"I wasn’t even sure that I liked music in my early years. There was a massive generation gap between myself and my parents, and they didn’t get it at all. They had no concept of pop culture, so the music I heard when I was a child was all light entertainment. There was a round tin in the house with a picture of tulips on it that had some singles inside and they were all awful, like “Itsy Bitsy Teenie Weenie Yellow Polka-Dot Bikini.” It was all comedy. Just terrible. I wasn’t interested in it. But two things woke me up. One was “Telstar” by the Tornados. I heard it in a shop, and this person on the radio said, “This is the sound of the future.” That got my interest. I remember the squeaky organ sound, and it was all jolly exciting. Then the Beatles happened."

"Nobody can underestimate the world changing impact that The Beatles had on my generation. It was so powerful and revolutionary. It enabled us all to see the possibility of picking up a guitar and expressing ourselves in any way you wanted. And they were the pioneers of change and innovation. They were symbolic in the sense that we were all looking for something new and they provided it. When I heard Please Please Me, it was like it was from another world. This album represents the beginning, when they had been playing clubs and were first capturing that creative energy and raw vocals. This was the bare naked, early origin of many of these artists in this piece of music and I loved it. Of course, they went on to do many things after that, but this was the kernel, the seed of what they were to do later."

"“I’m starting with The Beatles because they were the band that got me into music in the first place, and I’ve chosen Revolver because it’s the point where it all gets a bit more sort of heavy and druggy, with Tomorrow Never Knows being the perfect example. “That’s a song that Ride played right from the first rehearsals and we still play it occasionally now. Revolver’s got a lot of guitar sounds that I still reference when I make records. It’s very bass-light and it’s very high-end-light, as well. It’s all middle with varying degrees of mids and high-mids. “That’s something that I know Noel Gallagher has always been into. He realised that if you take out the really low-end, you get more volume overall, so you can concentrate this loudness in the middle where all the guitars are operating. It’s like using guitar-playing as a production tool…"