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Egz – The Origin of the Universe
Games and Entertainment
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Egz is a mesmerizing mix between an addictive action puzzle game and an animated movie! Don’t let...
IN///PARALLEL by Dhani Harrison
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Grammy Award winning musician Dhani Harrison’s first solo album IN///PARALLEL. Dhani describes...
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LeftSideCut (3778 KP) rated Studio 666 (2022) in Movies
Apr 6, 2022
If you like Foo Fighters, if you like metal, if you like The Evil Dead, then Studio 666 will be right up your street.
Considering that none of them are actors, the whole band do a pretty decent job here. Even the more awkward moments are played off nicely with a frequently funny script. The Foos have a well documented history of goofy music videos with a specific brand of humour, and Studio 666 definitely carries the same vibe over its feature length runtime. There are some familiar faces peppered throughout to pad up the cast. Jeff Garlin appears, being very Jeff Garlin. Leslie Grossman from American Horror Story, up-and-coming scream queen Jenna Ortega, and bonafide legend John Carpenter bring the horror credentials. A cameo from Lionel Richie (alongside a legit jump scare) and Slayer's Kerry King cover the music side of things, and the comedy is represented by the likes of Whitney Cummings and Will Forte. It's a pretty decent cast that surround Dave and the boys.
After the initial set up, proceedings do drag a fair bit in the middle, before everything goes full blown batshit. The gore in this movie is pretty ridiculous, and practically done for the most part with some impressive effects work. There's one kill in particular involving a chainsaw which is easily one of the gnarliest I've seen in a while. Even the CG demons don't look too shabby. As mentioned earlier, The Evil Dead has a huge part to play here, and the film is clearly influenced by it and its sequel, from the gratuitous blood sprays (and a blood filled lightbulb) to the way certain shots are framed, to an evil book made of human flesh, the whole project feels like one big homage.
Studio 666 is silly, visceral, gory fun, full of music industry jokes, a clear cut love for the horror genre, and a disgustingly riffy soundtrack. It could have quite easily been 15-20 minutes shorter, but it's a minor qualm that won't stop it from surely becoming a cult classic.
Considering that none of them are actors, the whole band do a pretty decent job here. Even the more awkward moments are played off nicely with a frequently funny script. The Foos have a well documented history of goofy music videos with a specific brand of humour, and Studio 666 definitely carries the same vibe over its feature length runtime. There are some familiar faces peppered throughout to pad up the cast. Jeff Garlin appears, being very Jeff Garlin. Leslie Grossman from American Horror Story, up-and-coming scream queen Jenna Ortega, and bonafide legend John Carpenter bring the horror credentials. A cameo from Lionel Richie (alongside a legit jump scare) and Slayer's Kerry King cover the music side of things, and the comedy is represented by the likes of Whitney Cummings and Will Forte. It's a pretty decent cast that surround Dave and the boys.
After the initial set up, proceedings do drag a fair bit in the middle, before everything goes full blown batshit. The gore in this movie is pretty ridiculous, and practically done for the most part with some impressive effects work. There's one kill in particular involving a chainsaw which is easily one of the gnarliest I've seen in a while. Even the CG demons don't look too shabby. As mentioned earlier, The Evil Dead has a huge part to play here, and the film is clearly influenced by it and its sequel, from the gratuitous blood sprays (and a blood filled lightbulb) to the way certain shots are framed, to an evil book made of human flesh, the whole project feels like one big homage.
Studio 666 is silly, visceral, gory fun, full of music industry jokes, a clear cut love for the horror genre, and a disgustingly riffy soundtrack. It could have quite easily been 15-20 minutes shorter, but it's a minor qualm that won't stop it from surely becoming a cult classic.
KlangDings - House of Music
Education, Games and Stickers
7.0
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Make music with the teeth-brushing walrus, the dancing bathtub or the yodelling spider. Play with...
Music Book
Music and Productivity
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Music Book: The Practicing Musician's best tool for organizing, practicing, performing, and sharing...
The Art of Losing by The Anchoress
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AWARD-WINNING WELSH MULTI-INSTRUMENTALIST THE ANCHORESS RETURNS WITH HER CRITICALLY ACCLAIMED SECOND...
Emma @ The Movies (1786 KP) rated Thor: Love and Thunder (2022) in Movies
Jul 23, 2022
When I came out of Endgame, I was disappointed. But on a second (sixth) viewing, I had come around. There was still disappointment there I'll admit, but it wasn't as big as I'd felt after that midnight screening. Where's this going you ask... As the credits began rolling, I turned to my friend and proclaimed - "Well that was a pile of s**t." Unlike Endgame, I'm not going to change my mind.
Thor is getting his life back on track. The Guardians have helped him get some perspective and it's time to go back to New Asgard and see his people. In his absence, however, there's a new superhero on the block... and she's kind of cramping his style.
One of my difficulties with this one is that it's hard to tell what the film is wanting to do. A redemption arc for Thor, introducing new characters, setting up for the next big finale? That all doesn't seem like a problem initially, but just wait.
I loved Thor: Ragnarok. It's my favourite MCU film. It mixed the underlying humour with the nuttiness of Guardians and it worked. But, something about Love and Thunder makes me feel like they said "Just go for it, anything you want"...
The last we saw of Thor he was flying off into the great unknown with a plucky band of heroes... and it's almost like they completely forgot that had happened, and at the last minute had to write the beginning of the movie again. The whole opening was so badly acted (and dull) that I was genuinely convinced that not all of the actors were back for these cameos. And not just GotG, every recalled character was wasted.
Christian Bale was Christian Bale, I expected nothing less, I imagine him being entirely terrifying on set. This is where the film does a real disservice. With a strong, dark performance and character, Gorr the God Butcher is surrounded by bright tomfoolery. Yes, I said tomfoolery. Gorr deserved a better film.
Possibly my least favourite bit that felt entirely at odds with Gorr's story, is all the gods being so over the top. They do try to explain this away at one point, but this and the fact you don't see Gorr on his godly murder spree led to more and more frustration.
Seemingly that and other cameos were left on the cutting room floor in order to keep the running time under 2 hours. Cutting that spree almost certainly had a negative impact on the film.
If it wasn't clear from everything above... I did not enjoy this film. (I saw it in a double bill, little did I know that Minions: The Rise of Gru would be the best film I saw that day.) I could go on and on about Love and Thunder. Don't get me wrong, there are things about it that I enjoyed, but those things definitely constitute spoilers.
Note: For those of you that stay through the credits, there are two scenes. Both of which give possibilities for the future of the next MCU phase. One I'm excited for, the other... not so much.
Originally posted on: https://emmaatthemovies.blogspot.com/2022/07/thor-love-and-thunder-movie-review.html
Thor is getting his life back on track. The Guardians have helped him get some perspective and it's time to go back to New Asgard and see his people. In his absence, however, there's a new superhero on the block... and she's kind of cramping his style.
One of my difficulties with this one is that it's hard to tell what the film is wanting to do. A redemption arc for Thor, introducing new characters, setting up for the next big finale? That all doesn't seem like a problem initially, but just wait.
I loved Thor: Ragnarok. It's my favourite MCU film. It mixed the underlying humour with the nuttiness of Guardians and it worked. But, something about Love and Thunder makes me feel like they said "Just go for it, anything you want"...
The last we saw of Thor he was flying off into the great unknown with a plucky band of heroes... and it's almost like they completely forgot that had happened, and at the last minute had to write the beginning of the movie again. The whole opening was so badly acted (and dull) that I was genuinely convinced that not all of the actors were back for these cameos. And not just GotG, every recalled character was wasted.
Christian Bale was Christian Bale, I expected nothing less, I imagine him being entirely terrifying on set. This is where the film does a real disservice. With a strong, dark performance and character, Gorr the God Butcher is surrounded by bright tomfoolery. Yes, I said tomfoolery. Gorr deserved a better film.
Possibly my least favourite bit that felt entirely at odds with Gorr's story, is all the gods being so over the top. They do try to explain this away at one point, but this and the fact you don't see Gorr on his godly murder spree led to more and more frustration.
Seemingly that and other cameos were left on the cutting room floor in order to keep the running time under 2 hours. Cutting that spree almost certainly had a negative impact on the film.
If it wasn't clear from everything above... I did not enjoy this film. (I saw it in a double bill, little did I know that Minions: The Rise of Gru would be the best film I saw that day.) I could go on and on about Love and Thunder. Don't get me wrong, there are things about it that I enjoyed, but those things definitely constitute spoilers.
Note: For those of you that stay through the credits, there are two scenes. Both of which give possibilities for the future of the next MCU phase. One I'm excited for, the other... not so much.
Originally posted on: https://emmaatthemovies.blogspot.com/2022/07/thor-love-and-thunder-movie-review.html
Music Idol!
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Picture yourself on a giant stage, singing in front of thousands of fans screaming your name! Live...
Johnny Marr recommended Taking Tiger Mountain (By Strategy) by Brian Eno in Music (curated)
Ali A (82 KP) rated Promise Boys in Books
Feb 14, 2023
Trigger Warnings: Murder, blood
After their school principal is shot and killed at Promise Prep School for Boys, J.B, Ramón, and Trey are labeled as the prime suspects. All three of them had had some kind of disagreement with their principal before he was killed and they all may have had the opportunity to have access to the murder weapon. With all three maintaining their innocence, they must band together to track down who really did it before one of them is falsely accused.
This book is told through multiple POVs, with each chapter giving you who the main focus is. A few of them are people you only hear from once, but they do give you important pieces of information. Because of the changing of the POVs, it does make the story go by quickly.
I usually have a hard time with teen male voices and them coming across as whiny to me. But this one, had not one, not two, but three separate teen male voices and I was intrigued by everyone. They were all authentic to me and each one captured my attention and got me turning pages. Which tells you something, because I did end up reading this book in one day.
There were a lot of twists and turns and I was still questioning whether or not each boy was truly innocent until we got towards the end and all was revealed. Nick Brooks did an amazing job at showing just how differently black and brown boys are treated when it comes down to being guilty or not. One of the boys gets in trouble a lot because his cousin is the leader of a gang around the neighborhood and a lot of people just assume he’s a part of them. Another boy jokes around a lot, and in a school where they’re not allowed to even smile in the hallways, he’s constantly getting in trouble.
Overall, this book is perfect for those who like thriller mysteries and who are fans of Jason Reynolds, Angie Thomas, and Holly Jackson. I can see this book getting more and more popular with the more people who read it. I can also see this making it to the big screen as well. Brooks wrote a wonderful, enhancing novel.
*Thank you Bookish First and Henry Holt and Co. for a copy of this book in exchange for an honest review
After their school principal is shot and killed at Promise Prep School for Boys, J.B, Ramón, and Trey are labeled as the prime suspects. All three of them had had some kind of disagreement with their principal before he was killed and they all may have had the opportunity to have access to the murder weapon. With all three maintaining their innocence, they must band together to track down who really did it before one of them is falsely accused.
This book is told through multiple POVs, with each chapter giving you who the main focus is. A few of them are people you only hear from once, but they do give you important pieces of information. Because of the changing of the POVs, it does make the story go by quickly.
I usually have a hard time with teen male voices and them coming across as whiny to me. But this one, had not one, not two, but three separate teen male voices and I was intrigued by everyone. They were all authentic to me and each one captured my attention and got me turning pages. Which tells you something, because I did end up reading this book in one day.
There were a lot of twists and turns and I was still questioning whether or not each boy was truly innocent until we got towards the end and all was revealed. Nick Brooks did an amazing job at showing just how differently black and brown boys are treated when it comes down to being guilty or not. One of the boys gets in trouble a lot because his cousin is the leader of a gang around the neighborhood and a lot of people just assume he’s a part of them. Another boy jokes around a lot, and in a school where they’re not allowed to even smile in the hallways, he’s constantly getting in trouble.
Overall, this book is perfect for those who like thriller mysteries and who are fans of Jason Reynolds, Angie Thomas, and Holly Jackson. I can see this book getting more and more popular with the more people who read it. I can also see this making it to the big screen as well. Brooks wrote a wonderful, enhancing novel.
*Thank you Bookish First and Henry Holt and Co. for a copy of this book in exchange for an honest review