"I think this is the first Byrds album I owned. I bought it because it had all the singles on it. When I was a kid I didn't have a lot of money so I'd probably go and buy a band's greatest hits album, just to give a taste of the band – I love singles and greatest hits albums. I love this record because every time I hear it, it's joyous, it's transcendental and it makes my spirit soar. Whenever the Beatles and Byrds released 45s, they were all in mono because they were more powerful in terms of mixes. I watched repeats of Ready Steady Go! in the mid-'80s and was entranced by performances of 'Mr Tambourine Man', and also when The Beatles covered it too. The Byrds helped us dream away the greyness and bleakness of Glasgow and the repressiveness of Thatcherist Britain. The Byrds are better than The Beatles for me. I'm more of a Stones guy myself, but The Byrds just portrayed this image of beautiful Californian transcendent sound. That run between '65 and '67 in this compilation of A-sides and B-sides is unbeatable. I almost don't want to use this word, but it's a perfect record and basically formed the foundation of Primal Scream."

"When the Beatles started, I was 7—too young to understand the subtlety and the sex appeal. I didn’t get what the screaming and hysteria was about. I just thought they had good tunes. There was a moment that I realized: This is now. The ’50s seemed black-and-white in comparison. I hated Elvis Presley and all that rock’n’roll. It sounded boring."

"I want to mention “Jojo Rabbit” which had hands-down the best opening of any film this year from the first frame, with the Beatles rewritten for the Reich as a title track too. A really innovative and entertaining film, which rides a line I’ve never seen before, to imagine how this monster and his organization could brainwash their youth."