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LoganCrews (2861 KP) rated Hocus Pocus (1993) in Movies
Mar 16, 2021
A full-tilt ball, I tend to be averse to anything ruminating with *this* much untamed theater kid energy - but Sarah Jessica Parker, Kathy Najimy, and of-fucking-course Bette Midler are 110% off the chain. I admit that the odious 90s stereotypes in this are hard to stomach, but I miss when Disney's live action allowed for such sublime scenery-chewing like this trio of perfect performances instead of Will Smith and some dude tepidly talking about jelly for what feels like an hour. I hate to be that guy, but something this lively just couldn't be recreated from the company today; Kenny Ortega's knack for brilliant practical effects and super impressive CGI for the time today is replaced by plastic visuals and flat soundstages where any sense of fun all but evaporates. Make no mistake, this is still not much more than pure fluff at the end of the day - but Lord it's such a blast. One of the few millennial-worship films I can fully understand the hype for, a delightful cross between đđ©đŠ đđȘđ”đ€đ©đŠđŽ đ°đ§ đđąđŽđ”đžđȘđ€đŹ and "The Three Stooges". It's also consistently funny. "I Put A Spell On You" is a bop, and maybe I'm just getting old but the stuff at the end had me genuinely choked up.
Ronyell (38 KP) rated Hocus Pocus (1993) in Movies
Aug 4, 2020
Three Crazy Witches Who Can Sing!
Wow! I'm actually surprised that I enjoyed this movie as much as I did! When I first heard about this movie, I was a bit intrigued about what this movie was all about. So, when I finally watched this movie, I was completely hooked! I liked the fact that the movie tackled the subject of sibling relationships and how important it is to care about your siblings, no matter how annoying they can be. This was best shown between the Sanderson Sisters, Thackery and his little sister Emily and Max and his little sister Dani. The Sanderson Sisters are like the negative side of the sibling relationship as Winifred abuses her younger sisters Mary and Sarah and wouldn't think of protecting them. Thackery and Emily are on the more positive side of the sibling relationship as Thackery truly cares about his sister Emily, although he failed to save her. And then we have Max and Dani who are in the middle as they argue with each other a lot, but they would do anything to protect each other. I also loved the way that the movie had a nice balance between horror and comedy as I laughed out loud during the Sanderson Sisters' crazy antics and yet, I was a bit scared for the children being threatened with death throughout this film. Especially during the scene where Emily, a little girl , ends up dying at the beginning of the movie. I especially loved the actors' performances in this film, with the Sanderson Sisters being the best part of the film. Bette Midler, Sarah Jessica Parker and Kathy Najimy did a fantastic job at portraying the Sanderson Sisters as they were so hilarious and entertaining to watch! I also enjoyed Thora Birch's performance as Dani as she made Dani quite snarky yet energetic at the same time.
The only issues that I had with this film was that I felt that the protagonists were a bit too flat and I wished that they had explained the backstories of some of the characters. Even though Max and Allison were interesting characters, they weren't as entertaining as the Sanderson Sisters and the only protagonists that were pretty entertaining were Dani and Binx the Cat. Also, I would like to know how the Sanderson Sisters became witches in the first place (although it was implied that the Devil gave them their powers).
Overall, "Hocus Pocus" is a fantastic film that both children and adults will enjoy! It balances horror and humor very well and it has some of the best performances from Sarah Jessica Parker, Bette Midler and Kathy Najimy!
The only issues that I had with this film was that I felt that the protagonists were a bit too flat and I wished that they had explained the backstories of some of the characters. Even though Max and Allison were interesting characters, they weren't as entertaining as the Sanderson Sisters and the only protagonists that were pretty entertaining were Dani and Binx the Cat. Also, I would like to know how the Sanderson Sisters became witches in the first place (although it was implied that the Devil gave them their powers).
Overall, "Hocus Pocus" is a fantastic film that both children and adults will enjoy! It balances horror and humor very well and it has some of the best performances from Sarah Jessica Parker, Bette Midler and Kathy Najimy!
Emma @ The Movies (1786 KP) rated The Addams Family (2019) in Movies
Dec 8, 2019
Can anyone ever say the name of this film without finger snapping?
When their home life is dislodged by pitchfork-wielding townsfolk the Addams pack up their car and hit the road for a new beginning. They come across a mansion on a hill, it's creepy and it's kooky, mysterious and spooky... it's perfect for the Addams family.
Years of idyllic isolation fly by but the outside world is closer than ever. Wednesday is intrigued by the perils that lay beyond their gates and the family can no longer ignore their neighbours in the valley, their very perky neighbours who live in their little cookie cuttered dream houses below.
What's not to love about the madness of the Addams family? You can pretty much guarantee entertainment, and that's what you get from this film.
There's a gripe... there's always a gripe... so let me get it out of the way first. It annoys me more because it's accurate to the source material so I should love that, but modern adaptations have ruined me! Gomez Addams, he's not what you see when you think Gomez. I have been brainwashed by films and it annoys me. He is a perfect representation of the original cartoons by Charles Addams, he's still suave, sophisticated and playful like we know him to be, but he's no Raul Julia or John Astin.
On a similar note, when I heard Oscar Isaac and Charlize Theron were playing Gomez and Morticia I was elated, imagine my disappointment to discover they were to be animated and not live action. You couldn't get better casting for a live action couple if you tried! Anyway, moving on.
The voice cast is littered with famous faces including Elsie Fisher of Eighth Grade fame and Bette Midler... BETTE MIDLER!! We've also got Allison Janney as out saccharine sweet villain, Janney has a knack for the villain roles and I wouldn't mind seeing more of them.
There's just one role I object to, and I found it to be an incredibly lazy decision on someone's part. Nick Kroll as Uncle Fester. While I understand the nice-but-dim style voice is perfect for Fester it has basically been recycled from Big Mouth's Coach Steve. There will be no real issues with this for the intended audience as Big Mouth comes in at a 15 compared to The Addams Family's more subtle PG, but as someone who's old enough to watch both, I was annoyed.
The artwork on this really does play a great homage to the cartoons and despite their age it works really well for a modern audience. The story also brings it nicely up to date with its reality TV slant and the perfect American dream town. There are lots of great touches throughout that amuse.
I understand that each new adaptation has to do its own thing, and I like how it brought an original story (of sorts) to us but I didn't feel like it took previous iterations of the characters into consideration... this is a daft thing to complain about too, I know that, but the Addams family are iconic. Wednesday has always been my spirit animal, but to see a rather lacklustre version here made me a little sad.
But, ultimately I still enjoyed my time watching it, I just don't think I'll be placing it higher up the ranking than any of the previous ghoulish outings.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/11/the-addams-family-movie-review.html
When their home life is dislodged by pitchfork-wielding townsfolk the Addams pack up their car and hit the road for a new beginning. They come across a mansion on a hill, it's creepy and it's kooky, mysterious and spooky... it's perfect for the Addams family.
Years of idyllic isolation fly by but the outside world is closer than ever. Wednesday is intrigued by the perils that lay beyond their gates and the family can no longer ignore their neighbours in the valley, their very perky neighbours who live in their little cookie cuttered dream houses below.
What's not to love about the madness of the Addams family? You can pretty much guarantee entertainment, and that's what you get from this film.
There's a gripe... there's always a gripe... so let me get it out of the way first. It annoys me more because it's accurate to the source material so I should love that, but modern adaptations have ruined me! Gomez Addams, he's not what you see when you think Gomez. I have been brainwashed by films and it annoys me. He is a perfect representation of the original cartoons by Charles Addams, he's still suave, sophisticated and playful like we know him to be, but he's no Raul Julia or John Astin.
On a similar note, when I heard Oscar Isaac and Charlize Theron were playing Gomez and Morticia I was elated, imagine my disappointment to discover they were to be animated and not live action. You couldn't get better casting for a live action couple if you tried! Anyway, moving on.
The voice cast is littered with famous faces including Elsie Fisher of Eighth Grade fame and Bette Midler... BETTE MIDLER!! We've also got Allison Janney as out saccharine sweet villain, Janney has a knack for the villain roles and I wouldn't mind seeing more of them.
There's just one role I object to, and I found it to be an incredibly lazy decision on someone's part. Nick Kroll as Uncle Fester. While I understand the nice-but-dim style voice is perfect for Fester it has basically been recycled from Big Mouth's Coach Steve. There will be no real issues with this for the intended audience as Big Mouth comes in at a 15 compared to The Addams Family's more subtle PG, but as someone who's old enough to watch both, I was annoyed.
The artwork on this really does play a great homage to the cartoons and despite their age it works really well for a modern audience. The story also brings it nicely up to date with its reality TV slant and the perfect American dream town. There are lots of great touches throughout that amuse.
I understand that each new adaptation has to do its own thing, and I like how it brought an original story (of sorts) to us but I didn't feel like it took previous iterations of the characters into consideration... this is a daft thing to complain about too, I know that, but the Addams family are iconic. Wednesday has always been my spirit animal, but to see a rather lacklustre version here made me a little sad.
But, ultimately I still enjoyed my time watching it, I just don't think I'll be placing it higher up the ranking than any of the previous ghoulish outings.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/11/the-addams-family-movie-review.html
Gareth von Kallenbach (962 KP) rated Parental Guidance (2012) in Movies
Aug 7, 2019
I donât really know where to start with this review. I guess Iâll start with what Iâm expecting to see when I see a preview. Iâm really bad at assuming I know whatâs going to happen. Sometimes Iâm right, happily sometimes Iâm wrong, and then there are times, like with this movie, where itâs half and half.
The movie starts out with Artie Decker (Billy Crystal) as âde voiceâ of his local Grizzliesâ baseball team. Heâs really good at commentating and he loves doing it but after the last game of the season he gets fired. Itâs predictable why heâs fired, basically he doesnât poke or tweet, and I think they thought they hit gold with that moment of comedy but for me, eh. When he gets home his wife Diane (Bette Midler) comforts him. Heâs lost for a moment since he wasnât ready to stop but then decides he should chase his dream to commentate for the Giants though he doesnât know where to start.
We shoot over to Alice Simmons (Marisa Tomei) Artie and Dianeâs daughter, and her husband Phil, (Tom Everett Scott) who live in such a modern electronic home that itâs actually all controlled by a beta system called Rlife. Rlife can be programmed for alarm times, music, food, pretty much everything for each family member. This Rlife is Philâs dream he gets invited to a conference to get his Rlife hopefully in production. Alice is going to with him, kind of a semi work vacation and they need Artie and Diane to watch the kids for a week.
What makes the divide even greater between Alice and her kids from Artie is that Alice and Phil are raising their kids in a new school that is different from Artieâs old school, tough love and strict rules. They use phrases like âuse your wordsâ or if you give a âput downâ you have to give âthree upsâ and you canât use the word ânoâ you have to say âthink about the consequencesâ.
Their oldest, a young teen, is their only daughter Harper, Bailee Madison, who is extremely uptight and carrying the weight of the world on her shoulders. Next we have the two boys, Turner, Joshua Rush, middle schooler, who stutters and is shy because of it, and the youngest Barker, Kyle Harrison Breitkopf, who is basically toddler with lots of energy, but seems to get away with a lot of bad behavior.
Diane realizes that they are the other grand parents, the ones that their grand kids donât really like. Long story short, itâs supposed to be about being open to new ideas but it just feels like old school versus new school. Billyâs Crystalâs comedy and Bette Middlerâs and Marisa Tomeiâs acting can pull it out of the boredom for some laughs and good moments and there are a few situational laughs with the children as well, but thatâs about it.
The truly redeeming quality to this movie, besides the three main actors is the ending, the last ten minutes. Itâs a surprising heartwarming ending, and only slightly predictable. It sounds crazy but it actually brings the whole movie up from a two star to a three star for me. One last thing is that the guest I went with has two children of her own and tried to get me to change my rating from three to four. I really canât do that but I think that means that if you have children of your own you might enjoy this a little bit more than I did.
Bottom line, renter, unless you love Bily Crystal.
The movie starts out with Artie Decker (Billy Crystal) as âde voiceâ of his local Grizzliesâ baseball team. Heâs really good at commentating and he loves doing it but after the last game of the season he gets fired. Itâs predictable why heâs fired, basically he doesnât poke or tweet, and I think they thought they hit gold with that moment of comedy but for me, eh. When he gets home his wife Diane (Bette Midler) comforts him. Heâs lost for a moment since he wasnât ready to stop but then decides he should chase his dream to commentate for the Giants though he doesnât know where to start.
We shoot over to Alice Simmons (Marisa Tomei) Artie and Dianeâs daughter, and her husband Phil, (Tom Everett Scott) who live in such a modern electronic home that itâs actually all controlled by a beta system called Rlife. Rlife can be programmed for alarm times, music, food, pretty much everything for each family member. This Rlife is Philâs dream he gets invited to a conference to get his Rlife hopefully in production. Alice is going to with him, kind of a semi work vacation and they need Artie and Diane to watch the kids for a week.
What makes the divide even greater between Alice and her kids from Artie is that Alice and Phil are raising their kids in a new school that is different from Artieâs old school, tough love and strict rules. They use phrases like âuse your wordsâ or if you give a âput downâ you have to give âthree upsâ and you canât use the word ânoâ you have to say âthink about the consequencesâ.
Their oldest, a young teen, is their only daughter Harper, Bailee Madison, who is extremely uptight and carrying the weight of the world on her shoulders. Next we have the two boys, Turner, Joshua Rush, middle schooler, who stutters and is shy because of it, and the youngest Barker, Kyle Harrison Breitkopf, who is basically toddler with lots of energy, but seems to get away with a lot of bad behavior.
Diane realizes that they are the other grand parents, the ones that their grand kids donât really like. Long story short, itâs supposed to be about being open to new ideas but it just feels like old school versus new school. Billyâs Crystalâs comedy and Bette Middlerâs and Marisa Tomeiâs acting can pull it out of the boredom for some laughs and good moments and there are a few situational laughs with the children as well, but thatâs about it.
The truly redeeming quality to this movie, besides the three main actors is the ending, the last ten minutes. Itâs a surprising heartwarming ending, and only slightly predictable. It sounds crazy but it actually brings the whole movie up from a two star to a three star for me. One last thing is that the guest I went with has two children of her own and tried to get me to change my rating from three to four. I really canât do that but I think that means that if you have children of your own you might enjoy this a little bit more than I did.
Bottom line, renter, unless you love Bily Crystal.
Gareth von Kallenbach (962 KP) rated The Addams Family (2019) in Movies
Oct 13, 2019
âTheyâre creepy and theyâre kooky, Mysterious and spooky, Theyâre all together ooky, The Addams familyâŠâ a theme song that everyone aged five to ninety-five seem to know the words to. Itâs amazing to think that a show that first aired in 1964 and only ran for two seasons could continue to have the impact that it does fifty-five years later. Let that sink in for just a couple of minutes, for reference the Apollo 11 moon landing occurred in 1969 almost three years after the showâs end date. To simply say that the Addams Family has made a cultural impact on our society is a bit of an understatement, so how would the first animated full-length movie treat these cultural icons?
The Addams Family is an origin story of sorts for everyoneâs favorite kooky family. Gomez Addams (Oscar Isaac) and Morticia (Charlize Theron) are rudely interrupted during their wedding ceremony by a bunch of angry villagers carrying pitchforks. While this is a little clichĂ©â it sets the tone for the interaction between the Addams family and how they are perceived by ânormalâ folks. Morticia longs for a place where they can live in peace away from those who wish to disturb their lives. On a long and windy road in New Jersey, fate appears in the form of Lurch (Conrad Vernon) as he bounces off the hood of their car. In the distance, as lightning strikes, they peer up a mountain side to see an abandoned, haunted insane asylum. The perfect place to raise a family away from the peering eyes of the rest of the world.
For thirteen years the Addams Family lives in relative seclusion with their two young children, Wednesday (ChloĂ« Grace Moretz) and Pugsley (Finn Wolfhard). Neither of the children are allowed to leave the Asylum grounds and know of nothing outside the cold iron gates. One day, the swamp is drained, the clouds part and the Addams Family life of seclusion comes to an abrupt end. Down in the valley the town of Assimilation, a town that as its name suggests was built by famous HAG TV designer Margaux Needler (Allison Janney). The asylum (and its inhabitants) do not âfit-inâ with the designerâs vision and kookiness ensues as she attempts to make-over (and take-over) the familyâs home.
Visually The Addams Family reminds me of several Tim Burton classics albeit with a more colorful palette. Each member of the family is a caricature of their infamous selves and stylistically imbues the spooky, ooky, kookiest versions we would expect. Backed by an incredible amount of supporting voice talent such as Bette Midler, Martin Short, and Snoop-Dog as everyoneâs favorite fuzzy cousinâŠIt, itâs a star-studded event that even the most die-hard Addams Family purist will enjoy.
The story goes through typical tropes that weâve seen played out a thousand times already. A misunderstood family is misjudged by their neighbors, only to come together in the end. Itâs a story about celebrating our differences and learning to appreciate what makes each of us unique. In a world of social media, cell phones and television shows that try to make us all conform, it teaches us that while people may look and act different than us, they all bring something special to the table. Itâs this light-heartedness and sweet story telling which while not unique is something that I feel we need more of in the world today.
The Addams Family is a film for the entire family, there is light-hearted violence, but all done in jest with no one ever getting hurt. While it doesnât bring anything unexpected to the table, its still enjoyable and a film that doesnât ever attempt to take itself seriously. It wonât win any best picture awards, and likely will become another 30 days of Halloween past-time when it makes its way to television, it is still one that will leave you with a smile on your face long after it is over. The experience you get from it, will likely be based on the audience reaction to the film. In the theater I was in, there was lots of laughter, snapping and even a sing-along at the end. Itâs a movie to see with other people, and even if you arenât a fan of the TV series, it will still offer you something. Sometimes a simple movie, with a simple message, is exactly the escape we need from everything in the world today. The Addams Family makes a perfect escape for the entire family this Halloween Season.
3.5 out of 5 stars
http://sknr.net/2019/10/10/the-addams-family/
The Addams Family is an origin story of sorts for everyoneâs favorite kooky family. Gomez Addams (Oscar Isaac) and Morticia (Charlize Theron) are rudely interrupted during their wedding ceremony by a bunch of angry villagers carrying pitchforks. While this is a little clichĂ©â it sets the tone for the interaction between the Addams family and how they are perceived by ânormalâ folks. Morticia longs for a place where they can live in peace away from those who wish to disturb their lives. On a long and windy road in New Jersey, fate appears in the form of Lurch (Conrad Vernon) as he bounces off the hood of their car. In the distance, as lightning strikes, they peer up a mountain side to see an abandoned, haunted insane asylum. The perfect place to raise a family away from the peering eyes of the rest of the world.
For thirteen years the Addams Family lives in relative seclusion with their two young children, Wednesday (ChloĂ« Grace Moretz) and Pugsley (Finn Wolfhard). Neither of the children are allowed to leave the Asylum grounds and know of nothing outside the cold iron gates. One day, the swamp is drained, the clouds part and the Addams Family life of seclusion comes to an abrupt end. Down in the valley the town of Assimilation, a town that as its name suggests was built by famous HAG TV designer Margaux Needler (Allison Janney). The asylum (and its inhabitants) do not âfit-inâ with the designerâs vision and kookiness ensues as she attempts to make-over (and take-over) the familyâs home.
Visually The Addams Family reminds me of several Tim Burton classics albeit with a more colorful palette. Each member of the family is a caricature of their infamous selves and stylistically imbues the spooky, ooky, kookiest versions we would expect. Backed by an incredible amount of supporting voice talent such as Bette Midler, Martin Short, and Snoop-Dog as everyoneâs favorite fuzzy cousinâŠIt, itâs a star-studded event that even the most die-hard Addams Family purist will enjoy.
The story goes through typical tropes that weâve seen played out a thousand times already. A misunderstood family is misjudged by their neighbors, only to come together in the end. Itâs a story about celebrating our differences and learning to appreciate what makes each of us unique. In a world of social media, cell phones and television shows that try to make us all conform, it teaches us that while people may look and act different than us, they all bring something special to the table. Itâs this light-heartedness and sweet story telling which while not unique is something that I feel we need more of in the world today.
The Addams Family is a film for the entire family, there is light-hearted violence, but all done in jest with no one ever getting hurt. While it doesnât bring anything unexpected to the table, its still enjoyable and a film that doesnât ever attempt to take itself seriously. It wonât win any best picture awards, and likely will become another 30 days of Halloween past-time when it makes its way to television, it is still one that will leave you with a smile on your face long after it is over. The experience you get from it, will likely be based on the audience reaction to the film. In the theater I was in, there was lots of laughter, snapping and even a sing-along at the end. Itâs a movie to see with other people, and even if you arenât a fan of the TV series, it will still offer you something. Sometimes a simple movie, with a simple message, is exactly the escape we need from everything in the world today. The Addams Family makes a perfect escape for the entire family this Halloween Season.
3.5 out of 5 stars
http://sknr.net/2019/10/10/the-addams-family/