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Awix (3310 KP) rated GoldenEye (1995) in Movies

Mar 16, 2019 (Updated Mar 16, 2019)  
GoldenEye (1995)
GoldenEye (1995)
1995 | Action, Mystery
Probably the best action thriller named after a duck ever. There was a time when a long gap between Bond films was highly unusual, and the six year absence of the commander from the big screen led some to suggest that maybe the series had had its day. The main achievement of GoldenEye is to take all the classic elements of a Bond film, spruce them up a bit, and produce a film which is fresh and entertaining.

Everyone is clearly working very hard to make this film a success, particularly Pierce Brosnan (even if his hair isn't quite right yet). Makes the obligatory attempt at updating Bond for the 'modern world' but doesn't get dogmatic about it and mostly just worries about entertaining the audience, which is surely as it should be. The tank chase surely features on anyone's list of great Bond sequences; director Martin Campbell would go on to make the hard-edged Casino Royale, which is probably a better film, but this is much more fun.
  
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JT (287 KP) rated Argo (2012) in Movies

Mar 10, 2020  
Argo (2012)
Argo (2012)
2012 | Drama, Mystery
Does making a film based on a true story make it any more endearing to the Oscar big wigs? Possibly, but one thing is for sure, Ben Affleck’s third film Argo is an outstanding piece of film making with exceptional attention to detail and sense of realism.

In 1979 Iran was overrun by Iranian revolutionaries, these revolutionaries stormed the American embassy taking several Americans hostage. Six of those managed to escape to the official residence of the Canadian Ambassador where the CIA was eventually ordered to get them out of the country by whatever means necessary.

Led by Tony Mendez (Affleck) a CIA expert in exfiltration he puts together an elaborate plan to go in as a film producer and rescue the six who’ll pose as a film crew on a location hunt for new sci-fi flick, Argo. Even if this was fiction it would be a pretty daring plan in an environment that was so hostile for its time they’re hanging people by cranes in the street, and women carry machine guns!

In order to make the film seem as real as possible Mendez enlists the help of John Chambers (John Goodman) a Hollywood make-up artist whose helped the CIA out before and film producer Lester Siegel (Alan Arkin). Between them they put the film into fake production, concoct false identities for the six and set about taking them out directly though the Iranian airport in a daring escape.

Affleck gets the cinematography spot on, creating a grainy perspective for that era and using some real footage as well. It all helps convey the narrative and plot that this was one of the most dangerous missions of its time and one what would live long in CIA and American history.

Goodman and Arkin add a humorous element to the proceedings “if it’s going to be a fake film I want it to be a fake hit” Lester claims when he’s approached about the project. The other side feels like a 70s version of 24 with the political suits in boardrooms arguing about the best way to execute the plan.

The tension is built slowly with everything climaxing to a pulsating last act which will have your heart pounding and seat gripped. Personally I didn’t endear to any of the six escapees, their stories are not built up enough other than they’re all unsure if they can trust Mendez to get them back on home soil safely.

Argo got the best picture Oscar over a lot of other seemingly worthy nominees, but you couldn’t deny Affleck his moment in the spotlight and cementing him as one of the best actor to director transitions. While the film might not be entirely accurate, Affleck just wants to get to the heart of this espionage thriller and does so while finding a perfect balance between comedy and drama.