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Book
Geoffrey Studdert Kennedy became one of the most famous army chaplains of the First World War,...
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LeftSideCut (3778 KP) rated Resident Evil: The Final Chapter (2017) in Movies
Jan 6, 2021 (Updated Jan 6, 2021)
Where to begin with this - even though it was silly and impractical, the previous film in the series ends on a cliffhanger (?), setting up a big ass battle between an army of undead, and a line up of heroes mainly made up of characters from the games (stood on top of the white house of course because Paul W.S. Anderson). This film opens in the aftermath, meaning that we don't even see the ensuing battle, but all these characters are un-ceremoniously killed off screen between movies. Alice is alive though....yaaay.
You know what comes next by now, an opening Milla Jovovich speech about who she is, edgy soldier characters saying edgy shit all the damn time (with added Ruby Rose for a little extra edginess), wire frame blue print segments of whatever facility they're in this time. Anderson mercifully cuts out all the gratuitous slow motion for his final bow, but unfortunately replaces it with seizure inducing quick edits. Like, it's fucking ludicrous how many edits there are whenever a fight starts and it just sucks. It's unexciting and difficult to sit through at times.
Then there's the ret-conning. Jesus Christ, Iain Glen is back for no reason other than the fact he became more of a household name thanks to Game of Thrones, plot be damned. Wesker is a villain again and the Red Queen is now a good guy, the origins of the T-Virus is different, and Milla Jovovich is actually an old woman (complete with Jackass quality aesthetics). These movies stopped making sense a while back but they just went full ham on this one. You know when you're on your last day of work before leaving a job and you just don't really give a fuck about your final shift? Yeah it's that, but a multi million dollar film.
I'm extremely happy that Resident Evil is finally being rebooted, into hopefully something that resembles the source material a bit more, and is actually scary. And good. Maybe. This franchise has given me trust issues.
Ross (3284 KP) rated Legacy of Ash in Books
Dec 21, 2020
The book takes place in an empire with far-from-happy constituent parts and angry neighbours. The heirs of the traitorous Southweald "phoenix" are held captive as figureheads warning off any thoughts of rebellion. Meanwhile, a cliched corrupt council tries to keep the empire safe from impending invasion.
The book is filled with interesting magical creatures and abilities, with a demon, witches, crow-themed goth assassins and ancient spirits. These were at the fore nowhere near often enough, treated as curses and cast aside in favour of political plotting and old fashioned battle.
The first third of the book was awesome: learning about the richness of the world, its history, politics and magic. It really was set up to be an epic story of political intrigue, deception, plotting and underhand nastiness.
Sadly, this all lead to a battle sequence that lasted far too long. It was really like Joe Abercrombie had taken one of the First Law books and shoved The Heroes into the middle of it. I really struggled to get past this long, fairly boring conflict.
The second half of the book then calms down and focuses once again before taking a massive left-turn and changing to something very different.
As with many books of this size, the cast was massive and a number of characters not distinct enough to remember by name. And so many had such promising abilities to offer but were largely absent when they would have been so useful. It was like having a superstar in an amateur dramatic society and leaving them out of most of the script. Having said that, I once saw a pantomime with David Van Day in the cast and it was in everyone's best interests that he was largely absent.
The book finished well, but it was an 800-page book that read like a 1200-page one, taking me 5 weeks to read.
Gareth von Kallenbach (980 KP) rated Thank You for Your Service (2017) in Movies
Jul 11, 2019
Thank You For Your Service is able to address an aspect of war that many films overlook; how the men and women who are deployed changed by their experiences. Additionally, it tackles the questions of how their families cope with the changes to them, how they go about living a normal existence, and how people understand how they are harmed by war without any visible injuries?
The film is a testament to the men and women suffering from Post Traumatic Stress Disorder (PTSD). It doesn’t sugar-coat or trivialize their experiences. The emotions are raw. The visual representation of their daily terror is present. With depth, the film shows audiences who may be unfamiliar with veterans or those suffering from PTSD what the world really looks like to them and how they struggle with just existing.
The film takes the statement of “Thank you for your service” and gives it greater meaning in able to connect the problems inherent in the military, healthcare system, and how we as a society view mental health. The film allows for an authentic examination of what servicemembers deal with in their return home from war. It becomes apparent that they themselves may be able to leave the battle, but the battle stays with them, tormenting and haunting them as each day passes. The war they face never ceases. Thank You For Your Service will hopefully help foster substantive discussions about what many men and women deal with in their return from the horrors of war.
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