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Where the Wild Things Are
Where the Wild Things Are
Maurice Sendak | 2000 | Children
7
8.1 (46 Ratings)
Book Rating
I bought a classic book for the family. I did not read it while growing up. However, I have heard of it. It's called "Where Wild Things Are" by Maurice Sendak. I knew about this book and heard of it. Why I never read it is beyond me. I have not read it and reviewed it now.

It is adventurous and playful. Max travels to a faraway place that has Wild Things. I wonder if this book plot is imagination or something that lets the little boy discover what it is like to be lonely after a while. Also, learn that loved ones still care even if you have to wait. The food will still be hot when you return.

I am not sure. However, the pictures are well done. I do enjoy the images. I do not get the plot of this story; that might be me; it is a cute book nonetheless. Will Max have fun with the wild things, or will he return home to his bedroom?

Some children will enjoy these books, and parents will want to read and reread this classic book for their children. You may like this for your child's bookshelves as well. The images are superb and colorful, that is for sure.
  
Chocolat (2000)
Chocolat (2000)
2000 | Comedy, Romance
Chocolate is like some ancient Mayan magic that cures bigotry delivered by globetrotting, all-knowing hooded messengersโ€ฆ or some shit? Lol idek just imagine taking any of this dumb shit seriously, couldn't be me. Spoof level of this sort of pure sap Oscar bait, like the full product of one of Kirk Lazarus' ๐˜›๐˜ณ๐˜ฐ๐˜ฑ๐˜ช๐˜ค ๐˜›๐˜ฉ๐˜ถ๐˜ฏ๐˜ฅ๐˜ฆ๐˜ณ trailers. Binoche is beyond annoying as one of those one-dimensional, overly-effervescent 'Mary Sue' (I shudder to even use that term after the Star Wars fanboys sucked it of all its meaning) types - I'm truthfully shocked they didn't cast Julia Roberts here lmao. Part unintentionally comical (Alfred Molina brutally murdering a chocolate assortment display with a letter opener), part irresistibly sweet - much like a confectionary itself (kudos to Dench and Depp), all brainless silliness (just have to wade through a lot of inauthentic syrup to get to the good stuff - which still ultimately isn't enough). Why was this genre of film ever an unironic fad? Still convinced the only reason this was made was for Peter Stormare to be able to successfully use every accent known to man in movies. So it's such a shame that with all this considered it ends up being just watchable.
  
Slumdog Millionaire (2008)
Slumdog Millionaire (2008)
2008 | Drama, Romance
A once again astounding Dev Patel sells otherwise sulking, superficial melodrama. Don't you hate when the framing device is more interesting than the actual story? If not for the calamitous ๐˜ ๐˜ฆ๐˜ด๐˜ต๐˜ฆ๐˜ณ๐˜ฅ๐˜ข๐˜บ then the stuff when they were kids here would be some of the worst moments of Boyle's entire career - overedited to smithereens, fetishistic of plight, and vaguely offensive. Even when this gets good I'm convinced this movie is much more concerned with dragging these characters through the mud and inflicting pain to wring synthetic sympathy rather than fleshing them out beyond one-note characterizations and abrupt turnarounds. Still pressed this brilliant premise didn't get the justice it truly deserved but the last hour of this is executed about as engagingly as it could have been, for what it ended up being (which only makes the transition from the older stuff to the newer stuff more jarring) and randomly gets super entertaining, if not much less simplistic. Score is pretty decent, too. It's alright but not sure why this shook everyone's world back in the day, you guys do know Indian cinema exists too, no? Way better than ๐˜‰๐˜ฆ๐˜ข๐˜ด๐˜ต๐˜ด ๐˜ฐ๐˜ง ๐˜ต๐˜ฉ๐˜ฆ ๐˜š๐˜ฐ๐˜ถ๐˜ต๐˜ฉ๐˜ฆ๐˜ณ๐˜ฏ ๐˜ž๐˜ช๐˜ญ๐˜ฅ but way shittier than ๐˜“๐˜ช๐˜ฐ๐˜ฏ. The "Jai Ho" segment is as cringey as it is memorable.
  
The Grudge (2020)
The Grudge (2020)
2020 | Horror
Thankfully doesn't skimp out on the gore (some real solicitously nasty, gushy butchery on display - it's far and away the star of the show) but misses out on nearly everything else that made this concept so watchable. A bunch of people sitting around and sulking about stupid bullshit the entire time, who gives a rat's ass? Doesn't help that the demon design is pure crap and not a single actor - save for the always superlative Lin Shaye (who is seriously one of the best new horror actors in the game right now) - even wants to be here to begin with; and it shows in these fucking intolerably drab performances. The structure is actually kind of neat, though it peddles all but nothing. In fact the whole product has a clever method of execution but shits the bed on actually doing anything with it. Also its unintentionally funny in the worst possible way, these tropes are so tired (blink and you miss them predictable jump 'scares', dumbass characters, competent but uninspired visuals, morose and generic police procedural elements being poorly mixed into a much more interesting horror story, etc.) beyond belief. Barely 93 minutes and feels like forever, has okay moments but *not* worth the sit.
  
S1m0ne (2002)
S1m0ne (2002)
2002 | Drama, Sci-Fi
The trifecta of flatness: a comedy with next to no laughs, a satire with no bite, and a drama without sufficient emotion. Yet another technophobic dud that fires on zero cylinders and has nothing to say - try to picture if ๐˜๐˜ฆ๐˜ณ was one of the (many) shittier "Black Mirror" episodes. Besides Rachel Roberts' perfectly realized, fittingly mysterious performance (which, of course, is underused) nothing else shines through here - has zero depth beyond a few performative quips and has that rush-through-everything-of-any-importance pacing + structure that I detest. Here we have what could have been a poignantly interesting film about a disenchanted director whose only authentic relationship is with a synthetic A.I. as well as a boiling satire about the state of celebrity, the objectification of women in entertainment, technology, etc. But instead we're left with such a rote, surface-level, come-and-go boilerplate narrative about this thinly-written 'failed director' trope having to hide an obviously fake woman from every idiot on the planet. Skimps out on where it counts, the brief spoof arthouse movies in these are more intelligent and watchable than the actual movie - which ironically feels as insincere and fakey as its central character. Also I miss Jay Mohr.
  
Flatliners (1990)
Flatliners (1990)
1990 | Drama, Mystery, Thriller
Stupid, to be sure (Kiefer Sutherland gets his ass kicked by a supernatural 8-year-old on multiple occasions) - and I do side with the critiques that this could have been a lot deeper, but this is still completely righteous. A ghostly, heavily portentous, lush modern day gothic-medical melodrama that came out in the 90s yet *screams* 1985 right down to the haircuts. Try to picture ๐˜š๐˜ต. ๐˜Œ๐˜ญ๐˜ฎ๐˜ฐ'๐˜ด ๐˜๐˜ช๐˜ณ๐˜ฆ as a gen X YA horror flick. One of my all-time favorite film premises, and even Schumacher's (RIP) supporters I don't think give him enough credit for making all these interesting camp spectacles that - of all things - you can hardly say are unoriginal *nor* forgettable. A bunch of medical students chill out in an old cathedral thing which doubles as a medical lab where they perform clandestine death experiments on each other out in the open and argue about who can die the longest lmao, it's whoppingly silly stuff that thankfully takes itself dead (no pun intended) seriously. Pulpy, moody, atmospheric, and just looks extraordinary to boot - the visuals really tie that bind between our world and whatever lies beyond in an increasingly unstable way, as if some sort of constant (losing) struggle. So good that I actually even liked the infamous sentimental ending.
  
Magic in the Moonlight (2014)
Magic in the Moonlight (2014)
2014 | Comedy, Drama
4
4.5 (2 Ratings)
Movie Rating
๐˜๐˜ฏ๐˜ต๐˜ข๐˜ฏ๐˜จ๐˜ช๐˜ฃ๐˜ญ๐˜ฆ ๐˜”๐˜ข๐˜ฏ. A movie that has no reason for existing, does virtually nothing more except over-explain the movie to you - leaving nothing else behind to chew on. Not just slight but good *Lord* is it ever drab. Yet another Woody Allen film where Stone falls for an unlikable, pompous asshole who thinks he's genius because he tells everyone else they're stupid and recites the same misanthropic bullshit you can find on those awful pre-commentary videos on YouTube from 2013 - except in this one he never perks up and the plot forgets to happen. And that's all not to mention how this is easily nu-Allen's crummiest looking movie. Has a few good moments, Stone is dependably sterling, and it's got a hell of a twist/reveal - but can this guy quit taking beyond excellent premises and spinning them into mostly wack fluff? Granted this is the first of his films I've disliked, but he's toed the line more times than once. The Firth dialogue is near as insufferable and amateurish as Allen has been - real thesaurus abuse going on. Starts off agreeable but soon after becomes a hell of a bore, pretty sure I checked out of 18 of the last 20 minutes.
  
The Final Destination (2009)
The Final Destination (2009)
2009 | Action, Horror
Rigorously uncared for - chock full of series-worst dirt acting, bullshit writing, and some of the lamest CGI you'll ever encounter in a studio picture this millennium. All-around just pathetic, has an unshakable sense that this was rushed and indifferently shat out beyond belief... however... it's also only 82 minutes including credits and is quite possibly the most playful one until this point in wringing the tension out of the deaths where - outside of the eyesore opening premonition (two in a row so far for the series) - there isn't even a semi-weak one to speak of. Swift, vicious, full of trashy spills, and has Mykelti Williamson - truthfully this would be a great time if anyone involved actually gave a shit about it and it didn't come out in that 2-3 year period where everyone thought 2004-looking F-tier 3D which no question ranks among one of the worst trends in cinema was the best thing ever. The racist being dragged down the street is not only a top 20 franchise demise, but actually lands more effectively now than it ever did. Fair enough. Glad they followed up this planned series ender ( l m f a o ) with an actual movie, though.
  
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LoganCrews (2861 KP) rated 47 Ronin (2013) in Movies

Jan 12, 2021 (Updated Jul 4, 2021)  
47 Ronin (2013)
47 Ronin (2013)
2013 | Action, Drama, Sci-Fi
As expected this is a lot of eye-popping visual work in service of a story void of even a single drop of weight. Too much gorgeous design fetish on display to truly dislike in spite of it being executed as plainly as can be otherwise - for every mechanical, generic expository beat there's a splashpad of stunning locales, vibrant costumes, luscious CGI, sweeping sets, excellent props, and fully realized art backing it up. It's super atmospheric and the money is *definitely* on the screen but everything underneath the hood is not only lackluster but genuinely problematic. The idea to take one of the most legendary events in Japanese history and not only turn it into another passive whitewashed popcorn flick is gross all on its own, but to frame the entire thing around a bunch of wronged Japanese men + women having to constantly praise and apologize to a white man for bullying him or whatever is - quite frankly - beyond insulting. As much as I won't soon be forgetting the pop aesthetic experience this delivered upon, I'm also glad it bombed. A screenplay this goofy has no right being so tame. And see the skull guy on the poster? He's only in the movie for like 30 seconds so fuck you.
  
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LoganCrews (2861 KP) rated Swallow (2019) in Movies

Jan 13, 2021 (Updated Jan 13, 2021)  
Swallow (2019)
Swallow (2019)
2019 | Drama
To be fair, I'd rather swallow a screwdriver than hang out with rich white people too. Gorgeous, nasty, and mean - but never disrespectful. Medically accurate? Perhaps not, but these seldom ever are anyhow so what can you do? In fact I found this to be much more compelling and satisfying as a depiction of obnoxious old-money business whities having their perfect little synthetic image destroyed by people who refuse to shape themselves around it than a portrait of pica. As everyone has already pointed out, Austin Stowell and in particular Haley Bennett are just astounding - easily not only her best performance to date, but the type of galvanizing role that should propel her star-power vastly beyond just Jennifer Lawrence comparisons considering that this is way better work than anything J-Law has done in years anyhow (excluding ๐˜ฎ๐˜ฐ๐˜ต๐˜ฉ๐˜ฆ๐˜ณ! [I'm a simp for stupid, manic arthouse cinema I know you don't have to tell me]). Deeply, deeply, *deeply* unsettling - can pleasantly report that its reputation is as airtight as claimed. Super messy but I think that gives it more character tbh, and what an excellent use of music. A bit too on-the-nose at times but also the type of movie that's destined to be misinterpreted by morons everywhere.