"It would have been very disingenuous of me not to acknowledge the enormous impact The Beatles have had on music and pop culture. They were lucky enough to be around at a time when people were pioneering with electric guitars and trying out different things and forming what pop music was. The Beatles were the best at it and the masterpiece is ‘The White Album’ because you get to hear them experimenting and going a little further out into the deeper water. Some of the McCartney songs are great, things like ‘Blackbird’, but the Lennon songs – ‘Happiness Is A Warm Gun’ and ‘I’m So Tired’ – are magnificent. ‘I’m So Tired’ is one of those songs I relate to more than any. Certain songs suit our personalities or our way of being. With ‘I’m So Tired’ I’ve been in that position so many times; sleepless nights from jet-lag or too many things going on in my head. Lennon had this unbelievably effortless ability of capturing things and writing that postcard that would become a song. That album is filled with those gems. Of all the things they did, that album is by far my favourite. It’s the most experimental. It made me think you can do what you like with an album, it’s just an experience. Other people were just writing songs; The Beatles were addressing a much broader perspective."

"The drum sound! The greatest bass sound ever! The rawness of it. ‘Isolation’ I absolutely love, and obviously we covered ‘Working Class Hero’. It’s really tight but there’s something about it that feels like they haven’t rehearsed much either - you see the film and they’re all coming in on the hoof. There’s some kind of bluesy nastiness - and I’m not a fan of the blues either - but there’s something about it, John Lennon’s guitar is really good on it, I think his guitaring was underrated actually. There’s so much savage bitterness there, ‘Mother’, just to start with the fucking bell chiming. I love that savageness. He’s having a go at McCartney, but he does it with so much wit, he can always glide over the top of it. I wish I had that ability, not to always drag it down with pure pettiness. “I don't believe in Elvis. I don't believe in Zimmerman/ I don't believe in Beatles” - I don’t think he could get “The Beatles” in, so it’s just “don’t believe in Beatles”. I love that album. There was a lot of that on [Wire’s solo album] I Killed The Zeitgeist actually, and there’s a lot on this album. I tried to learn that critical self-examination. I think John was a lot more psychoanalytical, he could use what he considered help, where as I was fucking on my own."

"I'd been into music for as long as I can remember, from being four years old. My dad bought me a record player when I was 11, and I went out and bought three albums: I had those Beatles double albums, the red and the blue, '62-'66 and '66-'70, I bought those, and I also bought Sticky Fingers by the Rolling Stones. That was the first Stones album that I bought. I actually wore it out, and parts of it became unplayable, even with halfpenny pieces on top of the stylus. For me, the Stones, when they pulled away from the Beatles' influence and became their own thing, it started with Beggars Banquet. It's those four albums - Beggars Banquet, Let It Bleed, Exile and Sticky Fingers, I think are the greatest years of the Rolling Stones as an individual, this is what we do, we're not following the Beatles any more. And they did it with such glory that I could easily have chosen [another] one of those four albums for the same reason. Once again we seem to be talking about unsung heroes, one of the great things about those Stones albums is the brilliant engineering by Glyn Johns; I think Andy Johns was involved as well, but the engineering on those records is just awesome, awesome, awesome."