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Dead of Night
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BERLIN. JANUARY 1940. After Germany's invasion of Poland, the world is holding its breath and...
Bob Mann (459 KP) rated Alone in Berlin (2017) in Movies
Sep 29, 2021
Small Rebellions.
Once again, World War II turns up another true story of quiet valour to turn into a motion picture. At a time when Trump is pontificating about so called “fake news”, here is a timely tale from history which centres on the battle against genuinely fake news: the Nazi propaganda machine.
After losing their only son in the French campaign, Berliners Otto (Brendan Gleeson,”Harry Potter and the Goblet of Fire”) and Anna (Emma Thompson, “Saving Mr Banks“) turn against the regime and in repeated acts of rebellion Otto laboriously hand writes subversive postcards to leave in office blocks around Berlin.
Resistance is futile. Otto (Brendan Gleeson) and Anna (Emma Thompson) out on a new mission.
Out to catch him is local police investigator Escherich (Daniel Brühl) but in an age before CCTV that’s no easy task and with increasing SS pressure the stakes for Escherich steadily increase. For Otto and Anna, the stress is there but both are resigned to their fate: with their son stolen from them for an unjust cause they are an island of indifference in an unholy land. Both are ‘alone in Berlin’.
Daniel Brühl as police detective Escherich getting more than he bargained for from the SS.
After 70 years it still chills the blood to see German locations decked out in Nazi regalia, but one of the joys of this film is this rendering of life in wartime Berlin: starting with jubilation at German progress prior to D-Day and turning to despair and genuine danger as the tide turns towards 1945. In a pretty bleak film there are touches of black comedy now and then: Otto’s carpentry company is being encouraged “by the Fuhrer” to double and triple their output… of coffins.
A (very clean) Berlin, decked out with Nazi regalia.
More joy comes from the star turns of Gleeson and Thompson, both of who deliver on their emotionally challenging roles. Gleeson in particular makes a very believable German with a sour demeanor and a steely determination. But the star acting turn for me goes to the wonderful Daniel Brühl (“Rush“) as the tormented police detective, bullied into an ethical corner by the SS. The finale of the film – whilst not seeming quite believable – makes for a nicely unexpected twist.
The Nazi Womens’ League out on another fund-raising sweep, providing Thompson with one of her best scenes in the film with an Oberführer’s wife.
Based on a novel by Hans Fallada, the lead writing credits for the piece are shared between Achim von Borries and the director Vincent Perez – in a rare directorial outing for the Swiss actor. The script exudes a melancholic gloom and at times expresses beautifully both the grief and love shared by this older couple. But some of the dialogue needs more work and we don’t see enough of Thompson in the early part of the film where her motivations should be being developed. This rather comes down to a lack of focus by the director. While the primary story of the card distribution is slight, it is compelling and a detour into a sub-story about an old Jewish lodger living upstairs is unnecessary and detracts from the overall story arc. I would have far preferred if the running time had been a tight 90 minutes just focused on Otto’s mission. One final comment on the script: did I mishear that Anna claimed to have a 6 year old child during an air raid scene? I know Emma Thompson looks great for her age, but….
Otto and Elise Hampel – the real life characters on which the film’s Otto and Anna Quangel were based.
I can’t finish this without commending the beautiful piano score of Alexandre Desplat. From the first note I knew it was him – he has such a characteristic style – and his clever use of the score complements the film exquisitely. “Small” films like this tend to rather disappear into the woodwork for Oscar consideration, but here’s a soundtrack that I think should be considered: (but what do I know… when “Nocturnal Animals” wasn’t even nominated in one of the Oscar crimes of the century!).
In summary, I found this a thoughtful and thought-provoking film, that – despite some of the mean reviews I’ve seen – I thought was well crafted and with excellent production design by Jean-Vincent Puzos (“Amour”). It will be particularly appreciated by older audiences looking for an untold story from the war, and by all lovers of fine acting performances by the three leads.
After losing their only son in the French campaign, Berliners Otto (Brendan Gleeson,”Harry Potter and the Goblet of Fire”) and Anna (Emma Thompson, “Saving Mr Banks“) turn against the regime and in repeated acts of rebellion Otto laboriously hand writes subversive postcards to leave in office blocks around Berlin.
Resistance is futile. Otto (Brendan Gleeson) and Anna (Emma Thompson) out on a new mission.
Out to catch him is local police investigator Escherich (Daniel Brühl) but in an age before CCTV that’s no easy task and with increasing SS pressure the stakes for Escherich steadily increase. For Otto and Anna, the stress is there but both are resigned to their fate: with their son stolen from them for an unjust cause they are an island of indifference in an unholy land. Both are ‘alone in Berlin’.
Daniel Brühl as police detective Escherich getting more than he bargained for from the SS.
After 70 years it still chills the blood to see German locations decked out in Nazi regalia, but one of the joys of this film is this rendering of life in wartime Berlin: starting with jubilation at German progress prior to D-Day and turning to despair and genuine danger as the tide turns towards 1945. In a pretty bleak film there are touches of black comedy now and then: Otto’s carpentry company is being encouraged “by the Fuhrer” to double and triple their output… of coffins.
A (very clean) Berlin, decked out with Nazi regalia.
More joy comes from the star turns of Gleeson and Thompson, both of who deliver on their emotionally challenging roles. Gleeson in particular makes a very believable German with a sour demeanor and a steely determination. But the star acting turn for me goes to the wonderful Daniel Brühl (“Rush“) as the tormented police detective, bullied into an ethical corner by the SS. The finale of the film – whilst not seeming quite believable – makes for a nicely unexpected twist.
The Nazi Womens’ League out on another fund-raising sweep, providing Thompson with one of her best scenes in the film with an Oberführer’s wife.
Based on a novel by Hans Fallada, the lead writing credits for the piece are shared between Achim von Borries and the director Vincent Perez – in a rare directorial outing for the Swiss actor. The script exudes a melancholic gloom and at times expresses beautifully both the grief and love shared by this older couple. But some of the dialogue needs more work and we don’t see enough of Thompson in the early part of the film where her motivations should be being developed. This rather comes down to a lack of focus by the director. While the primary story of the card distribution is slight, it is compelling and a detour into a sub-story about an old Jewish lodger living upstairs is unnecessary and detracts from the overall story arc. I would have far preferred if the running time had been a tight 90 minutes just focused on Otto’s mission. One final comment on the script: did I mishear that Anna claimed to have a 6 year old child during an air raid scene? I know Emma Thompson looks great for her age, but….
Otto and Elise Hampel – the real life characters on which the film’s Otto and Anna Quangel were based.
I can’t finish this without commending the beautiful piano score of Alexandre Desplat. From the first note I knew it was him – he has such a characteristic style – and his clever use of the score complements the film exquisitely. “Small” films like this tend to rather disappear into the woodwork for Oscar consideration, but here’s a soundtrack that I think should be considered: (but what do I know… when “Nocturnal Animals” wasn’t even nominated in one of the Oscar crimes of the century!).
In summary, I found this a thoughtful and thought-provoking film, that – despite some of the mean reviews I’ve seen – I thought was well crafted and with excellent production design by Jean-Vincent Puzos (“Amour”). It will be particularly appreciated by older audiences looking for an untold story from the war, and by all lovers of fine acting performances by the three leads.
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Sue (5 KP) rated Lethal Licorice (Amish Candy Shop Mystery, #2) in Books
Apr 23, 2018
Lethal Licorice is the 2nd book in the delightful new Amish Candy Shop Murder series by author Amanda Flower.
What is Bailey King, an “Englisch” chocolatier from Manhattan, doing as a competitor in the Amish Confectionery Competition in tiny Harvest, Ohio? Filling in for her recently deceased grandfather (co-owner of Swissmen Sweets), Bailey finds herself competing against not so friendly or accepting Amish candy makers. When vocal candy maker Josephine Weaver of Berlin puts up a fuss and then is later found dead from a severe allergy to anise (the major ingredient in licorice), Bailey becomes the number one suspect. Following along as Bailey tries to compete and do her grandparents proud while sticking her nose into finding the real murder culprit.
This book is a must read! It has a little bit of mystery, a little bit of romance, and a great cast of characters. If you enjoy cozy mysteries that will keep you guessing until the end, then Lethal Licorice needs to be added to your book list.
I voluntarily read an ARC of this book provided by the publisher and NetGalley.
What is Bailey King, an “Englisch” chocolatier from Manhattan, doing as a competitor in the Amish Confectionery Competition in tiny Harvest, Ohio? Filling in for her recently deceased grandfather (co-owner of Swissmen Sweets), Bailey finds herself competing against not so friendly or accepting Amish candy makers. When vocal candy maker Josephine Weaver of Berlin puts up a fuss and then is later found dead from a severe allergy to anise (the major ingredient in licorice), Bailey becomes the number one suspect. Following along as Bailey tries to compete and do her grandparents proud while sticking her nose into finding the real murder culprit.
This book is a must read! It has a little bit of mystery, a little bit of romance, and a great cast of characters. If you enjoy cozy mysteries that will keep you guessing until the end, then Lethal Licorice needs to be added to your book list.
I voluntarily read an ARC of this book provided by the publisher and NetGalley.
Sue (5 KP) rated Lethal Licorice (Amish Candy Shop Mystery, #2) in Books
Aug 13, 2018
Lethal Licorice is the 2nd book in the delightful new Amish Candy Shop Murder series by author Amanda Flower.
What is Bailey King, an “Englisch” chocolatier from Manhattan, doing as a competitor in the Amish Confectionery Competition in tiny Harvest, Ohio? Filling in for her recently deceased grandfather (co-owner of Swissmen Sweets), Bailey finds herself competing against not so friendly or accepting Amish candy makers. When vocal candy maker Josephine Weaver of Berlin puts up a fuss and then is later found dead from a severe allergy to anise (the major ingredient in licorice), Bailey becomes the number one suspect. Following along as Bailey tries to compete and do her grandparents proud while sticking her nose into finding the real murder culprit.
This book is a must read! It has a little bit of mystery, a little bit of romance, and a great cast of characters. If you enjoy cozy mysteries that will keep you guessing until the end, then Lethal Licorice needs to be added to your book list.
I voluntarily read an ARC of this book provided by the publisher and NetGalley.
What is Bailey King, an “Englisch” chocolatier from Manhattan, doing as a competitor in the Amish Confectionery Competition in tiny Harvest, Ohio? Filling in for her recently deceased grandfather (co-owner of Swissmen Sweets), Bailey finds herself competing against not so friendly or accepting Amish candy makers. When vocal candy maker Josephine Weaver of Berlin puts up a fuss and then is later found dead from a severe allergy to anise (the major ingredient in licorice), Bailey becomes the number one suspect. Following along as Bailey tries to compete and do her grandparents proud while sticking her nose into finding the real murder culprit.
This book is a must read! It has a little bit of mystery, a little bit of romance, and a great cast of characters. If you enjoy cozy mysteries that will keep you guessing until the end, then Lethal Licorice needs to be added to your book list.
I voluntarily read an ARC of this book provided by the publisher and NetGalley.
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