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Daniel Boyd (1066 KP) created a post
Jan 16, 2018
Phillip McSween (751 KP) rated The Rocketeer (1991) in Movies
Feb 12, 2018
Hated it
Me trying to find something I liked about The Rocketeer: "Well that part was cool. Yeah, but it was quickly ruined by x,y, and z. Besides, the terrible part that happened right after made it all for nothing. Ok, but what about...Nope, that was pretty crappy too."
If Batman Vs. Superman: Dawn of Justice has taught us anything it's that sometimes superhero movies get it wrong. Not only does The Rocketeer get it wrong, it steps on its own feet before it can even get off the blocks properly. Oftentimes we have the case of decent actors getting placed with a dud of a script, but that's far from the situation here. Sure the actors didn't have much of a chance with the awful writing, but I have the strangest feeling that even if the writing had been superb these actors still would have found a way to muck it up. It's that bad. I'm talking grind your teeth bad.
To its credit, the film doesn't dupe you as it gets off to a terrible start almost immediately. Twenty minutes in and I was already thinking of the number of different things that I could have been doing rather than watching The Rocketeeer. Was it all bad? No, but mostly. The redeemable parts were quickly ruined by their own contradictions. Perfect example, everytime main character Cliff Secord (Billy Campbell) donned the Rocketeer suit, the action was pretty sweet to watch. Considering the fact that he wasn't in the suit for even a full half hour, things soured pretty quickly.
Corny moments abound in the film. I was hoping for a base that was more serious and less campy and all I can say is: Mission Not Accomplished. Between the absolute joke of a villain, the lame plot twist, and a number of other things, I don't know what bothered me the most.
The Rocketeer is the story of an aviator who is on the run from the mob after discovering a jet pack in the 1930's. Yeah, now that I think about it, the plot should have told me everything I needed to know about expectations. Skip it. I give it a 10.
If Batman Vs. Superman: Dawn of Justice has taught us anything it's that sometimes superhero movies get it wrong. Not only does The Rocketeer get it wrong, it steps on its own feet before it can even get off the blocks properly. Oftentimes we have the case of decent actors getting placed with a dud of a script, but that's far from the situation here. Sure the actors didn't have much of a chance with the awful writing, but I have the strangest feeling that even if the writing had been superb these actors still would have found a way to muck it up. It's that bad. I'm talking grind your teeth bad.
To its credit, the film doesn't dupe you as it gets off to a terrible start almost immediately. Twenty minutes in and I was already thinking of the number of different things that I could have been doing rather than watching The Rocketeeer. Was it all bad? No, but mostly. The redeemable parts were quickly ruined by their own contradictions. Perfect example, everytime main character Cliff Secord (Billy Campbell) donned the Rocketeer suit, the action was pretty sweet to watch. Considering the fact that he wasn't in the suit for even a full half hour, things soured pretty quickly.
Corny moments abound in the film. I was hoping for a base that was more serious and less campy and all I can say is: Mission Not Accomplished. Between the absolute joke of a villain, the lame plot twist, and a number of other things, I don't know what bothered me the most.
The Rocketeer is the story of an aviator who is on the run from the mob after discovering a jet pack in the 1930's. Yeah, now that I think about it, the plot should have told me everything I needed to know about expectations. Skip it. I give it a 10.
LeftSideCut (3778 KP) rated Aquaman (2018) in Movies
Jul 16, 2019 (Updated Sep 1, 2019)
An average DC entry saved by its own absurdity
I found that Aquaman is a movie of three distinct parts.
It actually starts off pretty strongly, as we're introduced to all the players involved, and all of the important locations.
Jason Mamoa is a very likeable guy, but it takes a while to warm to his gym bro approach Arthur Curry, but he managed to win me over eventually, the charming hairy bastard.
Patrick Wilson is pretty good as Ocean Master, and it's nice to see veterans like Willem Defoe and Nicole Kidman (who gets an early and very brief action scene which I reckon trumps anything in Batman vs Superman).
The story set up is all fine and straightforward, and some of the visuals are pretty impressive, especially sweeping shots of Atlantis.
When the story heads back to land at the mid point is where the films takes a bit of a nosedive.
It all just becomes a bit...boring.
It also falls into the weird "play-a-cool-song-at-random-intervals" trap that Suicide Squad enjoyed flogging to death. (Whoever decided to put that God awful hip hop cover of Africa in the mix deserves a slap)
I also feel that Black Manta was sort of wasted here. He's sidelined to make room for other story lines, which I guess is fine if he's being set up for a bigger role in future installments, but here he just feels kind of tacked on.
The last act of the film is a CGI orgy, but it stands apart from a lot of films in the genre, as it's actually colourful! The sheer scope of the last battle is absolutely absurd, so absurd that it kind of works.
The CGI in question is pretty hit and miss throughout the film - sometimes it looks horrific (young Willem Defoe is haunting) and other times, it's pretty flawless, making for some pretty good action shots.
Overall, for me, the DCEU is still struggling to leave it's mark, but Aquaman and this years Shazam seem like a small step in the right direction.
It actually starts off pretty strongly, as we're introduced to all the players involved, and all of the important locations.
Jason Mamoa is a very likeable guy, but it takes a while to warm to his gym bro approach Arthur Curry, but he managed to win me over eventually, the charming hairy bastard.
Patrick Wilson is pretty good as Ocean Master, and it's nice to see veterans like Willem Defoe and Nicole Kidman (who gets an early and very brief action scene which I reckon trumps anything in Batman vs Superman).
The story set up is all fine and straightforward, and some of the visuals are pretty impressive, especially sweeping shots of Atlantis.
When the story heads back to land at the mid point is where the films takes a bit of a nosedive.
It all just becomes a bit...boring.
It also falls into the weird "play-a-cool-song-at-random-intervals" trap that Suicide Squad enjoyed flogging to death. (Whoever decided to put that God awful hip hop cover of Africa in the mix deserves a slap)
I also feel that Black Manta was sort of wasted here. He's sidelined to make room for other story lines, which I guess is fine if he's being set up for a bigger role in future installments, but here he just feels kind of tacked on.
The last act of the film is a CGI orgy, but it stands apart from a lot of films in the genre, as it's actually colourful! The sheer scope of the last battle is absolutely absurd, so absurd that it kind of works.
The CGI in question is pretty hit and miss throughout the film - sometimes it looks horrific (young Willem Defoe is haunting) and other times, it's pretty flawless, making for some pretty good action shots.
Overall, for me, the DCEU is still struggling to leave it's mark, but Aquaman and this years Shazam seem like a small step in the right direction.
Gareth von Kallenbach (971 KP) rated Inception (2010) in Movies
Aug 8, 2019
Inception is a stunningly good movie. Written and rewritten over the course of the last 10 years, this has been Christopher Nolan’s pet project since before he worked on either of the Batman movies. Finally getting the support to afford a big-budget movie of his own creation, he does not disappoint, as Inception is by far one of the best films of the last several years.
The plot is the strongest feature of Inception. In a way, it mirrors the labyrinthine twists of the subconscious, but Nolan is adept at keeping all his proverbial ducks in a row. Luckily, the plot isn’t exactly the same as dreaming, because that would make an insane, disjointed experience. The only negative I could find regarding the flow of the plot was during the first 15 minutes. Nolan doesn’t hold back on twisting your brain, and expects you to figure out when he’s showing reality and when he’s showing you a dream. The plot generally follows the heist genre, but because many elements take place during dream sequences, you never really know what’s going to come next until the film finally ends.
The cast does an excellent job, with much of the interaction spinning around the hub that is Leonardo DiCaprio. Nolan has said that the emotional life of this character is the “guiding thread of the story” and DiCaprio gives a great performance as the dream security expert who is haunted by his own dreams. The supporting cast, that includes Joseph Gordon-Levitt, Ellen Page, Marion Cotillard, Michael Caine and Cillian Murphy, truly has no weak points; they round out the story well, and in some cases provide some needed comic relief in heavier moments.
Inception is a surprise blockbuster. For a heist movie with tinges of sci-fi, it’s a thinker of a movie that will reward extra viewings with extra insight into the motivations of the characters. The action isn’t overly heavy, the special effects work for the story and not the other way around, and it has one of the most clever plots I’ve seen in a very long time. Do not miss this movie.
The plot is the strongest feature of Inception. In a way, it mirrors the labyrinthine twists of the subconscious, but Nolan is adept at keeping all his proverbial ducks in a row. Luckily, the plot isn’t exactly the same as dreaming, because that would make an insane, disjointed experience. The only negative I could find regarding the flow of the plot was during the first 15 minutes. Nolan doesn’t hold back on twisting your brain, and expects you to figure out when he’s showing reality and when he’s showing you a dream. The plot generally follows the heist genre, but because many elements take place during dream sequences, you never really know what’s going to come next until the film finally ends.
The cast does an excellent job, with much of the interaction spinning around the hub that is Leonardo DiCaprio. Nolan has said that the emotional life of this character is the “guiding thread of the story” and DiCaprio gives a great performance as the dream security expert who is haunted by his own dreams. The supporting cast, that includes Joseph Gordon-Levitt, Ellen Page, Marion Cotillard, Michael Caine and Cillian Murphy, truly has no weak points; they round out the story well, and in some cases provide some needed comic relief in heavier moments.
Inception is a surprise blockbuster. For a heist movie with tinges of sci-fi, it’s a thinker of a movie that will reward extra viewings with extra insight into the motivations of the characters. The action isn’t overly heavy, the special effects work for the story and not the other way around, and it has one of the most clever plots I’ve seen in a very long time. Do not miss this movie.
The Marinated Meeple (1848 KP) created a post in Oscars Discussion
Jan 29, 2020
Charlie Cobra Reviews (1840 KP) rated Love, Death & Robots in TV
Jul 7, 2020
Unique And Visceral Experience
Love, Death, & Robots is an adult animated anthology tv series on Netflix. The series is produced by Joshua Donen, David Fincher, Jennifer Miller, and Tim Miller. Each of the 18 episodes released on the first season was animated by different crews from a range of countries. It's also a re-imagining of 1981 animated sci-fi film Heavy Metal. Starring Mary Elizabeth Winstead, Topher Grace, Gary Cole, Samira Wiley, and Stefan Kapicic.
Produced by different casts and crews, and consisting of 18 stand-alone episodes, each under 20 minutes, the title of the series refers to the recurring themes of love, death, and robots in each episode. Full of terrifying creatures, wicked surprises and dark comedy, it's a collection of animated short stories spanning several genres like horror, comedy, fantasy, and science fiction. Captivating stories come to life with world-class animation in a plethora of tales unlike anything else.
This series was wicked awesome. Reminded me of some of the other animated anthologies I've seen such as The Animatrix and Batman: Gotham Knight, except quite a bit more NSFW. This series also gave me a Twilight Zone vibe but bit darker. More blood and guts and highly sexual. Even though it's pretty graphic, I really liked a lot of the stories they told and the twists that most had in the end as well. Some are kind of hit or miss or just better than others but I think that there is definitely something for everyone despite the gore and nudity and language. I especially enjoyed the following episodes, 1. Sonnie's Edge, 8. Good Hunting, 10. Shape-Shifters, 13. Lucky 13, and 18. Secret War. The way they went about the story telling and world building in each episode was phenomenal. I really feel that some of these episodes deserve their own individual films or series to do them better justice. I mean some were just so good and less than 20 minutes felt like not enough or that they could have been even better. I give the entire series overall a 9/10.
Produced by different casts and crews, and consisting of 18 stand-alone episodes, each under 20 minutes, the title of the series refers to the recurring themes of love, death, and robots in each episode. Full of terrifying creatures, wicked surprises and dark comedy, it's a collection of animated short stories spanning several genres like horror, comedy, fantasy, and science fiction. Captivating stories come to life with world-class animation in a plethora of tales unlike anything else.
This series was wicked awesome. Reminded me of some of the other animated anthologies I've seen such as The Animatrix and Batman: Gotham Knight, except quite a bit more NSFW. This series also gave me a Twilight Zone vibe but bit darker. More blood and guts and highly sexual. Even though it's pretty graphic, I really liked a lot of the stories they told and the twists that most had in the end as well. Some are kind of hit or miss or just better than others but I think that there is definitely something for everyone despite the gore and nudity and language. I especially enjoyed the following episodes, 1. Sonnie's Edge, 8. Good Hunting, 10. Shape-Shifters, 13. Lucky 13, and 18. Secret War. The way they went about the story telling and world building in each episode was phenomenal. I really feel that some of these episodes deserve their own individual films or series to do them better justice. I mean some were just so good and less than 20 minutes felt like not enough or that they could have been even better. I give the entire series overall a 9/10.
LeftSideCut (3778 KP) rated Titans - Season 1 in TV
Sep 26, 2019 (Updated Jan 7, 2020)
A silly good surprise
Contains spoilers, click to show
In a world awash with CW shows based on DC comics (don't get me wrong, I have a small space in my heart for the 'Arrowverse'), who would have thought that a live action series based on Teen Titans would absolutely smash it out of the park!?
When the trailers dropped for Titans, I was intrigued, slightly worried that it would be linked to the sub par DCEU - it's not by the way, and it's also seperate from CW universe, allowing Titans to do its own thing, and do it well.
Titans is both gritty and colourful, both humourous and emotional, and hugely enjoyable.
The main cast are introduced slowly, but it doesn't take long for the group to matter to you.
Brenton Thwaites (Robin), Teegan Croft (Raven), Anna Diop (Starfire), and Ryan Potter (Beast Boy) form the core team and are all extremely likable.
Alan Ritchson and Minka Kelly (Hawk and Dove respectively) drop in from time to time to flesh out the team, and provide some of the series more emotional moments. In fact, one episode is dedicated entirely to their origins and how they met, and it's one of the seasons strong points.
Another great episode early on introduced us to the Doom Patrol (who includes bloody Brendan Fraser!) providing the jump off episode for the Doom Patrol spin off show. This episode is probably the funniest episode in the series.
Elsewhere we are introduced to other DC characters such as Jason Todd, Wonder Girl, Trigon, Superboy, and the Nuclear Family, and it shows that Titans has been able to establish a far reaching universe in the space of 11 episodes.
The season finale is a real treat, which is sort of based in Gotham. We are treated to Batman references galore, given glimpses of his rogues gallery, and absolutely crazy climatic action scene involving the Bat himself.
Titans is drenched in bad language, and moments of nasty violence, flexing itself as an adult show from the get go, and it's a huge strength.
I can't wait to see where it goes in the future!
When the trailers dropped for Titans, I was intrigued, slightly worried that it would be linked to the sub par DCEU - it's not by the way, and it's also seperate from CW universe, allowing Titans to do its own thing, and do it well.
Titans is both gritty and colourful, both humourous and emotional, and hugely enjoyable.
The main cast are introduced slowly, but it doesn't take long for the group to matter to you.
Brenton Thwaites (Robin), Teegan Croft (Raven), Anna Diop (Starfire), and Ryan Potter (Beast Boy) form the core team and are all extremely likable.
Alan Ritchson and Minka Kelly (Hawk and Dove respectively) drop in from time to time to flesh out the team, and provide some of the series more emotional moments. In fact, one episode is dedicated entirely to their origins and how they met, and it's one of the seasons strong points.
Another great episode early on introduced us to the Doom Patrol (who includes bloody Brendan Fraser!) providing the jump off episode for the Doom Patrol spin off show. This episode is probably the funniest episode in the series.
Elsewhere we are introduced to other DC characters such as Jason Todd, Wonder Girl, Trigon, Superboy, and the Nuclear Family, and it shows that Titans has been able to establish a far reaching universe in the space of 11 episodes.
The season finale is a real treat, which is sort of based in Gotham. We are treated to Batman references galore, given glimpses of his rogues gallery, and absolutely crazy climatic action scene involving the Bat himself.
Titans is drenched in bad language, and moments of nasty violence, flexing itself as an adult show from the get go, and it's a huge strength.
I can't wait to see where it goes in the future!
Emma @ The Movies (1786 KP) rated DC League of Super Pets (2022) in Movies
Aug 2, 2022
I had hoped for something lighthearted and amusing, I definitely didn't expect what I got.
When the safety of Superman, and the world, is threatened by a bald supervillain, Krypto must step in to save the day. Ordinarily, that would be easy, but not today, today he's going to need some help.
You've got to love the classic tail tale of man's best friend. Add in some superpowers and you're really on to something, the whole family well covered. Friendship, loss, insecurity, lots of lessons for the kids, and a surprising amount of bleeped dialogue and jokes for the adults.
Each Super-Pet goes through their own little journey, and though most of the interactions are between the pets, or between the humans, when the two crossover it's handled really well. The simple transition from Kate McKinnon waxing lyrical about villainy, to guinea pig squeaks is surprisingly hilarious.
You can't really find fault with the voice cast. Dwayne Johnson and Kevin Hart are always wonderful together, and I can honestly visualise them doing some of the recording together with the physical acting. McKinnon's villainy is second to none, and her reactions to scenes... *chef's kiss*.
But can we talk about Keanu? Who has started the petition for him to play IRL Batman? We need it.
The animation is simple, that's not meant in a negative way. It feels very much in line with graphic novels, there's great attention to detail, but it doesn't distract from what's in the foreground. The expressions, the human/pet interactions, every reaction is captured perfectly. Just watch for the ear bouncing and tail twitching if you don't believe me!
I went in hoping for something amusing, I came out having seen one of the best superhero movies I've ever seen. If it had songs I may have bumped it up above Teen Titans GO! To The Movies... but also, they play no crystals. So it's a very close second place.
Oh, and, just saying... if they wanted to scrap everything live action in the DCEU, animate it, and add Super-Pets... I wouldn't be mad.
Originally posted on: https://emmaatthemovies.blogspot.com/2022/07/dc-league-of-super-pets-movie-review.html
When the safety of Superman, and the world, is threatened by a bald supervillain, Krypto must step in to save the day. Ordinarily, that would be easy, but not today, today he's going to need some help.
You've got to love the classic tail tale of man's best friend. Add in some superpowers and you're really on to something, the whole family well covered. Friendship, loss, insecurity, lots of lessons for the kids, and a surprising amount of bleeped dialogue and jokes for the adults.
Each Super-Pet goes through their own little journey, and though most of the interactions are between the pets, or between the humans, when the two crossover it's handled really well. The simple transition from Kate McKinnon waxing lyrical about villainy, to guinea pig squeaks is surprisingly hilarious.
You can't really find fault with the voice cast. Dwayne Johnson and Kevin Hart are always wonderful together, and I can honestly visualise them doing some of the recording together with the physical acting. McKinnon's villainy is second to none, and her reactions to scenes... *chef's kiss*.
But can we talk about Keanu? Who has started the petition for him to play IRL Batman? We need it.
The animation is simple, that's not meant in a negative way. It feels very much in line with graphic novels, there's great attention to detail, but it doesn't distract from what's in the foreground. The expressions, the human/pet interactions, every reaction is captured perfectly. Just watch for the ear bouncing and tail twitching if you don't believe me!
I went in hoping for something amusing, I came out having seen one of the best superhero movies I've ever seen. If it had songs I may have bumped it up above Teen Titans GO! To The Movies... but also, they play no crystals. So it's a very close second place.
Oh, and, just saying... if they wanted to scrap everything live action in the DCEU, animate it, and add Super-Pets... I wouldn't be mad.
Originally posted on: https://emmaatthemovies.blogspot.com/2022/07/dc-league-of-super-pets-movie-review.html
TacoDave (3547 KP) rated Captain Marvel (2019) in Movies
Apr 10, 2019 (Updated Apr 10, 2019)
Special Effects (1 more)
90's Setting
Acting (2 more)
Story
Overt Politicalization
Captain "Meh"vel.
Contains spoilers, click to show
I finally saw Captain Marvel, just a few weeks after the rest of the world. It has already made over $1 billion, so I know I'm late to the game.
What can I say that hasn't already been said? It's a serviceable Marvel movie. It ranks up there with Iron Man 2 and Thor: The Dark World as well-made, enjoyable, yet forgettable superhero fare. At the end I realized it doesn't really explain anything and doesn't really amount to much except a mouthpiece for feminists raging against toxic masculinity and a cry to help refugees, and that's disappointing.
What are Captain Marvel's powers? It never really explains. She shoots energy beams. She learns to fly, somehow. And apparently she can breathe in space (?). But how or why or what the limits of her powers are is never discussed.
Neither are weaknesses. Superman has kryptonite. Batman and Iron Man are humans using technology to help them, but can be killed. Even Vision died without his infinity stone. But apparently Captain Marvel is just such a kick-ass woman that she can't be hurt. The film seems to suggest that her only weakness is her lack of self-empowerment.
And while I don't mind a movie having a political bent, everything in this movie that is trying to promote a social message is too on-the-nose, too in-your-face to work. "I'm Just a Girl" plays while she beats people up. A man says she should smile. A pilot says "You know why it's called the COCKpit, right?" Ninety percent of the music features a female singer (the only one I noticed that didn't was Nirvana's "Come As You Are"). It's just ... too much. Or too blatant. It kept pulling me out of the movie, as if the director(s) were seated next to me, poking me in the arm, saying "See what we did there? Subtext!"
One of the aliens even refers to earth as a sh!t-hole, a clear, obvious reference to Donald Trump.
So that's Captain Marvel. 10% muddled action, 30% jokes (mostly funny), 5% story, and 55% political message. Oh, and 127% GURL POWER.
I enjoyed it as a prelude to Avengers: Endgame, but I don't think I'll ever watch it again.
What can I say that hasn't already been said? It's a serviceable Marvel movie. It ranks up there with Iron Man 2 and Thor: The Dark World as well-made, enjoyable, yet forgettable superhero fare. At the end I realized it doesn't really explain anything and doesn't really amount to much except a mouthpiece for feminists raging against toxic masculinity and a cry to help refugees, and that's disappointing.
What are Captain Marvel's powers? It never really explains. She shoots energy beams. She learns to fly, somehow. And apparently she can breathe in space (?). But how or why or what the limits of her powers are is never discussed.
Neither are weaknesses. Superman has kryptonite. Batman and Iron Man are humans using technology to help them, but can be killed. Even Vision died without his infinity stone. But apparently Captain Marvel is just such a kick-ass woman that she can't be hurt. The film seems to suggest that her only weakness is her lack of self-empowerment.
And while I don't mind a movie having a political bent, everything in this movie that is trying to promote a social message is too on-the-nose, too in-your-face to work. "I'm Just a Girl" plays while she beats people up. A man says she should smile. A pilot says "You know why it's called the COCKpit, right?" Ninety percent of the music features a female singer (the only one I noticed that didn't was Nirvana's "Come As You Are"). It's just ... too much. Or too blatant. It kept pulling me out of the movie, as if the director(s) were seated next to me, poking me in the arm, saying "See what we did there? Subtext!"
One of the aliens even refers to earth as a sh!t-hole, a clear, obvious reference to Donald Trump.
So that's Captain Marvel. 10% muddled action, 30% jokes (mostly funny), 5% story, and 55% political message. Oh, and 127% GURL POWER.
I enjoyed it as a prelude to Avengers: Endgame, but I don't think I'll ever watch it again.
Joe Julians (221 KP) Jan 17, 2018
Daniel Boyd (1066 KP) Jan 22, 2018