"A classic, and I grew up loving Judy Garland, and Bert Lahr is an amazing actor. As a child I watched it over and over again. It just represents the magic of moviemaking. I love how it goes from black-and-white to technicolor. My dad was a big Judy Garland fan growing up, so we would hear all these stories about her and the old studio system, so that’s one of my favorites."

"This one really shook up the filmmakers of my generation before we started making our own films. The late comedian Bert Lahr told me that, when he was in the first production of Beckett’s Waiting for Godot in 1956, “I did that damn play for ten weeks, and I never understood a word of it.” I’ve seen Marienbad at least twenty times over the past fifty years, and I don’t understand one scene of it, but what a fantastic experience. I don’t 
understand the Grand Canyon or Schoenberg’s Transfigured Night, either, but they continue to move me. Marienbad is that rare film that changes the possibilities of narrative in cinema. I no longer try to “figure it out”; I just let it take me. The soundtrack can get on my nerves, but the film itself is visual music."

"I’m an absolute lover of The Wizard of Oz. I adore that film from start to finish. It never gets old. I think it has a beautiful, tender tone of both real drama and huge comedy, and I adore it. I don’t remember the first time [I saw it]; it’s part of my brain. I mean, I saw that film along with The Sound of Music, Mary Poppins. I still watch it every couple of years, and it brings me great joy every single time. I love Bert Lahr [as the Cowardly Lion], and his performance really gets me where I live. When they go to meet the Wizard and he’s doing his big speech and he says, “I just want you guys to do one thing….” – I’m butchering this! – and he goes, “Talk me out of it,” because he didn’t want to go in… I adore that moment in the film, as well as countless others."