Awix (3310 KP) rated GoldenEye (1995) in Movies
Mar 16, 2019 (Updated Mar 16, 2019)
Everyone is clearly working very hard to make this film a success, particularly Pierce Brosnan (even if his hair isn't quite right yet). Makes the obligatory attempt at updating Bond for the 'modern world' but doesn't get dogmatic about it and mostly just worries about entertaining the audience, which is surely as it should be. The tank chase surely features on anyone's list of great Bond sequences; director Martin Campbell would go on to make the hard-edged Casino Royale, which is probably a better film, but this is much more fun.
Art and Soul
8.0
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There’s no problem Becky Watson can’t fix. Except her own love life… Struggling single...
Contemporary Romance
Infinity Welcomes Careful Drivers (Red Dwarf #1)
7.0
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The first lesson Lister learned about space travel was you should never try it. But Lister didn't...
Break the Line
10.0
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As a pro-fisherman, Benson Howell’s days are spent on murky lake water, reeling in largemouth bass...
Ready To Were
10.0
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I never planned on going back to Hung Island, Georgia. Ever. I was a top notch Were agent for the...
Paranormal PNR Shifters Robyn Peterman
Murder in the Family
7.0
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A shocking thriller about a cold case, a fictional true crime series, and the family caught in the...
Big Little Lies
8.6
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Don't want Big Little Lies to end? Then why not order Liane Moriarty's new hit, Truly Madly...
Playing For Keeps (Hot Jocks #1)
9.0
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I've never been so stupid in my entire life. Elise Parrish, my teammate's incredibly sweet and...
JT (287 KP) rated Argo (2012) in Movies
Mar 10, 2020
In 1979 Iran was overrun by Iranian revolutionaries, these revolutionaries stormed the American embassy taking several Americans hostage. Six of those managed to escape to the official residence of the Canadian Ambassador where the CIA was eventually ordered to get them out of the country by whatever means necessary.
Led by Tony Mendez (Affleck) a CIA expert in exfiltration he puts together an elaborate plan to go in as a film producer and rescue the six who’ll pose as a film crew on a location hunt for new sci-fi flick, Argo. Even if this was fiction it would be a pretty daring plan in an environment that was so hostile for its time they’re hanging people by cranes in the street, and women carry machine guns!
In order to make the film seem as real as possible Mendez enlists the help of John Chambers (John Goodman) a Hollywood make-up artist whose helped the CIA out before and film producer Lester Siegel (Alan Arkin). Between them they put the film into fake production, concoct false identities for the six and set about taking them out directly though the Iranian airport in a daring escape.
Affleck gets the cinematography spot on, creating a grainy perspective for that era and using some real footage as well. It all helps convey the narrative and plot that this was one of the most dangerous missions of its time and one what would live long in CIA and American history.
Goodman and Arkin add a humorous element to the proceedings “if it’s going to be a fake film I want it to be a fake hit” Lester claims when he’s approached about the project. The other side feels like a 70s version of 24 with the political suits in boardrooms arguing about the best way to execute the plan.
The tension is built slowly with everything climaxing to a pulsating last act which will have your heart pounding and seat gripped. Personally I didn’t endear to any of the six escapees, their stories are not built up enough other than they’re all unsure if they can trust Mendez to get them back on home soil safely.
Argo got the best picture Oscar over a lot of other seemingly worthy nominees, but you couldn’t deny Affleck his moment in the spotlight and cementing him as one of the best actor to director transitions. While the film might not be entirely accurate, Affleck just wants to get to the heart of this espionage thriller and does so while finding a perfect balance between comedy and drama.
Kristy H (1252 KP) rated Big Summer in Books
May 7, 2020
This is a fun story featuring our engaging plus-size heroine, Daphne, who is still struggling to find herself as an adult. Many of her scars and insecurities come from her so-called friendship with Drue, who was more of a user than a friend. After Drue hurt Daphne one time too many, she hasn't seen her in six years. But she's still powerless to say no to her, especially when she's begging for her to attend her high society wedding.
"You are susceptible to Drue Cavanaugh. She's your Kryptonite."
I found Daphne to be sweet albeit in need of a backbone at times. Her journey to self-actualization is certainly engaging. Big Summer takes a huge turn about halfway through, giving me a big surprise, but I loved it, honestly. I'm glad I hadn't read about the twist--a lot of reviews give it away, but I won't. Let's just say that Drue and her minions can be quite twisted at times, and there's a lot to unravel and unwrap here in terms of motivations and backstory. Big Summer starts with a little snippet set in the early 1990s, setting us up for the story ahead. We also learn about Daphne and Drue's past and all about their friendship.
This is such a sweet, sometimes silly (oh how I love Daphne's parents), and real read. Goodness, the pieces about Daphne's weight can be so heartbreaking. There's a section where she remembers her grandmother caring for her for a summer and basically giving her her weight insecurities, as she put Daphne on her first diet, making her aware of being heavier. Oh man. Weiner is an excellent writer, and she brings Daphne to life here, making her such a true person, whom we want to root for, hug, and love.
And she gives us a book about family, love, and reminds us to be grateful for what we have. The grass isn't always greener on the other side, per se. Always important, but even so more right now. I loved this one, with its escapist nature and twisty yet heartfelt storyline. 4+ stars.