"Another favorite movie of mine is The Wizard of Oz. It’s just a beautiful movie all the way around. It would get a little dark and scary for me as a kid when those flying monkeys came out. Hoo-Hoo! Yeah, the flying monkeys kind of threw me off. I’d start watching the movie at three o’clock, by five o’clock the movie’s about to end, and I’m scared and dinner’s ready — I’m giving you too much info. When Dorothy first lands and the house falls on the shoes and the feet curl up, and then she goes walking and finds all these different characters — all of that was beautiful — gorgeous. Matter of fact, it was straight-up genius and it hasn’t been matched… It was too incredible. Who ever penned that was genius. And the director was genius. And the Lion was genius. And the Tin Man was genius — everything about it. I love all the characters but Dorothy was the best character. She was everything. She was a great singer. She was a great actress. She was kind. She wanted to take everybody with her."

"This reminds me of recording at Sawmills Studios at Fowey in Cornwall. It was a really beautiful environment and, thanks to the estuary, you had to come over by boat, loading the gear on depending on whether the tide was in. Then once you arrived it was this cut-off, really beautiful house. It felt like a holiday camp. Those first days in the studio were so exciting, we almost couldn’t contain ourselves. We were desperate to get in and start setting stuff up. We’d done a lot of four-track demos in the living room of the cottages so we kind of knew what we were doing but it was a very free time. I remember Danny and I being in the main living area there and getting really hooked on Either/Or. I think it was his almost Beatles-like sensibility in terms of his melodies and song structure. The technical side of things always interests me and I saw him doing similar things: finding a way to play four chords in a slightly odd way. His stuff wouldn’t always land on the chord that you expect, which was cool and very inspiring."

"[Sidney] Lumet, Dog Day Afternoon. I mean, I don’t know what there is to say about Al Pacino’s performance as John Wojtowicz. But it’s a really complicated, really emotionally messy, but driven performance. Now there’s a documentary about the real guy called “something” Dog; I forgot the name of it [editor’s note: it’s The Dog], but the doc is just as much worth seeking out. It’s almost kind of neat to see it after you watch the movie. But the way that Dog Day Afternoon unfolds almost in real time over the course of one day in Brooklyn. And the John Cazale character. First of all, it’s just a beautiful portrait of an outlier community. The homosexual community at a specific time in New York, and that niche, there were these tough guys. They were going to do anything for their dream, anything – rob a bank. But nothing they do goes right. But watching him get wrapped up in his own ego and the drama of it and the romance; it’s one of the most romantic movies I’ve ever seen. It’s a really, really beautiful film, but it’s devastating. It’s also a very regional film. I love it."