"I do this playlist on Spotify [Ben Watt's Spincycle] and I stumbled across Gem Roses while doing it. My daughter was 15, 16 at the time, and she wandered into the room when I was playing this, and she suddenly stopped short. "Dad! This is Gem Club!" And I was all, "Yes! Yes it is." It was a really touching moment – this obscure band from Boston crossing over from a teenager to her old dad. We've always been hesitant about imposing music on the kids. When the girls were about seven, we showed them a video of us on Top of the Pops. They burst into tears. They couldn't cope with it. It was outside their comprehension. To them, we're just mum and dad. 
This record is very tender, beautiful and diaphanous. The music hovers, almost. It reminds me of Anthony and the Johnsons and The Antlers, and Christopher Barnes' voice is beautiful. There's a song about a doomed gay relationship, and you feel this different worldview being exposed to you in this very beautiful way. Gem Club supported me a few years ago, and I loved hearing them live. There's a quiet defiance to them, this outsider melancholy, that's hard to resist."

"This is from that same period. He's such an unusual artist. I could have chosen the first album but I'll choose Shooting At The Moon because I saw him play when I was in Coventry and it was just absolutely extraordinary. It was the group that had Herbie Flowers, David Bedford, Mike Oldfield... This was another John Peel thing. I heard 'Joy Of A Toy', 'The Lady Rachel', 'Stop This Train' with Robert Wyatt playing drums, and all that early Soft Machine stuff which he liked. It's beautiful, things like 'May I?', incredibly gentle, beautiful love songs. Sexy. That gentle and sexy thing has always been there in Wire. When you think of 'Blessed State', which is Bruce's song, absolutely beautiful. There's always that temptation to make it simple; Colin with his white hat and us with our black hats, that's the tension. It's not as if we haven't been accused of being obscure on occasion, or opaque. But usually it's the things that people think are opaque are the things that are straight reportage. People do it, you see it, you write it. Real life is stranger than fiction but it seems as if in popular song it's not - it makes real life really dull and not about love, negotiation, and mess, and passion."