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BookInspector (124 KP) rated Tell Me a Secret in Books
Sep 24, 2020
The protagonist in this story is Holly, a woman in her forties, who got promoted in her job on a TV show. I really like that the author utilizes her knowledge of the film industry throughout her books. I really like reading about “behind the scenes” of film making. This story was a little different than the previous books I read, first of all, there is no man involved in this story, and secondly, it is told from a single (Holly’s) perspective. Even though a single perspective was sufficient to get into the novel, I always liked that Jane Fallon incorporated rivals thoughts as well.
I liked the way the author chose her characters, they were different, interesting and in a way, mysterious. I really liked that the reader can get to know them better throughout the book. Holly was a sweet character, sharing her life story as well as the present events, but she lacked the “revenge” spirit. There were so many juicy discoveries, but Holly didn’t use them, and that was a shame. I loved the twists and turns in this novel, the pages just fly by while reading this book. One thing that truly surprises me is the number of alcoholic drinks the characters consume. How can they even function after downing bottles of wine? The topic discussed in this book is “being a single mother when you get pregnant at a very young age”. Holly’s story is inspirational and I liked that the author outlined the difficulties it can bring.
As I mentioned before, Jane Fallon is a master of what she does, and she definitely knows how to keep a reader “glued” to her book. The language used is easy to understand and the decent chapter length made this novel a very enjoyable read. The ending rounded up the novel very nicely and left me satisfied with an outcome. So, to conclude, Jane Fallon always provides intriguing stories with clever and believable characters, and the plot is filled with office rivalry as well as unexpected discoveries. I really enjoyed this book, and I will definitely recommend it to everybody. Enjoy!
I liked the way the author chose her characters, they were different, interesting and in a way, mysterious. I really liked that the reader can get to know them better throughout the book. Holly was a sweet character, sharing her life story as well as the present events, but she lacked the “revenge” spirit. There were so many juicy discoveries, but Holly didn’t use them, and that was a shame. I loved the twists and turns in this novel, the pages just fly by while reading this book. One thing that truly surprises me is the number of alcoholic drinks the characters consume. How can they even function after downing bottles of wine? The topic discussed in this book is “being a single mother when you get pregnant at a very young age”. Holly’s story is inspirational and I liked that the author outlined the difficulties it can bring.
As I mentioned before, Jane Fallon is a master of what she does, and she definitely knows how to keep a reader “glued” to her book. The language used is easy to understand and the decent chapter length made this novel a very enjoyable read. The ending rounded up the novel very nicely and left me satisfied with an outcome. So, to conclude, Jane Fallon always provides intriguing stories with clever and believable characters, and the plot is filled with office rivalry as well as unexpected discoveries. I really enjoyed this book, and I will definitely recommend it to everybody. Enjoy!
Sarah (7798 KP) rated Ford v Ferrari (aka Le Mans '66) (2019) in Movies
Nov 26, 2019
Great watch
I've always been a bit of a car person (or at least I like driving fast...) and it was watching Rush at the cinema back in 2013 that really got me into racing films, and is also probably to blame for my F1 interests. Le Mans '66 appealed to me exactly for these reasons and it really is a great film, and not just for the racing.
The main appeal of this film is the relationship between Bale and Damon's characters. These two work so well together and it really pays off on screen. They're funny, heartwarming and serious and you really want to spend the whole 2.5 hours watching them. This isn't just a racing film after all, it's about the relationship between Miles and Shelby. There's a great supporting cast too, although I did think Josh Lucas was a little too slimy and Jon Bernthal was hugely underused. But this is mainly the Bale and Damon show and rightly so.
The film itself looks great and fits in with the era it's set, and the racing scenes are so well done and considering you're just staring at Christian Bale's face most of the time, the races are still surprisingly exciting and thrilling. I do think the 2.5 hour run time is a little long, and there are a few (admittedly brief) occasions in the middle where this does drag just a little, mostly when Bale and Damon aren't on screen together. There's also Bale's questionable accent, which seems a little too put on and not quiet natural.
Despite these few niggles though, this is a very enjoyable, excellent film with some potentially Oscar worthy performances. I knew nothing about the true story behind this, so for me this was also hugely informative. The only problem is that it made me want to drive like a racing driver on my way home, which isn't good for either my car or my license...
The main appeal of this film is the relationship between Bale and Damon's characters. These two work so well together and it really pays off on screen. They're funny, heartwarming and serious and you really want to spend the whole 2.5 hours watching them. This isn't just a racing film after all, it's about the relationship between Miles and Shelby. There's a great supporting cast too, although I did think Josh Lucas was a little too slimy and Jon Bernthal was hugely underused. But this is mainly the Bale and Damon show and rightly so.
The film itself looks great and fits in with the era it's set, and the racing scenes are so well done and considering you're just staring at Christian Bale's face most of the time, the races are still surprisingly exciting and thrilling. I do think the 2.5 hour run time is a little long, and there are a few (admittedly brief) occasions in the middle where this does drag just a little, mostly when Bale and Damon aren't on screen together. There's also Bale's questionable accent, which seems a little too put on and not quiet natural.
Despite these few niggles though, this is a very enjoyable, excellent film with some potentially Oscar worthy performances. I knew nothing about the true story behind this, so for me this was also hugely informative. The only problem is that it made me want to drive like a racing driver on my way home, which isn't good for either my car or my license...
Jeremy Workman recommended The Night of the Hunter (1955) in Movies (curated)
JT (287 KP) rated Predators (2010) in Movies
Mar 10, 2020
Fans of the original Predator will no doubt have been excited to see the trailers for Predators, a script pulled from a filing cabinet in 1994 and given a 2010 make over by Robert Rodriguez, who produces, with Nimród Antal directing.
It was always going to be hard to top Schwarzenegger’s 1987 hit; John McTiernan had little special effects to work with but delivered an action/sci-fi masterpiece with a cast of mercenaries. When the sequel came along Schwarzenegger wanted no part of it, and so it was up to Danny Glover (I’m still getting to old for this shit) to battle on home turf, unsuccessfully in many people’s eyes.
In 2010 we’re back in the jungle only this is no ordinary jungle, this is home field advantage for the Predators. Again, a bunch of unknowns from different specially selected backgrounds are dropped in together to face a new breed of Predator, seemingly engaged in their own tribal turf war.
The story follows some similar paths to the original, macho heroes must work together to fight back, while at the same time avoid being picked off one at a time. The script is disjointed with no prior background as to why these bunch of cut throats have been pooled together, or who is behind it all.
That said those of us who can remember back as far as 1987 will enjoy a homage to the original with scenes like a spectacular waterfall jump, a Yazuka Vs Predator battle which gives us an insight as to what might have happened when Billy stayed behind on the bridge with nothing more than a huge knife for protection. All that and the immortal line “Kill me I’m here!”
Adrien Brody may not seem like your stereotypical action hero but he does do a half decent job, following along the action hero code of A) getting some serious gym time, B) lowering voice to a low growl and C) not giving a shit, then coming back and giving a shit!
The others, well they’re no Dutch, Mac, Billy or Zane but they are a new breed. There is the quiet and yet deadly Yakuza (Louis Ozawa Changchien), who is dressed for the most part in a smart grey suit and performs the sword-moves in a well choreographed human vs. Predator duel.
The rest are walking talking archetypal thugs, a Russian beef cake (Oleg Taktarov), a death row serial murderer (Walton Goggins), an African Death Squad killer (Mahershalalhashbaz Ali) and a cocaine cartel hatchet man (the legend that is Danny Trejo). There is also a rather pointless guest appearance which might lead us into a false sense of security as it is all but cut short, shame!
It was always going to be hard to top Schwarzenegger’s 1987 hit; John McTiernan had little special effects to work with but delivered an action/sci-fi masterpiece with a cast of mercenaries. When the sequel came along Schwarzenegger wanted no part of it, and so it was up to Danny Glover (I’m still getting to old for this shit) to battle on home turf, unsuccessfully in many people’s eyes.
In 2010 we’re back in the jungle only this is no ordinary jungle, this is home field advantage for the Predators. Again, a bunch of unknowns from different specially selected backgrounds are dropped in together to face a new breed of Predator, seemingly engaged in their own tribal turf war.
The story follows some similar paths to the original, macho heroes must work together to fight back, while at the same time avoid being picked off one at a time. The script is disjointed with no prior background as to why these bunch of cut throats have been pooled together, or who is behind it all.
That said those of us who can remember back as far as 1987 will enjoy a homage to the original with scenes like a spectacular waterfall jump, a Yazuka Vs Predator battle which gives us an insight as to what might have happened when Billy stayed behind on the bridge with nothing more than a huge knife for protection. All that and the immortal line “Kill me I’m here!”
Adrien Brody may not seem like your stereotypical action hero but he does do a half decent job, following along the action hero code of A) getting some serious gym time, B) lowering voice to a low growl and C) not giving a shit, then coming back and giving a shit!
The others, well they’re no Dutch, Mac, Billy or Zane but they are a new breed. There is the quiet and yet deadly Yakuza (Louis Ozawa Changchien), who is dressed for the most part in a smart grey suit and performs the sword-moves in a well choreographed human vs. Predator duel.
The rest are walking talking archetypal thugs, a Russian beef cake (Oleg Taktarov), a death row serial murderer (Walton Goggins), an African Death Squad killer (Mahershalalhashbaz Ali) and a cocaine cartel hatchet man (the legend that is Danny Trejo). There is also a rather pointless guest appearance which might lead us into a false sense of security as it is all but cut short, shame!
BookInspector (124 KP) rated Cold Calling in Books
Sep 24, 2020
Even from the description, it was visible, that this book will contain tons of strong language, and it did. I believe all of us had to deal with a “cold call” at least once in our lifetime, and it is really annoying, to be honest. This book is an insight into behind the scenes of “cold calling” companies, and I found it incredibly interesting to read. After reading this novel, I promised myself not to be rude to people who work in this industry, because as it showed, their life is already not the best.
This book about a guy named Rhys. He works in a call centre and lives really sad and monotonic life. He hates his job and actually his life. His life is a routine of work, porn websites after work, casual drink with friends he hates, sleep, repeat. One day after a lot of drinks, he kills a family, takes their baby, cooks it and eats it. And it somehow changes his life, and he needs more… So this book is about a guy who from being an ordinary boring dude, becomes a vicious and exciting murderer. The characters chosen for this book are just like normal, ordinary lads, very believable and you see these kinds of people every day. Haydn Wilks has quite a bit of experience working in call centres himself, and I appreciate, that he shared the details of it with the readers.
The plot of this book left me interested and grossed out at the same time. I like horror books, but this one overwhelmed me. There were some really nasty parts in here, and if I would be a meat eater, it would put me off from it for quite a while. The details of cooking human flesh, eating it, and sharing with others just gives me nausea. So if you got weak stomach and you are sensitive, this book is definitely not for you. I really enjoyed reading about Rhys’s psychotic plans of how to find new victims and how to preserve their bodies, I like when books give insights into murderers thoughts, I find that very interesting.
This book is quite short and really quick paced, so it is a quick read even though it doesn’t have chapters. This book is written in a very interesting manner, it is like a letter to yourself, about yourself. Here is the first paragraph of the book:
“You were born the year the Berlin Wall fell. For your generation, it’s impossible to conceive of life outside capitalism. It feels as permanent and natural as gravity or the four seasons. You were born into a system and you’ve inherited its world view. A person’s beliefs are shaped by their society. No preindustrial revolution European intellectuals were openly atheist. Human civilisation is an echo chamber. Imagine how ideas that are emerging now will get amplified and distorted over time. These are the thoughts that fill your head as you stare into the computer screen; at names and addresses and telephone numbers; black details on slow-blinding white.”
So this kind of writing style justifies the lack of chapters and brought something new to my reading spectra because I don’t remember reading anything similar. This book is easy to read and doesn’t have a difficult language. I don’t know was the author lazy or genius, but this book does not have an ending. The ending of the book tells the reader to create their own ending. As this is the first book I read by this author, I really don’t know if other books by this author have the same ending style, or it’s just this one. So, to conclude, this book was too strong for me, that’s why my rating for it is not the best. However, if you have a strong stomach, interested in behind the scenes of call centres, and like books about cannibalism, this one would be a great book for you.
This book about a guy named Rhys. He works in a call centre and lives really sad and monotonic life. He hates his job and actually his life. His life is a routine of work, porn websites after work, casual drink with friends he hates, sleep, repeat. One day after a lot of drinks, he kills a family, takes their baby, cooks it and eats it. And it somehow changes his life, and he needs more… So this book is about a guy who from being an ordinary boring dude, becomes a vicious and exciting murderer. The characters chosen for this book are just like normal, ordinary lads, very believable and you see these kinds of people every day. Haydn Wilks has quite a bit of experience working in call centres himself, and I appreciate, that he shared the details of it with the readers.
The plot of this book left me interested and grossed out at the same time. I like horror books, but this one overwhelmed me. There were some really nasty parts in here, and if I would be a meat eater, it would put me off from it for quite a while. The details of cooking human flesh, eating it, and sharing with others just gives me nausea. So if you got weak stomach and you are sensitive, this book is definitely not for you. I really enjoyed reading about Rhys’s psychotic plans of how to find new victims and how to preserve their bodies, I like when books give insights into murderers thoughts, I find that very interesting.
This book is quite short and really quick paced, so it is a quick read even though it doesn’t have chapters. This book is written in a very interesting manner, it is like a letter to yourself, about yourself. Here is the first paragraph of the book:
“You were born the year the Berlin Wall fell. For your generation, it’s impossible to conceive of life outside capitalism. It feels as permanent and natural as gravity or the four seasons. You were born into a system and you’ve inherited its world view. A person’s beliefs are shaped by their society. No preindustrial revolution European intellectuals were openly atheist. Human civilisation is an echo chamber. Imagine how ideas that are emerging now will get amplified and distorted over time. These are the thoughts that fill your head as you stare into the computer screen; at names and addresses and telephone numbers; black details on slow-blinding white.”
So this kind of writing style justifies the lack of chapters and brought something new to my reading spectra because I don’t remember reading anything similar. This book is easy to read and doesn’t have a difficult language. I don’t know was the author lazy or genius, but this book does not have an ending. The ending of the book tells the reader to create their own ending. As this is the first book I read by this author, I really don’t know if other books by this author have the same ending style, or it’s just this one. So, to conclude, this book was too strong for me, that’s why my rating for it is not the best. However, if you have a strong stomach, interested in behind the scenes of call centres, and like books about cannibalism, this one would be a great book for you.
Merissa (11938 KP) rated Omega Stolen (Northern Lodge Pack #1) in Books
Aug 27, 2019
Omega Stolen is the first book in the Northern Lodge Pack series, and we get a fine introduction into just who they are, and why this pack was formed and living where it is. Kai doesn't have the best of starts (to say the least) and it says a lot when his life actually takes a turn for the better when he is sold by his father! Although he will be forced to have sex and possibly a pup, and then forced into giving up said pup, that hasn't actually happened yet. For the first time, he is fed and has friends. Luckily for him, Jenny is there and her brother is looking for her. Jake is determined to find his sister, and once he finds out she has others she won't leave behind, they're all on their way.
This was a fast-paced book, with no excess of words or scenes. It is very sweet, with the huge BOOM of instant mates. However, for a quick, sassy read, it was absolutely brilliant, and just what I needed. I don't know if I have read an updated version, but there were no editing, spelling, or grammar mistakes that disrupted my reading. Each chapter was titled with who was speaking so there was no confusion there.
A quick, hot, MM Shifter Mpreg book that I thoroughly enjoyed and have no hesitation in recommending.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
This was a fast-paced book, with no excess of words or scenes. It is very sweet, with the huge BOOM of instant mates. However, for a quick, sassy read, it was absolutely brilliant, and just what I needed. I don't know if I have read an updated version, but there were no editing, spelling, or grammar mistakes that disrupted my reading. Each chapter was titled with who was speaking so there was no confusion there.
A quick, hot, MM Shifter Mpreg book that I thoroughly enjoyed and have no hesitation in recommending.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Phillip McSween (751 KP) rated The Blue Room (2014) in Movies
Sep 24, 2018
Not Bad
Two lovers involved in an affair explore the possibilities of murder.
Acting: 10
Top to bottom the acting is absolutely magnificent. Each actor/actress excels in their role and gets you completely wrapped up in the story. There is so much intrigue and passion to convey in a story like this and this stellar group didn’t disappoint.
Beginning: 10
A steamy beginning introduces the characters and gives you a taste of what you can expect from the film. Again, this story succeeds by intriguing you from one moment to the next. The tone is set from jump, capturing your attention with the intro to the lovers and a police case we have yet to uncover.
Characters: 10
Cinematography/Visuals: 10
Conflict: 6
This is where the story loses me a bit. You can tell things are bubbling up behind the scenes, but I always had the strangest feeling that I was in for a let down. There wasn’t as much implosion as I was hoping for or that should come with a story of this magnitude. This man’s world is falling apart, yet it felt like the movie went through the paces for me at times.
Genre: 9
I think this scoring might be more of a result of not as many strong films in the genre. I classify this as an erotic drama or a drama centered around sexuality. It’s not a genre I’m well-versed in, but I will say that it’s one of the best I’ve seen considering the strong cast and overall appeal.
Memorability: 9
Pace: 5
Plot: 5
Resolution: 1
Shoddy and predictable. This film deserved better. Perhaps if it had gotten better, The Blue Room would have moved from decent to great. Seriously, it made the entire movie feel like a waste of time due to a lack of payoff. I don’t know what I expected…but it wasn’t this.
Overall: 75
While the film definitely gets a lot of things right with solid acting and beautiful shots that stand out in your brain, it lacks the proper punch to get it over the hump of mediocrity. While I would watch it again, The Blue Room won’t go down as one of my favorites.
Acting: 10
Top to bottom the acting is absolutely magnificent. Each actor/actress excels in their role and gets you completely wrapped up in the story. There is so much intrigue and passion to convey in a story like this and this stellar group didn’t disappoint.
Beginning: 10
A steamy beginning introduces the characters and gives you a taste of what you can expect from the film. Again, this story succeeds by intriguing you from one moment to the next. The tone is set from jump, capturing your attention with the intro to the lovers and a police case we have yet to uncover.
Characters: 10
Cinematography/Visuals: 10
Conflict: 6
This is where the story loses me a bit. You can tell things are bubbling up behind the scenes, but I always had the strangest feeling that I was in for a let down. There wasn’t as much implosion as I was hoping for or that should come with a story of this magnitude. This man’s world is falling apart, yet it felt like the movie went through the paces for me at times.
Genre: 9
I think this scoring might be more of a result of not as many strong films in the genre. I classify this as an erotic drama or a drama centered around sexuality. It’s not a genre I’m well-versed in, but I will say that it’s one of the best I’ve seen considering the strong cast and overall appeal.
Memorability: 9
Pace: 5
Plot: 5
Resolution: 1
Shoddy and predictable. This film deserved better. Perhaps if it had gotten better, The Blue Room would have moved from decent to great. Seriously, it made the entire movie feel like a waste of time due to a lack of payoff. I don’t know what I expected…but it wasn’t this.
Overall: 75
While the film definitely gets a lot of things right with solid acting and beautiful shots that stand out in your brain, it lacks the proper punch to get it over the hump of mediocrity. While I would watch it again, The Blue Room won’t go down as one of my favorites.
Marvel Comics
10.0
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Operating out of a tiny office on Madison Avenue in the early 1960s, a struggling company called...
Movie Metropolis (309 KP) rated Allegiant (2016) in Movies
Jun 11, 2019
A+ for effort
I think it’s probably fair to say that the Young Adult genre has become oversaturated due to the phenomenal success of The Hunger Games. Since coming to a slightly underwhelming conclusion last year, many new franchises have its crown firmly in their sights.
The Maze Runner was a muddled first outing with the second, Scorch Trials faring much better and the same can be said for the Divergent series. The first film was at times, an incomprehensible mess, while its follow-up, Insurgent was a thrilling if CGI-heavy and overlong affair.
Allegiant marks the first of two films ending the moderately successful series, with Ascendant being released in June next year. But does this split conclusion harm it as much as it did for Mockingjay?
Allegiant picks up immediately after the end of its predecessor with Tris Prior (Shailene Woodley), her lover Four (Theo James) and a group of friends leaving their once safe-haven of a post-apocalyptic Chicago in order to find a world beyond the wall, populated by others once thought forgotten. What ensues will change their lives forever.
The cast is on form in this instalment with Woodley growing into the role perfectly. It’s true that she’s no Jennifer Lawrence, and many would see her as a budget Katniss Everdeen, but she plays the character with a confidence only matched by her rival in the genre. Theo James gets a much larger role here too, and this is welcome, given his pivotal part in the novels.
Elsewhere, Naomi Watts does her best Julianne Moore impression and clearly watched the latter’s performance in Mockingjay to prepare for an incredibly similar role. Jeff Daniels is a nice addition as the Bureau of Genetic Welfare’s leader, David, though again, his acting prowess feels a little wasted.
Robert Schwentke directs the film with a unique colour palate and visual flair. Scenes “beyond the wall” are stunning and glisten with a red lick of paint, a welcome change from the staid, grey and blue many directors continue to use in blockbusters. It’s very Total Recall-esque in these sequences and better for it.
Unfortunately, once the plucky group of teens leave the Martian-like “Fringe” behind, the CGI kicks up a gear. This is where things start to unravel somewhat and Schwentke throws effect upon effect at the screen until there is hardly any realism left. On the whole, they’re pretty decent, but there are a few lapses that stop the film dead in its tracks, especially towards the cliff-hanger conclusion.
It’s also far too long. Much like Mockingjay, splitting the final book was an exercise in cash-grabbing rather than giving fans of the novels what they want. At over two hours in length, Allegiant drags in places and means the final film, as a whole, will be around four hours.
Nevertheless, there is much to enjoy here. The story for newcomers is incomprehensible and some of the dialogue is downright laughable, but for those of us continuing the saga, it’s an epic adventure with some cracking visuals, good acting and an intriguing plot – despite a few convoluted moments.
Overall, Allegiant is a film hampered by its timing. The similarities to The Hunger Games are obvious throughout, from exactly the same dialogue in certain scenes, to similar sets and similar casting decisions. But, if you can forget all that, it’s a fun, if overlong ride
https://moviemetropolis.net/2016/03/13/a-for-effort-divergent-allegiant-review/
The Maze Runner was a muddled first outing with the second, Scorch Trials faring much better and the same can be said for the Divergent series. The first film was at times, an incomprehensible mess, while its follow-up, Insurgent was a thrilling if CGI-heavy and overlong affair.
Allegiant marks the first of two films ending the moderately successful series, with Ascendant being released in June next year. But does this split conclusion harm it as much as it did for Mockingjay?
Allegiant picks up immediately after the end of its predecessor with Tris Prior (Shailene Woodley), her lover Four (Theo James) and a group of friends leaving their once safe-haven of a post-apocalyptic Chicago in order to find a world beyond the wall, populated by others once thought forgotten. What ensues will change their lives forever.
The cast is on form in this instalment with Woodley growing into the role perfectly. It’s true that she’s no Jennifer Lawrence, and many would see her as a budget Katniss Everdeen, but she plays the character with a confidence only matched by her rival in the genre. Theo James gets a much larger role here too, and this is welcome, given his pivotal part in the novels.
Elsewhere, Naomi Watts does her best Julianne Moore impression and clearly watched the latter’s performance in Mockingjay to prepare for an incredibly similar role. Jeff Daniels is a nice addition as the Bureau of Genetic Welfare’s leader, David, though again, his acting prowess feels a little wasted.
Robert Schwentke directs the film with a unique colour palate and visual flair. Scenes “beyond the wall” are stunning and glisten with a red lick of paint, a welcome change from the staid, grey and blue many directors continue to use in blockbusters. It’s very Total Recall-esque in these sequences and better for it.
Unfortunately, once the plucky group of teens leave the Martian-like “Fringe” behind, the CGI kicks up a gear. This is where things start to unravel somewhat and Schwentke throws effect upon effect at the screen until there is hardly any realism left. On the whole, they’re pretty decent, but there are a few lapses that stop the film dead in its tracks, especially towards the cliff-hanger conclusion.
It’s also far too long. Much like Mockingjay, splitting the final book was an exercise in cash-grabbing rather than giving fans of the novels what they want. At over two hours in length, Allegiant drags in places and means the final film, as a whole, will be around four hours.
Nevertheless, there is much to enjoy here. The story for newcomers is incomprehensible and some of the dialogue is downright laughable, but for those of us continuing the saga, it’s an epic adventure with some cracking visuals, good acting and an intriguing plot – despite a few convoluted moments.
Overall, Allegiant is a film hampered by its timing. The similarities to The Hunger Games are obvious throughout, from exactly the same dialogue in certain scenes, to similar sets and similar casting decisions. But, if you can forget all that, it’s a fun, if overlong ride
https://moviemetropolis.net/2016/03/13/a-for-effort-divergent-allegiant-review/
Bob Mann (459 KP) rated Rogue One: A Star Wars Story (2016) in Movies
Sep 29, 2021
Putting the “Wars” back into “Star Wars”.
Expectations have been sky-high for this first in the ‘add-in’ series of Star Wars films. But with director Gareth Edwards at the helm, whose past movie track-record includes just the low-budget “Monsters” and the less than memorable “Godzilla“, I was frankly concerned.
But the English guy (with the Welsh name) has seriously delivered!
“Rogue One” (I have omitted the inane and irritating suffix “: A Star Wars Story”) tells the story behind the story of the original Episode IV: “A New Hope”. Felicity Jones (“The Theory of Everything“) plays Jyn Erso, daughter to Imperial weapons expert Mads Mikkelsen (“Doctor Strange“, “Casino Royale”). An interrupted childhood leads the delinquent Jyn on a personal journey to become a leader in the fragmenting Rebel Alliance, as a small band of heroes battle to obtain the plans for the Empire’s planet-zapping Death Star. Will they succeed (this is hardly a question worth asking given the start of Episode IV!) and at what cost?
I’m throwing it out there…. this is the best Star Wars film since “The Empire Strikes Back”. The story (John Knoll and Gary Whitta) is almost Shakespearean in its scope, leading to a moving and memorable finale. As a standalone episode within the Star Wars canon – chronologically positioned as it between “Star Wars Episode III: Revenge of the Sith” and “Star Wars Episode IV: A New Hope” – the film marvellously knits the two together bringing in cameos from Episode III as well as (very surprising) cameos from Episode IV, now nearly 40 years old. The screenplay (by Chris “About a Boy” Weitz and Tony Gilroy, writer of the “Bourne” films) is whip-smart with great lines.
For Star Wars fans the film is also chock full of ‘Easter Eggs’ from the original Star Wars. All of these are great fun but – frankly – some don’t make a lot of sense: for example, a chance encounter with a character in the streets of Jedha City doesn’t gel with what happens an hour or two later.
After Rey in last December’s “Star Wars: The Force Awakens” we again see another kick-ass heroine and a further cinematic nod towards girl-power in the movies. But this is a nuanced heroine with more than a hint of darkness about her. Felicity Jones plays her perfectly, reflecting her transition from teenage rebel to rebel-leading teen.
In general, the darkness continues throughout the supporting cast with some of the heroes – notably the impressive Diego Luna (“The Terminal”) as Cassian Andor – managing to do some very anti-heroic things at points in the story. The rest of the cast, and especially Donnie Yen and Wen Jiang as dynamic martial arts duo Chirrut Îmwe and Baze Malbus, generate the warm fuzzies enough for you – as the audience – to really care for what happens to them. This even extends to the lump of metal in the frame – the droid K-2SO (voiced by Alan Tudyk) – who could be the film’s Jar Jar Binks but manages instead to steal the best comic lines in the film.
Elsewhere Forest Whitaker (“Arrival“) is underused as rebel guerilla Saw Gerrera; Mads Mikkelsen adds gravitas to a key strategic role; and Ben Mendelsohn makes for a memorable Imperial villain. The only slightly irritating character in an otherwise stellar ensemble cast is pilot Rodhi Rook (played by Riz Ahmed from “Jason Bourne“): more for the rather pointless way his character is written than for the Londoner’s portrayal per se.
An equal member of the cast is the sublime music of Michael Giacchino, having the unenviable task of following John Williams into the Star Wars franchise. But he does a great job. After the shock of the non-traditional opening (and an abrupt and rather out of place Title shot) the style settles down, with some of the swelling music in the closing reel adding tremendously to the emotion of the finale.
The film is not quite perfect though. The first half of the film could have moved on a bit quicker to get to the breathtaking finale. And even though CGI has moved on significantly from the stick men and women walking around on the deck in “Titanic” in 1997, the state of the art (no spoilers, but you’ll know what I mean if you’ve seen the film) still has room for some improvement. (Perhaps the first of these scenes could have been as subliminal as the last for better effect).
An outstanding effort, and one I definitely want to watch again. The Bluray version will also be a ‘must-buy’ when it emerges, since – with 4 to 5 weeks of re-shoots done in the summer, and many scenes in the trailer not appearing in the final cut – there must be an enormous number of deleted (original?) scenes that may tell a very different story from the one we saw this week.
Disney must be so, so pleased at their very expensive investment in Star Wars, and fears that the Mouse would trash the brand seem to be – thankfully – unfounded.
But the English guy (with the Welsh name) has seriously delivered!
“Rogue One” (I have omitted the inane and irritating suffix “: A Star Wars Story”) tells the story behind the story of the original Episode IV: “A New Hope”. Felicity Jones (“The Theory of Everything“) plays Jyn Erso, daughter to Imperial weapons expert Mads Mikkelsen (“Doctor Strange“, “Casino Royale”). An interrupted childhood leads the delinquent Jyn on a personal journey to become a leader in the fragmenting Rebel Alliance, as a small band of heroes battle to obtain the plans for the Empire’s planet-zapping Death Star. Will they succeed (this is hardly a question worth asking given the start of Episode IV!) and at what cost?
I’m throwing it out there…. this is the best Star Wars film since “The Empire Strikes Back”. The story (John Knoll and Gary Whitta) is almost Shakespearean in its scope, leading to a moving and memorable finale. As a standalone episode within the Star Wars canon – chronologically positioned as it between “Star Wars Episode III: Revenge of the Sith” and “Star Wars Episode IV: A New Hope” – the film marvellously knits the two together bringing in cameos from Episode III as well as (very surprising) cameos from Episode IV, now nearly 40 years old. The screenplay (by Chris “About a Boy” Weitz and Tony Gilroy, writer of the “Bourne” films) is whip-smart with great lines.
For Star Wars fans the film is also chock full of ‘Easter Eggs’ from the original Star Wars. All of these are great fun but – frankly – some don’t make a lot of sense: for example, a chance encounter with a character in the streets of Jedha City doesn’t gel with what happens an hour or two later.
After Rey in last December’s “Star Wars: The Force Awakens” we again see another kick-ass heroine and a further cinematic nod towards girl-power in the movies. But this is a nuanced heroine with more than a hint of darkness about her. Felicity Jones plays her perfectly, reflecting her transition from teenage rebel to rebel-leading teen.
In general, the darkness continues throughout the supporting cast with some of the heroes – notably the impressive Diego Luna (“The Terminal”) as Cassian Andor – managing to do some very anti-heroic things at points in the story. The rest of the cast, and especially Donnie Yen and Wen Jiang as dynamic martial arts duo Chirrut Îmwe and Baze Malbus, generate the warm fuzzies enough for you – as the audience – to really care for what happens to them. This even extends to the lump of metal in the frame – the droid K-2SO (voiced by Alan Tudyk) – who could be the film’s Jar Jar Binks but manages instead to steal the best comic lines in the film.
Elsewhere Forest Whitaker (“Arrival“) is underused as rebel guerilla Saw Gerrera; Mads Mikkelsen adds gravitas to a key strategic role; and Ben Mendelsohn makes for a memorable Imperial villain. The only slightly irritating character in an otherwise stellar ensemble cast is pilot Rodhi Rook (played by Riz Ahmed from “Jason Bourne“): more for the rather pointless way his character is written than for the Londoner’s portrayal per se.
An equal member of the cast is the sublime music of Michael Giacchino, having the unenviable task of following John Williams into the Star Wars franchise. But he does a great job. After the shock of the non-traditional opening (and an abrupt and rather out of place Title shot) the style settles down, with some of the swelling music in the closing reel adding tremendously to the emotion of the finale.
The film is not quite perfect though. The first half of the film could have moved on a bit quicker to get to the breathtaking finale. And even though CGI has moved on significantly from the stick men and women walking around on the deck in “Titanic” in 1997, the state of the art (no spoilers, but you’ll know what I mean if you’ve seen the film) still has room for some improvement. (Perhaps the first of these scenes could have been as subliminal as the last for better effect).
An outstanding effort, and one I definitely want to watch again. The Bluray version will also be a ‘must-buy’ when it emerges, since – with 4 to 5 weeks of re-shoots done in the summer, and many scenes in the trailer not appearing in the final cut – there must be an enormous number of deleted (original?) scenes that may tell a very different story from the one we saw this week.
Disney must be so, so pleased at their very expensive investment in Star Wars, and fears that the Mouse would trash the brand seem to be – thankfully – unfounded.