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Andy K (10823 KP) rated Twister (1996) in Movies
Jun 10, 2018
I miss Bill Paxton
Bill was remarkable in the range of characters he played throughout his career. Whether it was the obnoxious big brother in Weird Science, the annoy Corporal Hudson in Aliens, or a demon killer in the amazing Frailty, he had dynamic range and energy and he is sorely missed.
Twister is one of those films you can't help watch when it is on even if you have seen many times. Yeah, a lot of the acting is over the top, especially with the "evil" storm chasers, how dare they take corporate money!?!
The storm sequences make up for it though with many intense scenes that make you want to run and hide in your seat.
Bill seems to hold things together, though, as he always does.
I miss him.
Twister is one of those films you can't help watch when it is on even if you have seen many times. Yeah, a lot of the acting is over the top, especially with the "evil" storm chasers, how dare they take corporate money!?!
The storm sequences make up for it though with many intense scenes that make you want to run and hide in your seat.
Bill seems to hold things together, though, as he always does.
I miss him.
The West Wing - Season 1
10.0
Rate It
TV Season
The West Wing is an American serial political drama television series created by Aaron Sorkin that...
Drama
In Search of Tomorrow (2021)
Movie
In Search of Tomorrow is an upcoming documentary film, written and directed by David A. Weiner. It...
Merissa (12943 KP) rated Under Your Care in Books
Mar 19, 2025
UNDER YOUR CARE is the first book in the Twisted Desires series and PLEASE READ THE CONTENT WARNINGS!!! If you do, and you're happy to proceed, then you're in for a great read.
This is a dark romance in so many ways - morally grey and downright black too! Lane is a femme who was s3xually assaulted by his cousin when he was younger. Greyson is his therapist, a dark empath, who is a hobby killer. Yep, you read that right. Well, Greyson decides Lane is his and nothing will move him from that path. Lane is also attracted to Greyson, a shock in itself for understandable reasons, and makes a comment which leads Greyson to move his agenda forward by quite some time.
I love dark romances where it is them against the world, and this one fits that bill. Lane knows Greyson is bad in a lot of ways, but is also 100% correct in thinking Greyson would never hurt him. Not in a bad way, at least. This one is graphic with its violence and filled with dark themes. It is obsessive and possessive, and full of hurt / comfort. It in no way represents a real relationship between a patient and a therapist so suspend your beliefs and enjoy all the kinks.
The next book is about Oliver, a trans man, and Greyson's twin brothers, Hayes and Hudson. I can't wait!
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Mar 18, 2025
This is a dark romance in so many ways - morally grey and downright black too! Lane is a femme who was s3xually assaulted by his cousin when he was younger. Greyson is his therapist, a dark empath, who is a hobby killer. Yep, you read that right. Well, Greyson decides Lane is his and nothing will move him from that path. Lane is also attracted to Greyson, a shock in itself for understandable reasons, and makes a comment which leads Greyson to move his agenda forward by quite some time.
I love dark romances where it is them against the world, and this one fits that bill. Lane knows Greyson is bad in a lot of ways, but is also 100% correct in thinking Greyson would never hurt him. Not in a bad way, at least. This one is graphic with its violence and filled with dark themes. It is obsessive and possessive, and full of hurt / comfort. It in no way represents a real relationship between a patient and a therapist so suspend your beliefs and enjoy all the kinks.
The next book is about Oliver, a trans man, and Greyson's twin brothers, Hayes and Hudson. I can't wait!
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Mar 18, 2025
Gareth von Kallenbach (980 KP) rated Dreamgirls (2006) in Movies
Aug 14, 2019
The rise of Motown records is one of the music industries greatest tales. Berry Gordy Jr. in 1959 established the record label that not only made stars of numerous talents such as Diana Ross and the Supremes and the Jackson 5, but helped African American talents finds success in other markets and mainstream radio.
In the film Dreamgirls, Director/Screenwriter Bill Condon brings the book and musical of the same name to the big screen with style and energy, and tells an inspired and entertaining story.
Though the names have been changed, it does not take much effort to discover that many parts in the film are indeed based upon actual people, and situations, which only ads to the story and characters, as though seeing a work of fiction, there is some factual basis to what is being shown.
Beyonce’ Knowles stars as Deena Jones, who is the lead singer in a female trio who hope to get noticed at a local talent show. While the group fails to win, they do attract the attention of Curtis Taylor Jr. (Jaime Foxx), a local manager who runs a car dealership during the day.
Curtis takes the girls under his management and soon begins a relationship with Effie, (Jennifer Hudson), as the band begins to get notice. Curtis uses bribes to get the girls played on white radio stations and soon has a hit on his hands and forms his own record label in order for his talent.
While on tour with R&B legend James Thunder Early (Eddie Murphy), the decision is made to make Deena sing lead over Effie which leads to tensions in the band despite their growing success.
What follows is a tale full of love, loss, success, failure, redemption, and laughs as the dynamic tale of the girls and their career is told over the passage of several years.
While much has been made of the singing of Beyonce’ and Jennifer Hudson, Eddie Murphy was clearly the star of the film as he brought a dynamic energy to the film whenever he was on screen. Murphy amazingly blended comedy and music as he performed his own material as well as generated sympathy as the troubled singer, who is trying to hold onto fleeting fame amongst changing times and gives and Oscar worthy performance.
The songs of the film are very well done, though at times, some of them dragged on to long for my taste, and at times hampered the narrative portion of the film.
That being said, Dreamgirls is one of the best musical to hit the screen and if for no reason other than Murphy’s performance is must see film.
In the film Dreamgirls, Director/Screenwriter Bill Condon brings the book and musical of the same name to the big screen with style and energy, and tells an inspired and entertaining story.
Though the names have been changed, it does not take much effort to discover that many parts in the film are indeed based upon actual people, and situations, which only ads to the story and characters, as though seeing a work of fiction, there is some factual basis to what is being shown.
Beyonce’ Knowles stars as Deena Jones, who is the lead singer in a female trio who hope to get noticed at a local talent show. While the group fails to win, they do attract the attention of Curtis Taylor Jr. (Jaime Foxx), a local manager who runs a car dealership during the day.
Curtis takes the girls under his management and soon begins a relationship with Effie, (Jennifer Hudson), as the band begins to get notice. Curtis uses bribes to get the girls played on white radio stations and soon has a hit on his hands and forms his own record label in order for his talent.
While on tour with R&B legend James Thunder Early (Eddie Murphy), the decision is made to make Deena sing lead over Effie which leads to tensions in the band despite their growing success.
What follows is a tale full of love, loss, success, failure, redemption, and laughs as the dynamic tale of the girls and their career is told over the passage of several years.
While much has been made of the singing of Beyonce’ and Jennifer Hudson, Eddie Murphy was clearly the star of the film as he brought a dynamic energy to the film whenever he was on screen. Murphy amazingly blended comedy and music as he performed his own material as well as generated sympathy as the troubled singer, who is trying to hold onto fleeting fame amongst changing times and gives and Oscar worthy performance.
The songs of the film are very well done, though at times, some of them dragged on to long for my taste, and at times hampered the narrative portion of the film.
That being said, Dreamgirls is one of the best musical to hit the screen and if for no reason other than Murphy’s performance is must see film.
Gareth von Kallenbach (980 KP) rated Rock the Kasbah (2016) in Movies
Aug 6, 2019
Music is a language that transcends race, gender, age, and nationality. It is timeless. It is transformative. Music has the power to shape and redefine culture. In Rock the Kasbah, Bill Murray plays Richie Lanz, a washed up Rock manager who seeks to bring one of his acts to Afghanistan as part of the USO tour. Within the first day of arrival, his plans are unraveled as his singer (Zooey Deschanel) panics and runs off with his money and passport in order to return back to America.
After meeting a myriad of characters (Bruce Willis, Kate Hudson. Danny McBride) in Kabul, he is presented with a new opportunity to introduce the world to a true talent. He discovers a young Pashtun girl with an amazing voice who dreams of being able to compete on “Afghan Star,” a musical competition show similar to “American Idol.” Cultural norms forbid her from singing and participating in the competition which demonstrate the complexity of Afghan culture, history, and politics. Understanding the threat to himself and Salima (Leem Lubany), Richie arranges for her to appear on the show, defying traditions and customs.
The film itself is a decent adaptation of the real story captured in the documentary Afghan Star which examines the life of Setara who must go into hiding because of her appearance in the competition. Rock the Kasbah has moments of genuine humor which fully utilizes Bill Murray’s true talents. Unfortunately, there are points where the plot and the storyline does not seem to fit together seamlessly. One great aspect of the film is its use of music to demonstrate the reach that it has across cultural lines. The love of music and artistic expression which had been severely restricted during the years of Taliban rule and Mujahedeen influence survived and is emblematic of how the people and the culture is much more complex and relatable than many would assume. This film goes beyond a story of a young singer trying to express herself and a manager trying to reclaim the glory of years ago. It is about the culture, history, and political framework of Afghanistan and the Afghan people.
It promotes them in a more positive light without relegating them to being a monolithic culture and people. It provides more insight into the circumstances that many of the people both in the cities and the tribal regions deal with. Audiences will be satisfied Rock the Kasbah as it is a musical and comedic showcase. They may even find themselves singing “Wild World” long after the credits roll.
After meeting a myriad of characters (Bruce Willis, Kate Hudson. Danny McBride) in Kabul, he is presented with a new opportunity to introduce the world to a true talent. He discovers a young Pashtun girl with an amazing voice who dreams of being able to compete on “Afghan Star,” a musical competition show similar to “American Idol.” Cultural norms forbid her from singing and participating in the competition which demonstrate the complexity of Afghan culture, history, and politics. Understanding the threat to himself and Salima (Leem Lubany), Richie arranges for her to appear on the show, defying traditions and customs.
The film itself is a decent adaptation of the real story captured in the documentary Afghan Star which examines the life of Setara who must go into hiding because of her appearance in the competition. Rock the Kasbah has moments of genuine humor which fully utilizes Bill Murray’s true talents. Unfortunately, there are points where the plot and the storyline does not seem to fit together seamlessly. One great aspect of the film is its use of music to demonstrate the reach that it has across cultural lines. The love of music and artistic expression which had been severely restricted during the years of Taliban rule and Mujahedeen influence survived and is emblematic of how the people and the culture is much more complex and relatable than many would assume. This film goes beyond a story of a young singer trying to express herself and a manager trying to reclaim the glory of years ago. It is about the culture, history, and political framework of Afghanistan and the Afghan people.
It promotes them in a more positive light without relegating them to being a monolithic culture and people. It provides more insight into the circumstances that many of the people both in the cities and the tribal regions deal with. Audiences will be satisfied Rock the Kasbah as it is a musical and comedic showcase. They may even find themselves singing “Wild World” long after the credits roll.
BankofMarquis (1832 KP) rated Ghostbusters (1984) in Movies
Oct 30, 2020
A Comedy Classic
My daughter was flipping channels the other day and ran across the great 1984 Supernatural comedy GHOSTBUSTERS and stopped to watch for awhile. As happens with her generation, she eventually got more interested in her phone and friends and wandered away. Me? I was drawn back into this film so much so that I went downstairs, grabbed the DVD (yes, kids, I still own DVDs) and popped the film into my Home Theater System to give it a proper viewing.
I gotta say...I was so inspired by how terrific this film is that I changed course and devoted the 23rd BankofMarquis Movies podcast to this film.
Starring the comedic trio of Bill Murray, Dan Aykroyd and Harold Ramis and featuring Sigourney Weaver, Ernie Hudson and the great Rick Moranis, GHOSTBUSTERS tells the tale of supernatural exterminators called to save NYC when paranormal experiences start escalating in the Big Apple.
But it's not the destination, it's the journey that makes this film so much fun. Told in a standard 2 Act arc - Origin Story followed by a 2nd Act of battling the "Big Bad" - it is the comedic timing and chemistry of the 3 leads that makes this film work (aided by a wonderful "straight man" turn by Sigourney Weaver and a brilliant "side-kick" comedic turn by Rick Moranis).
Credit for keeping this film together, moving and more than just a "series of jokes" is Director Ivan Reitman (STRIPES, MEATBALLS), he had the comedic "cred" to appeal to these 3 big time comedians, but has a Producers sense of efficiency and a Director's command of subject and tone.
This film was Aykroyd's idea and he shines as, Ray Stantz, the heart of the Ghostbusters. He truly believes in what he is doing and has a child-like sense of wonder in his actions. Harold Ramis (more noted as a Writer and a Director) was brought in to co-write Aykroyd's idea, steering it more towards Reitman's idea of humor and writing in a way that would make Murray shine - but he is also wonderfully deadpan as techno-geek Egon Spengler. The serious nerd who never smiles.
But...make no mistake...this film revolves around the antics of con-man Dr. Peter Venkman, a scientist who doesn't believe any of this, but is willing to go along as long as it achieves his goals. And...what are his goals? Well...womanizing and getting through life with as little work as possible. Murray is at the top of his comedic game in this film and most of his scenes are improvised - but, to be fair to the writers, Murrya's riffs are what Ramos and Aykroyd put down on paper. He is the mouth of this film and his energy drives this movie throughout.
Sigourney Weaver proved that she could do more than Sci-Fi action (like ALIEN) when she plays the straightman to these 3 wild-men. She stated that she was channeling her inner Margaret Dumont (straightman to the Marx Brothers) and she does an admirable, charming job in a role that could have easily come off as annoying.
Rick Moranis, of course, almost steals the film as the nerdy accountant neighbor of Weaver's. His improvised riff as he goes around the room at his own party is the stuff of comedic gold.
Ernie Hudson comes along as the 4th Ghostbuster. Many folks thinks that he is the "unnecessary" GhostBuster, but I would argue that he comes along at a time (right after the origin story is complete) to be the audience surrogate - to ask the questions that need to be asked and to get necessary expository passages out.
And...finallly...there is William Atherton as EPA Agent Walter Peck. I kind of feel sorry for this actor, for he had a decent career going up to Ghostbusters, but he was so good as the annoying, buzzkill "anti-Ghostbuster" that serves as the foil for their antics, that he wasn't really accepted in any other kind of role the rest of his career (he would play a version of this character in the first 2 DIE HARD films).
The special effects hold up, just enough to make them passable. Keep in mind that this film was made over 35 years ago and the effects were state of the art back in the day, so I would recommend you cut that some slack.
And...if you do...you'll be rewarded with a rollicking fun time at the movies.
Letter Grade: A
9 stars (out of 10) and you can that to the Bank(OfMarquis)
I gotta say...I was so inspired by how terrific this film is that I changed course and devoted the 23rd BankofMarquis Movies podcast to this film.
Starring the comedic trio of Bill Murray, Dan Aykroyd and Harold Ramis and featuring Sigourney Weaver, Ernie Hudson and the great Rick Moranis, GHOSTBUSTERS tells the tale of supernatural exterminators called to save NYC when paranormal experiences start escalating in the Big Apple.
But it's not the destination, it's the journey that makes this film so much fun. Told in a standard 2 Act arc - Origin Story followed by a 2nd Act of battling the "Big Bad" - it is the comedic timing and chemistry of the 3 leads that makes this film work (aided by a wonderful "straight man" turn by Sigourney Weaver and a brilliant "side-kick" comedic turn by Rick Moranis).
Credit for keeping this film together, moving and more than just a "series of jokes" is Director Ivan Reitman (STRIPES, MEATBALLS), he had the comedic "cred" to appeal to these 3 big time comedians, but has a Producers sense of efficiency and a Director's command of subject and tone.
This film was Aykroyd's idea and he shines as, Ray Stantz, the heart of the Ghostbusters. He truly believes in what he is doing and has a child-like sense of wonder in his actions. Harold Ramis (more noted as a Writer and a Director) was brought in to co-write Aykroyd's idea, steering it more towards Reitman's idea of humor and writing in a way that would make Murray shine - but he is also wonderfully deadpan as techno-geek Egon Spengler. The serious nerd who never smiles.
But...make no mistake...this film revolves around the antics of con-man Dr. Peter Venkman, a scientist who doesn't believe any of this, but is willing to go along as long as it achieves his goals. And...what are his goals? Well...womanizing and getting through life with as little work as possible. Murray is at the top of his comedic game in this film and most of his scenes are improvised - but, to be fair to the writers, Murrya's riffs are what Ramos and Aykroyd put down on paper. He is the mouth of this film and his energy drives this movie throughout.
Sigourney Weaver proved that she could do more than Sci-Fi action (like ALIEN) when she plays the straightman to these 3 wild-men. She stated that she was channeling her inner Margaret Dumont (straightman to the Marx Brothers) and she does an admirable, charming job in a role that could have easily come off as annoying.
Rick Moranis, of course, almost steals the film as the nerdy accountant neighbor of Weaver's. His improvised riff as he goes around the room at his own party is the stuff of comedic gold.
Ernie Hudson comes along as the 4th Ghostbuster. Many folks thinks that he is the "unnecessary" GhostBuster, but I would argue that he comes along at a time (right after the origin story is complete) to be the audience surrogate - to ask the questions that need to be asked and to get necessary expository passages out.
And...finallly...there is William Atherton as EPA Agent Walter Peck. I kind of feel sorry for this actor, for he had a decent career going up to Ghostbusters, but he was so good as the annoying, buzzkill "anti-Ghostbuster" that serves as the foil for their antics, that he wasn't really accepted in any other kind of role the rest of his career (he would play a version of this character in the first 2 DIE HARD films).
The special effects hold up, just enough to make them passable. Keep in mind that this film was made over 35 years ago and the effects were state of the art back in the day, so I would recommend you cut that some slack.
And...if you do...you'll be rewarded with a rollicking fun time at the movies.
Letter Grade: A
9 stars (out of 10) and you can that to the Bank(OfMarquis)
Sarah (7800 KP) Jun 11, 2018
Andy K (10823 KP) Jun 11, 2018