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The Gentlemen (2020)
The Gentlemen (2020)
2020 | Action, Crime
It’s been a while since Guy Ritchie dealt with some proper geezers doing crime and talking bollocks. Maybe there were elements of it in The Man From U.N.C.L.E. but really it’s Rock ‘n Rolla from 2008 we are talking about. Personally I hadn’t missed it. I pretty much think he took it as far as it needed to be taken, and I much prefer the Sherlock Holmes stuff, anyway.

Judging from the inexplicably high rating (currently 7.8) for this on IMDb somehow someone had missed it big time though! Or is it just easy for those in search of a nutter with a gun and a swear word or six to click 9/10? I don’t want to speculate. Suffice to say The Gentlemen is not very good. Not awful. Colin Farrell wins by having a lot of fun hamming up a bonkers creation of a man (as he does so expertly and effortlessly), and Hugh Grant comes out of it with credit too, for at least looking engaged and having some of the best lines to deliver.

As for Matthew McConnaughey, who is surely to be considered top billing, I can’t honestly remember a thing about his role in this forgettable fable some 9 weeks after seeing it. Literally, can’t recall anything he does in it to mind. Bad sign. And Charlie Hunnam doesn’t fare much better, but that’s probably because he isn’t that good or memorable in anything in the first place. There are a couple of women in this as well, but they really don’t make a difference to anything, and no one cares (sadly).

We’ve seen the whole thing before, I’m afraid, and even first time the style wasn’t for everyone and felt a bit “wrong” to a 21st century sensibility. It really is just guns and violence and swearing in ever decreasing creativity. I liked some of the costumes though.

No one involved’s best work, by a long way. A distracting way to kill a few hours if you are completely stuck for ideas, but little more than that. In a year or two no one will remember or talk about it at all. May that be a lesson to you Mr Ritchie. Leave outdated indulgences, even with your pals, in the past where they belong.
  
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Amanda (96 KP) rated Five Feet Apart in Books

Jul 7, 2019  
Five Feet Apart
Five Feet Apart
Rachael Lippincott | 2018 | Fiction & Poetry, Science Fiction/Fantasy, Young Adult (YA)
6
6.9 (9 Ratings)
Book Rating
I FINALLY finished this book and it took forever to do so. I remember starting this book a while back and I just had a difficult time getting through this story. I couldn't pin point as to why it was difficult to finish, and to this day, I really still can't.

This book had/has so much hype and more so when the movie was released. I almost skipped the book and watched the movie because of who was playing the Will character, but I decided against it and went for the book first.

First and foremost, the cover is absolutely gorgeous! I wanted to get the book with the original cover and I sometimes just stare at it. I understand why there is a re-release of the book with the movie poster on the covers, but to me, it takes away from the author and the publisher. I try my best NOT to buy the books with the movie posters.

So we have two teenagers, Stella and Will, whom both have Cystic Fibrosis. In a nutshell, this disease affects the lungs and digestive system. The lungs fill rapidly with mucus and makes it difficult to breathe. The highly big part, and the main story of this novel, is that two people with the SAME disease have to stay a minimum of six feet apart. That is because one of them could get worse, or die, just from the others contamination.

Stella is optimistic and uploads YouTube videos and tries to keep her parents notified and tries to not think about her older sister being gone.

Will has not so much as given up, but more like kind of goes with the flow of his condition. So much so that he lets his friends use his hospital room as a 'hook up' area. Such a nice guy, don't you think?

Anyway, so these two don't really like each other at first but feelings are developed over bonding of memories and Stella getting Will to get back to doing his treatments on a regular basis. The story starts that they have to be six feet apart, but Stella pushes the boundary and keeps it at five feet apart - hence the title.

I hate to say this, but I had a hard time connecting with either one of these characters. The only one I really somewhat liked was Poe.

I can see the whole similarity with this book and The Fault in Our Stars, but I can't compare the two. Because, in TFIOS, they had cancer and didn't have to stay away from each other. And to me, those characters were easier to connect with than Will and Stella. I'm not saying I didn't like them, but I just couldn't connect.

Stella basically lives so her parents don't fall a part and Will is just kind of 'whatever' about the whole thing because he sees no future for himself, or a treatment that will help him.

I don't really see the hype in this story. It felt rushed to me as well. I'm not sure if it's because the story was kind of short for the plot. Maybe it's because we didn't get a lot of story. I'm not fond of how it was written. It was almost written like it was going to be a movie so it was scripted.

I'm not saying it was a bad story. It really wasn't. I just feel like there was something missing and I couldn't really feel much for these two characters. I couldn't fathom some of the decisions and through process that Stella has done.

All in all, not a terrible story, but I don't see what the hype was about and I don't think I'll be watching the movie.
  
Max Winslow and the House of Secrets (2019)
Max Winslow and the House of Secrets (2019)
2019 | Family, Sci-Fi, Thriller
6
7.0 (2 Ratings)
Movie Rating
Max Winslow and the House of Secrets is a family film, very much in the vein of Charlie and the Chocolate Factory. Maxine Winslow (Sydne Mikelle), or Max for short, is our Charlie Bucket, coming from a single-parent family and living with a mother who is struggling with debt. Tech-savvy Max is also a skilled hacker, demonstrating this by taking control of her neighbours video doorbell and making it ring so that he comes running outside. Kind of like a modern-day Knock-Down Ginger.

Max heads into school, where we’re introduced to some more teens who are set to join her later on, including a social-media obsessed girl, a boy addicted to gaming and a boy who enjoys trolling people online. As they settle down at their desks, the face of eccentric billionaire Atticus Virtue (Chad Michael Murray) takes over all of the TV screens throughout the school. He tells them that five students are to be selected to spend the night in his high tech mansion, and undertake a series of games, with the winner becoming the new owner of the mansion. When the confirmation text messages start coming through to the student phones later that day, we already know most of those that receive the big green tick on their screens, so they head off to the mansion, ready to spend the night.

Atticus himself isn’t at the mansion to greet the group. Instead, an AI named Haven (voiced by Marina Sirtis) opens the door for them, orders a takeaway delivery and gives them their instructions for the night. Basically, whoever solves the most puzzles and earns the highest score wins the mansion!

The puzzles start off ridiculously hard, with a locked door requiring a six-digit code to open, and only three attempts allowed. Max spots three jars of candy in the room and automatically decides that the total pieces of candy in each jar can be combined into a six-digit number, obviously. And you’re not supposed to think about how she managed to get them in the right order, or why the plate of cookies on the table wasn’t included in the code…

From there, the points come a lot easier for the team, such as simply putting on a pair of sunglasses(!), before turning slightly sinister as the group separates and everyone heads off on their own. Haven begins to go a little bit rogue, although with her monotone delivery of thinly veiled threats, she never really comes across as scary as I think she is meant to be. The games become a way of showing each individual the error of their ways - narcissistic Sophia is trapped in a bathroom talking to her mirror reflection, which has now turned into a nastier version of herself, while others are trapped in VR scenarios designed to show them where they’ve gone wrong in life.

It’s at this point that the movie struggles. The VR recreations are mostly dull, while other scenes utilise some pretty dodgy VFX and there’s never any real feeling of peril or threat. The young cast, for the most part, give some pretty good performances. However, with a mediocre script, none of them is really given very much to work with. Consequently, some of them, particularly the character of Max, feel a little wasted, not fleshed out enough.

While entertaining at times, Max Winslow and the House of Secrets is too scary for young children and not dramatic or scary enough for adults to really enjoy. Hopefully, though, the teen audience that this is squarely aimed at will pick up on the strong moral messages at the heart of the movie and will manage to gain some enjoyment from it.
  
I'm Lost I'm Lost
I'm Lost I'm Lost
4
4.0 (1 Ratings)
Book Rating
I’m Lost I’m Lost by Ruth Passmore is a little bit on the misleading side. The cover of this book depicts animals and a train. Potential readers should be aware that although the front cover depicts a train the book has absolutely nothing to do with them (a big disappointment to my two-year-old who loves trains). I know you should never judge a book by its cover by a children’s book may not be the best idea to practice that idea. At the same time, this is a counting book and aside from the numbers on the train cars, the front cover does not hint at this at all, although the back of the book dose.

Baby animals are lost and trying to find their way home in this short counting book. Readers start with a classical animal issue, a cat stuck in a tree. With the aid of very simple illustrations, readers are introduced to nine other animal species, ending with ten baby kangaroos.

What I liked best it that the idea behind this book is great. Counting is a fundamental skill that all children must learn and this book does so in a fun way. Children frequently have a fascination with animals and this book mixes animals with learning in a way children would not notice. The repetitive pattern is also nice for children. What I did not like is that some of the choices in animal types are questionable as they could be difficult for young children to read such as tortoises, hedgehogs, and kangaroos. Also on six out of ten pages, a specific number of animals is given but technically it is wrong. For example page, one says there is one cat stuck and a friend (witch according to the picture is also a cat) helps it, the same issue arises on multiple pages (page three has four fish on it not just the three that are lost). This is very confusing to young children.

Toddlers and their parents are the target readers for this book. Parents will enjoy reading this counting book to their young children. Young readers will enjoy the repetitive pattern of the story. The names of some animals may prove difficult to some young readers and they may need help if reading it on their own. I give this book a 1 out of 2 rating. Although a cute book, I would not necessarily recommend it as an educational book. While there is nothing wrong with the text, the illustrations could be confusing when it comes to counting.

https://nightreaderreviews.blogspot.com
  
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Tom Chaplin recommended Retriever by Ron Sexsmith in Music (curated)

 
Retriever by Ron Sexsmith
Retriever by Ron Sexsmith
(0 Ratings)
Album Favorite

"He’s one of those people, once you get into it, it’s very hard to listen to anything else for a while. I used to hear the name, and people would recommend him but once I got into him it was like finding a treasure trove with all these amazing albums. Retriever’s probably my favourite, his lyrics are so conversational, they reflect everyday life, the difficulty of navigating it, so perfectly. We met a few years ago, he’s real hero of mine but I think he’s quite used to lots of people, way more successful and lauded than I will ever be, people like Macca, Chris Martin, Elvis Costello, coming up and praising him. He is a bit of an artists’ artist in a way. So I got the sense that he thought, “Oh great, another person in a band that likes me but why doesn’t the public-at-large like me!”. I just don’t understand it, myself. Maybe this is the problem, he’s got a straight, almost pub rock sound to what he does, maybe that puts people off, but it’s much more layered and intricate. That, for me, is often the mark of a great songwriter where you’re lulled into thinking the songs are simple or superficial but when you really listen to them, you realise it’s articulating something way more profound. in fact that reminds me, when I finally got into him, it’s because I went to Glastonbury five or six years ago as a punter. I’d had a really shit time, it was a bit of a complicated time in my life, I kept having to go to the American embassy to do all these blood tests and piss tests to try and get into America, because things had got out in the press that I’d had a few issues with alcohol and drugs and the American embassy had said, “You’re not coming in”. I remember feeling so fucking miserable and then I turned up at Glastonbury and I just walked into this tent and he played a song called 'All In Good Time', it’s all about how what you consider to be a big deal is insignificant when you look back at it with hindsight. I heard this song for the first time and it was so resonant and potent in that specific moment, it was like, “Wow, this is exactly where I’m at”. It was like he was telling me, “Don’t worry, it’s going to be alright!”."

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