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Gareth von Kallenbach (971 KP) rated Tammy (2014) in Movies
Jun 19, 2019
Life for Tammy (Melissa McCarthy) is a struggle in frustration. She is an outspoken individual who is not shy about speaking her mind and acting out which is often as trouble seems to follow her everywhere.
Following one particularly bad morning, Tammy decides to move away from Illinois once and for all and when her mother offers her no real encouragement, Tammy takes to the road with her grandmother (Susan Sarandon).
Despite her health issues and love for the bottle, Tammy is happy to have the company as she admires the free spirit of her grandmother who wants to have an adventure and live life to the fullest at all times.
Of course trouble seems to find Tammy and before long she has to deal with a slew of problems as well as the increasingly self destructive behavior of her grandmother.
Complications arise when a farmer named Bobby (Mark Duplass), and his father Earl (Gary Cole), enter into the picture to provide distractions to the ladies and to make them start to see the consequences of their action.
Throw in short but solid supporting work from Kathy Bates and Dan Aykroyd, and this film should have been a laugh filled riot. Instead it stays in the bittersweet range far more than it does comedy, as many of the best jokes in the film were shown in the trailer.
I credit McCarthy, who along with Ben Falcone wrote the film, for trying to move beyond the manic comedies that she has done prior. The film is marketed as more of the same but it is not. The film drags in places as you keep waiting for the laughs to come and when they do it is very sporadic. Instead the focus in on emotions, life, and being accountable as well as other heady topics it is just a shame that McCarthy keeps having to play the lovable loser parts as to be honest they are starting to get old. I joked to my wife that a prison in the film looked much like the one in “Identity Thief”.
The film attempts to combine a buddy road trip with some deeper human issues but this is not “Thelma and Louise”, and it does seem that despite the best efforts of all involved, we have seen this trip many times before and it is one that did not need to be taken again.
http://sknr.net/2014/07/02/tammy/
Following one particularly bad morning, Tammy decides to move away from Illinois once and for all and when her mother offers her no real encouragement, Tammy takes to the road with her grandmother (Susan Sarandon).
Despite her health issues and love for the bottle, Tammy is happy to have the company as she admires the free spirit of her grandmother who wants to have an adventure and live life to the fullest at all times.
Of course trouble seems to find Tammy and before long she has to deal with a slew of problems as well as the increasingly self destructive behavior of her grandmother.
Complications arise when a farmer named Bobby (Mark Duplass), and his father Earl (Gary Cole), enter into the picture to provide distractions to the ladies and to make them start to see the consequences of their action.
Throw in short but solid supporting work from Kathy Bates and Dan Aykroyd, and this film should have been a laugh filled riot. Instead it stays in the bittersweet range far more than it does comedy, as many of the best jokes in the film were shown in the trailer.
I credit McCarthy, who along with Ben Falcone wrote the film, for trying to move beyond the manic comedies that she has done prior. The film is marketed as more of the same but it is not. The film drags in places as you keep waiting for the laughs to come and when they do it is very sporadic. Instead the focus in on emotions, life, and being accountable as well as other heady topics it is just a shame that McCarthy keeps having to play the lovable loser parts as to be honest they are starting to get old. I joked to my wife that a prison in the film looked much like the one in “Identity Thief”.
The film attempts to combine a buddy road trip with some deeper human issues but this is not “Thelma and Louise”, and it does seem that despite the best efforts of all involved, we have seen this trip many times before and it is one that did not need to be taken again.
http://sknr.net/2014/07/02/tammy/
Bob Mann (459 KP) rated Hell or High Water (2016) in Movies
Sep 29, 2021
“Sometimes a blind pig finds a truffle”.
One of the joys (and stresses) of the run up to the Oscar weekend is to try to catch all the major award films before the big event. As I bitched about in my BAFTA write-up, UK release dates do NOT make this an easy task, with some films like Paul Verhoeven’s “Elle”, featuring Best Actress nominee Isabelle Huppert, not released until mid March.
This week I have had the chance to catch up on two of the films with award potential that I missed at the cinema, and this is the write up of the first of those: “Hell or High Water”, was first released in September 2016, and what an excellent film it is.
Bank robberies have been featured in many hundreds of films since the early days of cinema: The Great Train Robbery for example dates back to 1903! More recent heist classics such as “Oceans 11”, “Die Hard”, “Run Lola Run” and “The Dark Knight Rises” tend towards the stylised end of the act. Where this film delivers interest is in aligning the protagonists’ drivers with the banking and mortgage ‘crimes’ featured in last year’s “The Big Short”. Add in to the movie Nutribullet a soupçon of the West Texan setting from Arthur Penn’s 1967 “Bonnie and Clyde”, turn it on and you have “Hell or High Water”.
Chris Pine (“Star Trek”) and Ben Foster (“Inferno“, “The Program“) play brothers Toby and Tanner Howard trying to rescue their deceased mother’s ranch from being foreclosed on by Texas Midlands bank. Rather than taking one of the “get out of debt” offers advertised on billboards – cleverly and insistently introduced in long panning highway shots – the brothers have their own financial plan: a scheme that involves early morning raids of the cash drawers of small-town Texas Midlands branches. But the meticulous planning of Toby, as the calm and intelligent one, are constantly at risk of upset by the unpredictable and violent actions of the loose-cannon Tanner.
Since the amounts of cash stolen are in the thousands rather than the millions, the FBI aren’t interested and the case is handed instead by aged and grumpy Texas Ranger Marcus Hamilton (Jeff Bridges, “True Grit”) and his partner Alberto (Gil Birmingham). The pair have a respectful relationship but one built around racial banter, with Hamilton constantly referring to Alberto’s Mexican/Comanche heritage. A cat and mouse game ensues with the lawmen staking out the most likely next hits. The sonorous cello strings of the soundtrack portend a dramatic finale, and we as viewers are not disappointed.
The performances of the main leads are all excellent, with Chris Pine given the chance to show more acting chops than he has had chance to with his previous Kirk/Jack Ryan characters. His chemistry with Ben Foster is just sublime. Similarly, Jeff Bridges and Gil Birmingham make for a formidable double act. It is Jeff Bridges though who has the standout performance and one that is Oscar nominated for Best Supporting Actor. (In fact with Michael Shannon also getting nominated in the same category for “Nocturnal Animals”, we can add ‘West Texan lawman’ to ‘Holocaust movies’ (a Winslet “Extras” reference there!) as the prime bait for Oscar nomination glory!)
The real winner here though is the whip-smart screenplay by Taylor Sheridan (“Sicario“) which sizzles with great lines: lines that make you grin inanely at the screen regularly through the running time.”In your last days in the nursing home, you’ll think of me and giggle” schmoozes Tanner to the pretty hotel check-in girl: a come-on clearly worth remembering as it delivers the goods, as it were.
The trick here is in building up a degree of empathy and sympathy for the characters on both sides. The ‘bad guys’ here are successfully portrayed as the banks. At the moment you can get 25/1 odds on this winning the Best Original Screenplay Oscar – but I would personally rate it right up there with “Manchester by the Sea“.
Deftly directed by Scot David Mackenzie (“Starred Up”) this is a film (the first of two!) that might well have elbowed it’s way into my Top 10 of 2016 if I’d seen it during its cinema release. Well worth catching on the small screen.
This week I have had the chance to catch up on two of the films with award potential that I missed at the cinema, and this is the write up of the first of those: “Hell or High Water”, was first released in September 2016, and what an excellent film it is.
Bank robberies have been featured in many hundreds of films since the early days of cinema: The Great Train Robbery for example dates back to 1903! More recent heist classics such as “Oceans 11”, “Die Hard”, “Run Lola Run” and “The Dark Knight Rises” tend towards the stylised end of the act. Where this film delivers interest is in aligning the protagonists’ drivers with the banking and mortgage ‘crimes’ featured in last year’s “The Big Short”. Add in to the movie Nutribullet a soupçon of the West Texan setting from Arthur Penn’s 1967 “Bonnie and Clyde”, turn it on and you have “Hell or High Water”.
Chris Pine (“Star Trek”) and Ben Foster (“Inferno“, “The Program“) play brothers Toby and Tanner Howard trying to rescue their deceased mother’s ranch from being foreclosed on by Texas Midlands bank. Rather than taking one of the “get out of debt” offers advertised on billboards – cleverly and insistently introduced in long panning highway shots – the brothers have their own financial plan: a scheme that involves early morning raids of the cash drawers of small-town Texas Midlands branches. But the meticulous planning of Toby, as the calm and intelligent one, are constantly at risk of upset by the unpredictable and violent actions of the loose-cannon Tanner.
Since the amounts of cash stolen are in the thousands rather than the millions, the FBI aren’t interested and the case is handed instead by aged and grumpy Texas Ranger Marcus Hamilton (Jeff Bridges, “True Grit”) and his partner Alberto (Gil Birmingham). The pair have a respectful relationship but one built around racial banter, with Hamilton constantly referring to Alberto’s Mexican/Comanche heritage. A cat and mouse game ensues with the lawmen staking out the most likely next hits. The sonorous cello strings of the soundtrack portend a dramatic finale, and we as viewers are not disappointed.
The performances of the main leads are all excellent, with Chris Pine given the chance to show more acting chops than he has had chance to with his previous Kirk/Jack Ryan characters. His chemistry with Ben Foster is just sublime. Similarly, Jeff Bridges and Gil Birmingham make for a formidable double act. It is Jeff Bridges though who has the standout performance and one that is Oscar nominated for Best Supporting Actor. (In fact with Michael Shannon also getting nominated in the same category for “Nocturnal Animals”, we can add ‘West Texan lawman’ to ‘Holocaust movies’ (a Winslet “Extras” reference there!) as the prime bait for Oscar nomination glory!)
The real winner here though is the whip-smart screenplay by Taylor Sheridan (“Sicario“) which sizzles with great lines: lines that make you grin inanely at the screen regularly through the running time.”In your last days in the nursing home, you’ll think of me and giggle” schmoozes Tanner to the pretty hotel check-in girl: a come-on clearly worth remembering as it delivers the goods, as it were.
The trick here is in building up a degree of empathy and sympathy for the characters on both sides. The ‘bad guys’ here are successfully portrayed as the banks. At the moment you can get 25/1 odds on this winning the Best Original Screenplay Oscar – but I would personally rate it right up there with “Manchester by the Sea“.
Deftly directed by Scot David Mackenzie (“Starred Up”) this is a film (the first of two!) that might well have elbowed it’s way into my Top 10 of 2016 if I’d seen it during its cinema release. Well worth catching on the small screen.
Alice (12 KP) rated The Furthest Station (Peter Grant, #5.5) in Books
Jul 3, 2018
<i>Many thanks to the publisher and Netgalley for providing me a copy in exchange for an honest review </i>
<i>The Furthest Station</i> starts off with the same flair we've seen in previous installments to the Peter Grant series and I'll tell you, it's good to be back with Peter.
Though short at only 144 pages The Furthest Station is packed with enough information to give you an insight into the trouble peter can get into when left to his own devices.
This novella is about ghosts predominantly and we experience Toby the wonder dog in his element. The same characters from the previous books star with a special mention to Jaget and Abigail - Abigail in particular was brilliant - incredibly smart and up on all thing supernatural.
Ben Aaronovitch's typical descriptive monologing through Peter is as always brilliant. My favourite is below:
<blockquote> ...it is the cry of the guilty middle-class homeowner.
This sort of thing always creates a dilemma since the scale of guilt you're dealing with ranges from using a hosepipe during a ban to having just finished cementing your abusive husband into the patio.</blockquote>
The ghosts eventually give Peter the information he needs to locate a crime happening and in true Folly flair it's filled with supernatural hijinks and Nightingale at his best. The magic was few and far between but the ghosts made up for it and the relationship between Peter, Nightingale and Abigail as well as Abigail and Molly were written very well. I look forward to seeing where the growing friendship between Abigail and Molly goes in the next books.
It was a touch odd reading book 5.7 after reading book 6 but there were no crossed boundaries that made things seem complicated so great news there. Overall, very well written.
<i>The Furthest Station</i> starts off with the same flair we've seen in previous installments to the Peter Grant series and I'll tell you, it's good to be back with Peter.
Though short at only 144 pages The Furthest Station is packed with enough information to give you an insight into the trouble peter can get into when left to his own devices.
This novella is about ghosts predominantly and we experience Toby the wonder dog in his element. The same characters from the previous books star with a special mention to Jaget and Abigail - Abigail in particular was brilliant - incredibly smart and up on all thing supernatural.
Ben Aaronovitch's typical descriptive monologing through Peter is as always brilliant. My favourite is below:
<blockquote> ...it is the cry of the guilty middle-class homeowner.
This sort of thing always creates a dilemma since the scale of guilt you're dealing with ranges from using a hosepipe during a ban to having just finished cementing your abusive husband into the patio.</blockquote>
The ghosts eventually give Peter the information he needs to locate a crime happening and in true Folly flair it's filled with supernatural hijinks and Nightingale at his best. The magic was few and far between but the ghosts made up for it and the relationship between Peter, Nightingale and Abigail as well as Abigail and Molly were written very well. I look forward to seeing where the growing friendship between Abigail and Molly goes in the next books.
It was a touch odd reading book 5.7 after reading book 6 but there were no crossed boundaries that made things seem complicated so great news there. Overall, very well written.
Gareth von Kallenbach (971 KP) rated Ninja Assassin (2009) in Movies
Aug 8, 2019
The Ozunu Clan has long been secretly kidnapping and training children to become ninjas. But when a set of Europol agents get a little too close to discovering the secret, it is up to a former student of the Clan, Raizo (Rain), to defend the agents against the brutal ninjas’ attacks.
The film is loosely plotted at best, but it does manage to keep the viewer interested. Maybe it is the consistent comedy mixed with undeniable bloodshed. And there is bloodshed. “Ninja Assassin” is absolutely splattered with gore, weapons, and the unexpected attack that only ninjas can bring.
Joel Silver, of “Lethal Weapon”, “Die Hard”, and “Predator” fame, and the renowned Wachowski brothers, creators of “the Matrix”, are the producers behind “Ninja Assassin”. Therefore it should come as no surprise that the fight scenes are also engrossing in this ninja-tacular flick.
The international cast includes Korean superstar Rain as Raizo and martial arts regular Sho Kosugi, as the ninja master. The appearance of Ben Miles (from the hit British TV show “Coupling”) as Ryan Maslow, superior to the Europol officer and lead Mika Coretti (Naomie Harris), also enhances the casting of this one of kind film.
And it is one of a kind. What is most appealing about “Ninja Assassin” is that it truly displays ninjas in the way every child thinks about them; cunning, violent, and awesome. Somehow in a world full of films that feel like a new version of the same old thing, “Ninja Assassin” has… dare I write… a freshness.
Keeping you on the edge of your seat, focused on the nonstop 360 degree fight sequences and funny one-liners, “Ninja Assassin” brings more than expected to the big screen.
The film is loosely plotted at best, but it does manage to keep the viewer interested. Maybe it is the consistent comedy mixed with undeniable bloodshed. And there is bloodshed. “Ninja Assassin” is absolutely splattered with gore, weapons, and the unexpected attack that only ninjas can bring.
Joel Silver, of “Lethal Weapon”, “Die Hard”, and “Predator” fame, and the renowned Wachowski brothers, creators of “the Matrix”, are the producers behind “Ninja Assassin”. Therefore it should come as no surprise that the fight scenes are also engrossing in this ninja-tacular flick.
The international cast includes Korean superstar Rain as Raizo and martial arts regular Sho Kosugi, as the ninja master. The appearance of Ben Miles (from the hit British TV show “Coupling”) as Ryan Maslow, superior to the Europol officer and lead Mika Coretti (Naomie Harris), also enhances the casting of this one of kind film.
And it is one of a kind. What is most appealing about “Ninja Assassin” is that it truly displays ninjas in the way every child thinks about them; cunning, violent, and awesome. Somehow in a world full of films that feel like a new version of the same old thing, “Ninja Assassin” has… dare I write… a freshness.
Keeping you on the edge of your seat, focused on the nonstop 360 degree fight sequences and funny one-liners, “Ninja Assassin” brings more than expected to the big screen.
Phil Leader (619 KP) rated The Blake Mistake in Books
Nov 8, 2019
Ben Blake has a talent that can occasionaly help in his job as an intelligence operative. When he forsees a terrorist attack he asks his friend, brother in law and former bad boy Jake Snell to help him prevent it. However Jake is starting to behave oddly, including having periods where he is not aware of what he has done. Could the suppressed memories of his traumatic upbringing be the cause? Meanwhile his wife (and Ben's sister) Emma is delving into Jake's family history. Maybe the secrets of the past are best left alone.
Camilleri aims high with this book - and delivers. It is a complex mix of whodunnit, psychological thriller, paranormal thriller and romance. The plot moves forward dragging the reader with it, the threads and lives of the characters spiralling around the central theme of Jake's past and how it is impacting on the present. There are a number of twists and turns, some as surprising to the reader as to the characters.
The characters themselves are well drawn, benefitting from having developed over previous books (which don't need to have been read to enjoy this). The way the relationships between them change and develop as suspicions arise and certain events occur is excellent, although sometimes frustrating as the reader sees the story from all their viewpoints so can see that sometimes there has just been a misunderstanding or that if something was said everything would be different.
The first third of the book is a little slow as the characters are described and the situation is set up but this allows the rest to move under it's own terrible momentum towards the climax.
Overall a book worth reading and it certainly holds the attention once it gets going.
Caution: Some sex scenes
Camilleri aims high with this book - and delivers. It is a complex mix of whodunnit, psychological thriller, paranormal thriller and romance. The plot moves forward dragging the reader with it, the threads and lives of the characters spiralling around the central theme of Jake's past and how it is impacting on the present. There are a number of twists and turns, some as surprising to the reader as to the characters.
The characters themselves are well drawn, benefitting from having developed over previous books (which don't need to have been read to enjoy this). The way the relationships between them change and develop as suspicions arise and certain events occur is excellent, although sometimes frustrating as the reader sees the story from all their viewpoints so can see that sometimes there has just been a misunderstanding or that if something was said everything would be different.
The first third of the book is a little slow as the characters are described and the situation is set up but this allows the rest to move under it's own terrible momentum towards the climax.
Overall a book worth reading and it certainly holds the attention once it gets going.
Caution: Some sex scenes
Hazel (1853 KP) rated Paper Towns in Books
May 30, 2017
John Green is such a good writer
Paper Towns is a brilliantly written novel by John Green. Having only previously read The Fault in our Stars I have little to compare it to and cannot say whether it is his best. I am writing this less that half an hour after finishing Paper Towns therefore it is still fresh in my mind, which may explain my slight preference over TFIOS. However the story lines are so different that it is not really fair to compare them.
Set in Orlando, Florida, Paper Towns is narrated by eighteen-year-old Quentin Jacobson (often referred to as Q). It begins with a flash back to when he and next door neighbour, Margo Roth Spiegelman, were nine and discovered a dead body in the park. It is here that the differences in character are pointed out: “As I took those two steps back, Margo took two equally small and quiet steps forward.” Q is an anxious boy, whereas Margo comes across as very confident.
Despite their childhood relationship, for the main bulk of the story Q and Margo have grown apart. They belong to different social circles: Margo to the popular crowd and Q with the gamers, band members and social outcasts. But things take a turn when one night Margo climbs through Q’s bedroom window and insists he accompany her on a nighttime adventure, going around righting wrongs and wronging rights.
But the next day Margo runs away telling no one where she is going, except it appears that she has left clues to her whereabouts. Clues only intended for Q to discover. With the help of his prom-obsessed friend, Ben; Radar, the guy whose parents own the world’s largest collection of black Santas (seriously, where does Green come up with this stuff?); and Lacey, Margo’s best friend and Ben’s soon to be girlfriend; Q struggles to understand the clues and uncover Margo’s hiding place.
To begin with it is exciting to read about Q and his friends unscrambling the hidden messages but as the story goes on and Margo is yet to be found a sense of dread creeps up on us and Q begins to think the worst.
The final section, however, is fast past and thrilling to read as the characters travel across states, with a rather short time limit, in Q’s mini van in a final attempt to find Margo. What will they find when they arrive? Will Margo still be there?
At first I was not sure that I would like this book. Chapter one is mostly about Quentin, Ben and Radar fooling around as boys do, but once everything kicks off with Margo it is really exciting. Similarly to The Fault in our Stars, Green has filled Paper Towns with clever metaphors with paper, string, balloons and grass being used to represent life. It is a very witty narrative containing lots of humour, yet also manages to convey important ideas about the way we see the world, and the people in it.
Paper Towns can be described as a contemporary, coming-of-age story. As mentioned already, Margo was portrayed as a confident girl whereas Quentin was the opposite. Despite Q stating “I wanted Margo’s disappearance to change me; but it hasn’t, not really” I think Green has shown major character developments, and possibly even role reversals. Q may never completely get rid of his anxieties and does not totally become a different person, but he does gain more confidence as he is forced out of his comfort zone, and his perception of other people also begins to alter. Margo on the other hand may not be all that she seems. The real Margo may in fact be a quiet, rather lost teen in a world she feels trapped in. I think this story and Q’s development has the potential to inspire others of similar ages and make all readers question things about themselves.
Overall, an exceptionally good read.
Set in Orlando, Florida, Paper Towns is narrated by eighteen-year-old Quentin Jacobson (often referred to as Q). It begins with a flash back to when he and next door neighbour, Margo Roth Spiegelman, were nine and discovered a dead body in the park. It is here that the differences in character are pointed out: “As I took those two steps back, Margo took two equally small and quiet steps forward.” Q is an anxious boy, whereas Margo comes across as very confident.
Despite their childhood relationship, for the main bulk of the story Q and Margo have grown apart. They belong to different social circles: Margo to the popular crowd and Q with the gamers, band members and social outcasts. But things take a turn when one night Margo climbs through Q’s bedroom window and insists he accompany her on a nighttime adventure, going around righting wrongs and wronging rights.
But the next day Margo runs away telling no one where she is going, except it appears that she has left clues to her whereabouts. Clues only intended for Q to discover. With the help of his prom-obsessed friend, Ben; Radar, the guy whose parents own the world’s largest collection of black Santas (seriously, where does Green come up with this stuff?); and Lacey, Margo’s best friend and Ben’s soon to be girlfriend; Q struggles to understand the clues and uncover Margo’s hiding place.
To begin with it is exciting to read about Q and his friends unscrambling the hidden messages but as the story goes on and Margo is yet to be found a sense of dread creeps up on us and Q begins to think the worst.
The final section, however, is fast past and thrilling to read as the characters travel across states, with a rather short time limit, in Q’s mini van in a final attempt to find Margo. What will they find when they arrive? Will Margo still be there?
At first I was not sure that I would like this book. Chapter one is mostly about Quentin, Ben and Radar fooling around as boys do, but once everything kicks off with Margo it is really exciting. Similarly to The Fault in our Stars, Green has filled Paper Towns with clever metaphors with paper, string, balloons and grass being used to represent life. It is a very witty narrative containing lots of humour, yet also manages to convey important ideas about the way we see the world, and the people in it.
Paper Towns can be described as a contemporary, coming-of-age story. As mentioned already, Margo was portrayed as a confident girl whereas Quentin was the opposite. Despite Q stating “I wanted Margo’s disappearance to change me; but it hasn’t, not really” I think Green has shown major character developments, and possibly even role reversals. Q may never completely get rid of his anxieties and does not totally become a different person, but he does gain more confidence as he is forced out of his comfort zone, and his perception of other people also begins to alter. Margo on the other hand may not be all that she seems. The real Margo may in fact be a quiet, rather lost teen in a world she feels trapped in. I think this story and Q’s development has the potential to inspire others of similar ages and make all readers question things about themselves.
Overall, an exceptionally good read.
Night Reader Reviews (683 KP) rated Incinerate in Books
Feb 4, 2020
Honest Review for Free Copy of Book
Motives and trust are put to question in the short book Incinerate by R. L. Green. However, it is not just the trust of others that is questioned but trust in oneself when emotions are involved.
Ted was raised by his Uncle Will who is, unfortunately, laying in the ICU on life support. While he is not bad off, Ted is very money conscious and is fairly sure he is his Uncle’s heir but has yet to see a copy of the will. He fears that this situation is going to bring distant relatives, especially those on his dad’s side who ran off when he was a baby, out of the woodwork looking for money. He is not completely wrong. His half-sister, Tamsyn, decides to take this opportunity to connect with family. Much to Ted’s surprise and suspicion Tam shows up in a wheelchair with a traveling companion tagging along by the name of Jazz.
Although Jazz comes off as harsh and cold towards Ted to begin with it appears this is only because she is trying to look out for Tam. After a little bit, Ted and Jazz begin to build a relationship or so Ted thinks, while Tam and Ben, Ted’s best friend seem to hit it off as well. Unfortunately, there is more to Jazz than meets the eye as Ted soon finds out. Ted and Ben make it their goal to help Tam get out of Tazz’s manipulative clutches, but it proves difficult. Ted must keep his feelings for Jazz from interfering with the plan yet keep Jazz from knowing he is aware of the truth. Jazz, however, doesn't want to give up her grip on Tam that easily and is willing to go to extreme lengths to keep ahold of her.
I enjoyed Ted’s personality quite a bit. He is questioning and careful of new people and situations until he understands what is going on. Once he understands, Ted seems to have very little trouble deciding to take sides, even if it means he has to fight himself in the process. I was unhappy with the ending of this book. It was a cliffhanger (which I have no problem with) but it just left way too much hanging. The situation with Uncle Will is never resolved, though it's not hard to guess what happened to him, but the will in another unanswered factor. Mor importantly even though there are plans to go ahead and start the business nothing is said about how it works out. I am also extremely interested to know if Jazz ever comes back and if the accident she had was an accident. Then there is also the fact that Ted said “hey” way too much and at times when it felt wrong.
This book deals with tough subjects best suited for adult and high school students. Subjects include rape, manipulation, sex, and death. Other than that the writing style itself is not that difficult. I would also classify this book as a drama from those that are interested. I rate this book 2 out of 4. It is a quick read for those that do not have a lot of free time. While the book itself lacks depth the characters seem to have quite a bit to them. For everything that I find fault for in this book, it is balanced with a positive aspect as well. This might not be a book that I would highly recommend, yet I would not discourage anyone from giving it a shot.
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Ted was raised by his Uncle Will who is, unfortunately, laying in the ICU on life support. While he is not bad off, Ted is very money conscious and is fairly sure he is his Uncle’s heir but has yet to see a copy of the will. He fears that this situation is going to bring distant relatives, especially those on his dad’s side who ran off when he was a baby, out of the woodwork looking for money. He is not completely wrong. His half-sister, Tamsyn, decides to take this opportunity to connect with family. Much to Ted’s surprise and suspicion Tam shows up in a wheelchair with a traveling companion tagging along by the name of Jazz.
Although Jazz comes off as harsh and cold towards Ted to begin with it appears this is only because she is trying to look out for Tam. After a little bit, Ted and Jazz begin to build a relationship or so Ted thinks, while Tam and Ben, Ted’s best friend seem to hit it off as well. Unfortunately, there is more to Jazz than meets the eye as Ted soon finds out. Ted and Ben make it their goal to help Tam get out of Tazz’s manipulative clutches, but it proves difficult. Ted must keep his feelings for Jazz from interfering with the plan yet keep Jazz from knowing he is aware of the truth. Jazz, however, doesn't want to give up her grip on Tam that easily and is willing to go to extreme lengths to keep ahold of her.
I enjoyed Ted’s personality quite a bit. He is questioning and careful of new people and situations until he understands what is going on. Once he understands, Ted seems to have very little trouble deciding to take sides, even if it means he has to fight himself in the process. I was unhappy with the ending of this book. It was a cliffhanger (which I have no problem with) but it just left way too much hanging. The situation with Uncle Will is never resolved, though it's not hard to guess what happened to him, but the will in another unanswered factor. Mor importantly even though there are plans to go ahead and start the business nothing is said about how it works out. I am also extremely interested to know if Jazz ever comes back and if the accident she had was an accident. Then there is also the fact that Ted said “hey” way too much and at times when it felt wrong.
This book deals with tough subjects best suited for adult and high school students. Subjects include rape, manipulation, sex, and death. Other than that the writing style itself is not that difficult. I would also classify this book as a drama from those that are interested. I rate this book 2 out of 4. It is a quick read for those that do not have a lot of free time. While the book itself lacks depth the characters seem to have quite a bit to them. For everything that I find fault for in this book, it is balanced with a positive aspect as well. This might not be a book that I would highly recommend, yet I would not discourage anyone from giving it a shot.
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Bob Mann (459 KP) rated Live By Night (2017) in Movies
Sep 29, 2021
“Sleep by day…”.
Ben Affleck’s new movie could best be described as “sprawling”. In both directing and writing the screenplay (based on a novel by Dennis Lehane), Affleck has aimed for a “Godfather” style gangster epic and missed: not missed by a country mile, but missed nonetheless.
Morally bankrupted by his experiences in the trenches, Joe Coughlin (Affleck) returns to Boston to pick and choose which social rules he wants to follow. Not sociopathic per se, as he has a strong personal code of conduct, but Coughlin turns to robbery walking a delicate path between the warring mob factions of the Irish community, led by Albert White (the excellent Robert Glenister from TV’s “Hustle”), and the Italian community, led by Maso Pescatore (Remo Girone). Trying to keep him out of jail is his father (“Harry Potter”’s Brendan Gleeson) who – usefully – is the Deputy Police Chief. Life gets complicated when he falls in love with White’s moll, Emma Gould (Sienna Miller). The scene is set for a drama stretching from Boston to the hot and steamy Everglades over a period of the next twenty years.
Although a watchable popcorn film, the choppy episodic nature of the movie is hugely frustrating, with no compelling story arc to glue all of the disparate parts together. The (often very violent) action scenes are very well done and exciting but as a viewer you don’t feel invested in a ‘journey’ from the beginning of the film to the (unsatisfactory) ending. In my experience it’s never a good sign when the writer considers it necessary to add a voiceover to the soundtrack, and here Affleck mutters truisms about his thoughts and motives that irritate more than illuminate.
The sheer volume of players in the piece (there are about three film’s worth in here) and the resulting minimal screen time given to each allows no time for character development. Unfortunately the result is that you really care very little about whether people live or die and big plot developments land as rather an “oh” than an “OH!”.
Affleck puts in a great turn as the autistic central character whose condition results in a cold, calculating demeanor and a complete lack of emotion reflecting on his face. Oh, hang on… no, wait a minute… sorry… I’ve got the wrong film…. I’m thinking about “The Accountant”. I don’t know whether he filmed these films in parallel. I generally enjoy Ben Affleck’s work (he was excellent in “The Town”) but for 95% of this film his part could have been completed by a burly extra with an Affleck mask on. In terms of acting range, his facial muscles barely get to a “2” on the scale. Given the double problem that he is barely credible as the “young man” returning mentally wounded from the trenches, then in my opinion he would have been better to have focused on the writing and directing and found a lead of the likes of an Andrew Garfield to fill Coughlin’s shoes.
That’s not to say there is not some good acting present in the rest of the cast’s all too brief supporting roles. Elle Fanning (“Trumbo”, “Maleficent”) in particular shines as the Southern belle Loretta Figgis: a religious zealot driving her police chief father (Chris Cooper, “The Bourne Identity”) to distraction. Cooper also delivers a star turn as the moral but pragmatic law-man.
Sienna Miller (“Foxcatcher”) delivers a passable Cork accent and does her best to develop some believable chemistry with the rock-like Affleck. Zoe Saldana (“Star Trek”) is equally effective as a Cuban humanitarian.
In summary, it’s sprawlingly watchable… but overall a disappointment, with Affleck over-reaching. One day we surely will get a gangster film the likes of another “Godfather”, “Goodfellas” or “Untouchables”. Although this has its moments, unfortunately it’s more towards the “Public Enemies” end of the genre spectrum.
Morally bankrupted by his experiences in the trenches, Joe Coughlin (Affleck) returns to Boston to pick and choose which social rules he wants to follow. Not sociopathic per se, as he has a strong personal code of conduct, but Coughlin turns to robbery walking a delicate path between the warring mob factions of the Irish community, led by Albert White (the excellent Robert Glenister from TV’s “Hustle”), and the Italian community, led by Maso Pescatore (Remo Girone). Trying to keep him out of jail is his father (“Harry Potter”’s Brendan Gleeson) who – usefully – is the Deputy Police Chief. Life gets complicated when he falls in love with White’s moll, Emma Gould (Sienna Miller). The scene is set for a drama stretching from Boston to the hot and steamy Everglades over a period of the next twenty years.
Although a watchable popcorn film, the choppy episodic nature of the movie is hugely frustrating, with no compelling story arc to glue all of the disparate parts together. The (often very violent) action scenes are very well done and exciting but as a viewer you don’t feel invested in a ‘journey’ from the beginning of the film to the (unsatisfactory) ending. In my experience it’s never a good sign when the writer considers it necessary to add a voiceover to the soundtrack, and here Affleck mutters truisms about his thoughts and motives that irritate more than illuminate.
The sheer volume of players in the piece (there are about three film’s worth in here) and the resulting minimal screen time given to each allows no time for character development. Unfortunately the result is that you really care very little about whether people live or die and big plot developments land as rather an “oh” than an “OH!”.
Affleck puts in a great turn as the autistic central character whose condition results in a cold, calculating demeanor and a complete lack of emotion reflecting on his face. Oh, hang on… no, wait a minute… sorry… I’ve got the wrong film…. I’m thinking about “The Accountant”. I don’t know whether he filmed these films in parallel. I generally enjoy Ben Affleck’s work (he was excellent in “The Town”) but for 95% of this film his part could have been completed by a burly extra with an Affleck mask on. In terms of acting range, his facial muscles barely get to a “2” on the scale. Given the double problem that he is barely credible as the “young man” returning mentally wounded from the trenches, then in my opinion he would have been better to have focused on the writing and directing and found a lead of the likes of an Andrew Garfield to fill Coughlin’s shoes.
That’s not to say there is not some good acting present in the rest of the cast’s all too brief supporting roles. Elle Fanning (“Trumbo”, “Maleficent”) in particular shines as the Southern belle Loretta Figgis: a religious zealot driving her police chief father (Chris Cooper, “The Bourne Identity”) to distraction. Cooper also delivers a star turn as the moral but pragmatic law-man.
Sienna Miller (“Foxcatcher”) delivers a passable Cork accent and does her best to develop some believable chemistry with the rock-like Affleck. Zoe Saldana (“Star Trek”) is equally effective as a Cuban humanitarian.
In summary, it’s sprawlingly watchable… but overall a disappointment, with Affleck over-reaching. One day we surely will get a gangster film the likes of another “Godfather”, “Goodfellas” or “Untouchables”. Although this has its moments, unfortunately it’s more towards the “Public Enemies” end of the genre spectrum.
MichaelS (0 KP) rated Justice League (2017) in Movies
Feb 20, 2018
"Meanwhile, at the Hall Of Justice..."
This movie is the culmination of a childhood full of Saturday mornings in front of the tv in pajamas with a bowl of cereal. "Superfriends" was superheroes at it's most basic. The bad guys wanted to take over or destroy the world and the good guys have to stop them. That was the depth of the plots for both those classic cartoons, and this movie. It's pure cartoon fun brought to life, and I loved every minute of it.
The plot only serves as a reason for these heroes to come together. So you can say that story is not a top priority. Character is the name of the game here, and on that level, the movie is gold. Each character is fully realized, with their own individual situation they need to grow from. Every hero is given his or her moment to shine as an individual. When they stand as a team, it's some of the best superhero action we've ever gotten.
The performances of the League members is spot on across the board. Every character is presented exactly the way they should be. Ben Affleck continues to prove all the doubters wrong, by giving us the best live action version of Batman we've ever seen. Right from the start you see how he demands fear from evildoers, but filled with hope for the good things in the world. Gal Gadot IS Wonder Woman. If there was any doubt left after her solo movie, it should be thoroughly erased now. She's strong in body, mind, and spirit. Jason Mamoa forever erases the idea of Aquaman being the wimpiest superhero. His "surfer dude" take on the character brings all the recklessness and abandon you'd expect from a beach bum. He's almost like a Spartan soldier that lives for the excitement of battle. Ezra Miller brings a youthful excitement of someone who is simply jazzed by what he, and others, can do with their abilities. He's almost the comic relief until you realize that the excited reactions he gives to everything is exactly what we would to if we were dropped in that situation.
SPOILER TERRITORY....skip to "END SPOILERS" if you don't want anything ruined
Although it should really come as no surprise to anyone, Superman does indeed return from the dead in this movie. Not only is that he's resurrected very cool, but the aftermath gives us the best fight scene of the film. Superman vs The Justice League. 'nuff said? I've always loved Henry Cavill as Superman, but now he owns the role. He has grown from a man filled with self doubt, trying to find his place in the world, to a man who now fully realizes who he is, and what purpose he serves to mankind. Lots of great Superman stuff in this movie, and that is the thing I'm most thankful for.
END SPOILERS
This is the most fun I've had with a superhero movie in a long time. It may not have the deepest plot, but that is fine with me, because this is truly a comic book come to life. It's full of the action and joyful spirit that the boy in me tuned into every weekend. Now, if the post credit scene in the movie delivers, it REALLY will be everything that the classic Challenges Of The Superfriends, and reduce me to that boy in pajamas again, cereal in hand, and a smile on my face.
The plot only serves as a reason for these heroes to come together. So you can say that story is not a top priority. Character is the name of the game here, and on that level, the movie is gold. Each character is fully realized, with their own individual situation they need to grow from. Every hero is given his or her moment to shine as an individual. When they stand as a team, it's some of the best superhero action we've ever gotten.
The performances of the League members is spot on across the board. Every character is presented exactly the way they should be. Ben Affleck continues to prove all the doubters wrong, by giving us the best live action version of Batman we've ever seen. Right from the start you see how he demands fear from evildoers, but filled with hope for the good things in the world. Gal Gadot IS Wonder Woman. If there was any doubt left after her solo movie, it should be thoroughly erased now. She's strong in body, mind, and spirit. Jason Mamoa forever erases the idea of Aquaman being the wimpiest superhero. His "surfer dude" take on the character brings all the recklessness and abandon you'd expect from a beach bum. He's almost like a Spartan soldier that lives for the excitement of battle. Ezra Miller brings a youthful excitement of someone who is simply jazzed by what he, and others, can do with their abilities. He's almost the comic relief until you realize that the excited reactions he gives to everything is exactly what we would to if we were dropped in that situation.
SPOILER TERRITORY....skip to "END SPOILERS" if you don't want anything ruined
Although it should really come as no surprise to anyone, Superman does indeed return from the dead in this movie. Not only is that he's resurrected very cool, but the aftermath gives us the best fight scene of the film. Superman vs The Justice League. 'nuff said? I've always loved Henry Cavill as Superman, but now he owns the role. He has grown from a man filled with self doubt, trying to find his place in the world, to a man who now fully realizes who he is, and what purpose he serves to mankind. Lots of great Superman stuff in this movie, and that is the thing I'm most thankful for.
END SPOILERS
This is the most fun I've had with a superhero movie in a long time. It may not have the deepest plot, but that is fine with me, because this is truly a comic book come to life. It's full of the action and joyful spirit that the boy in me tuned into every weekend. Now, if the post credit scene in the movie delivers, it REALLY will be everything that the classic Challenges Of The Superfriends, and reduce me to that boy in pajamas again, cereal in hand, and a smile on my face.
Mike Wilder (20 KP) rated Road House (1989) in Movies
May 30, 2018
Very underrated
Contains spoilers, click to show
So what kind of film do you get when you have great one liners, bar fights, guns, knives, egos, strippers, blues music, a polar bear and a monster truck? You get one of the most enjoyable and entertaining films of the late 80's, Road House. The film follows James Dalton (Patrick Swayze) a cooler (bouncer) and the best in the business, as he takes employment with Frank Tilghman (Kevin Tighe) the owner of the Double Deuce in Jasper, Missouri. The bar is the roughest in town and he needs Dalton to clean it up. However corrupt business man and crime boss Brad Wesley (Ben Gazzara) stands in his way. After the classic "chick flick" Dirty Dancing, Patrick Swayze was Hollywood gold. Women loved him and men wanted to be him. The film was full of romance. Then along came Road House, a complete opposite to Dirty Dancing, a little romance and loads of action. The film has a great cast including Patrick Swayze, Kevin Tighe, Ben Gazzara, Kelly Lynch, Marshall R. Teague, Red West, Kathleen Wilhoite, John William Young, John Doe, Kurt James Stefka, Keith David & Terry Funk. The cast works well together and it is full of great performances. Naturally Patrick Swayze at the height of his career stands miles apart from the rest of the cast as Dalton. A character that can hurt you with his words just as much as his fists. Tragically, 20 years later Swayze had his life cut short by cancer. His death is still a major loss to the entertainment industry, but his legacy will live on in the great performances and memorable characters he played. The film also a features a great performance by the late great blues guitarist Jeff Healey as Cody. It's the music in the film that goes a long way to achieving the right feel for the film. Everything works well from the characters, the music to the setting. Set in a rural area the scenery is breath-taking and it is used to great effect. But it's the fight choreography that stands out from many other films. Great bar fights are pretty much a thing of the past, but here they are full of action and humour just like the classic westerns. The one on one fights are brutal, mainly for the realism they portray. The script is awesome and full of classic lines mainly from Dalton and although many are cheesy, when he says it, it feels right. The director surprisingly hasn't made many films but the ones I have seen of his I really like and I know I am in the minority. See my review of Gladiator (1992) for more by this director. This is truly a great film, although very underrated. It is also one of my personal all-time favourites. There are a couple of versions of this so ensure that you see the USA or UK version released after 2002 as these are the uncut editions. So grab a few beers and a few friends, but this on a big screen and turn the sound way up for a really great movie experience.