"It was was directed Max Ophuls and it stars Robert Ryan as a character who was intended to be based on Howard Hughes. Max Ophuls had been hired by Hughes’ production company, RKO, early to make the film that was actually supposed to be Faith Domergue’s big starring vehicle, and that movie just turned into a disaster. The production of it dragged along over five or six years with many different directors. After Ophuls got fired from it, he got hired to make an adaptation by another company of a novel called Wild Calendar. He told the screenwriter that he was paired with that he didn’t want to actually adapt the novel; he wanted to use the structure of the novel to make a film about how terrible he thought Howard Hughes was. They basically culled the notes of everything that they’d ever heard about Howard Hughes and Ophuls’ personal experiences, and the screenwriter, Arthur Laurents, went out and he met women who had had encounters with Hughes and then put it all together in this film which is about a shop girl who gets involved with a mysterious millionaire. The mysterious millionaire’s played by Robert Ryan, who was an actor who made a lot of different kinds of movies, and to a lot of film noir fans and B-Movie, genre film fans, he’s considered a great star, but he really looks like Howard Hughes in a lot of ways. They’re both very tall and lanky and have kind of a similar jaw. Even though Hughes knew this movie was being made – he insisted that he be sent dailies – he asked for some changes so that people wouldn’t think it’s him. The character and the performance are a lot like him. Nowadays, especially given everything we know about Howard Hughes, the similarities are impossible to ignore."

"Thee Headcoats had a really big and important part in mine and Laurie’s sound when we first started. We really loved that rough, dirty, garagey sound and the singer Billy Childish was a massive inspiration to us, he’s a Kent boy as well. “When me and Laurie were starting the band my Dad sat us down and played us a load of records, I remember him getting a stack of records out and this was one of them. This song really shaped our sound early on, we were a two-piece and we’d found this weird set-up, kind of by mistake, where I was going to stand up and drum and Laurie was going to play guitar. My Dad went through his records and picked out two-piece bands and garage punk bands. Quite a lot of it was this sort of stuff, Billy Childish has had quite a few other bands and there was a band called The Husbands as well, there was a lot of them. “It was everything about “I’m Hurting”, the whole sound of it and the vocals. I love that his voice is so British but it’s not a London voice, it’s got a real Kent twang to it and we wanted to sound like that a bit. I really like it when people sing in their own accent, a lot of the time these days’ people are singing in American accents, so it’s really refreshing to hear someone shouting in a Kent, geezer voice. “’I’m Hurting’ was one of the ones that clicked and we just thought ‘this is amazing.’ That was six years ago and I’m very fortunate my old man was obsessively into music his whole life and I had a lot of that put into me. Without him I wouldn’t know a lot of this music that I know about now."