"Some people would say that The Smiths never really recorded one great album and that they were more of a singles band and I kind of see what they mean. I do really like Meat Is Murder, which is a weirdly psychedelic record with really long tracks. They really did the legwork with that album. But I remember before The Queen Is Dead came out it was an event… they were about to release their first album as a big band. I remember hearing the first single, ‘Bigmouth Strikes Again’, and they had moved on. And then I got it and… the cover was awful… just a piece of shit. But then I played it and it starts with that sample: 'Oh take me back to dear old Blighty…' And it was, 'Fucking hell…' Just astonishing. One of the best openings to an album ever. And that’s before you get to ‘There Is A Light That Never Goes Out’. They could have had the photograph outside of Salford Lads Club as the front cover but then Morrissey is wearing a really daft jacket. It’s brown with black love hearts on it. Very strange. I remember seeing them on that tour when they came to the G-Mex. They came on stage to 'The Queen Is Dead' and Morrissey was carrying a placard that said, 'Two pale ales please'. He had a white blazer on and shades and, fuck me, he looked like Elvis."

"As a drummer, Klaus Dinger was important to me: [he taught me] how to make one riff last a lifetime! It's a great riff though, don't get me wrong. Neu! was absolutely brilliant; it's another record where the first time you buy it and put it on, you think 'I've never heard anything like this before'. I was into Krautrock and that's why I bought it - I bought anything that came out of Germany - but Neu! were just completely out there. I had no idea who was in the band, there was just a big 'Neu!' image on the front… it was striking, kind of punk. The way that they used cut up music, and bits of ambient sound… as soon as I heard it, I thought 'If I ever start a band, I'd like them to sound a bit like this - as adventurous as this'. A lot of Krautrock was trying to plough its own furrow, but there were other bits that were trying to Germanize Western things. And the odd thing about it is, I never knew that Michael Rother lived in Wilmslow for a time - which is just around the corner from me - in the 70's. I was watching a Krautrock documentary and he was saying: “I've always been surrounded by flowing water, there's always been a river - the Rhine, the Elbe, the Bollin.” And I said: “Hang on, did he just say the Bollin!? That's just down the road!”"

"This is like a greatest hits-type thing, and I picked it up at a record fair when I was about 14. Me and my dad would go to record fairs in Oxford Town Hall, and I’d save up and buy a couple of records each time. “In those days, there was no way of hearing a record without buying it, so a lot of the time you’d buy something based on the sleeve or just based on a recommendation, and I think I bought this because of the sleeve. “I’d heard that The Who were a good band but – when I listened to this - I discovered a whole new level of guitar sonics. Everything about the violence of Pete Townshend’s guitar playing really affected me. He changed the rules of what a solo could be… just some noise could be a solo and, obviously, that became a big part of Ride, because we were all about the noise being an instrument.”"

"Most of the albums I’ve chosen are from the 1970s – they are ones that moulded my style. So, Wishbone Ash invented twin harmony guitars in heavy rock [they were also a huge influence on Iron Maiden]. I used to go and see them when they played in Leeds or Sheffield or Barnsley – they were on circuit a lot in the early 70s. I was a bass player then, and they had a great bass player [Martin Turner] with a good style, with really cool vocal harmonies. Argus felt groundbreaking – it was a big explosion of rock and Wishbone Ash were a pretty loud band. It was a good grounding for me to learn their songs - this particular album is a concept album so you learned the whole thing. That’s how songs get into your psyche. In Saxon we used the twin guitar harmonies occasionally – we don’t want to copy anybody, but it is a theme, it is in there."

"Queen and Freddie Mercury are heroes to me and musically they inspire so much of what I do now. ‘Bohemian Rhapsody’ is hands down one of the best songs of all time - it’s operatic, it’s Rock ‘n’ roll and it’s got one of the best videos as well. It takes you on a journey and it’s unexpected. Freddie came from opera and you can obviously hear it in this song. I feel like I want to take a time machine and go back and watch him sing it. “As a band we walk out on stage to this song, so it’s really important for us as a unit. It sets the mood, especially at a big show like the show at Hyde Park: you walk out to Queen and it makes you proud! I really look up to Freddie as a frontman - I have him tattooed on my arm too, which I got done recently."