all turn out? Does the girls' friendship endure and persevere?
I remember seeing this film when it was first released in 1991, but didn't revisit until yesterday.
Hot off their Academy Award wins, Kathy Bates and Jessica Tandy are just marvelous and Mary Louise Parker and Mary Stuart Masterson are perfect as the young woman forming their lifelong bond.
Even book author Fannie Flagg makes an appearance during one of the group sessions the middle aged woman attends. They get to talk about their vaginas! (Having never done so myself, I can't see the fascination!)
I think this ranks with Steel Magnolias as one of my favorite this type of film I have seen. Just poignant and one of those "Dramedy" "Happy/Sad" kind of films.
JT (287 KP) rated The Highwaymen (2019) in Movies
Mar 10, 2020
The legend of Bonnie and Clyde is cemented in criminal folklore. The murderous couple were idolised by the public for their robin hood style capers. They left a trail of destruction during their crime spree that was eventually ended in a spectacular ambush.
That ambush was orchestrated by former Texas Rangers Frank Hamer (Kevin Costner) and Maney Gault (Woody Harrelson), who were coaxed out of retirement by Texas Governor Miriam ‘Ma’ Ferguson (Kathy Bates) as the only ones capable of taking down the two outlaws.
The onscreen chemistry between Costner and Harrelson is great and the grumpy old men regail each other with tales of the past and how things have changed – not always for the better. It is this chemistry which holds the film together.
Their road trip takes them through quiet and sometimes picturesque Southern American landscapes and towns, as they retrace the bloodshed that Bonnie and Clyde leave behind. Bonnie (Emily Brobst) and Clyde (Edward Bossert) are seen but never heard and only glimpsed now and again, this subtle approach leaves the light to shine firmly on the long arm of the law.
The project itself was earmarked for a Paul Newman and Robert Redford pairing, something that I would have love to have seen given their previous work. As it was it fell to the hands of Costner and Harrelson who both do an admirable job.
That ambush was orchestrated by former Texas Rangers Frank Hamer (Kevin Costner) and Maney Gault (Woody Harrelson), who were coaxed out of retirement by Texas Governor Miriam ‘Ma’ Ferguson (Kathy Bates) as the only ones capable of taking down the two outlaws.
The onscreen chemistry between Costner and Harrelson is great and the grumpy old men regail each other with tales of the past and how things have changed – not always for the better. It is this chemistry which holds the film together.
Their road trip takes them through quiet and sometimes picturesque Southern American landscapes and towns, as they retrace the bloodshed that Bonnie and Clyde leave behind. Bonnie (Emily Brobst) and Clyde (Edward Bossert) are seen but never heard and only glimpsed now and again, this subtle approach leaves the light to shine firmly on the long arm of the law.
The project itself was earmarked for a Paul Newman and Robert Redford pairing, something that I would have love to have seen given their previous work. As it was it fell to the hands of Costner and Harrelson who both do an admirable job.
The Navy Lark: Four Classic Radio Comedy Episodes: Volume 31: Horrible Horace
Full Cast, Jon Pertwee, Lawrie Wyman and Leslie Phillips
Book
Four episodes of the classic BBC radio comedy series, starring Jon Pertwee, Leslie Phillips and...
The Navy Lark: Volume 25: Avoiding Redundancy
Full Cast, Jon Pertwee, Lawrie Wyman and Leslie Phillips
Book
Jon Pertwee, Leslie Phillips, Stephen Murray and Ronnie Barker star in these four hilarious radio...
The Navy Lark: Volume 27: Have Been Masquerading
Full Cast, Jon Pertwee, Lawrie Wyman and Leslie Phillips
Book
Jon Pertwee, Leslie Phillips, Stephen Murray and Ronnie Barker star in four more classic radio...
Way of the Actor
Book
For thousands of years, in traditional societies around the world, actors were seen as the guardians...
City of Scoundrels
10.0
Rate It
Book
Elizabeth Miles finds herself in a position no con can help her escape. Her beloved fiancé, Gideon...
Gareth von Kallenbach (980 KP) rated Bad Santa 2 (2016) in Movies
Jul 12, 2019
The last time we heard from Willie Soke (Billy Bob Thornton) he was recovering in jail after being shot eight times. We catch up with him today in maybe worse shape. He is out of jail but finds himself unable to hold a job and drinking to extreme excess. Th only visitor he has is a delusional, simple minded and well intentioned Thurman Merman (Brett Kelly). On the verge of ending it all he receives an invitation from his old partner, Marcus Skidmore (Tony Cox), to make a big score by robbing a Chicago charity on Christmas Eve. Wary, mostly because Marcus double crossed and shot him on their last job, Willie decides he needs the money and it’s a chance to double cross Marcus. So, he takes the job and heads to Chicago. When he arrives, he finds that Marcus has not told him everything. The job was put together by his arch nemesis. Someone who is more vile, crude and despicable than he is…his mother Sunny (Kathy Bates). Driven by greed and with the agreement that Marcus and him will cut his mother out at the end of the job Willie agrees to go forward with the robbery. The unlikely trio set out to infiltrate and rob the charity.
It is surprising to say but this sequel to 2003s Bad Santa is even more outrageous and raunchy than the original. Billy Bob Thornton is perfect in this role as a sex crazed and barely functioning alcoholic. Willie is truly the Anti-Santa Claus. But with Thurman having faith in him and in his very out of the box way of trying to do good, you can’t help but root for him to succeed. Kathy Bates performance as a crude as can be equal to Thornton’s character was fun and unexpected. The full cast of characters are all unique and all bring something to the film. The story however is very familiar and not that far off from the first film. There were definitely jokes and plot lines that followed too closely, in my opinion, to the original film. This is definitely not a film for young audiences, as most of the film is profanity laced and full of sexual situations and innuendos. But for the adult audience there are a lot of laughs to be had. For me this was a perfect film to shut off for an hour and a half and just enjoy the craziness happening on screen. It is not an overthought or over complicated film. They took things from the original film that were successful changed them up a little, not enough at some points, and made everything a little more over the top.
I wouldn’t necessarily recommend paying movie theater prices for this film but it is definitely worth a watch for the right audiences.
It is surprising to say but this sequel to 2003s Bad Santa is even more outrageous and raunchy than the original. Billy Bob Thornton is perfect in this role as a sex crazed and barely functioning alcoholic. Willie is truly the Anti-Santa Claus. But with Thurman having faith in him and in his very out of the box way of trying to do good, you can’t help but root for him to succeed. Kathy Bates performance as a crude as can be equal to Thornton’s character was fun and unexpected. The full cast of characters are all unique and all bring something to the film. The story however is very familiar and not that far off from the first film. There were definitely jokes and plot lines that followed too closely, in my opinion, to the original film. This is definitely not a film for young audiences, as most of the film is profanity laced and full of sexual situations and innuendos. But for the adult audience there are a lot of laughs to be had. For me this was a perfect film to shut off for an hour and a half and just enjoy the craziness happening on screen. It is not an overthought or over complicated film. They took things from the original film that were successful changed them up a little, not enough at some points, and made everything a little more over the top.
I wouldn’t necessarily recommend paying movie theater prices for this film but it is definitely worth a watch for the right audiences.