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Sarah (126 KP) rated Justice League (2017) in Movies
Aug 25, 2018
Very Weak
Upfront, let me say that I'm neither a Marvel nor a DC girl - to be honest, I would struggle (in the past) to differentiate one universe from the other, so there's no bias - in that sense - to my review.
For family film night we decided to watch Justice League - we'd all really enjoyed Wonder Woman (me, in particular) so figured a superhero film with the lovely Gal Gadot back again would be a good choice.
Oh how wrong we were.
The whole thing, from start to finish, is just exceptionally weak. Almost the complete opposite of Wonder Woman, neither the story or action were sufficient to capture any of our attention. The plot, with the boxes was rather vague and not compelling, too much time was spent on "getting the gang together", with very little happening, and not enough on the actual story itself.
One observation was "what's the point of Aquaman?" - other than having another location for a box, this was quite a good point. It felt like we spent a fair amount of time on setting the scene with him, but for very little in terms of what he could do or offer the Justice League.
To be completely honest, the whole ensemble seemed to be lacking - we didn't see the gadgets of Batman, the awesome power of Wonder Woman, anything very much at all of The Flash or Victor Stone - speaking of whom, for people like me who don't know the comic books, a bit of an idea of who these characters are wouldn't go amiss! My husband even asked "so, is he a knock off Iron Man?"
Then we come to Henry Cavill's face. Reading another review, I now understand he had a moustache which was digitally edited out - when watching I actually asked did he die part way through filming so they had to CGI him in? (Jokingly, I knew he didn't but the CGI was THAT bad!)
There is so much CGI in the film, it begs the question why not just make an animated film? It's so badly worked in at times, and so poorly done (see Henry Cavill's face).
I was so disappointed in this, not even topless Jason Momoa or stunning Gal Gadot could save it for me. But at least we had a laugh working lines from 'Born to be Wild' into our commentary of the film...
For family film night we decided to watch Justice League - we'd all really enjoyed Wonder Woman (me, in particular) so figured a superhero film with the lovely Gal Gadot back again would be a good choice.
Oh how wrong we were.
The whole thing, from start to finish, is just exceptionally weak. Almost the complete opposite of Wonder Woman, neither the story or action were sufficient to capture any of our attention. The plot, with the boxes was rather vague and not compelling, too much time was spent on "getting the gang together", with very little happening, and not enough on the actual story itself.
One observation was "what's the point of Aquaman?" - other than having another location for a box, this was quite a good point. It felt like we spent a fair amount of time on setting the scene with him, but for very little in terms of what he could do or offer the Justice League.
To be completely honest, the whole ensemble seemed to be lacking - we didn't see the gadgets of Batman, the awesome power of Wonder Woman, anything very much at all of The Flash or Victor Stone - speaking of whom, for people like me who don't know the comic books, a bit of an idea of who these characters are wouldn't go amiss! My husband even asked "so, is he a knock off Iron Man?"
Then we come to Henry Cavill's face. Reading another review, I now understand he had a moustache which was digitally edited out - when watching I actually asked did he die part way through filming so they had to CGI him in? (Jokingly, I knew he didn't but the CGI was THAT bad!)
There is so much CGI in the film, it begs the question why not just make an animated film? It's so badly worked in at times, and so poorly done (see Henry Cavill's face).
I was so disappointed in this, not even topless Jason Momoa or stunning Gal Gadot could save it for me. But at least we had a laugh working lines from 'Born to be Wild' into our commentary of the film...
Jessica - Where the Book Ends (15 KP) rated Tell Me Three Things in Books
Jan 30, 2019
I’ve been in a book slump since I read Swear on This Life by Renee Carlino back in May. I’ve read other books but none have grabbed me and made me fall in love with the characters. Every time I picked up another book I would hope and wonder if this was the book that was going to give me all the feels. Was this the book that would pull me out of my slump?
Tell Me Three Things by Julie Buxbaum was that book. I related so much with Jessie. Like Jessie I too had recently lost my mom. I too counted the days she had been gone; now I count by years. Jessie’s life has been turned upside down and she’s unable to find her way out. She’s thrust into a new environment and forced to try and make new friends. Her saving grace is Somebody Nobody and anonymous classmate that emails Jessie and says he will help her navigate her way through her new school.
Liam, Theo, and Ethan are all amazing in their own ways. Liam the rocker/jock who befriends Jessie when she least expects it. Theo her dramatic, but secretly sweet step-brother. Finally, Ethan, the brooding, book reading, batman t-shirt wearing mysterious guy that can’t seem to stay out of Jessie’s head.
All the characters when put together make up the special recipe for an amazing book. The character development is on point, the dialogue moves the story along and adds to the plot. The characters are relatable and they give you all the feels. I cried right along with Jessie as she worked through her mother’s death, and all the changes in her life. I cheered for her successes and laughed with all their jokes.
The only thing this book was missing for me was… more. More story, more feels. I wasn’t ready to say goodbye to these amazing characters. I didn’t want to come back to Iowa where it’s -35 outside, I wanted to stay in sunny LA with all my new friends.
If you’re looking for a quick read that will give you the feels and leave you wanting more than I suggest you pick this book up. It’s not something you’ll regret. Give yourself a chance to fall in love with these characters.
Tell Me Three Things by Julie Buxbaum was that book. I related so much with Jessie. Like Jessie I too had recently lost my mom. I too counted the days she had been gone; now I count by years. Jessie’s life has been turned upside down and she’s unable to find her way out. She’s thrust into a new environment and forced to try and make new friends. Her saving grace is Somebody Nobody and anonymous classmate that emails Jessie and says he will help her navigate her way through her new school.
Liam, Theo, and Ethan are all amazing in their own ways. Liam the rocker/jock who befriends Jessie when she least expects it. Theo her dramatic, but secretly sweet step-brother. Finally, Ethan, the brooding, book reading, batman t-shirt wearing mysterious guy that can’t seem to stay out of Jessie’s head.
All the characters when put together make up the special recipe for an amazing book. The character development is on point, the dialogue moves the story along and adds to the plot. The characters are relatable and they give you all the feels. I cried right along with Jessie as she worked through her mother’s death, and all the changes in her life. I cheered for her successes and laughed with all their jokes.
The only thing this book was missing for me was… more. More story, more feels. I wasn’t ready to say goodbye to these amazing characters. I didn’t want to come back to Iowa where it’s -35 outside, I wanted to stay in sunny LA with all my new friends.
If you’re looking for a quick read that will give you the feels and leave you wanting more than I suggest you pick this book up. It’s not something you’ll regret. Give yourself a chance to fall in love with these characters.
Chris Sawin (602 KP) rated Dante's Inferno (2010) in Movies
Jun 22, 2019 (Updated Jun 23, 2019)
A commercial for the Dante's Inferno video game aired during Super Bowl XLIV, which gave viewers the impression that the game would be incredibly reminiscent of games like Devil May Cry and God of War. Although I never played the game, Dante's Inferno: An Animated Epic was sent to me by the Amazon Vine program. My expectations weren't very high and that seemed to pay off in the long run. The animated feature takes the Batman: Gotham Knight approach where six different animation directors take hold of the film, but Dante's Inferno tells one semi-coherent story.
The film surely has no issue with showing graphic violence, gore, or nudity as there rarely isn't a moment in the 77 minute feature where buckets of blood aren't falling from the sky or where Dante's beloved Beatrice isn't exposing her rather well-endowed set of breasts. The changes in animation seemed rather infrequent and drastic at times while at others it felt a bit more natural. The voice acting is pretty top notch as the film utilizes voice actor veterans such as Mark Hamill, Steve Blum, and Kevin Michael Richardson.
Dante's descent through the nine circles of hell was unintentionally humorous at times though.; the main example being when he's fighting off and fleeing from the army of dead babies in Limbo. Also, his father accepting Lucifer's offer to work for him in exchange for all the gold he desired and the slaying of his mortal son wasn't surprising, but the fact that his mouth now looked like female genitalia was. Certain things just didn't add up at times. In the end, Dante's Inferno: An Animated Epic isn't terrible but isn't fantastic either. It's not worth hunting down specifically, but is worth sitting through on a rainy day afternoon or something.
The only special features included on the DVD are the EA game trailer and animatics for five scenes in the film.
For those interested in which animation studio did what, here they are in order:
Film Roman (American animation studio)
Manglobe (Samurai Champloo) picks up when Dante enters Limbo (directed by Shuko Mirase who did Ergo Proxy and Witch Hunter Robin, easily the best out of the bunch)
Dongwoo Animation handles the next four circles of Hell (unfortunately)
JM Animation steps in when Virgil and Dante reach the City of Dis
The final circle is handled by Production I.G.
The film surely has no issue with showing graphic violence, gore, or nudity as there rarely isn't a moment in the 77 minute feature where buckets of blood aren't falling from the sky or where Dante's beloved Beatrice isn't exposing her rather well-endowed set of breasts. The changes in animation seemed rather infrequent and drastic at times while at others it felt a bit more natural. The voice acting is pretty top notch as the film utilizes voice actor veterans such as Mark Hamill, Steve Blum, and Kevin Michael Richardson.
Dante's descent through the nine circles of hell was unintentionally humorous at times though.; the main example being when he's fighting off and fleeing from the army of dead babies in Limbo. Also, his father accepting Lucifer's offer to work for him in exchange for all the gold he desired and the slaying of his mortal son wasn't surprising, but the fact that his mouth now looked like female genitalia was. Certain things just didn't add up at times. In the end, Dante's Inferno: An Animated Epic isn't terrible but isn't fantastic either. It's not worth hunting down specifically, but is worth sitting through on a rainy day afternoon or something.
The only special features included on the DVD are the EA game trailer and animatics for five scenes in the film.
For those interested in which animation studio did what, here they are in order:
Film Roman (American animation studio)
Manglobe (Samurai Champloo) picks up when Dante enters Limbo (directed by Shuko Mirase who did Ergo Proxy and Witch Hunter Robin, easily the best out of the bunch)
Dongwoo Animation handles the next four circles of Hell (unfortunately)
JM Animation steps in when Virgil and Dante reach the City of Dis
The final circle is handled by Production I.G.
JT (287 KP) rated Green Lantern (2011) in Movies
Mar 10, 2020
You feel that had The Green Lantern arrived on the scene in 2011 not competing with a host of other super hero films, such as Thor, X-Men: First Class and Captain America, it might have had a better welcome.
For me the super hero genre really is bordering a mass overkill, what with this years upcoming Avengers getting so much press its hard to turn a corner without seing one of Iron Man, Hulk or Thor adoring a billboard or poster somewhere.
So it’s a shame then that Hollywood’s Mr. Nice guy, Ryan Reynolds, was given a role so bland and pointless it was almost insulting.
Director Martin Campbell’s previous outings Casino Royale and Edge if Darkness were deep gritty affairs and he really should have carried that over into this, there was so much flamboyant colour you wondered if Joel Schumacher had some how been a part of it.
That isn’t to say that during some stages the film was not enjoyable. Test pilot Hal Jordan is given the power bestowed on him by a mysterious ring with a back story shoe horned into an opening five minute monologue, if you’re not paying attention its going to be a little confusing.
The action and special effects are very good, with the Green Lantern able to concoct a wide range of objects from his mind ranging from missile launchers, swords and even a necklace, all transferred through the power and energy of the ring.
The less so, well Reynolds is surrounded by characters that only really dip their toe into the water of the film. With thousands of Green Lanterns we only really here from two, Tomar-Re and Kilowog voiced by Geoffrey Rush and Michael Clarke Duncan respectively.
Mark Strong as Sinestro on first glance has the look of someone bound to step over to the evil side, and maybe that is to come if a sequel is due at some point.
Peter Sarsgaard’s large headed villain only serves as an entrée before Hal has to tackle the large bellowing cloud that is Parallax, an entity that thrives on sucking out the fear of its victims.
The film has its moments, but it never really has the energy that so many other super hero films have. Perhaps that fact that the back story of Hal is not nearly as exciting as say Spider-man, Batman or any of the Avengers for that matter.
For me the super hero genre really is bordering a mass overkill, what with this years upcoming Avengers getting so much press its hard to turn a corner without seing one of Iron Man, Hulk or Thor adoring a billboard or poster somewhere.
So it’s a shame then that Hollywood’s Mr. Nice guy, Ryan Reynolds, was given a role so bland and pointless it was almost insulting.
Director Martin Campbell’s previous outings Casino Royale and Edge if Darkness were deep gritty affairs and he really should have carried that over into this, there was so much flamboyant colour you wondered if Joel Schumacher had some how been a part of it.
That isn’t to say that during some stages the film was not enjoyable. Test pilot Hal Jordan is given the power bestowed on him by a mysterious ring with a back story shoe horned into an opening five minute monologue, if you’re not paying attention its going to be a little confusing.
The action and special effects are very good, with the Green Lantern able to concoct a wide range of objects from his mind ranging from missile launchers, swords and even a necklace, all transferred through the power and energy of the ring.
The less so, well Reynolds is surrounded by characters that only really dip their toe into the water of the film. With thousands of Green Lanterns we only really here from two, Tomar-Re and Kilowog voiced by Geoffrey Rush and Michael Clarke Duncan respectively.
Mark Strong as Sinestro on first glance has the look of someone bound to step over to the evil side, and maybe that is to come if a sequel is due at some point.
Peter Sarsgaard’s large headed villain only serves as an entrée before Hal has to tackle the large bellowing cloud that is Parallax, an entity that thrives on sucking out the fear of its victims.
The film has its moments, but it never really has the energy that so many other super hero films have. Perhaps that fact that the back story of Hal is not nearly as exciting as say Spider-man, Batman or any of the Avengers for that matter.
JT (287 KP) rated Out of the Furnace (2013) in Movies
Mar 10, 2020
Cast for so long in the trademark cowl of Batman and posing around Gotham City as the slightly disturbed and flamboyant billionaire Bruce Wayne, Christian Bale is back deep in his gritty acting roots.
Bale plays Pennsylvania steel mill worker Russell, a man living a simplistic hard working way of life. His brother on the other hand, Rodney (Casey Affleck), is back from a tour in Iraq. He’s visibly scared and not in the least bit interested in anymore manual labour. Inciting that the country owes him a something for his sacrifice he gets into debt gambling and desperate for cash to pay off his short fall he takes bare knuckle fist fights organised by loan shark friend John Petty Willem Dafoe.
Things move from bad to worse in a surprise addition to the plot, which sees Russell endure some time behind bars and in the process loses his sick father as well as seeing girlfriend Lena (Zoe Saldana) fall into the arms of local cop Forest Whitaker. When Russell steps outside of prison for the first time he has yet another problem facing him, in the form of local drug kingpin and all round nasty, Harlan DeGroat brilliantly played by Woody Harrelson.
DeGroat is not one to be crossed as even the local police keep their distance but Rodney heads straight into the lion’s den when he accepts a fight and then is propositioned to take a dive during it; something that he is not willing to do.
The relationship between the brothers is enthralling and totally believable. Both Bale and Affleck give controlled and sharp performances feeding off each other as the tension between them rises. The film attempts to broach the subject of the working classes, while at the same time portraying the life of the retired marine who has come back home full of nightmares and is left forgotten only to crumble into himself.
It’s a strong cast, with Harrelson’s villain commanding the screen with gusto while the likes of Saldana, Defoe and Sam Shepard play mere bit parts. But with this much talent on show not everyone can feature front and centre. The film’s setting is a perfect post-industrial stomping ground for battles both in the illegal ring and out of it, while a moody soundtrack is a perfect accompaniment to the narrative that is moving and rough around the edges.
Bale plays Pennsylvania steel mill worker Russell, a man living a simplistic hard working way of life. His brother on the other hand, Rodney (Casey Affleck), is back from a tour in Iraq. He’s visibly scared and not in the least bit interested in anymore manual labour. Inciting that the country owes him a something for his sacrifice he gets into debt gambling and desperate for cash to pay off his short fall he takes bare knuckle fist fights organised by loan shark friend John Petty Willem Dafoe.
Things move from bad to worse in a surprise addition to the plot, which sees Russell endure some time behind bars and in the process loses his sick father as well as seeing girlfriend Lena (Zoe Saldana) fall into the arms of local cop Forest Whitaker. When Russell steps outside of prison for the first time he has yet another problem facing him, in the form of local drug kingpin and all round nasty, Harlan DeGroat brilliantly played by Woody Harrelson.
DeGroat is not one to be crossed as even the local police keep their distance but Rodney heads straight into the lion’s den when he accepts a fight and then is propositioned to take a dive during it; something that he is not willing to do.
The relationship between the brothers is enthralling and totally believable. Both Bale and Affleck give controlled and sharp performances feeding off each other as the tension between them rises. The film attempts to broach the subject of the working classes, while at the same time portraying the life of the retired marine who has come back home full of nightmares and is left forgotten only to crumble into himself.
It’s a strong cast, with Harrelson’s villain commanding the screen with gusto while the likes of Saldana, Defoe and Sam Shepard play mere bit parts. But with this much talent on show not everyone can feature front and centre. The film’s setting is a perfect post-industrial stomping ground for battles both in the illegal ring and out of it, while a moody soundtrack is a perfect accompaniment to the narrative that is moving and rough around the edges.
The Autobiography or Narrative of a Soldier: The Peninsular War Memoirs of William Brown of the 45th Foot
Book
William Brown's autobiography is a unique historical document, since he is the only memoirist to...
Gareth von Kallenbach (971 KP) rated Joker (2019) in Movies
Oct 7, 2019 (Updated Oct 13, 2019)
Arthur Fleck (Joaquin Phoenix) is a broken and troubled man. Arthur toils in as demeaning and berated Clown for Hire, and lives with his troubled mother in a dilapidated apartment.
Arthur meets with a Social Worker in an attempt as the seven medications he takes simply are not cutting it and he struggles to cope in a world that has ignored and discarded him.
Arthur dreams of being a comedian but sadly lacks the confidence and ability to pull off his material which is iffy at best. Undaunted he keeps toiling away even when life continues to beat him down mentally and physically.
This all changes when Arthur stops being the victim during and assault and fights back.
Arthur stops taking his medication and becomes more determined and is no longer afraid to confront those who antagonize him.
This leads Arthur to some renewed opportunities such as an appearance on a talk show which he has long idolized.
All of this happens against a smoldering Gotham City where tensions are high and rising even higher due to a Garbage strike and a perception that the elite of the city have abandoned those in need such as eliminating Arthur’s Social Worker due to budget cuts.
With nowhere to go but up; Arthur transforms from a disturbed individual to a violent and deeply disturbed and dangerous individual who is angry and ready for revenge.
Phoenix is fantastic and he is not afraid to let unglamorous scenes of his very thin body or lingering close ups at unflattering angels undermine him. He uses them to illustrate just how disposable Arthur is too many in the film and to also show how little he cares about such matters. The role is deeply dark and disturbing and will no doubt spark much controversy and debate ranging from making a dangerous person a sympathetic figure as well as commentary about class structure and the danger of unstable people inspiring others via a Cult of Personality.
There is a connection to the larger Batman universe even though the film is light on action and FX. This is a character study of a decent into madness and it is deeply disturbing as it is compelling.
4.5 stars out of 5
http://sknr.net/2019/10/02/joker/
Arthur meets with a Social Worker in an attempt as the seven medications he takes simply are not cutting it and he struggles to cope in a world that has ignored and discarded him.
Arthur dreams of being a comedian but sadly lacks the confidence and ability to pull off his material which is iffy at best. Undaunted he keeps toiling away even when life continues to beat him down mentally and physically.
This all changes when Arthur stops being the victim during and assault and fights back.
Arthur stops taking his medication and becomes more determined and is no longer afraid to confront those who antagonize him.
This leads Arthur to some renewed opportunities such as an appearance on a talk show which he has long idolized.
All of this happens against a smoldering Gotham City where tensions are high and rising even higher due to a Garbage strike and a perception that the elite of the city have abandoned those in need such as eliminating Arthur’s Social Worker due to budget cuts.
With nowhere to go but up; Arthur transforms from a disturbed individual to a violent and deeply disturbed and dangerous individual who is angry and ready for revenge.
Phoenix is fantastic and he is not afraid to let unglamorous scenes of his very thin body or lingering close ups at unflattering angels undermine him. He uses them to illustrate just how disposable Arthur is too many in the film and to also show how little he cares about such matters. The role is deeply dark and disturbing and will no doubt spark much controversy and debate ranging from making a dangerous person a sympathetic figure as well as commentary about class structure and the danger of unstable people inspiring others via a Cult of Personality.
There is a connection to the larger Batman universe even though the film is light on action and FX. This is a character study of a decent into madness and it is deeply disturbing as it is compelling.
4.5 stars out of 5
http://sknr.net/2019/10/02/joker/
Injustice: Gods Among Us
Games and Entertainment
9.0
Rate It
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Build an epic roster of DC super heroes and villains and get ready for battle! INJUSTICE: GODS AMONG...
Charlie Cobra Reviews (1840 KP) rated Zack Snyder's Justice League (2021) in Movies
Mar 26, 2021 (Updated Mar 26, 2021)
The movie as a whole is better than the original. (2 more)
The darker tone, R rating and additional scenes of violence and bloodshed.
The additional scenes for Cyborg's and Flash's story arc were welcome and did their characters justice.
4 hour length was way too long. (2 more)
The aspect ratio being in 4:3 instead of widescreen.
I didn't like certain things about the addition of Darkseid.
This Version Far Surpasses The Original Released
This movie was way better than the one that was released in theaters. I have to say it is a super long movie but honestly the time just flew by while I was watching it. I also broke it up into 2x two hour halves but another way would be to break it into 6 parts like it has been segmented into in the movie already with 5 chapters/parts and an epilogue. I think it helped that I didn't watch the original one right before I saw this one too. I didn't because I didn't want to be too "Justice Leagued" out and because I knew that it was going to be a 4 hour movie already. There were definitely some parts that felt like they needed to be included in the original for the story to make more sense and be more cohesive story-wise but there were more than a couple that were unnecessary and could have still been left on the cutting floor in my opinion. Now people that are expecting this to be a whole new movie will probably feel disappointed and that this movie is very much the same but fans of DC or the DCEU will more than likely enjoy this film over the original. I really like the way that they included more story and scenes for characters like Cyborg and Flash. I feel that they definitely helped in fleshing out their characters who got the short end of the stick the first time around and since their characters didn't have their own stand alone movies. I also feel they fixed the way Wonder Woman was portrayed and the tension between her and Batman in the movie. I know I could bring up more points here in this part of the review and although the movie was released in 2017 and most people have seen it already, I don't want to spoil it for those who might not have seen it and their first time is going to be this version. So with that being said I'll save the rest for the spoiler review section. And now for my score/rating, I'd have to say that this movie still had a lot of issues like unnecessary scenes and a long run time and some of them stick out like a sore thumb but I really liked it and say that this was a great movie, I'm probably a little bias because I generally enjoy comic book movies and like DC as well but I give it a 8/10. And this movie gets my "Must See Seal of Approval" but only if you are a fan of DC, the DC movies or film in general and have what it takes to sit through a 4 hour movie. Also I think it's worth getting a subscription to HBOMax, if only for 1 month at the price of $15 a month because if you sign up now you'll also be able to enjoy all the other content; plus you'll be able to see Godzilla vs Kong when it's released on March 31st and Mortal Kombat on April 16th.
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Spoiler Section Review:
So I really enjoyed this movie and thought it was great. At 4 hours it was a monster of a film to get through but I'm definitely glad I watched it because it was way better than the first one that came out in theaters. One of the biggest reasons I think I liked it too was that it was rated R instead of PG-13 which is why we hear Batman and Cyborg drop F-bombs in the movie and why there is significantly more violence and bloodshed shown. The beginning was also different and had a different feel to it right away because in the original it had the memorial for Superman and in this one it doesn't. One thing that I didn't care for and thought was really annoying was how the movie wasn't widescreen but the 4:3 ratio but luckily I have a setting on my tv to change it to widescreen and I think that helped a lot. I know the composer was also changed from the original which I think was better but hard to say but the music definitely fit better. A big change was how the movie felt like it had less humor and really felt darker in tone. I think that at 4 hours long though they really added back or too many additional scenes that didn't need to be there and were completely unnecessary. The part after Bruce Wayne tries to recruit Aquaman and the Swedish or Norwegian girls sing that song was pretty unnecessary and could have been taken out as well as when Wonder Woman goes to the fire arrow place of the Amazons and walks down the stairs to look at the ancient murals. I liked how Bruce Wayne/Batman had more scenes with Alfred Pennyworth. The greatest addition to this movie in my opinion were the additional scenes for Cyborg's story arc and for Flash. These really helped flesh out their characters and do them justice especially for them not having had their own individual movies before this movie of forming the Justice League. I like how Flash saved Iris in that one scene in front of the pet shop. The flashbacks for Cyborg were really cool too and how they showed more of his Mom that we never got to see humanized him a lot more. One of my favorite things that they changed was black suit Superman, that was awesome that they added that, straight out of the comics. I liked how they showed more action scenes of Wonder Woman especially the extended version of her fighting off the terrorists in the museum or wherever it was they went to blow up the kids. I also liked how they changed the scenes of Batman and her and instead made it more about the team and them together. Another thing I really liked was how they showed Willem Dafoe's character Vulko and how he talked to Aquaman. That was one thing that really bothered me about the original was how Mera and Aquaman acted like they knew each other already but in Aquaman they barely met for the first time so it just really threw me off. That and how did he know to go to Atlantis right when Steppenwolf was about to attack. It also bothered me how the Amazons had such an epic battle against Steppenwolf to defend him taking the mother box and the Atlanteans didn't even put up a fight. With this correction they added the dialogue that Aquaman's brother Orm (Ocean Master) was already starting to make moves to take over the other kingdoms that he needed all his soldiers and wouldn't spare any to protect the mother box. I had mixed feelings about Steppenwolf's redesign but I think ultimately it was a good thing and you were able to see his motivations better and think he came out more of a badass and better bad guy. It was cool to see him communicate using the mother boxes and talk to Darkseid's other henchmen Desaad. One thing I really didn't like was how they did Darkseid dirty and showed him lose in the past instead of how it was Steppenwolf who lost in the original to the combined armies of Amazons, Greek Gods, humans and a Green Lantern. They didn't even show him use his Omega beams against them but he did use it against the Atlanteans in a vision of the future that Cyborg sees and it was awesome. I felt they watered down Darkseid from how hardcore he's supposed to be in the comics and cartoons, etc... I liked how in the end they showed how he had Desaad with him and Granny Goodness with him on the other side of the boom tube. I really didn't like how they had this whole thing about Darkseid not remembering which planet the mother boxes were on or where he had seen the "anti-life equation". It doesn't make sense to me that he would forget the planet where he got his ass kicked and almost died or at least was defeated. I heard a theory that maybe he didn't forget he just didn't want his followers to know he suffered a defeat and didn't let them know or killed everyone who knew but then it also didn't make sense that Steppenwolf remembered. It also never explained in this version how or why Steppenwolf fell out of favor with Darkseid and why he was trying so desperately to please him and his whole debt of having to conquer 100,000 worlds. I think this movie could have been cut down to 3 hours and been just as good, and think that 4 hours was a bit too much and that's considering 10% is in slow motion scenes (that's 24 minutes give or take). To me it looks like the success of this version of the movie could possibly generate enough buzz to get a sequel but Zack Snyder has already stated that he more than likely wouldn't come back to make it. As I said above I really dug this version and probably am a little biased and should maybe give it a point lower than what I scored/rated it but I give it a 8/10 and it get's my "Must See Seal of Approval".
https://youtu.be/EvpnLXHBYZU
-------------------------------------------------------
Spoiler Section Review:
So I really enjoyed this movie and thought it was great. At 4 hours it was a monster of a film to get through but I'm definitely glad I watched it because it was way better than the first one that came out in theaters. One of the biggest reasons I think I liked it too was that it was rated R instead of PG-13 which is why we hear Batman and Cyborg drop F-bombs in the movie and why there is significantly more violence and bloodshed shown. The beginning was also different and had a different feel to it right away because in the original it had the memorial for Superman and in this one it doesn't. One thing that I didn't care for and thought was really annoying was how the movie wasn't widescreen but the 4:3 ratio but luckily I have a setting on my tv to change it to widescreen and I think that helped a lot. I know the composer was also changed from the original which I think was better but hard to say but the music definitely fit better. A big change was how the movie felt like it had less humor and really felt darker in tone. I think that at 4 hours long though they really added back or too many additional scenes that didn't need to be there and were completely unnecessary. The part after Bruce Wayne tries to recruit Aquaman and the Swedish or Norwegian girls sing that song was pretty unnecessary and could have been taken out as well as when Wonder Woman goes to the fire arrow place of the Amazons and walks down the stairs to look at the ancient murals. I liked how Bruce Wayne/Batman had more scenes with Alfred Pennyworth. The greatest addition to this movie in my opinion were the additional scenes for Cyborg's story arc and for Flash. These really helped flesh out their characters and do them justice especially for them not having had their own individual movies before this movie of forming the Justice League. I like how Flash saved Iris in that one scene in front of the pet shop. The flashbacks for Cyborg were really cool too and how they showed more of his Mom that we never got to see humanized him a lot more. One of my favorite things that they changed was black suit Superman, that was awesome that they added that, straight out of the comics. I liked how they showed more action scenes of Wonder Woman especially the extended version of her fighting off the terrorists in the museum or wherever it was they went to blow up the kids. I also liked how they changed the scenes of Batman and her and instead made it more about the team and them together. Another thing I really liked was how they showed Willem Dafoe's character Vulko and how he talked to Aquaman. That was one thing that really bothered me about the original was how Mera and Aquaman acted like they knew each other already but in Aquaman they barely met for the first time so it just really threw me off. That and how did he know to go to Atlantis right when Steppenwolf was about to attack. It also bothered me how the Amazons had such an epic battle against Steppenwolf to defend him taking the mother box and the Atlanteans didn't even put up a fight. With this correction they added the dialogue that Aquaman's brother Orm (Ocean Master) was already starting to make moves to take over the other kingdoms that he needed all his soldiers and wouldn't spare any to protect the mother box. I had mixed feelings about Steppenwolf's redesign but I think ultimately it was a good thing and you were able to see his motivations better and think he came out more of a badass and better bad guy. It was cool to see him communicate using the mother boxes and talk to Darkseid's other henchmen Desaad. One thing I really didn't like was how they did Darkseid dirty and showed him lose in the past instead of how it was Steppenwolf who lost in the original to the combined armies of Amazons, Greek Gods, humans and a Green Lantern. They didn't even show him use his Omega beams against them but he did use it against the Atlanteans in a vision of the future that Cyborg sees and it was awesome. I felt they watered down Darkseid from how hardcore he's supposed to be in the comics and cartoons, etc... I liked how in the end they showed how he had Desaad with him and Granny Goodness with him on the other side of the boom tube. I really didn't like how they had this whole thing about Darkseid not remembering which planet the mother boxes were on or where he had seen the "anti-life equation". It doesn't make sense to me that he would forget the planet where he got his ass kicked and almost died or at least was defeated. I heard a theory that maybe he didn't forget he just didn't want his followers to know he suffered a defeat and didn't let them know or killed everyone who knew but then it also didn't make sense that Steppenwolf remembered. It also never explained in this version how or why Steppenwolf fell out of favor with Darkseid and why he was trying so desperately to please him and his whole debt of having to conquer 100,000 worlds. I think this movie could have been cut down to 3 hours and been just as good, and think that 4 hours was a bit too much and that's considering 10% is in slow motion scenes (that's 24 minutes give or take). To me it looks like the success of this version of the movie could possibly generate enough buzz to get a sequel but Zack Snyder has already stated that he more than likely wouldn't come back to make it. As I said above I really dug this version and probably am a little biased and should maybe give it a point lower than what I scored/rated it but I give it a 8/10 and it get's my "Must See Seal of Approval".
https://youtu.be/EvpnLXHBYZU
Ryan Hill (152 KP) rated Suicide Squad (2016) in Movies
May 9, 2019 (Updated May 26, 2019)
"Oh, I'm not gonna kill you... I'm just gonna hurt you really, really bad."
Suicide Squad, aka Suicide Squandered, was one of my most anticipated movies of 2016. It would bring back to the big screen one of the most iconic comic book characters, Mr. J, and Harley Quinn would make her long awaited movie debut. It also promised to offer a different approach on the superhero genre, as it would star the villains instead of the good guys.
However, the movie delivers much less than what it teases. It begins on a high note, by introducing some characters in a fun, energetic and fast-paced way, in spite of the messy editing that makes these segments look like mini trailers. It goes downhill from there, showing only a couple of scenes more that could justify all the love these superhero movies get. Ultimately, what distinguishes these sequences from the mediocre ones are the characters in them and whether the audience cares for them or not.
Displaying some information on the screen about certain characters or telling their backstory doesn't necessarily contribute to their development, nor to the knowledge the viewer has about them. Therefore, it's impossible to care about all the characters and only those who are played by the (more) famous actors have any meaning to the audience.
Will Smith's Deadshot is the best of the bunch. Smith has this unique ability to deliver comedic lines that many comedians wish they had. His charisma drives most of the movie and so does his character's motivation. Right now, he could be the only character capable of leading a franchise of his own. Deadshot ended up establishing a mildly interesting dynamic with Joel Kinnaman's forgettable Rick Flag.
Margot Robbie's Harley Quinn is the other character we end up caring about. Robbie provides a fantastic performance and hits all the right notes. Her amazing backstory is only slightly explored and it has potential for a future psychological thriller movie. With the right script and direction, it could be an incredible film. People have already talked about her body and I can only add that she could possibly be right below Kate Hudson's Penny Lane on the sexiest female movie characters. She could.
I love all sorts of crazy and psychotic performances on screen. In fact, one of my favourites is Gary Oldman's in Leon. Jared Leto delivers another one of those performances. It's truly stellar, I loved his interpretation of the Joker and I believe Leto can still receive high praise for his extraordinary efforts. It could happen in the form of that Batman movie, by Matt Reeves.
Just to conclude my thought on the performances, I would like to add that Viola Davis is an excellent Amanda Waller, even more menacing that Cara Delevingne's witch, more on that later. Jai Courtney was great , he got all the best jokes. Jay Hernandez sounds a lot like Jon Bernthal's Frank Castle, doesn't he? His Diablo is the best character, out of the less interesting ones. I love Katana from CW's Arrow and it was disappointing to see that the screenwriters didn't care about her, even more so because Karen Fukuhara seems perfect for the role. Killer Croc has the best entrance on water ever.
A movie is as good as its villain, right? Indeed. Cara Delevingne's Enchantress could very well be the worst movie villain ever. Malekith is relegated to second place. Honestly, I don't know who's to blame. Sure, Delevingne's acting isn't top-notch, but the screenwriters made her dance (?) in a weird way and her voice is laughable. The final result is ridiculous and by far the worst aspect of the movie.
While Batman v Superman: Dawn of Justice was a dark film and proud to 'own that shit', Suicide Squad is ashamed to exhibit that dark side, which results in confusing tone shifts. One moment, it's clearly a DC movie, and another, it is a Marvel family friendly one. Therefore, the comedy sometimes doesn't land, at all. Besides, I also didn't find anything special about the way the action was shot. It was generic stuff, mostly.
Suicide Squad is a huge waste of potential, that could have benefited from some character development and sharp editing. Its greatest strenght is undoubtedly the work done by the talented cast. Could a different cut fix some of these issues? Probably, yes. I was going to attribute 6 stars to this, but a second watch didn't help, either. By the way, what was your favourite sequence? Spoiler alert: mine was the one in which Joker jumps into the acid to Harley.
However, the movie delivers much less than what it teases. It begins on a high note, by introducing some characters in a fun, energetic and fast-paced way, in spite of the messy editing that makes these segments look like mini trailers. It goes downhill from there, showing only a couple of scenes more that could justify all the love these superhero movies get. Ultimately, what distinguishes these sequences from the mediocre ones are the characters in them and whether the audience cares for them or not.
Displaying some information on the screen about certain characters or telling their backstory doesn't necessarily contribute to their development, nor to the knowledge the viewer has about them. Therefore, it's impossible to care about all the characters and only those who are played by the (more) famous actors have any meaning to the audience.
Will Smith's Deadshot is the best of the bunch. Smith has this unique ability to deliver comedic lines that many comedians wish they had. His charisma drives most of the movie and so does his character's motivation. Right now, he could be the only character capable of leading a franchise of his own. Deadshot ended up establishing a mildly interesting dynamic with Joel Kinnaman's forgettable Rick Flag.
Margot Robbie's Harley Quinn is the other character we end up caring about. Robbie provides a fantastic performance and hits all the right notes. Her amazing backstory is only slightly explored and it has potential for a future psychological thriller movie. With the right script and direction, it could be an incredible film. People have already talked about her body and I can only add that she could possibly be right below Kate Hudson's Penny Lane on the sexiest female movie characters. She could.
I love all sorts of crazy and psychotic performances on screen. In fact, one of my favourites is Gary Oldman's in Leon. Jared Leto delivers another one of those performances. It's truly stellar, I loved his interpretation of the Joker and I believe Leto can still receive high praise for his extraordinary efforts. It could happen in the form of that Batman movie, by Matt Reeves.
Just to conclude my thought on the performances, I would like to add that Viola Davis is an excellent Amanda Waller, even more menacing that Cara Delevingne's witch, more on that later. Jai Courtney was great , he got all the best jokes. Jay Hernandez sounds a lot like Jon Bernthal's Frank Castle, doesn't he? His Diablo is the best character, out of the less interesting ones. I love Katana from CW's Arrow and it was disappointing to see that the screenwriters didn't care about her, even more so because Karen Fukuhara seems perfect for the role. Killer Croc has the best entrance on water ever.
A movie is as good as its villain, right? Indeed. Cara Delevingne's Enchantress could very well be the worst movie villain ever. Malekith is relegated to second place. Honestly, I don't know who's to blame. Sure, Delevingne's acting isn't top-notch, but the screenwriters made her dance (?) in a weird way and her voice is laughable. The final result is ridiculous and by far the worst aspect of the movie.
While Batman v Superman: Dawn of Justice was a dark film and proud to 'own that shit', Suicide Squad is ashamed to exhibit that dark side, which results in confusing tone shifts. One moment, it's clearly a DC movie, and another, it is a Marvel family friendly one. Therefore, the comedy sometimes doesn't land, at all. Besides, I also didn't find anything special about the way the action was shot. It was generic stuff, mostly.
Suicide Squad is a huge waste of potential, that could have benefited from some character development and sharp editing. Its greatest strenght is undoubtedly the work done by the talented cast. Could a different cut fix some of these issues? Probably, yes. I was going to attribute 6 stars to this, but a second watch didn't help, either. By the way, what was your favourite sequence? Spoiler alert: mine was the one in which Joker jumps into the acid to Harley.