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Sassy Brit (97 KP) rated Manchester Vice in Books
Jun 6, 2019
^^ Imagine you’re able to make contact with a serial killer, and before he dies he passes on his diary, which reveals the secret location of his murderous lair; all set up and ready to go. Then imagine, before you know what to do with this information, you discover your wife is having an affair with your annoying brother of whom you’ve never been close to. Of course, your wife’s not to blame, as lately you’ve not been a very attentive husband, but that could change with your brother out of the way, right? In fact, it’s the perfect solution. What could possibly go wrong with such a rock solid plan?
^^ This is what happens to the main character, Brad Sharpe, in Jack Strange’s Manchester Vice. Brad is often portrayed as a guy who contemplates what’s going on in his life, and seems to discover the answers to his own problems as he is telling us the story, yet, he fails to understand the blantly obvious staring at him in the face. As an example, in one scene he thinks there is a strong possibility his wife is having an affair with someone who lives in the same block of flats as his brother…. (At this point I’m throwing my hands up in the air and going, “Well, doh?”). Yep, see what I mean? So, when he finally cottons on (hallelujah) he’s on to his next get even scheme. I guess, Sharpe’s not as sharp as he likes to think!
^^ And what of the diary? This is a great addition to the story as it acts like a step-by-step manual to extract (or should I say extinguish?) anything he doesn’t like from his life. Yet there’s an even bigger twist in this story of revenge, and that’s how he keeps in close proximity with the police as a journalist reporting on the crime of this elusive serial killer. Himself.
^^ The ending did not disappoint, in fact, I kind of regretted that it ended at all and throughly enjoyed reading about Brad’s escapades, especially his reign of power and journalistic fame.
Overall: Manchester Vice is a story of betrayal, comeuppance, and rash decisions made from a rookie murderer bungling his way through one mistake after another. Jack Strange’s character Brad Sharpe has a fresh voice and his antics are both gruesome and downright comedic. I love the way he maintains a sense of right and wrong throughout, even though his morals are very different to most of ours. A fun, dark and fabulously disturbing, “Brit Grit” read.
^^ This is what happens to the main character, Brad Sharpe, in Jack Strange’s Manchester Vice. Brad is often portrayed as a guy who contemplates what’s going on in his life, and seems to discover the answers to his own problems as he is telling us the story, yet, he fails to understand the blantly obvious staring at him in the face. As an example, in one scene he thinks there is a strong possibility his wife is having an affair with someone who lives in the same block of flats as his brother…. (At this point I’m throwing my hands up in the air and going, “Well, doh?”). Yep, see what I mean? So, when he finally cottons on (hallelujah) he’s on to his next get even scheme. I guess, Sharpe’s not as sharp as he likes to think!
^^ And what of the diary? This is a great addition to the story as it acts like a step-by-step manual to extract (or should I say extinguish?) anything he doesn’t like from his life. Yet there’s an even bigger twist in this story of revenge, and that’s how he keeps in close proximity with the police as a journalist reporting on the crime of this elusive serial killer. Himself.
^^ The ending did not disappoint, in fact, I kind of regretted that it ended at all and throughly enjoyed reading about Brad’s escapades, especially his reign of power and journalistic fame.
Overall: Manchester Vice is a story of betrayal, comeuppance, and rash decisions made from a rookie murderer bungling his way through one mistake after another. Jack Strange’s character Brad Sharpe has a fresh voice and his antics are both gruesome and downright comedic. I love the way he maintains a sense of right and wrong throughout, even though his morals are very different to most of ours. A fun, dark and fabulously disturbing, “Brit Grit” read.
Kristy H (1252 KP) rated Among the Ten Thousand Things in Books
Feb 13, 2018
Review on my <a href="http://justacatandabookatherside.blogspot.com/2016/01/oh-im-becoming-ghost-in-your-life-and.html">blog here</a>.
Jack Shanley is a fairly well-known New York artist. He's a married father of two. He's also an adulterer, who carries on affairs in his New York studio. This comes back to bite him, so to speak, when one of his exes sends his wife a large box chronicling their entire relationship - emails, texts, sexts - all printed and contained in this one box. The box is delivered to Jack's apartment and opened by his eleven-year-old daughter, Kay, and fifteen-year-old son, Simon. They show the box to their mother, Deb, forcing her to confront the many flaws of her husband. Meanwhile, Kay and Simon are (justifiably) traumatized by the box's contents and the possible dissolution of their parents' marriage.
This was an odd book. As a child of divorce, a lot of this book hit home, and I felt myself feeling a great deal of sympathy for Deb, Kay, and Simon - especially as they disappear off to their vacation home, of sorts, to recover. (Alas, no vacation home when I was a child.) Julia Pierpoint is certainly a strong writer and her prose is lovely and well-crafted. Still, the book often just seems a little flat.
The strangest part of this book, to me, as many other reviewers have pointed out - is that is constructed in four parts - parts one and three basically deal with the immediate aftermath of the box's delivery and how the family reacts. Parts two and four tell us what happen to Jack, Deb, Kay, and Simon for their entire lives. It's an odd author tool, and I'm not sure it entirely works. For me, I was caught up enough in Part One's tale and then found Part Two incredibly jarring - even more so to be dumped back into the current story at Part Three. Part Four repeats Two a bit and tells a bit more about what happens to the characters. It's an odd device, and I really would have preferred not to have had Part Two stuck in there at all. I suppose it's an artistic overreach that appeals to critics but not most actual readers.
Overall, I found the book an intriguing look at a family dealing with a father's betrayal. Not a ton happens - it's not that sort of book - but Pierpont's writing is strong, and I liked Simon and Kay. I am not sure the book is one that will leave a lasting impression with me, though.
Jack Shanley is a fairly well-known New York artist. He's a married father of two. He's also an adulterer, who carries on affairs in his New York studio. This comes back to bite him, so to speak, when one of his exes sends his wife a large box chronicling their entire relationship - emails, texts, sexts - all printed and contained in this one box. The box is delivered to Jack's apartment and opened by his eleven-year-old daughter, Kay, and fifteen-year-old son, Simon. They show the box to their mother, Deb, forcing her to confront the many flaws of her husband. Meanwhile, Kay and Simon are (justifiably) traumatized by the box's contents and the possible dissolution of their parents' marriage.
This was an odd book. As a child of divorce, a lot of this book hit home, and I felt myself feeling a great deal of sympathy for Deb, Kay, and Simon - especially as they disappear off to their vacation home, of sorts, to recover. (Alas, no vacation home when I was a child.) Julia Pierpoint is certainly a strong writer and her prose is lovely and well-crafted. Still, the book often just seems a little flat.
The strangest part of this book, to me, as many other reviewers have pointed out - is that is constructed in four parts - parts one and three basically deal with the immediate aftermath of the box's delivery and how the family reacts. Parts two and four tell us what happen to Jack, Deb, Kay, and Simon for their entire lives. It's an odd author tool, and I'm not sure it entirely works. For me, I was caught up enough in Part One's tale and then found Part Two incredibly jarring - even more so to be dumped back into the current story at Part Three. Part Four repeats Two a bit and tells a bit more about what happens to the characters. It's an odd device, and I really would have preferred not to have had Part Two stuck in there at all. I suppose it's an artistic overreach that appeals to critics but not most actual readers.
Overall, I found the book an intriguing look at a family dealing with a father's betrayal. Not a ton happens - it's not that sort of book - but Pierpont's writing is strong, and I liked Simon and Kay. I am not sure the book is one that will leave a lasting impression with me, though.
Sarah (126 KP) rated The Staircase in TV
Aug 10, 2018
A Compelling Watch
All are punish'd.
The final words of The Staircase, taken from the last scene of Romeo & Juliet, seem particularly fitting for the series.
This series is centred on the untimely death of Kathleen Peterson, wife of author Michael Peterson.
For fans of true crime documentaries such as Making a Murderer, Evil Genius and Wild, Wild Country, this may seem something of a "slow burn"; however, from the initial report of Kathleen apparently tumbling down the stairs, we are quickly taken on a journey which spans several decades, two continents and which reveals lies and betrayal the likes of which seem more fitting of a crime thriller novel than a real life crime drama.
As with pretty much of these true crime series', we are left with a lot of unanswered questions; what makes The Staircase different is that it actually takes from the initial 911 call right up to the closure of the case.
What this start to finish coverage of the matter does give is a stark indication of the sheer length of time (and amount of money) that justice can take - if, indeed, one considers that justice was in fact served in this matter - and the toll that can take.
The level of coverage - of coaching of the witness pre-Trial, interviews with the Judge following the conclusion, and pretty much everything in between - allows us great insight into the US judicial process, as well as a close look at the Defendant himself and his family.
While each and every viewer will undoubtedly form their own opinion as to the guilt or otherwise of Michael Peterson - even though we aren't privy to all of the evidence, investigations, etc of the prosecution team - this series is certainly serves as an insight into the criminal justice process in the United States and how it can affect entire families.
My only criticism would be that the last few episodes seem to have been really dragged out - including lots of long, lingering shots of Michael Peterson, perhaps to reinforce how he had aged and suffered over the course of the series. In my opinion, it really could have been reduced by several episodes which would have actually made the whole thing flow better.
As regards guilt, one line towards the end of the series really stood out to as being the most honest thing said by anyone: "is there ever anyone in this family who isn't performing?"
The final words of The Staircase, taken from the last scene of Romeo & Juliet, seem particularly fitting for the series.
This series is centred on the untimely death of Kathleen Peterson, wife of author Michael Peterson.
For fans of true crime documentaries such as Making a Murderer, Evil Genius and Wild, Wild Country, this may seem something of a "slow burn"; however, from the initial report of Kathleen apparently tumbling down the stairs, we are quickly taken on a journey which spans several decades, two continents and which reveals lies and betrayal the likes of which seem more fitting of a crime thriller novel than a real life crime drama.
As with pretty much of these true crime series', we are left with a lot of unanswered questions; what makes The Staircase different is that it actually takes from the initial 911 call right up to the closure of the case.
What this start to finish coverage of the matter does give is a stark indication of the sheer length of time (and amount of money) that justice can take - if, indeed, one considers that justice was in fact served in this matter - and the toll that can take.
The level of coverage - of coaching of the witness pre-Trial, interviews with the Judge following the conclusion, and pretty much everything in between - allows us great insight into the US judicial process, as well as a close look at the Defendant himself and his family.
While each and every viewer will undoubtedly form their own opinion as to the guilt or otherwise of Michael Peterson - even though we aren't privy to all of the evidence, investigations, etc of the prosecution team - this series is certainly serves as an insight into the criminal justice process in the United States and how it can affect entire families.
My only criticism would be that the last few episodes seem to have been really dragged out - including lots of long, lingering shots of Michael Peterson, perhaps to reinforce how he had aged and suffered over the course of the series. In my opinion, it really could have been reduced by several episodes which would have actually made the whole thing flow better.
As regards guilt, one line towards the end of the series really stood out to as being the most honest thing said by anyone: "is there ever anyone in this family who isn't performing?"
Debbiereadsbook (1202 KP) rated The Alpha's Warlock (Mismatched Mates #1) in Books
Mar 27, 2020
great read, but I NEEDED Ian!
Independent reviewer for Gay Romance Reviews, I was gifted my copy of this book.
Nate is a warlock, and getting kidnapped and cursed by the Shimball werewolf pack wasn't in his plans for the day. When he manages to drag himself to tell the Armitage pack of the Shimball pack plans, mating the Alpha's brother wasn't in his plans either. But the only way to break the curse is to build a mate bond with an Alpha, so mate with Ian he does. There is just the minor detail that Ian hates Nate, and Nate has been attracted to Ian for such a long time. When the Shimball pack come for the Armitage pack, Ian has to keep Nate safe, even if it just gives him a chance to kill Nate himself!
I really REALLY enjoyed this!
Nate is quirky, and witty, and so bloody funny! Because the book is only told from his point of view, and in the first person, we get all of his wit and humour, but also, all of his terror at what his father did to him. His pain at realizing he might not be good enough for anyone. His reaction to the bond to Ian surprised him, and we get all of that. We get his dawning knowledge of what Ian has become to him.
The story moves along at pace in places, a little slower in others. The bigger picture, I think, isn't clear yet, and I have no idea what that picture might be, but I look forward to reading more.
The only thing, for ME, why I didn't give it 5 stars when I enjoyed it so much?
Single person person of view. Only Nate has a voice. I really REALLY needed Ian, at key points along the way, and I don't get him. I needed to know what he felt about having to mate Nate, although there were clues to that early on. I needed to know if the mate bond affected him as much as it did Nate. I needed to know just what his brother's betrayal means to him, and how much it hurts him. And I don't get him!
BUT!
A great read, and the first I've read of this author. I like the way they spin the tales. I look forward to reading more, especially after the epilogue here!
4 solid stars
**same worded review will appear elsewhere**
Nate is a warlock, and getting kidnapped and cursed by the Shimball werewolf pack wasn't in his plans for the day. When he manages to drag himself to tell the Armitage pack of the Shimball pack plans, mating the Alpha's brother wasn't in his plans either. But the only way to break the curse is to build a mate bond with an Alpha, so mate with Ian he does. There is just the minor detail that Ian hates Nate, and Nate has been attracted to Ian for such a long time. When the Shimball pack come for the Armitage pack, Ian has to keep Nate safe, even if it just gives him a chance to kill Nate himself!
I really REALLY enjoyed this!
Nate is quirky, and witty, and so bloody funny! Because the book is only told from his point of view, and in the first person, we get all of his wit and humour, but also, all of his terror at what his father did to him. His pain at realizing he might not be good enough for anyone. His reaction to the bond to Ian surprised him, and we get all of that. We get his dawning knowledge of what Ian has become to him.
The story moves along at pace in places, a little slower in others. The bigger picture, I think, isn't clear yet, and I have no idea what that picture might be, but I look forward to reading more.
The only thing, for ME, why I didn't give it 5 stars when I enjoyed it so much?
Single person person of view. Only Nate has a voice. I really REALLY needed Ian, at key points along the way, and I don't get him. I needed to know what he felt about having to mate Nate, although there were clues to that early on. I needed to know if the mate bond affected him as much as it did Nate. I needed to know just what his brother's betrayal means to him, and how much it hurts him. And I don't get him!
BUT!
A great read, and the first I've read of this author. I like the way they spin the tales. I look forward to reading more, especially after the epilogue here!
4 solid stars
**same worded review will appear elsewhere**
Gareth von Kallenbach (980 KP) rated Maleficent (2014) in Movies
Aug 6, 2019
I was quite apprehensive headed into the new Disney movie ‘Maleficent’
(Starring Angelina Jolie, Elle Fanning, Sharlto Copley, and Sam Riley), because all the ‘official’ reviews said it wasn’t any good.
I thoroughly disagree.
Maleficent made me laugh, it made me cry and it had me holding my breath in anticipation in some parts.
It takes a ‘Wicked’ type look at the age old story of Sleeping Beauty.
While the narration is from the point of view of a much older Aurora, the story focuses on the point of view of Maleficent.
The young Maleficent (played by Isobelle Molloy) meets a young orphaned peasant boy with aspirations to live in the neighboring kingdoms castle.
Through the years they bond and grow close and share what is supposed to be ‘true loves kiss’.
Time moves on. The king in the adjoining kingdom is greedy and wants the lands that are ruled over by Maleficent. There is a battle, he is soundly defeated, and the King is injured mortally in battle. He pronounces that he will make whoever avenges him and kills Maleficent the next ruler.
Stefan, still being ambitious, finds Maleficent, and while pretending to still be her friend, drugs her. He can’t bring himself to actually kill her and steals her wings instead, to present to the king as proof of her demise.
Stefan is crowned king. Time passes.
Maleficent’s pain and anger and betrayal do not dissipate. They grow and coalesce to the point that at the celebration to celebrate the birth of King Stefan’s daughter Aurora, she curses the child, sealing her fate that naught but ‘true loves kiss’ will break the curse.
The story follows the child’s growth, with Maleficent watching her every move, and getting closer and closer to her with every passing year.
Maleficent dubs Aurora ‘Beastie’, and Aurora calls Maleficent ‘Godmother’.
As Aurora’s 16th birthday draws near, Maleficent grows desperate to break the very curse that she had cast many years before.
It does not work.
I won’t ruin it by telling the ending, but it was action packed, and heart wrenching, and (at least to me) marginally unpredictable…. (I thought one person would break it, but another did…. I did figure it out before it happened, but mostly because I’ve been watching Once Upon A Time).
I really enjoyed the film, I loved the 3D of it, and I would most assuredly see it again. I wouldn’t recommend it for very young children, and I don’t feel like I can bring my almost 6 year old to it, but I would consider letting him see it by age 8 or 9.
(Starring Angelina Jolie, Elle Fanning, Sharlto Copley, and Sam Riley), because all the ‘official’ reviews said it wasn’t any good.
I thoroughly disagree.
Maleficent made me laugh, it made me cry and it had me holding my breath in anticipation in some parts.
It takes a ‘Wicked’ type look at the age old story of Sleeping Beauty.
While the narration is from the point of view of a much older Aurora, the story focuses on the point of view of Maleficent.
The young Maleficent (played by Isobelle Molloy) meets a young orphaned peasant boy with aspirations to live in the neighboring kingdoms castle.
Through the years they bond and grow close and share what is supposed to be ‘true loves kiss’.
Time moves on. The king in the adjoining kingdom is greedy and wants the lands that are ruled over by Maleficent. There is a battle, he is soundly defeated, and the King is injured mortally in battle. He pronounces that he will make whoever avenges him and kills Maleficent the next ruler.
Stefan, still being ambitious, finds Maleficent, and while pretending to still be her friend, drugs her. He can’t bring himself to actually kill her and steals her wings instead, to present to the king as proof of her demise.
Stefan is crowned king. Time passes.
Maleficent’s pain and anger and betrayal do not dissipate. They grow and coalesce to the point that at the celebration to celebrate the birth of King Stefan’s daughter Aurora, she curses the child, sealing her fate that naught but ‘true loves kiss’ will break the curse.
The story follows the child’s growth, with Maleficent watching her every move, and getting closer and closer to her with every passing year.
Maleficent dubs Aurora ‘Beastie’, and Aurora calls Maleficent ‘Godmother’.
As Aurora’s 16th birthday draws near, Maleficent grows desperate to break the very curse that she had cast many years before.
It does not work.
I won’t ruin it by telling the ending, but it was action packed, and heart wrenching, and (at least to me) marginally unpredictable…. (I thought one person would break it, but another did…. I did figure it out before it happened, but mostly because I’ve been watching Once Upon A Time).
I really enjoyed the film, I loved the 3D of it, and I would most assuredly see it again. I wouldn’t recommend it for very young children, and I don’t feel like I can bring my almost 6 year old to it, but I would consider letting him see it by age 8 or 9.
Ivana A. | Diary of Difference (1171 KP) rated The Museum of Broken Promises in Books
Apr 20, 2020
I am so excited to be part of the Book Buzz for The Museum of Broken Promises by Elizabeth Buchan. This lovely book is out on 02nd April, so don’t forget to grab your copy!
This book is quite emotional and heart-breaking from the very beginning until the very end. Based in Europe, in two timelines between now and 1985, we are witnesses to cold war, politics, fight for freedom and an extraordinary love story.
Today, Laure is living in Paris and she owns The Museum of Broken Promises - a place of wonder and sadness. Every object in the museum has been donated and each represents a moment of grief or terrible betrayal. Laure also has hidden objects of her own in there, from her own youth.
Back in 1985, Laure is in Prague, running away after her dad suddenly passes away. But her life here is very confusing. She is struggling to comprehend the dark politics that are taking over the city. But then she meets a young musician. And her love for him is forbidden and causes trouble and terrible consequences.
It is only years after having created the museum that Laure can finally come to terms with her past and celebrate the love she is feeling!
My Thoughts:
This is a very emotional book and I have learned that I need to be in a certain mood in order to be able to fully appreciate it. This is one of those books that leaves a tiny mark in your heart that you will always carry with you.
The story is amazing, we are witnessing a great life full of memories and stories of love, fight for freedom, betrayals, fears, ups and downs. It is so realistic that will make you shiver at times.
I have to admit, I found myself slightly confused at the beginning, trying to figure out which timeline I am currently in, but after a few chapters, I am able to make a difference and get a clearer picture of the story.
I loved the idea of this Museum of Broken Promises. It made me think of what object I could maybe leave there to represent my grief.
I have to admit, I didn’t truly connect with Laure as a main character. She seemed too closed in her own world and her sharing her story in the way that she did was very contradicting to me.
I loved Tomas though. He was my absolute favourite, the hero of this book.
This book is quite emotional and heart-breaking from the very beginning until the very end. Based in Europe, in two timelines between now and 1985, we are witnesses to cold war, politics, fight for freedom and an extraordinary love story.
Today, Laure is living in Paris and she owns The Museum of Broken Promises - a place of wonder and sadness. Every object in the museum has been donated and each represents a moment of grief or terrible betrayal. Laure also has hidden objects of her own in there, from her own youth.
Back in 1985, Laure is in Prague, running away after her dad suddenly passes away. But her life here is very confusing. She is struggling to comprehend the dark politics that are taking over the city. But then she meets a young musician. And her love for him is forbidden and causes trouble and terrible consequences.
It is only years after having created the museum that Laure can finally come to terms with her past and celebrate the love she is feeling!
My Thoughts:
This is a very emotional book and I have learned that I need to be in a certain mood in order to be able to fully appreciate it. This is one of those books that leaves a tiny mark in your heart that you will always carry with you.
The story is amazing, we are witnessing a great life full of memories and stories of love, fight for freedom, betrayals, fears, ups and downs. It is so realistic that will make you shiver at times.
I have to admit, I found myself slightly confused at the beginning, trying to figure out which timeline I am currently in, but after a few chapters, I am able to make a difference and get a clearer picture of the story.
I loved the idea of this Museum of Broken Promises. It made me think of what object I could maybe leave there to represent my grief.
I have to admit, I didn’t truly connect with Laure as a main character. She seemed too closed in her own world and her sharing her story in the way that she did was very contradicting to me.
I loved Tomas though. He was my absolute favourite, the hero of this book.
The Philosophy of the Coen Brothers
Book
In 2008 No Country for Old Men won the Academy Award for Best Picture, adding to the reputation of...
Becs (244 KP) rated Song Of The Sparrow in Books
Oct 2, 2019
Genre: Historical Fiction, Young Adult, Fantasy, Poetry, Romance.
Type: Stand-alone
Audience/ Reading Level: 12+
Interests: King Arthur and the Knights of the Round Table, Historical Reads, Lyricism, Poetry, Retellings.
Point of View: Third person
Promise: A tale of love, betrayal, and war.
Insights: I have no idea where or when I received/ got this novel. But ever since that day, Song of the Sparrow has been one of my favorite retellings of King Arthur and the Knights of the Round Table. My copy is very beaten up, so it’s gotten it’s many of read-throughs in. It also makes me think that I use to be pretty rough with my books. (what in the heck is wrong with you Becca! smh) I remember reading through SotS and thinking of myself as Elaine, the MC. Does anybody else do that? Because it hasn’t gone away with me.
I loved every aspect of this little novel. My favorite part was not only the retelling of King Arthur and the Knights but also how the novel was written in a sort of lyricism way, a lot like poetry. Novels written this way have always drawn my attention and I find them quite refreshing to read when in a slump or trying to get out of one.
Favorite Quotes: “I am Elaine daughter of Barnard of Ascolat. Motherless. Sisterless. I sing these words to you now, because the point of light grows smaller, ever smaller now, even more distant now. And with this song, I pray I may push back the tides of war and death. So, I sing these words that this light, this tiny ray of light and hope may live on. I dare not hope that I may live on too.”
“So long ago now. But you remind me of her, you know. Sometimes I forget that you are not she. Sometimes I forget that I should not blame you for leaving me. It was her. I was her.”
What will you gain?: A new telling of what life back in the olden days was like for a female in an all men village.
Aesthetics: Everytime I read-through Song of the Sparrow, I always stare at the cover. Something about it is just very appealing, not only to the eyes but also with the mind. Another aesthetic I found that I loved was how the story was written like lyricism/poetry.
“And at that moment, a lilting melody lifts to the moon as a single sparrow sings.”
Type: Stand-alone
Audience/ Reading Level: 12+
Interests: King Arthur and the Knights of the Round Table, Historical Reads, Lyricism, Poetry, Retellings.
Point of View: Third person
Promise: A tale of love, betrayal, and war.
Insights: I have no idea where or when I received/ got this novel. But ever since that day, Song of the Sparrow has been one of my favorite retellings of King Arthur and the Knights of the Round Table. My copy is very beaten up, so it’s gotten it’s many of read-throughs in. It also makes me think that I use to be pretty rough with my books. (what in the heck is wrong with you Becca! smh) I remember reading through SotS and thinking of myself as Elaine, the MC. Does anybody else do that? Because it hasn’t gone away with me.
I loved every aspect of this little novel. My favorite part was not only the retelling of King Arthur and the Knights but also how the novel was written in a sort of lyricism way, a lot like poetry. Novels written this way have always drawn my attention and I find them quite refreshing to read when in a slump or trying to get out of one.
Favorite Quotes: “I am Elaine daughter of Barnard of Ascolat. Motherless. Sisterless. I sing these words to you now, because the point of light grows smaller, ever smaller now, even more distant now. And with this song, I pray I may push back the tides of war and death. So, I sing these words that this light, this tiny ray of light and hope may live on. I dare not hope that I may live on too.”
“So long ago now. But you remind me of her, you know. Sometimes I forget that you are not she. Sometimes I forget that I should not blame you for leaving me. It was her. I was her.”
What will you gain?: A new telling of what life back in the olden days was like for a female in an all men village.
Aesthetics: Everytime I read-through Song of the Sparrow, I always stare at the cover. Something about it is just very appealing, not only to the eyes but also with the mind. Another aesthetic I found that I loved was how the story was written like lyricism/poetry.
“And at that moment, a lilting melody lifts to the moon as a single sparrow sings.”
