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Susan (45 KP) rated Tombstone (1993) in Movies
Jul 3, 2017
The cast! Val Kilmer, Kurt Russell, Bill Paxton, Billy Bob Thorton, Billy Zane, Sam Elliot and some many more (2 more)
Val Kilmer as Doc Holliday was perfect.. No one could have done it better
Based on a true story and so well written.
The Perfect Cast Makes A Perfect Movie
Absolutely the best western IMO. It's not my usual genre but it is and will remain one of my all time favorite movies.
Madbatdan82 (341 KP) rated Backdraft (1991) in Movies
Jun 18, 2019
You go - we go
I remember first seeing this film when I was about 9 or 10 and loved it! I thought Kurt Russell was God and went through a stage of wanting to be a fireman. Now 'a few years' later I can objectively review it...Kurt Russell is still God!!! Along with his performance theres equally awesome ones from Robert de Niro & Donald Sutherland. Some of the other performances are a bit bad (Billy Baldwin I'm looking at you!) but the real star of the show here is the fire sequences. They are truly amazing and manage to put you in the scene so that you feel you're in the middle of the fire with them. A true classic.
Nick Kroll recommended Tombstone (1993) in Movies (curated)
Phillip McSween (751 KP) rated Tombstone (1993) in Movies
Mar 27, 2018
Fun Western
Renowned gunslingers Wyatt Earp (Kurt Russell) and Doc Holiday (Val Kilmer) come to Tombstone, Arizona to settle down, but are forced to pick up their guns again when a gang called the Cowboys start to wreak havoc.
Acting: 8
Beginning: 10
Great start as you're quickly introduced to the bad guys of the film. You can't quite figure out if they're a sloppy group of thugs or a well-oiled machine, but you know they have the worst intentions. The first scene is very reminiscent of the bridal massacre in Kill Bill.
Characters: 9
Cinematography/Visuals: 7
Beautiful shots of the town of Tombstone create the proper western vibes from grassy plains to old-timey saloons. The film isn't as gory as one you would see in our current decade so when you see characters actually bleeding out, the effect is powerful. While I thought the scene in the rain was a bit over the top, the film definitely made up for it in its closing shots of the final face off.
Conflict: 9
The action is both consistent and fun in Tombstone. A lot of it is built up in the familiar traditional western style of long-paused shots. One second, you're watching a staredown and the next, guns are drawn. Wyatt Earp seemed to have this down to a science. His intense staredown right before he open-hand slapped Johnny Tyler (Billy Bob Thornton) was probably one of the most memorable moments for me. Seriously, what man open-hand slaps another man with zero hesitation?
The gunfight montages more than gave me my fill of action. You know it's just a film, but you feel like you're watching the best of the best show off their skills on screen as the bullets fly. I appreciated the original moments that later films have duplicated.
Genre: 8
Memorability: 7
Pace: 7
Plot: 7
Resolution: 7
Overall: 79
Not the best western I've seen, but still a very fun film. If you can get over the hump of the forced love story, this should be an enjoyable watch.
Acting: 8
Beginning: 10
Great start as you're quickly introduced to the bad guys of the film. You can't quite figure out if they're a sloppy group of thugs or a well-oiled machine, but you know they have the worst intentions. The first scene is very reminiscent of the bridal massacre in Kill Bill.
Characters: 9
Cinematography/Visuals: 7
Beautiful shots of the town of Tombstone create the proper western vibes from grassy plains to old-timey saloons. The film isn't as gory as one you would see in our current decade so when you see characters actually bleeding out, the effect is powerful. While I thought the scene in the rain was a bit over the top, the film definitely made up for it in its closing shots of the final face off.
Conflict: 9
The action is both consistent and fun in Tombstone. A lot of it is built up in the familiar traditional western style of long-paused shots. One second, you're watching a staredown and the next, guns are drawn. Wyatt Earp seemed to have this down to a science. His intense staredown right before he open-hand slapped Johnny Tyler (Billy Bob Thornton) was probably one of the most memorable moments for me. Seriously, what man open-hand slaps another man with zero hesitation?
The gunfight montages more than gave me my fill of action. You know it's just a film, but you feel like you're watching the best of the best show off their skills on screen as the bullets fly. I appreciated the original moments that later films have duplicated.
Genre: 8
Memorability: 7
Pace: 7
Plot: 7
Resolution: 7
Overall: 79
Not the best western I've seen, but still a very fun film. If you can get over the hump of the forced love story, this should be an enjoyable watch.
Charlie Cobra Reviews (1840 KP) rated Overlord (2018) in Movies
Jul 3, 2020 (Updated Oct 29, 2020)
Over The Top Action Horror Gorefest - 8/10
Overlord is a action/horror movie directed by Julius Avery, and written by Billy Ray and Mark L. Smith. Produced by J. J. Abrams and Lindsey Weber through Bad Robot Productions, it's R rating, action, and gore carry it past where so many PG-13 horror movies fall short. I really enjoyed this movie despite the familiarity of feeling like a movie version of Call of Duty's Nazi Zombies.
The night before D-day a squad of paratroopers are tasked with destroying a German radio tower in an occupied French village. Before they can reach their target their plane is shot down and they are left with a ragtag group of survivors: Private First Class Ed Boyce (Jovan Adepo), and Corporal Ford (Wyatt Russell) among others. Also starring John Magaro, Iain De Caestecker, Jacob Anderson, and Dominic Applewhite. While traveling they find a French woman, Chloe (Matthilde Ollivier) who leads them to her home in the village where she lives with her little brother. Boyce is ordered to look for survivors at a rendezvous point and while avoiding detection, has no choice but to infiltrate the base to hide from soldiers. While using the base as a means of escape and avoid capture he learns the Nazis are submitting p.o.w.s and villagers to horrendous experiments involving a mysterious liquid.
While no character came off as exclusively entertaining to me, I felt the film did well in conveying the difficulty of a diverse group being forced to work with each other for their survival. I also felt the casting was successful, although the lead didn't fall into the usual "soldier" archetype, the others did, but rounded off the group in a good way. The casts' chemistry was good, their roles were believable plus the special effects and gore were awesome. Like I said 8/10, almost a 9, but I felt it suspended disbelief too much at the end and was a little "too" over the top.
The night before D-day a squad of paratroopers are tasked with destroying a German radio tower in an occupied French village. Before they can reach their target their plane is shot down and they are left with a ragtag group of survivors: Private First Class Ed Boyce (Jovan Adepo), and Corporal Ford (Wyatt Russell) among others. Also starring John Magaro, Iain De Caestecker, Jacob Anderson, and Dominic Applewhite. While traveling they find a French woman, Chloe (Matthilde Ollivier) who leads them to her home in the village where she lives with her little brother. Boyce is ordered to look for survivors at a rendezvous point and while avoiding detection, has no choice but to infiltrate the base to hide from soldiers. While using the base as a means of escape and avoid capture he learns the Nazis are submitting p.o.w.s and villagers to horrendous experiments involving a mysterious liquid.
While no character came off as exclusively entertaining to me, I felt the film did well in conveying the difficulty of a diverse group being forced to work with each other for their survival. I also felt the casting was successful, although the lead didn't fall into the usual "soldier" archetype, the others did, but rounded off the group in a good way. The casts' chemistry was good, their roles were believable plus the special effects and gore were awesome. Like I said 8/10, almost a 9, but I felt it suspended disbelief too much at the end and was a little "too" over the top.
Gareth von Kallenbach (980 KP) rated Broken City (2013) in Movies
Aug 7, 2019
In Broken City, Russell Crowe and Mark Wahlberg wade into the streets of a
fictional New York, portraying its mayor and a tormented cop, respectively. This film is very political, and it drives to the heart of an issue found all around our country: corruption at every level, especially the highest.
The story starts with a shooting. As one might imagine, officers are easily found innocent in shootings because of the nature of their job, and thus Billy Taggart(Wahlberg) is found innocent after facing accusations of murder. Unfortunately, Mayor Nicholas Hostetler (Crowe) has damning evidence that would cause considerable harm to the officer — who’s earned a reputation as a hero — as well
as the city leaders, if it were brought to light. He decides to let Taggart go, and allow everyone to save face, with a handshake and a promise of future remembrance.
Seven years later the tides turn, as Private Eye Taggart is asked by Mayor
Hostetler to investigate his wife (Catherine Zeta-Jones) for a hefty sum of money.
The cash-strapped Taggart takes the job, but finds himself diving headfirst into a political feeding frenzy two weeks prior to the election. Naturally, drama ensues.
Broken City is not a bad film. The problem is: it’s also not a great film. It has many of the elements of a good movie, but something is missing. It’s hard to blame the writing, as there was well-balanced humor and drama. It’s hard to blame
the cinematography, because the key shots are there. (But some awkward shots are there, too. For example, there’s an odd, segmented spinning shot of Crowe and Wahlberg in the mayor’s office.) It’s hard to blame the acting; everyone does a great job in that regard. But there was just something missing. I wasn’t drawn in.
The movie felt rushed in certain areas, and too long in others. It had major plot holes, like when (spoiler alert) Taggart’s girlfriend disappears, but never resurfaces. The main character never gets a true, deep, passionate call-to-action, which all heroes are supposed to have.
I enjoyed the role of Taggart’s assistant. Even the ending was a fresh take (though somewhat expected, because the main character wasn’t conflicted and chaotic enough to merit an unknown response).
All in all, Broken City is a good movie, but not a great one. You would be well-served to rent or stream it, and save your theater dollars.
fictional New York, portraying its mayor and a tormented cop, respectively. This film is very political, and it drives to the heart of an issue found all around our country: corruption at every level, especially the highest.
The story starts with a shooting. As one might imagine, officers are easily found innocent in shootings because of the nature of their job, and thus Billy Taggart(Wahlberg) is found innocent after facing accusations of murder. Unfortunately, Mayor Nicholas Hostetler (Crowe) has damning evidence that would cause considerable harm to the officer — who’s earned a reputation as a hero — as well
as the city leaders, if it were brought to light. He decides to let Taggart go, and allow everyone to save face, with a handshake and a promise of future remembrance.
Seven years later the tides turn, as Private Eye Taggart is asked by Mayor
Hostetler to investigate his wife (Catherine Zeta-Jones) for a hefty sum of money.
The cash-strapped Taggart takes the job, but finds himself diving headfirst into a political feeding frenzy two weeks prior to the election. Naturally, drama ensues.
Broken City is not a bad film. The problem is: it’s also not a great film. It has many of the elements of a good movie, but something is missing. It’s hard to blame the writing, as there was well-balanced humor and drama. It’s hard to blame
the cinematography, because the key shots are there. (But some awkward shots are there, too. For example, there’s an odd, segmented spinning shot of Crowe and Wahlberg in the mayor’s office.) It’s hard to blame the acting; everyone does a great job in that regard. But there was just something missing. I wasn’t drawn in.
The movie felt rushed in certain areas, and too long in others. It had major plot holes, like when (spoiler alert) Taggart’s girlfriend disappears, but never resurfaces. The main character never gets a true, deep, passionate call-to-action, which all heroes are supposed to have.
I enjoyed the role of Taggart’s assistant. Even the ending was a fresh take (though somewhat expected, because the main character wasn’t conflicted and chaotic enough to merit an unknown response).
All in all, Broken City is a good movie, but not a great one. You would be well-served to rent or stream it, and save your theater dollars.
Gareth von Kallenbach (980 KP) rated State of Play (2009) in Movies
Aug 14, 2019
In the corridors of the nation’s capital, Washington D.C. alliances and wheeling and dealing are the name of the game. With billions if not trillions of dollars hinging on new laws and policy, corporations clearly have an interest in which way the political winds are leaning and how it will affect their all important bottom line.
In the political thriller “State of Play”, Director Kevin MacDonald has combined a stellar cast with a strong script from Tony Gilroy, Billy Ray, and Matthew Michael Carnahan to craft one of the best dramas since Gilroy’s “Michael Clayton”.
When the lead researcher of Congressman Stephen Collins (Ben Affleck), dies in an accident, it is a devastating blow to the young Congressman as he prepares for a series of hearings intended to cull the growth of a private security firm.
What is at first listed as an accident raises suspicion in veteran news reporter Cal McAffrey (Russell Crowe), who has had a long friendship, with Collins. Despite tension in recent years, Collins turns to Cal when it is revealed that he had an affair with his researcher. As Cal looks into the story he is under pressure from his editor (Helen Mirren), to deliver a story to keep the papers new owners happy. If this was not bad enough, Cal is also dogged by an online reporter for the paper named Della (Rachael McAdams), who is looking to make a name for herself at the paper.
Cal soon learns that the assistant was killed in what was made to look like an accident, and that a shooting incident that occurred prior to the death may be related to the murder.
Cal teams up with Della and soon learns that some very big players may be involved and that they will stop at nothing to protect their secret.
In a race against time, Cal and Della must get to the bottom of the mystery and stay alive. Unsure who to trust and which way their leads will follow, Cal and Della look for the answers that unaware that the quest they have undertaken will affect the halls of power as well as the very nation itself.
“State of Play” is a very tight thriller that is filled with twists and turns. The characters are interesting and well developed and the performances are first rate. Crowe is powerful as the determined Cal and works well with Affleck and Adams. Robin Wright Penn and Helen Mirren also give very strong performances.
The story of the film seems ripped from the headlines and has an eerie sense of reality to it, and works much better than “The International” attempted to do with its conspiracy premise.
While I have avoided as many spoilers as I could, suffice it to say that the film does have a deep plot that twists and turns to a rewarding conclusion and will keep your attention. I would hope that the fine work in this film is not forgotten when the Oscars come up next.
In the political thriller “State of Play”, Director Kevin MacDonald has combined a stellar cast with a strong script from Tony Gilroy, Billy Ray, and Matthew Michael Carnahan to craft one of the best dramas since Gilroy’s “Michael Clayton”.
When the lead researcher of Congressman Stephen Collins (Ben Affleck), dies in an accident, it is a devastating blow to the young Congressman as he prepares for a series of hearings intended to cull the growth of a private security firm.
What is at first listed as an accident raises suspicion in veteran news reporter Cal McAffrey (Russell Crowe), who has had a long friendship, with Collins. Despite tension in recent years, Collins turns to Cal when it is revealed that he had an affair with his researcher. As Cal looks into the story he is under pressure from his editor (Helen Mirren), to deliver a story to keep the papers new owners happy. If this was not bad enough, Cal is also dogged by an online reporter for the paper named Della (Rachael McAdams), who is looking to make a name for herself at the paper.
Cal soon learns that the assistant was killed in what was made to look like an accident, and that a shooting incident that occurred prior to the death may be related to the murder.
Cal teams up with Della and soon learns that some very big players may be involved and that they will stop at nothing to protect their secret.
In a race against time, Cal and Della must get to the bottom of the mystery and stay alive. Unsure who to trust and which way their leads will follow, Cal and Della look for the answers that unaware that the quest they have undertaken will affect the halls of power as well as the very nation itself.
“State of Play” is a very tight thriller that is filled with twists and turns. The characters are interesting and well developed and the performances are first rate. Crowe is powerful as the determined Cal and works well with Affleck and Adams. Robin Wright Penn and Helen Mirren also give very strong performances.
The story of the film seems ripped from the headlines and has an eerie sense of reality to it, and works much better than “The International” attempted to do with its conspiracy premise.
While I have avoided as many spoilers as I could, suffice it to say that the film does have a deep plot that twists and turns to a rewarding conclusion and will keep your attention. I would hope that the fine work in this film is not forgotten when the Oscars come up next.
Darren (1599 KP) rated Breaking In (2018) (2018) in Movies
Jun 21, 2019
Story: Breaking In starts when Shaun Russell (Union) takes her children Jasmine (Alexus) and Glover (Carr) to her father’s estate after his death, the weekend is meant to be to prepare the house for sale. The weekend takes a dark twist when four thieves Eddie (Burke), Duncan (Cabral), Sam (Meaden) and Peter (Furze) have broken in, searching for a secret safe.
With Shaun locked out and her children being held captive by the thieves, she will do anything to save her children, not caring what the men want, this does become a battle of a mother that will do anything versus thieves that won’t stop for anything.
Thoughts on Breaking In
Characters – Shaun is a mother of two children that is tidying up the affairs of her late father, she thinks her weekend will just be tidying up his house, but she soon shows that she has a few skills picked up from her father, she will play a cat-n-mouse game with a group of thieves that are holding her children hostage, Shaun will prove herself as somebody smarter than the thieves, showing a mother’s love will overcome any plan. Eddie is the leader of the thieves, he remains calm and in control, even if his men can get out of hand, he only wants the money, getting pushed into difficult decisions. Duncan is the loose cannon of the thieves, he doesn’t want to leave any witnesses to the crime they are committing. Jasmine is the eldest daughter that needs to protect her little brother from the situation, even if the two have a bickering relationship.
Performances – Gabrielle Union in the leading role is great, she brings us a strong powerful mother that isn’t going to let any man take advantage of her family. Billy Burke does bring the required calmness to his character which is everything needed, with Richard Cabral bring his own unhinged character to life to just about step away from the generic normal one. Ajiona Alexus and Seth Carr fill the children roles which in the works very well as they feel like they could easily be brother and sister.
Story – The story here follows a mother that will do anything to get her children to safety after their home gets invaded by a group of criminals searching for money. This is a home invasion film, it doesn’t need to break away from the normal in anyway, we know the formula, with this one putting the spin on the mother being separated from her children, we have the discussion of power between the criminals and mother, which is an important scene. We see how the mother might have a few more tricks up her sleeves that first thought. This is everything you expect without needing to make anything complicated, making it an easy watch.
Action/Crime – The action is restricted because of the separation between the characters, but when we need it, we get action we need, the crime story does follow how the thieves operate, though we don’t learn everything about the father’s situation in the criminal world.
Settings – The film is set in one location which is the house that has the ability to hold people out or keep people in, this helps build the battle between mother and thieves.
Scene of the Movie – Losing control.
That Moment That Annoyed Me – Not truly learning about the Shaun’s father previous life as a criminal.
Final Thoughts – This is a by the book home invasion film, it does give us plenty of entertainment and is above the average in the sub-genre.
Overall: Home invasion above the rest.
https://moviesreview101.com/2019/06/20/breaking-in-2018/
With Shaun locked out and her children being held captive by the thieves, she will do anything to save her children, not caring what the men want, this does become a battle of a mother that will do anything versus thieves that won’t stop for anything.
Thoughts on Breaking In
Characters – Shaun is a mother of two children that is tidying up the affairs of her late father, she thinks her weekend will just be tidying up his house, but she soon shows that she has a few skills picked up from her father, she will play a cat-n-mouse game with a group of thieves that are holding her children hostage, Shaun will prove herself as somebody smarter than the thieves, showing a mother’s love will overcome any plan. Eddie is the leader of the thieves, he remains calm and in control, even if his men can get out of hand, he only wants the money, getting pushed into difficult decisions. Duncan is the loose cannon of the thieves, he doesn’t want to leave any witnesses to the crime they are committing. Jasmine is the eldest daughter that needs to protect her little brother from the situation, even if the two have a bickering relationship.
Performances – Gabrielle Union in the leading role is great, she brings us a strong powerful mother that isn’t going to let any man take advantage of her family. Billy Burke does bring the required calmness to his character which is everything needed, with Richard Cabral bring his own unhinged character to life to just about step away from the generic normal one. Ajiona Alexus and Seth Carr fill the children roles which in the works very well as they feel like they could easily be brother and sister.
Story – The story here follows a mother that will do anything to get her children to safety after their home gets invaded by a group of criminals searching for money. This is a home invasion film, it doesn’t need to break away from the normal in anyway, we know the formula, with this one putting the spin on the mother being separated from her children, we have the discussion of power between the criminals and mother, which is an important scene. We see how the mother might have a few more tricks up her sleeves that first thought. This is everything you expect without needing to make anything complicated, making it an easy watch.
Action/Crime – The action is restricted because of the separation between the characters, but when we need it, we get action we need, the crime story does follow how the thieves operate, though we don’t learn everything about the father’s situation in the criminal world.
Settings – The film is set in one location which is the house that has the ability to hold people out or keep people in, this helps build the battle between mother and thieves.
Scene of the Movie – Losing control.
That Moment That Annoyed Me – Not truly learning about the Shaun’s father previous life as a criminal.
Final Thoughts – This is a by the book home invasion film, it does give us plenty of entertainment and is above the average in the sub-genre.
Overall: Home invasion above the rest.
https://moviesreview101.com/2019/06/20/breaking-in-2018/
Bob Mann (459 KP) rated Breaking In (2018) (2018) in Movies
Sep 29, 2021
Get In.
Into every life a little rain must fall. Some fairly pervasive advertising drove me into the cinema to see this one… often a sign that the distributors think it has legs. And from its quirky opening titles (with a COMPLETELY expected shock denouement!) I started to think it did have something. The beginning is in fact VERY similar to the introductory scene of “Get Out” in its randomness, and for one brief moment I wondered if the film was trying to parody that indie classic from last year… with only some studio lawyers getting in the way of them really calling it “Get In”. (“No, no, no… ‘Get’ is copyrighted… you’ll have to use some other word!”).
But no. It turns out that this is a pretty below-average B-movie after all,
The plot is pretty derivative of the “family in dire peril” variety made famous by the “Taken” series. Not being able to persuade Liam Neeson to wear a dress in this “Times Up” era, the Neeson-actioner writer Ryan Engle (“The Commuter“, “Non-Stop“) switches the action to focus on stressed mother Shaun Russell (Gabrielle Union).
Shaun has come to deepest Wisconsin with her two kids, Jasmine (Ajiona Alexus) and Glover (Seth Carr) to arrange the sale of her deceased father’s luxury home: a house absolutely brimming to the elegant rafters with security features. But unknown to them, there are already intruders in the house searching for something of value, and with Shaun locked outside the secure fortress home she will stop at nothing to break in and bring her children safely home.
The sad thing about this one is that the fairly unknown cast actually do a pretty good job. The chief villain Eddie, played by Billy Burke, channels an effectively ‘evil-quiet-Gary-Oldman” turn to good effect. His accomplices, the more sensitive Sam (Levi Meaden), luckless Peter (Mark Furze) and (particularly) the psychopathic Duncan (Richard Cabral) (can a psychopath really be called Duncan?) are broad caricatures, but never too broad to be totally awful.
Gabrielle Union kicks-ass effectively with her particular set of skills (see below), but particularly good is 22-year old Ajiona Alexus who has a great screen presence and deserves to be in much better films than this.
Where the film stumbles and goes crashing through its carbonite shutters is in the story and the screenplay’s dialogue.
The former is just bat-shit crazy, with so many ridiculous plot-holes and “yeah-but” moments that you lose count. For example, at one point the daughter is looking for her mobile phone WHICH IS IN THE ROOM and which would wrap the plot up in 10 minutes flat…. but then something else happens and they stop looking for it, never to be thought of again!
And what of those ‘particular set of skills’ that Shaun has? Oh, I forgot to say… she has none!! Or at least you assume not, since Shaun seems to have no back-story whatsoever, other than the fact that her daddy is very very rich and being investigated by the D/A. For what? Embezzlement? Tax evasion? Smartie-smuggling? Gun running? Perhaps he was a mafia overlord and Shaun was brought up with martial arts, gun and knife training to spy-school level? Perhaps none of the above, and she was just an obsessive watcher of Engle-scripted flicks? We will never know.
In addition, Shaun gets the proverbial crap kicked out of her on so many occasions, but there is no trip to casualty required. (Yes, I know Neeson and most other action heroes have the same implausible in-vulnerabilities, but it just seems so much less realistic when she is a not-particularly sporty or athletic woman).
And that dialogue… it’s just plain laughable in places. If Eddie doesn’t do his “Mamma hen will come back to save her chicks” speech once, he does it five times….
“Hey, James”… (James McTeigue, director, “V for Vendetta”)… says Burke, “Haven’t I said this line four times already”. “Sure”, says McTeigue, “I’m not sure where exactly I want to put it in the final cut yet, but only one of them will stay in. Don’t worry… I won’t make you look stupid to the cinema-going audience!!”
Every last thriller cliché is mined as the story grinds to an unmemorable and very flat conclusion.
Before wrapping up, I’d point out Another crime being committed in the music department. Australian composer Johnny Klimek’s action thriller score is actually quiet good, full of nice electronic riffs. But he really doesn’t know when to shut up. I remember an interview by John Williams on scoring the score to Hitchcock’s “Family Plot” where he recounted that Hitchcock taught him the value of a sudden absence of music at key moments. This film is too recent to learn the many lessons of “A Quiet Place“: but there are so many moments in this film where silence should have been golden. At one point the (what should be) heart-stopping sound effect of a creaking beam can barely be heard over Klimek’s pounding electronics.
So in summary, although it’s the award of ‘good acting attempt’ badges to sew onto the cast’s scout uniforms, my message to you dear reader re this one is “Get Out” of the cinema and enjoy the nice summer evenings instead!
But no. It turns out that this is a pretty below-average B-movie after all,
The plot is pretty derivative of the “family in dire peril” variety made famous by the “Taken” series. Not being able to persuade Liam Neeson to wear a dress in this “Times Up” era, the Neeson-actioner writer Ryan Engle (“The Commuter“, “Non-Stop“) switches the action to focus on stressed mother Shaun Russell (Gabrielle Union).
Shaun has come to deepest Wisconsin with her two kids, Jasmine (Ajiona Alexus) and Glover (Seth Carr) to arrange the sale of her deceased father’s luxury home: a house absolutely brimming to the elegant rafters with security features. But unknown to them, there are already intruders in the house searching for something of value, and with Shaun locked outside the secure fortress home she will stop at nothing to break in and bring her children safely home.
The sad thing about this one is that the fairly unknown cast actually do a pretty good job. The chief villain Eddie, played by Billy Burke, channels an effectively ‘evil-quiet-Gary-Oldman” turn to good effect. His accomplices, the more sensitive Sam (Levi Meaden), luckless Peter (Mark Furze) and (particularly) the psychopathic Duncan (Richard Cabral) (can a psychopath really be called Duncan?) are broad caricatures, but never too broad to be totally awful.
Gabrielle Union kicks-ass effectively with her particular set of skills (see below), but particularly good is 22-year old Ajiona Alexus who has a great screen presence and deserves to be in much better films than this.
Where the film stumbles and goes crashing through its carbonite shutters is in the story and the screenplay’s dialogue.
The former is just bat-shit crazy, with so many ridiculous plot-holes and “yeah-but” moments that you lose count. For example, at one point the daughter is looking for her mobile phone WHICH IS IN THE ROOM and which would wrap the plot up in 10 minutes flat…. but then something else happens and they stop looking for it, never to be thought of again!
And what of those ‘particular set of skills’ that Shaun has? Oh, I forgot to say… she has none!! Or at least you assume not, since Shaun seems to have no back-story whatsoever, other than the fact that her daddy is very very rich and being investigated by the D/A. For what? Embezzlement? Tax evasion? Smartie-smuggling? Gun running? Perhaps he was a mafia overlord and Shaun was brought up with martial arts, gun and knife training to spy-school level? Perhaps none of the above, and she was just an obsessive watcher of Engle-scripted flicks? We will never know.
In addition, Shaun gets the proverbial crap kicked out of her on so many occasions, but there is no trip to casualty required. (Yes, I know Neeson and most other action heroes have the same implausible in-vulnerabilities, but it just seems so much less realistic when she is a not-particularly sporty or athletic woman).
And that dialogue… it’s just plain laughable in places. If Eddie doesn’t do his “Mamma hen will come back to save her chicks” speech once, he does it five times….
“Hey, James”… (James McTeigue, director, “V for Vendetta”)… says Burke, “Haven’t I said this line four times already”. “Sure”, says McTeigue, “I’m not sure where exactly I want to put it in the final cut yet, but only one of them will stay in. Don’t worry… I won’t make you look stupid to the cinema-going audience!!”
Every last thriller cliché is mined as the story grinds to an unmemorable and very flat conclusion.
Before wrapping up, I’d point out Another crime being committed in the music department. Australian composer Johnny Klimek’s action thriller score is actually quiet good, full of nice electronic riffs. But he really doesn’t know when to shut up. I remember an interview by John Williams on scoring the score to Hitchcock’s “Family Plot” where he recounted that Hitchcock taught him the value of a sudden absence of music at key moments. This film is too recent to learn the many lessons of “A Quiet Place“: but there are so many moments in this film where silence should have been golden. At one point the (what should be) heart-stopping sound effect of a creaking beam can barely be heard over Klimek’s pounding electronics.
So in summary, although it’s the award of ‘good acting attempt’ badges to sew onto the cast’s scout uniforms, my message to you dear reader re this one is “Get Out” of the cinema and enjoy the nice summer evenings instead!