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Starve Acre
Starve Acre
Andrew Michael Hurley | 2019 | Contemporary, Fiction & Poetry, Horror
10
9.3 (4 Ratings)
Book Rating
The writing, the writing is beautiful (0 more)
Will scare a few people (0 more)
His others were good. This is exceptional
I have enjoyed Andrew Michael Hurley's previous books very much but he has surpassed himself with Starve Acre. This is a dark and suturing read that gives you the same feels as Iain Banks' masterpiece The Wasp Factory. Anyone who was fans of the exceptional read as well as possibly Neil Gaimen's folk horror will find pleasure in this read.
I love it when you are so into a book you sprint upstairs when you get in from work to read a few pages before starting the evenings cooking etc, as I did with Starve Acre.
It's hard to tell you what happens in the story without giving away plot twists but this is a book of the supernatural, of a future dictated to by the past and of a family grieving trying to rationalise feelings and hurt. It is a place where they will remain outsiders and a tree that holds the mystery of it all.
Everything about this book should make it a classic. Its presentation and cover is beautiful. Michael-Hurley's writing is beautiful capturing the darkness in a way that is delicate and sweet which only makes the horror more shocking. The Lonely and Devil's Day were very good, but the writing here is some f the best I have ever read and the story is incredible. He has now become of a level that the next book he releases I standing outside the book shop at 9am and taking a day off work to read it, he is simply that good.
Miss this book at your peril, this is better than Stephen King and the rest. Andrew Michael-Hurley is now the true king!
  
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ClareR (6256 KP) rated Little in Books

Jul 20, 2020 (Updated Jul 20, 2020)  
Little
Little
Edward Carey | 2020 | Fiction & Poetry
10
10.0 (1 Ratings)
Book Rating
Little by Edward Carey was an absolute joy to read. It didn’t occur to me that this was about the early years of Madame Marie Tussaud (or Little) until I’d read the first two chapters. That’s when I decided that I should perhaps read the synopsis. Part of me wishes I hadn’t, because I would have loved the reality to gradually dawn on me. What an early life she lived though!

18th century Paris was a place of great uncertainty - and this book has echoes of Dickensian London. It’s so much more than that though. Not only do we get some wonderful descriptions of the sights, sounds and smells of Paris at the time, we also get to look at Edward Carey’s beautiful pictures. I say beautiful, they’re pictures that portray people in their sometimes beautiful ugliness (that’s a thing, right?).

The life that Little lives! I hadn’t known any of the background of Madame Tussaud, and to be honest, with the way her formative years went, I’m astonished that she survived to old age. The Paris of the French Revolution was a dangerous place, and Little had come to know some dangerous people.

I don’t want to say anything else. It would be a shame for me to reveal any of the (what were to me) big surprises. This is a startling, moving, frustrating, emotional, bizarre, glorious journey through the French years of Madame Tussaud’s life. It was recommended to me by book blogger @yearsofreading, and I’m so glad I listened to her. Now I recommend that if you haven’t read this book, and you’ve read my review this far, go out and read it. You won’t regret it!
  
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