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Stones, Stars and the Storms Between
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How does one live with knowing that the price for power often comes at the expense of others? The...
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Fallen (Everwood Falls #2)
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EVERWOOD FALLS… a small supernatural community tucked up in the Colorado Rockies where witches,...
Cozy Mystery Paranormal Romance Series
Debbiereadsbook (1777 KP) rated His Lordship's Secret (His Lordship’s Mysteries #1) in Books
Mar 24, 2022
didn't get the whodunnit!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Someone is trying to kill Alfred, so who would make a better bodyguard than a ruffain from a boxing match? Dominick, thats who, but finding the boy who saved him in the man before him makes Alfred want things, things that could get them both locked up, or worse. Makes a blackmailer a walk in the park. Dominick, finding Alfie before him, in need of a body guard, has feelings that he wasn't sure ever went away: protecting little Alfie was now his life's work. Those pesky feelings aren't reciprocated, are they?
Alfie is lovely! He wants to keep his family wealth but his cousin is happy to pee it up the wall, Alfie cares, but Reginald does not. Dominick cares, but really only about Alfie. The little boy who stole his heart has grown into a beautiful man, one who needs to stay alive, and Dominick will keep him so, even if it costs Dominick a good deal more than his heart.
It's quite emotional, in places. Dealing with growing up in a poorhouse, and then thrown into High Society would mess with anyone's head and Alfie mostly does seem to have taken it all in his stride. Mostly. Dominck is a street man, doing what he needs to do to stay alive, even if he doesn't want to do those things. A bit violent, but dealing with life on London's streets in the 1800s was never gonna be a picnic. Poor Dominick bears the brunt of that!
There is love here, but very little actual smexy time. It concentrates more on who is trying to kill Alfie, and the feelings that grow over time, between these two.
I loved that the whodunnit was so NOT who I was expecting, nor was it WHY! I love being kept on my toes!
I liked this, I liked it a lot. It doesn't quite have the punch that the other book I read by this author does, but I think its a close call! I have book 2 to read shortly, look forward to see where the author is going with these two, besides Scotland!
4 solid stars
*same worded review will appear elsewhere
Someone is trying to kill Alfred, so who would make a better bodyguard than a ruffain from a boxing match? Dominick, thats who, but finding the boy who saved him in the man before him makes Alfred want things, things that could get them both locked up, or worse. Makes a blackmailer a walk in the park. Dominick, finding Alfie before him, in need of a body guard, has feelings that he wasn't sure ever went away: protecting little Alfie was now his life's work. Those pesky feelings aren't reciprocated, are they?
Alfie is lovely! He wants to keep his family wealth but his cousin is happy to pee it up the wall, Alfie cares, but Reginald does not. Dominick cares, but really only about Alfie. The little boy who stole his heart has grown into a beautiful man, one who needs to stay alive, and Dominick will keep him so, even if it costs Dominick a good deal more than his heart.
It's quite emotional, in places. Dealing with growing up in a poorhouse, and then thrown into High Society would mess with anyone's head and Alfie mostly does seem to have taken it all in his stride. Mostly. Dominck is a street man, doing what he needs to do to stay alive, even if he doesn't want to do those things. A bit violent, but dealing with life on London's streets in the 1800s was never gonna be a picnic. Poor Dominick bears the brunt of that!
There is love here, but very little actual smexy time. It concentrates more on who is trying to kill Alfie, and the feelings that grow over time, between these two.
I loved that the whodunnit was so NOT who I was expecting, nor was it WHY! I love being kept on my toes!
I liked this, I liked it a lot. It doesn't quite have the punch that the other book I read by this author does, but I think its a close call! I have book 2 to read shortly, look forward to see where the author is going with these two, besides Scotland!
4 solid stars
*same worded review will appear elsewhere
Merissa (14048 KP) rated Blossom and the Beast (The Alder Tales #1) in Books
Jun 8, 2023
Okay, so this book is a Fairy Tale Retelling of Beauty and the Beast. With that in mind, I thought I had a fairly good idea of what to expect. Boy, was I wrong!
In Blossom and the Beast, Blossom is the youngest daughter of a clan chief. Her father has a fox for a totem animal, her three brothers are bears(!), and it is suspected that Blossom will be the same. She has a very inquisitive mind and struggles against the rules and traditions that bind her under the canopy. On a trip out of camp (when she shouldn't have been) she is spotted by Kaide. He immediately wants her in his life and does whatever it takes to ensure it. He is determined to win her over though, so he treats her with every respect.
With political manoeuvrings galore, plus a sweet and sensual romance, this book is more than just a Fairy Tale Retelling! This is an amazing book in its own right, and should definitely be recognised as such. Amazing story, with well-rounded and believable characters, this story will entice and enthral.
I will say one thing about the ending without giving out any spoilers - BE CAREFUL!!! When I finished the ending, my Kindle nearly went for a burton! It was so close to hitting the wall as I stomped around my home in disbelief. Without giving too many details, I sort of knew how it was going to end, without knowing the specific details. When those details came to life, I screeched as I couldn't believe it. It was a train wreck that I could see happening, without any means of stopping it! I was actually complaining to Blossom (my Kindle) about her actions and what she should have done instead - much to the amusement of my husband may I just add!
With no editing or grammatical errors that I found, this story certainly deserves its 5-star rating. Absolutely fantastic and I really, REALLY, can't wait for the second book to see where it will go.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
May 31, 2016
In Blossom and the Beast, Blossom is the youngest daughter of a clan chief. Her father has a fox for a totem animal, her three brothers are bears(!), and it is suspected that Blossom will be the same. She has a very inquisitive mind and struggles against the rules and traditions that bind her under the canopy. On a trip out of camp (when she shouldn't have been) she is spotted by Kaide. He immediately wants her in his life and does whatever it takes to ensure it. He is determined to win her over though, so he treats her with every respect.
With political manoeuvrings galore, plus a sweet and sensual romance, this book is more than just a Fairy Tale Retelling! This is an amazing book in its own right, and should definitely be recognised as such. Amazing story, with well-rounded and believable characters, this story will entice and enthral.
I will say one thing about the ending without giving out any spoilers - BE CAREFUL!!! When I finished the ending, my Kindle nearly went for a burton! It was so close to hitting the wall as I stomped around my home in disbelief. Without giving too many details, I sort of knew how it was going to end, without knowing the specific details. When those details came to life, I screeched as I couldn't believe it. It was a train wreck that I could see happening, without any means of stopping it! I was actually complaining to Blossom (my Kindle) about her actions and what she should have done instead - much to the amusement of my husband may I just add!
With no editing or grammatical errors that I found, this story certainly deserves its 5-star rating. Absolutely fantastic and I really, REALLY, can't wait for the second book to see where it will go.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
May 31, 2016
Adam Silvera recommended The Young Elites in Books (curated)
Matthew Krueger (10051 KP) rated Nosferatu the Vampyre (1979) in Movies
Oct 28, 2020 (Updated Oct 28, 2020)
The Vampire Among Them
Nosferatu The Vampyre- is a very slow movie. Very slow, for 90% of the time nothing happens and when some does happens its only for three minutes max. I always wanted to watch the oringal, never got a chance to, hopefully soon i will. As for this remake its so-so.
The plot: Jonathan Harker is sent away to Count Dracula's castle to sell him a house in Virna, where he lives. But Count Dracula is a vampire, an undead ghoul living off men's blood. Inspired by a photograph of Lucy Harker, Jonathan's wife, Dracula moves to Virna, bringing with him death and plague... An unusually contemplative version of Dracula, in which the vampire bears the cross of not being able to get old and die.
There are two different versions of the film, one in which the actors speak English, and one in which they speak German.
Herzog's production of Nosferatu was very well received by critics and enjoyed a comfortable degree of commercial success.
The film also marks the second of five collaborations between director Herzog and actor Kinski.
While the basic story is derived from Bram Stoker's novel Dracula, director Herzog made the 1979 film primarily as an homage remake of F. W. Murnau's silent film Nosferatu (1922), which differs somewhat from Stoker's original work. The makers of the earlier film could not obtain the rights for a film adaptation of Dracula, so they changed a number of minor details and character names in an unsuccessful attempt to avoid copyright infringement on the intellectual property owned (at the time) by Stoker's widow Florence. A lawsuit was filed, resulting in an order for the destruction of all prints of the film. Some prints survived, and were restored after Florence Stoker had died and the copyright had expired.
By the 1960s and early 1970s the original silent returned to circulation, and was enjoyed by a new generation of moviegoers.
In 1979, by the very day the copyright for Dracula had entered the public domain, Herzog proceeded with his updated version of the classic German film, which could now include the original character names.
Herzog saw his film as a parable about the fragility of order in a staid, bourgeois town. "It is more than a horror film", he says. "Nosferatu is not a monster, but an ambivalent, masterful force of change. When the plague threatens, people throw their property into the streets, they discard their bourgeois trappings. A re‐evaluation
of life and its meaning takes place."
Like i said its a decent movie.
The plot: Jonathan Harker is sent away to Count Dracula's castle to sell him a house in Virna, where he lives. But Count Dracula is a vampire, an undead ghoul living off men's blood. Inspired by a photograph of Lucy Harker, Jonathan's wife, Dracula moves to Virna, bringing with him death and plague... An unusually contemplative version of Dracula, in which the vampire bears the cross of not being able to get old and die.
There are two different versions of the film, one in which the actors speak English, and one in which they speak German.
Herzog's production of Nosferatu was very well received by critics and enjoyed a comfortable degree of commercial success.
The film also marks the second of five collaborations between director Herzog and actor Kinski.
While the basic story is derived from Bram Stoker's novel Dracula, director Herzog made the 1979 film primarily as an homage remake of F. W. Murnau's silent film Nosferatu (1922), which differs somewhat from Stoker's original work. The makers of the earlier film could not obtain the rights for a film adaptation of Dracula, so they changed a number of minor details and character names in an unsuccessful attempt to avoid copyright infringement on the intellectual property owned (at the time) by Stoker's widow Florence. A lawsuit was filed, resulting in an order for the destruction of all prints of the film. Some prints survived, and were restored after Florence Stoker had died and the copyright had expired.
By the 1960s and early 1970s the original silent returned to circulation, and was enjoyed by a new generation of moviegoers.
In 1979, by the very day the copyright for Dracula had entered the public domain, Herzog proceeded with his updated version of the classic German film, which could now include the original character names.
Herzog saw his film as a parable about the fragility of order in a staid, bourgeois town. "It is more than a horror film", he says. "Nosferatu is not a monster, but an ambivalent, masterful force of change. When the plague threatens, people throw their property into the streets, they discard their bourgeois trappings. A re‐evaluation
of life and its meaning takes place."
Like i said its a decent movie.
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BankofMarquis (1832 KP) rated Saltburn (2023) in Movies
Dec 29, 2023
Interesting...Intriguing...and Dark
Actress/Writer/Director Emerald Fennell is turning into an artistic voice that bears noticing and with SALTBURN - her follow-up to PROMISING YOUNG WOMAN (the film that won her the Academy Award for Best Original Screenplay) - Fennell’s artistic voice is in full bloom.
Starring Barry Keoghan (Oscar nominated for THE BANSHEES OF INISHERIN), SALTBURN tells the story of an Oxford student who befriends the rich, cool kid (Jacob Elordi, EUPHORIA) who invites him back to his family compound, SALTBURN, for the summer with his eccentric (to say the least) family.
As written and directed by Fennell, SALTBURN is a satire on the elite rich, showing them in their extravagant, quirky isolation in their compound, looking down on the common folk from their piles of money (or…in some cases…oblivious of the common folk because of their money) while peeling back the layers to show the unhappiness and manipulation underneath.
Fennell layers this story richly, slowly folding back facades and layers to show the ugliness of inherently unhappy people who cover their unhappiness up with wealth, money and parties.
Into this world comes Oliver Quick (Keoghan) who is the audiences’ conduit into this level of living - and who has secrets of his own.
Keoghan is interesting to watch (as always) and the family…Elordi, Sadie Soverall (his sister) and Archie Madekwe (another outsider who is jealous of Oliver’s appearance) all are good looking, good enough performers who live the hedonistic lifestyle and deny the consequences and responsibilities thereof.
When a film needs an “ice queen” as the matriarch of a family, Rosamund Pike is, inevitably, brought in and she brings the goods to Saltburn. She is perfectly cast as the mother of the family who says what she thinks, does not show what she is feeling and doesn’t give a darn about anyone else. She is suitably balanced by the off-balanced, quirky performance of the always good Richard E. Grant as the patriarch of the family who is (usually) lost in his own little world of whatever fantasy he is currently involved in.
But if this was just a film about a quirky family, it would be a fun, interesting romp. But…in Fennell’s hands, it becomes something much more sinister - and much more interesting - to watch.
Saltburn is a film that one must sit with after watching to digest what was just witnessed, but…ultimately…is one that is very interesting….and intriguing…and dark.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)
Starring Barry Keoghan (Oscar nominated for THE BANSHEES OF INISHERIN), SALTBURN tells the story of an Oxford student who befriends the rich, cool kid (Jacob Elordi, EUPHORIA) who invites him back to his family compound, SALTBURN, for the summer with his eccentric (to say the least) family.
As written and directed by Fennell, SALTBURN is a satire on the elite rich, showing them in their extravagant, quirky isolation in their compound, looking down on the common folk from their piles of money (or…in some cases…oblivious of the common folk because of their money) while peeling back the layers to show the unhappiness and manipulation underneath.
Fennell layers this story richly, slowly folding back facades and layers to show the ugliness of inherently unhappy people who cover their unhappiness up with wealth, money and parties.
Into this world comes Oliver Quick (Keoghan) who is the audiences’ conduit into this level of living - and who has secrets of his own.
Keoghan is interesting to watch (as always) and the family…Elordi, Sadie Soverall (his sister) and Archie Madekwe (another outsider who is jealous of Oliver’s appearance) all are good looking, good enough performers who live the hedonistic lifestyle and deny the consequences and responsibilities thereof.
When a film needs an “ice queen” as the matriarch of a family, Rosamund Pike is, inevitably, brought in and she brings the goods to Saltburn. She is perfectly cast as the mother of the family who says what she thinks, does not show what she is feeling and doesn’t give a darn about anyone else. She is suitably balanced by the off-balanced, quirky performance of the always good Richard E. Grant as the patriarch of the family who is (usually) lost in his own little world of whatever fantasy he is currently involved in.
But if this was just a film about a quirky family, it would be a fun, interesting romp. But…in Fennell’s hands, it becomes something much more sinister - and much more interesting - to watch.
Saltburn is a film that one must sit with after watching to digest what was just witnessed, but…ultimately…is one that is very interesting….and intriguing…and dark.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)