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Darren (1599 KP) rated It: Chapter Two (2019) in Movies
Sep 13, 2019
Characters – Bill was always considered the leader of the gang, he went onto write books and coming back he must face the fear about his brother’s death. Beverly has married an abusive rich man that she wants to escape from, which sees her return to Derry, where she could recapture her own love interest from childhood. Richie is a stand up comedian that is just how you would imagine him to grow up to be like, he gets plenty of laughs through the film. Mike never left Derry, he has been studying how to defeat Pennywise once and for all, he calls everybody back to the town. Ben was the fat kid, he transformed himself and became an architect with great success, he will see this return as a chance to tell Beverly how he feels. Eddie is reluctant to return though it does get him away from his wife, that is just like his mother, he will need to overcome the fears which have held him back before. Stanley is one of the group that doesn’t return, he has his reasons and it poses the reality of what will come with returning. Pennywise is the evil figure, who mostly looks like a clown, though he can become anything he wants to play into the fears. It is strange that we just don’t get that invested in the adult versions of the characters.
Performances – Jessica Chastain and James McAvoy are the two biggest names in the film, they are both fine, because nobody is a true main character, the two could do more and McAvoy is difficult to watch because his choice of accent reminds me about the 10-year-old he plays in Split. Bill Hader and James Ransone are the stars of the returning characters, they still have great chemistry. Isaiah Mustafa and Jay Ryan are both solid enough, though the characters seem to have swapped around.
Story – The story is the second part of the massive book, it follows the adult versions of the losers club that must return to fight Pennywise once again. This is a very long story, it is just under 3 hours long, which does feel like it drags along at times, once problem comes with more flashbacks with hauntings, there is no peril here, because we know the adult versions live. One of the strengths in the film is the idea of being reunited after years away with friends, it does feel natural and just how you would imagine it being. One of the issues I found in the first film was that Ben was the one that spent time learning the history of the town, while Mike did barely anything, it confused me because I always remembered it being Mike that understood the history, here it is Mike and Ben doesn’t seem to care anymore, add in the weird love triangle and you will feel like we have more that didn’t need to be here too.
Horror – The horror side of the film follows the hauntings that both the kids and adults go through, it is more just separate characters getting haunting throughout. Nothing feels as scarier as the first one was.
Settings – The film takes us back to Derry, we do get flashbacks with other moments that make sense and return to the old places where the scares happen.
Special Effects – The effects are brilliant in places, though it does feel certain CGI moments just don’t work.
Scene of the Movie – Richie’s memory.
That Moment That Annoyed Me – James McAvoy’s accent.
Final Thoughts – This is a bogged down horror that just is way too long to get the best out of the scares, just like the mini series, it fizzles out.
Overall: Disappointing sequel.
Performances – Jessica Chastain and James McAvoy are the two biggest names in the film, they are both fine, because nobody is a true main character, the two could do more and McAvoy is difficult to watch because his choice of accent reminds me about the 10-year-old he plays in Split. Bill Hader and James Ransone are the stars of the returning characters, they still have great chemistry. Isaiah Mustafa and Jay Ryan are both solid enough, though the characters seem to have swapped around.
Story – The story is the second part of the massive book, it follows the adult versions of the losers club that must return to fight Pennywise once again. This is a very long story, it is just under 3 hours long, which does feel like it drags along at times, once problem comes with more flashbacks with hauntings, there is no peril here, because we know the adult versions live. One of the strengths in the film is the idea of being reunited after years away with friends, it does feel natural and just how you would imagine it being. One of the issues I found in the first film was that Ben was the one that spent time learning the history of the town, while Mike did barely anything, it confused me because I always remembered it being Mike that understood the history, here it is Mike and Ben doesn’t seem to care anymore, add in the weird love triangle and you will feel like we have more that didn’t need to be here too.
Horror – The horror side of the film follows the hauntings that both the kids and adults go through, it is more just separate characters getting haunting throughout. Nothing feels as scarier as the first one was.
Settings – The film takes us back to Derry, we do get flashbacks with other moments that make sense and return to the old places where the scares happen.
Special Effects – The effects are brilliant in places, though it does feel certain CGI moments just don’t work.
Scene of the Movie – Richie’s memory.
That Moment That Annoyed Me – James McAvoy’s accent.
Final Thoughts – This is a bogged down horror that just is way too long to get the best out of the scares, just like the mini series, it fizzles out.
Overall: Disappointing sequel.
Gareth von Kallenbach (971 KP) rated The Water Diviner (2015) in Movies
Aug 6, 2019
Russell Crowe both stars and directs the new film The Water Diviner.
The story follows Joshua Conner (Crowe) and his attempts to re-locate his three sons Arthur, Henry and Edward, who went off to war together and yet were never heard from again. The three boys were inseparable as children (Jack Patterson, Ben Norris and Aidan Smith) and they stayed inseparable as adults (played by Ryan Corr, Ben O’Toole and James Fraser) as they went off to fight in World War I in the Battle of Gallipoli in Turkey.
Joshua loses contact with his sons during the war, and after the fighting has ended, he receives a journal that belonged to them. He reads the journal with his wife and they conclude that the boys must have perished in the fighting. Corners wife kills herself in her grief over losing them and Joshua swears he will bring the boys home, even if it is just their remains, that is his wife’s last wish.
Conner crosses the continent to search for them, meeting people along the way and finding clues. His efforts to locate the boys are rejected by military authorities but he stubbornly presses on.
Seeing this film in the movie theatre rather than on a home television is definitely worth it. The action and scenes of war flash backs are better suited to the big screen than a home tv for full effect and drawing you in to feel like you are ‘right there’.
The story was a bit predictable because after all, it’s the story of a father searching for his children, but it was emotional and held my attention.
Parts of it felt a bit slow, or maybe just confusing, because during the flash backs I wasn’t really sure whose flash backs they were or why they were significant, but over all the story flowed well and I enjoyed it.
The story follows Joshua Conner (Crowe) and his attempts to re-locate his three sons Arthur, Henry and Edward, who went off to war together and yet were never heard from again. The three boys were inseparable as children (Jack Patterson, Ben Norris and Aidan Smith) and they stayed inseparable as adults (played by Ryan Corr, Ben O’Toole and James Fraser) as they went off to fight in World War I in the Battle of Gallipoli in Turkey.
Joshua loses contact with his sons during the war, and after the fighting has ended, he receives a journal that belonged to them. He reads the journal with his wife and they conclude that the boys must have perished in the fighting. Corners wife kills herself in her grief over losing them and Joshua swears he will bring the boys home, even if it is just their remains, that is his wife’s last wish.
Conner crosses the continent to search for them, meeting people along the way and finding clues. His efforts to locate the boys are rejected by military authorities but he stubbornly presses on.
Seeing this film in the movie theatre rather than on a home television is definitely worth it. The action and scenes of war flash backs are better suited to the big screen than a home tv for full effect and drawing you in to feel like you are ‘right there’.
The story was a bit predictable because after all, it’s the story of a father searching for his children, but it was emotional and held my attention.
Parts of it felt a bit slow, or maybe just confusing, because during the flash backs I wasn’t really sure whose flash backs they were or why they were significant, but over all the story flowed well and I enjoyed it.
Mike Wilder (20 KP) rated Road House (1989) in Movies
May 30, 2018
Very underrated
Contains spoilers, click to show
So what kind of film do you get when you have great one liners, bar fights, guns, knives, egos, strippers, blues music, a polar bear and a monster truck? You get one of the most enjoyable and entertaining films of the late 80's, Road House. The film follows James Dalton (Patrick Swayze) a cooler (bouncer) and the best in the business, as he takes employment with Frank Tilghman (Kevin Tighe) the owner of the Double Deuce in Jasper, Missouri. The bar is the roughest in town and he needs Dalton to clean it up. However corrupt business man and crime boss Brad Wesley (Ben Gazzara) stands in his way. After the classic "chick flick" Dirty Dancing, Patrick Swayze was Hollywood gold. Women loved him and men wanted to be him. The film was full of romance. Then along came Road House, a complete opposite to Dirty Dancing, a little romance and loads of action. The film has a great cast including Patrick Swayze, Kevin Tighe, Ben Gazzara, Kelly Lynch, Marshall R. Teague, Red West, Kathleen Wilhoite, John William Young, John Doe, Kurt James Stefka, Keith David & Terry Funk. The cast works well together and it is full of great performances. Naturally Patrick Swayze at the height of his career stands miles apart from the rest of the cast as Dalton. A character that can hurt you with his words just as much as his fists. Tragically, 20 years later Swayze had his life cut short by cancer. His death is still a major loss to the entertainment industry, but his legacy will live on in the great performances and memorable characters he played. The film also a features a great performance by the late great blues guitarist Jeff Healey as Cody. It's the music in the film that goes a long way to achieving the right feel for the film. Everything works well from the characters, the music to the setting. Set in a rural area the scenery is breath-taking and it is used to great effect. But it's the fight choreography that stands out from many other films. Great bar fights are pretty much a thing of the past, but here they are full of action and humour just like the classic westerns. The one on one fights are brutal, mainly for the realism they portray. The script is awesome and full of classic lines mainly from Dalton and although many are cheesy, when he says it, it feels right. The director surprisingly hasn't made many films but the ones I have seen of his I really like and I know I am in the minority. See my review of Gladiator (1992) for more by this director. This is truly a great film, although very underrated. It is also one of my personal all-time favourites. There are a couple of versions of this so ensure that you see the USA or UK version released after 2002 as these are the uncut editions. So grab a few beers and a few friends, but this on a big screen and turn the sound way up for a really great movie experience.
LeftSideCut (3778 KP) rated Hubie Halloween (2020) in Movies
Oct 9, 2020
I would class Happy Gilmore as a good Adam Sandler comedy. I would class Jack & Jill as a straight up abomination of cinema. Hubie Halloween sits somewhere comfortably in the middle.
It's pretty much follows the formula of what's come before - Adam Sandler portrays a loser that falls over a lot and talks in a silly voice, there's some sort of heart-warming redemption plot that results in him not being a loser and getting the girl. It's ball achingly predictable, but is wrapped up in a very Halloween-y package, so that's nice I guess.
The main issue is that I just didn't laugh. There are a few amusing lines here and there (June Squibb wearing vulgar novelty t-shirts is always a good shour) but most of the humour falls flat. Adam Sandler talking in a silly voice has never been funny, and you can't change my mind.
The supporting cast is a fairly impressive collection of names - Steve Buschemi, Julie Bowen, Ray Liotta, Maya Rudolph, Noah Schnapp from Stranger Things, Tim Meadows, Michael Chiklis, Ben Stiller, goddam Shaquille O'Neal (legit probably the best part of the whole movie) - even Kenan Thompson of Kenan & Kel fame. And of course Kevin James, this being a Sandler film and all....
There's not much really to say. The mystery aspect of the plot doesn't really feel intriguing at any part, and it's honestly just another run of the mill Adam Sandler comedy. Relatively entertaing as a seasonal watch, and I'm sure kids will love it, but ultimately, pretty damn average.
It's pretty much follows the formula of what's come before - Adam Sandler portrays a loser that falls over a lot and talks in a silly voice, there's some sort of heart-warming redemption plot that results in him not being a loser and getting the girl. It's ball achingly predictable, but is wrapped up in a very Halloween-y package, so that's nice I guess.
The main issue is that I just didn't laugh. There are a few amusing lines here and there (June Squibb wearing vulgar novelty t-shirts is always a good shour) but most of the humour falls flat. Adam Sandler talking in a silly voice has never been funny, and you can't change my mind.
The supporting cast is a fairly impressive collection of names - Steve Buschemi, Julie Bowen, Ray Liotta, Maya Rudolph, Noah Schnapp from Stranger Things, Tim Meadows, Michael Chiklis, Ben Stiller, goddam Shaquille O'Neal (legit probably the best part of the whole movie) - even Kenan Thompson of Kenan & Kel fame. And of course Kevin James, this being a Sandler film and all....
There's not much really to say. The mystery aspect of the plot doesn't really feel intriguing at any part, and it's honestly just another run of the mill Adam Sandler comedy. Relatively entertaing as a seasonal watch, and I'm sure kids will love it, but ultimately, pretty damn average.
Tim McGuire (301 KP) rated 1922 (2017) in Movies
Nov 2, 2019
Old Movie Revisited: 1922. Another sweet Netflix made Stephen King movie, within less than a month of Gerald's Game, another awesome sauce flick. This one brings back Thomas Jane into the King fold for at least the third time, a trend I hope he continues, seems to fit in well... a roll in the Dark Tower perhaps, well, isn't he already... In this one, taking place sometime before WW2 ;) we have farmer Wilfred James and his wife, Arlette, and son Henry. Now Arlette wants out of the midwest farm crap fest and move to the big city, sell the farm, get a divorce... Wilfred, well doesnt really seem to care about the divorce part, but losing the farm and Henry, cause of course the boy will go off with mommy, isnt going to happen. So what is a dad to do, duh, convince your 14 year old son to help murder your wife, invent a tale she ran off and expect everything to go well. You may have guessed, it doesn't... Hell, even little Henry becomes a outlaw. Good flick, bringing in some old Stephen King landmarks to tie in his universe a little tighter, takes place near Hemingford Home, where a few well known King characters hail from, big one being Abagail Freemantle, of The Stand... But more recently in theatres... IT, one little fat boy named Ben Hanscom also once roved it roads! Thomas Jane was awesome, if a Shining remake was ever in the works to be more true to the book, I'd love to see Mr. Jane as Jack, i think he'd be insane :) Filmbufftim on FB
BankofMarquis (1832 KP) rated Good Will Hunting (1997) in Movies
Jul 9, 2021
Well Deserved Oscars for Williams, Damon and Affleck
One of the benefits of “Secret Movie Night” is that it forces me to watch (or rewatch) a film that I would not seek out on my own. Such is the case with this month’s selection - GOOD WILL HUNTING - the film that made Matt Damon and Ben Affleck stars and earned the late, great Robin Williams his only Academy Award.
Leaning hard on the mantra “write what you know”, GOOD WILL HUNTING tells the tale of a generationally talented math prodigy, who grew up in South Boston and fights his demons to find his place in this world.
Famously, the screenplay of this film earned Damon and Affleck Oscars for Best Original Screenplay and it is well deserved. They paint a picture of life of these “Southies” that appears to me real and genuine. The “family” feel of the friendship of the main characters rings true and Damon and Affleck have real chemistry with each other - like old friends playing off each other.
However, the relationship between Affleck and Damon’s character in this film is only the 3rd best relationship in this film. The best, of course, is the relationship between Will Hunting (Damon) and the shrink that is assigned to him, played by Robin Williams. It is a haunting, raw, emotional and REAL performance by Williams - one very deserving of the Oscar - and I was more than a little sad to watch this performance knowing that this uniquely talented performer is no longer with us.
The surprise to me in this rewatch of the film is the performance of Minnie Driver as a young lady that becomes emotionally attached to Will. Driver’s performance as Harvard student Skylar is also real and the struggles of her character to get a connection with Will was heartbreaking to watch.
Good Will Hunting also features strong supporting work by Stellan Skarsgard as the MIT Math Professor who discovers - and then becomes jealous of - Will’s talents and Ben Affleck’s younger brother, a then unknown Casey Affleck, who steals almost every scene he is in.
All of this would not have worked without the magnificent, Oscar nominated, Direction of Gus Van Sant (DRUGSTORE COWBOY). He was the perfect choice to direct this intimate, personal drama and he has a way of drawing out the emotions and rawness of the characters on the screen without being cloying or overdramatic. He was a strong contender for Best Director that year (as was Good Will Hunting for Best Picture) but it ran into a roadblock that was James Cameron and TITANIC.
If you have never seen this film - or if you haven’t seen this in quite some time - check out GOOD WILL HUNTING, it is well worth your time.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
Leaning hard on the mantra “write what you know”, GOOD WILL HUNTING tells the tale of a generationally talented math prodigy, who grew up in South Boston and fights his demons to find his place in this world.
Famously, the screenplay of this film earned Damon and Affleck Oscars for Best Original Screenplay and it is well deserved. They paint a picture of life of these “Southies” that appears to me real and genuine. The “family” feel of the friendship of the main characters rings true and Damon and Affleck have real chemistry with each other - like old friends playing off each other.
However, the relationship between Affleck and Damon’s character in this film is only the 3rd best relationship in this film. The best, of course, is the relationship between Will Hunting (Damon) and the shrink that is assigned to him, played by Robin Williams. It is a haunting, raw, emotional and REAL performance by Williams - one very deserving of the Oscar - and I was more than a little sad to watch this performance knowing that this uniquely talented performer is no longer with us.
The surprise to me in this rewatch of the film is the performance of Minnie Driver as a young lady that becomes emotionally attached to Will. Driver’s performance as Harvard student Skylar is also real and the struggles of her character to get a connection with Will was heartbreaking to watch.
Good Will Hunting also features strong supporting work by Stellan Skarsgard as the MIT Math Professor who discovers - and then becomes jealous of - Will’s talents and Ben Affleck’s younger brother, a then unknown Casey Affleck, who steals almost every scene he is in.
All of this would not have worked without the magnificent, Oscar nominated, Direction of Gus Van Sant (DRUGSTORE COWBOY). He was the perfect choice to direct this intimate, personal drama and he has a way of drawing out the emotions and rawness of the characters on the screen without being cloying or overdramatic. He was a strong contender for Best Director that year (as was Good Will Hunting for Best Picture) but it ran into a roadblock that was James Cameron and TITANIC.
If you have never seen this film - or if you haven’t seen this in quite some time - check out GOOD WILL HUNTING, it is well worth your time.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
Sarah (7798 KP) rated Sonic the Hedgehog (2020) in Movies
Dec 22, 2020
Not as bad as expected
Sonic the Hedgehog is a legend, a gaming institution, and adapting him for the big screen was always going to be a tall order. This was proved when the trailer for this 2020 release first dropped in 2019 - the original appearance of Sonic faced such outcry and derision that studio Paramount did the unexpected and completely overhauled Sonic's looks. The result in the final film released in February of this year is a character that looks very much like the Sonic we know and love, but in a storyline and film that is sadly rather lacking.
Sonic the Hedgehog was directed by Jeff Fowler and stars James Marsden and Jim Carrey as the humans, with Ben Schwartz voicing the animated Sonic. The plot unfortunately is the entirely predictable buddy story you'd expect when a CGI character gets thrown into the real world - Sonic befriends a human, experiences all the fun earth has to offer before being hunted by an evil villain, and at the end everyone learns the value of friendship. So far, so generic and for me this was the biggest disappointment about this entire film. The script, the plot, the animation, it was all just so average.
Having seen the surprisingly good Detective Pikachu the previous year, which managed to seamlessly blend the real world with animated characters in a better than average story, I'd hoped Sonic would follow in the same vein but I'm sad to say it didn't. Yes Sonic looks a million times better than he did initially (the teeth in the original version are the stuff of nightmares), but he still looks too animated and cartoonish for the real world. The Pokémon in Warner Bros' film looked real, but Sonic just looks out of place. He isn't helped with Ben Schwartz's rather unconvincing voice which feels ill-fitting too, personally I think they should've done a Pikachu and Ryan Reynolds and gone with a completely outlandish OTT voice. It's a shame as the rest of the scenery and action based CGI are actually quite good, although the slow motion scenes have been done before and so much better (X-Men: Days of Future Past).
To be fair, despite a sometimes dodgy script, the human cast do at least do their best. James Marsden has surprisingly good chemistry with an animated hedgehog, although it's Jim Carrey as Dr Robotnik that steals the show. Whilst his Robotnik isn't quite the rounded Eggman of the games, Carrey's performance is wonderfully wacky, sinister and completely over the top, and is responsible for virtually all of the laughs here. He's having an absolute whale of a time and this really draws us in as viewers and makes us have fun too. He's the Carrey we know from the 90s, his performance so akin to those of Ace Ventura and The Mask that you can't help but love the exaggerated show he gives here.
Paramount has also done a good job of including some nostalgic nods to the games, from the gold rings in the opening Paramount logo to Sonic's red sneakers. Even the final battle between Sonic and Robotnik had me squealing with joy at how much it reminded me of the actions you undertake to defeat the boss battles. There are some aspects of the games that are missing, most noticeably the Badniks (Robotnik's creature like robots) and Sonic's friends, who have sadly been left for a blatant sequel baiting end credits scene for a sequel we may never see. I also found Robotnik's machines and vehicles to be a little too technologically advanced and was disappointed not to see some that were more reminiscent of the wacky contraptions from the games.
This adaptation of Sonic the Hedgehog isn't the best, and to be frank it could have been done so much better. That said, it still held my attention for its 100min run time and could never be called dull, even if it was a little too puerile to be anything better than average.
Sonic the Hedgehog was directed by Jeff Fowler and stars James Marsden and Jim Carrey as the humans, with Ben Schwartz voicing the animated Sonic. The plot unfortunately is the entirely predictable buddy story you'd expect when a CGI character gets thrown into the real world - Sonic befriends a human, experiences all the fun earth has to offer before being hunted by an evil villain, and at the end everyone learns the value of friendship. So far, so generic and for me this was the biggest disappointment about this entire film. The script, the plot, the animation, it was all just so average.
Having seen the surprisingly good Detective Pikachu the previous year, which managed to seamlessly blend the real world with animated characters in a better than average story, I'd hoped Sonic would follow in the same vein but I'm sad to say it didn't. Yes Sonic looks a million times better than he did initially (the teeth in the original version are the stuff of nightmares), but he still looks too animated and cartoonish for the real world. The Pokémon in Warner Bros' film looked real, but Sonic just looks out of place. He isn't helped with Ben Schwartz's rather unconvincing voice which feels ill-fitting too, personally I think they should've done a Pikachu and Ryan Reynolds and gone with a completely outlandish OTT voice. It's a shame as the rest of the scenery and action based CGI are actually quite good, although the slow motion scenes have been done before and so much better (X-Men: Days of Future Past).
To be fair, despite a sometimes dodgy script, the human cast do at least do their best. James Marsden has surprisingly good chemistry with an animated hedgehog, although it's Jim Carrey as Dr Robotnik that steals the show. Whilst his Robotnik isn't quite the rounded Eggman of the games, Carrey's performance is wonderfully wacky, sinister and completely over the top, and is responsible for virtually all of the laughs here. He's having an absolute whale of a time and this really draws us in as viewers and makes us have fun too. He's the Carrey we know from the 90s, his performance so akin to those of Ace Ventura and The Mask that you can't help but love the exaggerated show he gives here.
Paramount has also done a good job of including some nostalgic nods to the games, from the gold rings in the opening Paramount logo to Sonic's red sneakers. Even the final battle between Sonic and Robotnik had me squealing with joy at how much it reminded me of the actions you undertake to defeat the boss battles. There are some aspects of the games that are missing, most noticeably the Badniks (Robotnik's creature like robots) and Sonic's friends, who have sadly been left for a blatant sequel baiting end credits scene for a sequel we may never see. I also found Robotnik's machines and vehicles to be a little too technologically advanced and was disappointed not to see some that were more reminiscent of the wacky contraptions from the games.
This adaptation of Sonic the Hedgehog isn't the best, and to be frank it could have been done so much better. That said, it still held my attention for its 100min run time and could never be called dull, even if it was a little too puerile to be anything better than average.
Gareth von Kallenbach (971 KP) rated Cinderella (2015) in Movies
Aug 6, 2019
Throw together two beautiful faces from a couple of popular TV shows, award-winning veterans of the big screen, a director who loves to immerse viewers in story in the most spectacular of ways and what do you get? Sweet, magical enchantment.
Cinderella is Disney’s latest live-action translation of a classic animated film and under Kenneth Branagh’s deft direction it is simply wonderful. Retelling a beloved fairytale and making it feel fresh, delightful and satisfying is no small feat but Branagh does it with engaging actors, charming sets, captivating scenery and gorgeous costumes.
Lily James, recently of Downton Abbey, plays the heroine with sweet, innocent strength. Showered with love by her parents, played by Ben Chaplin and Hayley Atwell, Ella knows nothing about discontent or malice. Even after she loses her mother, and even after her father brings home an uncaring stepmother and disdainful stepsisters, Ella remains faithful to her mother’s dying wish for her daughter to “Have courage. Be Kind.”
Everyone knows how Ella became Cinderella and we all know just how badly she’s treated by her stepmother and stepsisters. Cate Blanchett is wickedly magnificent as the stepmother and Sophie McShera and Holliday Grainger bring new meaning to gaudy and garish.
I have to admit I’m a sucker for any fairytale that involves grand, sweeping ballroom scenes like Beauty and the Beast, Enchanted and now Cinderella. Of course, the scene could not have been possible without the help of a Fairy Godmother. Helena Bonham Carter is simply delightful in her role as Cinderella’s Fairy Godmother. The special effects used to give Cinderella a stunning gown as well as a horse-drawn carriage and driver and footmen were flawless
We also know how the story ends, but that didn’t stop the audience from sighing, holding its collective breath, and cheering when the prince, played handsomely by Richard Madden, finds the maiden whose foot fits perfectly in the glass slipper.
Days after our screener, my husband and I were still discussing the movie, that’s how much we enjoyed it. And when you can get your husband to easily agree to watch it again when it’s released, you know it’s a great movie.
Cinderella is Disney’s latest live-action translation of a classic animated film and under Kenneth Branagh’s deft direction it is simply wonderful. Retelling a beloved fairytale and making it feel fresh, delightful and satisfying is no small feat but Branagh does it with engaging actors, charming sets, captivating scenery and gorgeous costumes.
Lily James, recently of Downton Abbey, plays the heroine with sweet, innocent strength. Showered with love by her parents, played by Ben Chaplin and Hayley Atwell, Ella knows nothing about discontent or malice. Even after she loses her mother, and even after her father brings home an uncaring stepmother and disdainful stepsisters, Ella remains faithful to her mother’s dying wish for her daughter to “Have courage. Be Kind.”
Everyone knows how Ella became Cinderella and we all know just how badly she’s treated by her stepmother and stepsisters. Cate Blanchett is wickedly magnificent as the stepmother and Sophie McShera and Holliday Grainger bring new meaning to gaudy and garish.
I have to admit I’m a sucker for any fairytale that involves grand, sweeping ballroom scenes like Beauty and the Beast, Enchanted and now Cinderella. Of course, the scene could not have been possible without the help of a Fairy Godmother. Helena Bonham Carter is simply delightful in her role as Cinderella’s Fairy Godmother. The special effects used to give Cinderella a stunning gown as well as a horse-drawn carriage and driver and footmen were flawless
We also know how the story ends, but that didn’t stop the audience from sighing, holding its collective breath, and cheering when the prince, played handsomely by Richard Madden, finds the maiden whose foot fits perfectly in the glass slipper.
Days after our screener, my husband and I were still discussing the movie, that’s how much we enjoyed it. And when you can get your husband to easily agree to watch it again when it’s released, you know it’s a great movie.
JT (287 KP) rated Killing Them Softly (2012) in Movies
Mar 10, 2020
There was quite a significant gap between films for writer/director Andrew Dominik, five years in fact. His last feature length outing The Assassination of Jesse James by the Coward Robert Ford was a Western epic and here he has teamed up with Brad Pitt again for Killing Them Softly, one with a significantly shorter run time.
Pitt plays Jackie Cogan a gun for hire who is called in to clean up the mess made after a mob protected card game is robbed and the criminal economy takes an unexpected nose dive. With the criminal underworld unsure of who to trust and with no games being run it’s up to Cogan to eliminate those responsible and get trust restored.
The film is also set against real footage of Bush and Obama referring to the struggling US economy and the need for the country to pull together as a community to get itself back on track, which is ironic given the narrative that Dominik is conveying. The group behind the heist are hardly your career criminals, Frankie (Scoot McNairy) and Russell (Ben Mendelsohn) are a pair of down and outs looking for some fast cash.
These guys are a highlight, prepping for the robbery with yellow rubber gloves, masks and a sawn off shotgun so short it would take everyone out who’s in the room. Mendelsohn is especially solid, his appearance as a disheveled drug taking dog thief is one of the few comedic elements to an otherwise dry film.
Killing Them Softly is a film where you have to rely heavily on the acting, and there is plenty on show. Pitt of course is ever commanding in his role, slicked back hair and leather jacket he’s the archetypal hitman, he calls the shots and others listen.
Then there is James Gandolfini, no stranger to the world of fictional organized crime having been head of the most famous TV family, the Sopranos. Gandolfini is another hitman, called on by Pitt to assist in taking out one of the targets, however the only thing he’s capable of doing is consuming large amounts of booze and women.
Add into the mix Ray Liotta (another with a fictional mafia past) who’s responsible for knocking off his own card game in the beginning, he’s the innocent party this time around and is whacked in a spectacular slow motion capture drive by. Dominik’s script is nowhere near as tight or as in depth as Chopper, it becomes confused at times and it’s hard to know exactly where it is supposed to lead us.
There is no question that the acting is top draw and there are some great scenes of dialogue that leaves you wanting more, of course it does seem to drift on a bit too much and the short sharp cuts between actors can get annoying.
It’s fair to say it has its share of brutal violence, poor Markie Trattman (Liotta) is on the receiving end of one of cinemas heaviest beatings, and when the hits are made there is no getting away from the realism to them, blood will fly.
At the end of the film Cogan has been short changed for his work, and as an audience you might feel short changed that the film promised was not the one returned?
Pitt plays Jackie Cogan a gun for hire who is called in to clean up the mess made after a mob protected card game is robbed and the criminal economy takes an unexpected nose dive. With the criminal underworld unsure of who to trust and with no games being run it’s up to Cogan to eliminate those responsible and get trust restored.
The film is also set against real footage of Bush and Obama referring to the struggling US economy and the need for the country to pull together as a community to get itself back on track, which is ironic given the narrative that Dominik is conveying. The group behind the heist are hardly your career criminals, Frankie (Scoot McNairy) and Russell (Ben Mendelsohn) are a pair of down and outs looking for some fast cash.
These guys are a highlight, prepping for the robbery with yellow rubber gloves, masks and a sawn off shotgun so short it would take everyone out who’s in the room. Mendelsohn is especially solid, his appearance as a disheveled drug taking dog thief is one of the few comedic elements to an otherwise dry film.
Killing Them Softly is a film where you have to rely heavily on the acting, and there is plenty on show. Pitt of course is ever commanding in his role, slicked back hair and leather jacket he’s the archetypal hitman, he calls the shots and others listen.
Then there is James Gandolfini, no stranger to the world of fictional organized crime having been head of the most famous TV family, the Sopranos. Gandolfini is another hitman, called on by Pitt to assist in taking out one of the targets, however the only thing he’s capable of doing is consuming large amounts of booze and women.
Add into the mix Ray Liotta (another with a fictional mafia past) who’s responsible for knocking off his own card game in the beginning, he’s the innocent party this time around and is whacked in a spectacular slow motion capture drive by. Dominik’s script is nowhere near as tight or as in depth as Chopper, it becomes confused at times and it’s hard to know exactly where it is supposed to lead us.
There is no question that the acting is top draw and there are some great scenes of dialogue that leaves you wanting more, of course it does seem to drift on a bit too much and the short sharp cuts between actors can get annoying.
It’s fair to say it has its share of brutal violence, poor Markie Trattman (Liotta) is on the receiving end of one of cinemas heaviest beatings, and when the hits are made there is no getting away from the realism to them, blood will fly.
At the end of the film Cogan has been short changed for his work, and as an audience you might feel short changed that the film promised was not the one returned?
Sarah (7798 KP) rated Rebecca (2020) in Movies
Nov 1, 2020
A dull adaptation
Rebecca is an adaptation of Daphne Du Maurier’s 1938 novel of the same name, following a young woman’s whirlwind romance and her battle to rid her new marriage and home of the shadow of her husband’s first wife.
Rebecca as a novel is a classic and a book I very much enjoyed, and whilst I’ve never seen the Hitchcock adaptation, it’s often referred to as a fairly legendary classic too. However I’m afraid to say the same cannot be said about this new version. The basic plot and story is present, although rather frustratingly the ending has been extended unnecessarily, but it has not been executed very well.
The trailer made this look quite sinister and spooky, which is quite right when the original novel is a gothic horror with aspects of a ghost story thrown in. However this film turns out to be nothing of the sort. It’s more of a romantic drama with a hint of thriller thrown in – the gothic horror ghost story is nowhere to be seen and neither is any form of intrigue or suspense. In fact I’d be so bold as to say this is just outright dull, and even the campy over the top sinister vibes from Kristin Scott Thomas’s housekeeper Mrs Danvers are laughable at best. The most interesting part of this was the opening scene with it’s sinister score but this just didn’t carry through to the rest of the film.
Sadly the cast don’t fare very well in this either. Lily James is a great actor, but her version of the new wife is too mousy and timid and you wonder what on earth Maxim ever sees in her. The character herself is very frustrating and irksome as she’s far too naïve and sweet. And Armie Hammer is miscast as Maxim De Winter himself. He looks the part, dashing and handsome, but he’s lacking in the intrigue, charm and secrecy that you’d expect this character to have. He’s also missing the age gap that is rather notable in the book.
The cinematography in this is rather concerning. The scenes in Monte Carlo are far too colourful and garish and they just look out of place, even more so for something that is meant to be a gothic horror. I’m unsure of why this has been done, other than to show a striking difference between Monte Carlo and Maxim’s Cornish home of Manderley. In fact what is most concerning about this film is why Ben Wheatley wanted to direct it. By far the biggest shock of this film was finding out Wheatley, of Kill List and Sightseers fame, had directed it. Wheatley is known for psychological dark (and often funny) thrillers and there is nothing of his style to be seen in this film at all. Which is a shame, as I think a little more of his dark style would’ve propelled this film into more than just a sub-par drama.
Overall this a very disappointing and long winded adaptation of a classic novel. Whilst there are a few decent scenes and a good, if not out of character, performance from Lily James, these are nowhere near enough to save this from being a bit of a bore.
Rebecca as a novel is a classic and a book I very much enjoyed, and whilst I’ve never seen the Hitchcock adaptation, it’s often referred to as a fairly legendary classic too. However I’m afraid to say the same cannot be said about this new version. The basic plot and story is present, although rather frustratingly the ending has been extended unnecessarily, but it has not been executed very well.
The trailer made this look quite sinister and spooky, which is quite right when the original novel is a gothic horror with aspects of a ghost story thrown in. However this film turns out to be nothing of the sort. It’s more of a romantic drama with a hint of thriller thrown in – the gothic horror ghost story is nowhere to be seen and neither is any form of intrigue or suspense. In fact I’d be so bold as to say this is just outright dull, and even the campy over the top sinister vibes from Kristin Scott Thomas’s housekeeper Mrs Danvers are laughable at best. The most interesting part of this was the opening scene with it’s sinister score but this just didn’t carry through to the rest of the film.
Sadly the cast don’t fare very well in this either. Lily James is a great actor, but her version of the new wife is too mousy and timid and you wonder what on earth Maxim ever sees in her. The character herself is very frustrating and irksome as she’s far too naïve and sweet. And Armie Hammer is miscast as Maxim De Winter himself. He looks the part, dashing and handsome, but he’s lacking in the intrigue, charm and secrecy that you’d expect this character to have. He’s also missing the age gap that is rather notable in the book.
The cinematography in this is rather concerning. The scenes in Monte Carlo are far too colourful and garish and they just look out of place, even more so for something that is meant to be a gothic horror. I’m unsure of why this has been done, other than to show a striking difference between Monte Carlo and Maxim’s Cornish home of Manderley. In fact what is most concerning about this film is why Ben Wheatley wanted to direct it. By far the biggest shock of this film was finding out Wheatley, of Kill List and Sightseers fame, had directed it. Wheatley is known for psychological dark (and often funny) thrillers and there is nothing of his style to be seen in this film at all. Which is a shame, as I think a little more of his dark style would’ve propelled this film into more than just a sub-par drama.
Overall this a very disappointing and long winded adaptation of a classic novel. Whilst there are a few decent scenes and a good, if not out of character, performance from Lily James, these are nowhere near enough to save this from being a bit of a bore.