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Andy K (10821 KP) rated Punch-Drunk Love (2002) in Movies
Nov 4, 2017
PTA (1 more)
Adam Sandler in a surprising dramatic role
I was quite surprised when watching Paul Thomas Anderson's film by Adam Sandler's performance. You know the camera work, music, art direction are always going to be flawless; however, I wasnn't expecting depth and range by the man who gave us "The Waterboy" and "Billy Madison.
Sandler shaws some real heart and poignant moments and is even able to keep up with Emily Watson.
The plot gets a little bogged down, but it is still well worth watching.
Sandler shaws some real heart and poignant moments and is even able to keep up with Emily Watson.
The plot gets a little bogged down, but it is still well worth watching.
Gareth von Kallenbach (980 KP) rated The Mist (2007) in Movies
Aug 14, 2019
In 1987, I picked up a copy of the new Stephen King novel, Skeleton Crew, a collection of short stories that were amongst the best short stories the author has ever written. The first story in the collection was a novella entitled The Mist and I was captivated by the engrossing stories, characters, and supernatural situations depicted.
As I moved on to other books and films, I never forgot the impact of the story, and for years wondered why nobody had attempted to bring the story to the screen. A few years later, I heard rumblings of an attempt to make a film version of the story with Michael J. Fox being listed as the intended lead.
While this never came to be, Frank Darabont who masterfully adapted King’s “The Green Mile” and “The Shawshank Redemption”, into solid films, took up the task of writing and directing “The Mist” and has done a solid job of translating the master story for the screen.
The film stars Thomas Jane as David Drayton, a movie poster artist who lives in a quiet Maine town in a nice house overlooking the water with his wife and son Billy (Nathan Gamble). The morning after a freak storm lays waste to the surrounding area, Frank and Billy set out for the store with their estranged neighbor Brent Norton (Andre Braugher).
When they arrive at the store, they find it packed with people who are trying to stock up on supplies following the storm. With the power, phones, and cell service being out, and military forces being deployed all around them, the town is in a state of chaos.
A man marked with blood suddenly emerges from an expanding mist that has formed over the town and claims that something in this mist has taken his friend. This event is punctuated with a warning siren that has started to sound, which leads the people in the store to lock the doors and seek shelter in the store.
Frank attempts to tell the people that there was something scraping against the back loading door, but his concerns are ignored with tragic results. Since this event was witnessed by only a small group of people, the residents trapped in the store quickly give in to their fears and star to accuse Frank of fabricating the situation, and locale crackpot Mrs. Carmody (Marcia Gay Harden), and blames their situation on Judgment Day and starts to convert people to her radical beliefs.
Things get even worse when creatures from the mist get into the store and attack the people which forces Frank and company to take a risky trip to the neighboring drug store in an attempt to gain much needed medical supplies.
In short order the situation gets even worse as Frank and his supporters are faced to contend not only with the creatures in the mist, but the growing threat from Mrs. Carmody and her fanatics who have adapted a mob mentality towards anyone they think is a non-believer.
What follows is a thrilling series of events that leads to one of the most shocking and memorable finale acts that will stay with you long after the film has ended.
There has been much made of the decision to add a proper ending to the story instead of the nebulous ending in the story where nothing was truly resolved. I think this decision was wise, as being a fan of the story; I was a bit frustrated that there was not final outcome in the story and I was left with more questions than answers when the story ended.
Darabont has crafted a finale that is sure to upset some people and please others, but credit has to be given for crafting an ending that does not take the standard Hollywood outs.
The cast is strong, and the FX and Gore are restrained to the point that they do not overshadow what is essentially a drama about people in an extra-ordinary situation, and what happens when the rules and creature comforts of society collapse.
While the film will not break new ground in the horror genre, it is one of the best adaptation of a King story, and is very entertaining.
As I moved on to other books and films, I never forgot the impact of the story, and for years wondered why nobody had attempted to bring the story to the screen. A few years later, I heard rumblings of an attempt to make a film version of the story with Michael J. Fox being listed as the intended lead.
While this never came to be, Frank Darabont who masterfully adapted King’s “The Green Mile” and “The Shawshank Redemption”, into solid films, took up the task of writing and directing “The Mist” and has done a solid job of translating the master story for the screen.
The film stars Thomas Jane as David Drayton, a movie poster artist who lives in a quiet Maine town in a nice house overlooking the water with his wife and son Billy (Nathan Gamble). The morning after a freak storm lays waste to the surrounding area, Frank and Billy set out for the store with their estranged neighbor Brent Norton (Andre Braugher).
When they arrive at the store, they find it packed with people who are trying to stock up on supplies following the storm. With the power, phones, and cell service being out, and military forces being deployed all around them, the town is in a state of chaos.
A man marked with blood suddenly emerges from an expanding mist that has formed over the town and claims that something in this mist has taken his friend. This event is punctuated with a warning siren that has started to sound, which leads the people in the store to lock the doors and seek shelter in the store.
Frank attempts to tell the people that there was something scraping against the back loading door, but his concerns are ignored with tragic results. Since this event was witnessed by only a small group of people, the residents trapped in the store quickly give in to their fears and star to accuse Frank of fabricating the situation, and locale crackpot Mrs. Carmody (Marcia Gay Harden), and blames their situation on Judgment Day and starts to convert people to her radical beliefs.
Things get even worse when creatures from the mist get into the store and attack the people which forces Frank and company to take a risky trip to the neighboring drug store in an attempt to gain much needed medical supplies.
In short order the situation gets even worse as Frank and his supporters are faced to contend not only with the creatures in the mist, but the growing threat from Mrs. Carmody and her fanatics who have adapted a mob mentality towards anyone they think is a non-believer.
What follows is a thrilling series of events that leads to one of the most shocking and memorable finale acts that will stay with you long after the film has ended.
There has been much made of the decision to add a proper ending to the story instead of the nebulous ending in the story where nothing was truly resolved. I think this decision was wise, as being a fan of the story; I was a bit frustrated that there was not final outcome in the story and I was left with more questions than answers when the story ended.
Darabont has crafted a finale that is sure to upset some people and please others, but credit has to be given for crafting an ending that does not take the standard Hollywood outs.
The cast is strong, and the FX and Gore are restrained to the point that they do not overshadow what is essentially a drama about people in an extra-ordinary situation, and what happens when the rules and creature comforts of society collapse.
While the film will not break new ground in the horror genre, it is one of the best adaptation of a King story, and is very entertaining.
Sarah (7798 KP) rated Titanic (1997) in Movies
Feb 5, 2021
Shame about the romance
Film #13 on the 100 Movies Bucket List: Titanic
Titanic is a rather divisive film. There are many that absolutely love it, the creators of this list among them I don’t doubt. And then there are those that can’t stand it, despite it’s 11 Oscar wins. When it was first released, Titanic’s popularity was immense and it was all the rage at my high school. At that time I loved it like everyone else, but over the years I’ve grown to notice its flaws as well.
Titanic is another epic from the mind of James Cameron and unsurprisingly tells the real life story behind the sinking of the Titanic in 1912. As the true story wasn’t enough, the sinking is shown from the point of view of a love story between Rose Dewitt Bukater (Kate Winslet) and Jack Dawson (Leonardo DiCaprio). In 1996, treasure hunter Brock Lovett (Bill Paxton) and his team are searching the wreckage of the Titanic for a rare diamond and instead come across a preserved drawing of Rose, who meets with Brock and tells the story of her experiences onboard. These experiences involve a class divide, a fiancé with anger management issues (Billy Zane) and some nice (Kathy Bates) and not very nice (Frances Fisher) female aristocrats.
While I can understand why Cameron has intertwined a romance into this real life tragedy, for me it’s this story that lessens the impact of such a horrific tale and makes this into not quite the masterpiece he wanted it to be. There are the obvious plot holes and irrational actions – the hugely memorable water door scene that could blatantly fit more than one person, and the motives for keeping a invaluable diamond hidden for 80+ years only to throw it away in the ocean – are just two of the laughably bad scenes in this. Paired with a sometimes dodgy script (there’s a scene where Rose says “Jack” over half a dozen times in less than a minute) and some cheesy exposition and narration from the older Rose, do not make for an endearing story.
However if you can ignore the romance and poor fictional story, the rest of Titanic is an impressive bit of filmmaking. From the opening shots featuring real life footage of the actual wreckage of the Titanic to the effects used to bring the ship to life, they are truly stunning. You can really appreciate the love and care that has gone in to making this film, and the cinematography is faultless. Water is not an easy element to film yet James Cameron has mastered it with ease and including shots of the real wreckage only adds to the emotions that this evokes, especially as there are a lot of facts interlaced within the romance – the band continuing to play despite impending death is particularly moving. The cast too are strong despite the sometimes questionable material they have to work with. This is undoubtedly the film that made both Leonardo DiCaprio and Kate Winslet megastars in their own rights, although for me I much preferred the more low key performances from the likes of Kathy Bates, Bernard Hill (as Captain Smith) and Victor Garber (as ship builder Thomas Andrews).
Titanic is not perfect. It is a drawn out and overly long romance set aboard a disaster movie and it can’t justify being longer than 3 hours. However despite it’s flaws, it is still a masterpiece in filmmaking and truly an epic film.
Titanic is a rather divisive film. There are many that absolutely love it, the creators of this list among them I don’t doubt. And then there are those that can’t stand it, despite it’s 11 Oscar wins. When it was first released, Titanic’s popularity was immense and it was all the rage at my high school. At that time I loved it like everyone else, but over the years I’ve grown to notice its flaws as well.
Titanic is another epic from the mind of James Cameron and unsurprisingly tells the real life story behind the sinking of the Titanic in 1912. As the true story wasn’t enough, the sinking is shown from the point of view of a love story between Rose Dewitt Bukater (Kate Winslet) and Jack Dawson (Leonardo DiCaprio). In 1996, treasure hunter Brock Lovett (Bill Paxton) and his team are searching the wreckage of the Titanic for a rare diamond and instead come across a preserved drawing of Rose, who meets with Brock and tells the story of her experiences onboard. These experiences involve a class divide, a fiancé with anger management issues (Billy Zane) and some nice (Kathy Bates) and not very nice (Frances Fisher) female aristocrats.
While I can understand why Cameron has intertwined a romance into this real life tragedy, for me it’s this story that lessens the impact of such a horrific tale and makes this into not quite the masterpiece he wanted it to be. There are the obvious plot holes and irrational actions – the hugely memorable water door scene that could blatantly fit more than one person, and the motives for keeping a invaluable diamond hidden for 80+ years only to throw it away in the ocean – are just two of the laughably bad scenes in this. Paired with a sometimes dodgy script (there’s a scene where Rose says “Jack” over half a dozen times in less than a minute) and some cheesy exposition and narration from the older Rose, do not make for an endearing story.
However if you can ignore the romance and poor fictional story, the rest of Titanic is an impressive bit of filmmaking. From the opening shots featuring real life footage of the actual wreckage of the Titanic to the effects used to bring the ship to life, they are truly stunning. You can really appreciate the love and care that has gone in to making this film, and the cinematography is faultless. Water is not an easy element to film yet James Cameron has mastered it with ease and including shots of the real wreckage only adds to the emotions that this evokes, especially as there are a lot of facts interlaced within the romance – the band continuing to play despite impending death is particularly moving. The cast too are strong despite the sometimes questionable material they have to work with. This is undoubtedly the film that made both Leonardo DiCaprio and Kate Winslet megastars in their own rights, although for me I much preferred the more low key performances from the likes of Kathy Bates, Bernard Hill (as Captain Smith) and Victor Garber (as ship builder Thomas Andrews).
Titanic is not perfect. It is a drawn out and overly long romance set aboard a disaster movie and it can’t justify being longer than 3 hours. However despite it’s flaws, it is still a masterpiece in filmmaking and truly an epic film.
Gareth von Kallenbach (980 KP) rated Spotlight (2015) in Movies
Aug 6, 2019
Greetings & Salutations Fellow Movie Fanatics!
We’ve definitely got a serious drama film for you this time around. Not for the faint of heart but
one that discusses a serious controversy that shook the foundations of the Catholic community
not only in the city of Boston but also America and the rest of the world.
Directed by Thomas McCarthy (The Station Agent, The Visitor, Up, Win Win, Million Dollar Arm,
and The Cobbler) and co-written by McCarthy and Josh Singer (The West Wing, Law &
Order:SVU) ‘Spotlight’ follows the Boston Globe’s investigation and coverage of the
Massachusetts Catholic sex abuse scandal which was brought to the public’s attention in early
2002 after nearly a year of investigation and research by the Boston Globe’s ‘Spotlight Team’
the oldest continuously running newspaper investigative group in the United States.
Starring Mark Ruffalo, Michael Keaton, Rachel McAdams, and Brian d’Arcy James, as reporters
Michael Rezendes, Walter “Robby” Robinson, Sacha Pfeiffer, and Matt Carroll, the movie
begins just after the Globe’s new editor Marty Baron’s (Liev Schreiber) arrival in Boston. At a
time when more and more people are going to the Internet to get their news the Globe is like
many other large newspapers around the country facing declining revenue and possible job
losses. What appears to be an isolated case involving one priest soon evolves into something
much bigger than one church or one diocese and the Spotlight Team sets out to uncover a
conspiracy within the church hide an epidemic of abuse which has been covered up for
decades.
To say that this scandal is horrifying to think about is an understatement. Knowing it was
covered up for so many years is even worse. I remember when I first started seeing the news
stories about it how sick it made me feel. In a day and age where the news is now more about
ratings and how many news organizations have become compromised and biased beyond
belief, the truth no matter how bad it might be is a rare thing. This film is basically a dramatic,
well written, and well acted account of the reporter’s investigation into the scandal … the
complete and true story and its scope … and bring it to the public’s attention. So that the people
would know what happened and also perhaps, help bring some sort of closure to the victims.
The film helps to put the whole scandal and its scope in perspective.
With an excellent supporting cast including Gene Amoroso, John Slattery, Liev Schreiber,
Jamey Sheridan, Stanley Tucci, Billy Crudup, Maureen Keiller, Paul Guilfoyle, Len Cariou,
Neal Huff, and Michael Cyril Creighton, ‘Spotlight’ is a film certainly worthy of mention. It shows
that sometimes even in this world of ‘instant news’ that sometimes, the most important stories
are brought to light they way they were brought to our attention before the Internet, before
computers, before satellites. By honest reporters who wanted the public to know the truth.
I’m giving this film 4 out of 5 stars. As I mentioned earlier, it puts the whole scandal in
perspective and allows you to see it theoretically from the perspective of the reporters and the
situations it sometimes places them in in their public and personal lives.
On behalf of my fellows at ‘Skewed & Reviewed’ i’d like to say Thanks For Reading’ and we’ll
see you at the movies
Review By Lauren Dove
The movie all together was slower than I thought it might be. Coming from a person that enjoys conspiracy theories, I enjoyed the movie. However, someone who is not interested in the plot line I don’t think would enjoy it.
I think the movie could have added a little more drama, in order to draw in more people. I would watch this movie when comes out on dvd, probably would not pay money to see in a movie theater. I think the facts themselves were shocking to a lot people although it wasn’t surprising for me. A large powerful group such as the church I would expect some corruption.
I feel like the plot line built up and was expecting this grand finally that never came. I was expecting this to go a lot farther than it did. It really didn’t tell us what happened to the people themselves who were found guilty. Or what was done or not done to change after all the victims came forward with all these accusations of being sexually abused by priest in the Catholic Church. I would give this movie 3 out of 5 stars.
We’ve definitely got a serious drama film for you this time around. Not for the faint of heart but
one that discusses a serious controversy that shook the foundations of the Catholic community
not only in the city of Boston but also America and the rest of the world.
Directed by Thomas McCarthy (The Station Agent, The Visitor, Up, Win Win, Million Dollar Arm,
and The Cobbler) and co-written by McCarthy and Josh Singer (The West Wing, Law &
Order:SVU) ‘Spotlight’ follows the Boston Globe’s investigation and coverage of the
Massachusetts Catholic sex abuse scandal which was brought to the public’s attention in early
2002 after nearly a year of investigation and research by the Boston Globe’s ‘Spotlight Team’
the oldest continuously running newspaper investigative group in the United States.
Starring Mark Ruffalo, Michael Keaton, Rachel McAdams, and Brian d’Arcy James, as reporters
Michael Rezendes, Walter “Robby” Robinson, Sacha Pfeiffer, and Matt Carroll, the movie
begins just after the Globe’s new editor Marty Baron’s (Liev Schreiber) arrival in Boston. At a
time when more and more people are going to the Internet to get their news the Globe is like
many other large newspapers around the country facing declining revenue and possible job
losses. What appears to be an isolated case involving one priest soon evolves into something
much bigger than one church or one diocese and the Spotlight Team sets out to uncover a
conspiracy within the church hide an epidemic of abuse which has been covered up for
decades.
To say that this scandal is horrifying to think about is an understatement. Knowing it was
covered up for so many years is even worse. I remember when I first started seeing the news
stories about it how sick it made me feel. In a day and age where the news is now more about
ratings and how many news organizations have become compromised and biased beyond
belief, the truth no matter how bad it might be is a rare thing. This film is basically a dramatic,
well written, and well acted account of the reporter’s investigation into the scandal … the
complete and true story and its scope … and bring it to the public’s attention. So that the people
would know what happened and also perhaps, help bring some sort of closure to the victims.
The film helps to put the whole scandal and its scope in perspective.
With an excellent supporting cast including Gene Amoroso, John Slattery, Liev Schreiber,
Jamey Sheridan, Stanley Tucci, Billy Crudup, Maureen Keiller, Paul Guilfoyle, Len Cariou,
Neal Huff, and Michael Cyril Creighton, ‘Spotlight’ is a film certainly worthy of mention. It shows
that sometimes even in this world of ‘instant news’ that sometimes, the most important stories
are brought to light they way they were brought to our attention before the Internet, before
computers, before satellites. By honest reporters who wanted the public to know the truth.
I’m giving this film 4 out of 5 stars. As I mentioned earlier, it puts the whole scandal in
perspective and allows you to see it theoretically from the perspective of the reporters and the
situations it sometimes places them in in their public and personal lives.
On behalf of my fellows at ‘Skewed & Reviewed’ i’d like to say Thanks For Reading’ and we’ll
see you at the movies
Review By Lauren Dove
The movie all together was slower than I thought it might be. Coming from a person that enjoys conspiracy theories, I enjoyed the movie. However, someone who is not interested in the plot line I don’t think would enjoy it.
I think the movie could have added a little more drama, in order to draw in more people. I would watch this movie when comes out on dvd, probably would not pay money to see in a movie theater. I think the facts themselves were shocking to a lot people although it wasn’t surprising for me. A large powerful group such as the church I would expect some corruption.
I feel like the plot line built up and was expecting this grand finally that never came. I was expecting this to go a lot farther than it did. It really didn’t tell us what happened to the people themselves who were found guilty. Or what was done or not done to change after all the victims came forward with all these accusations of being sexually abused by priest in the Catholic Church. I would give this movie 3 out of 5 stars.
Bob Mann (459 KP) rated Let Him Go (2020) in Movies
Dec 23, 2020
Feud for Thought
After a family tragedy for the Blackledge family, grandparents George (Kevin Costner) and Margaret (Diane Lane) are left to bring up baby Jimmy (Bram and Otto Hornung) with mother/daughter-in-law Lorna (Kayli Carter). But a few years later, Lorna marries bad-un Donnie Weboy (Will Brittain) and disappears back to Donnie's hillbilly extended family in the wilds of North Dakota, led by the fearsome Blanche Weboy (Lesley Manville). Fearing for the child's wellbeing, Margaret drags retired Sheriff George on a dangerous journey to rescue the child.
There are strong similarities in this story with a sub-plot of the excellent "Ozark", where the psychopathic Darlene Snell (Lisa Emery) is intent on having a child to grow up with on her remote ranch. The sense of tension there is recreated here, exacerbated by the movie's extremely slow (read "glacial") pace in its early stages. It's the same sort of rising dread that I felt with "Nocturnal Animals". This reaches its peak at a tense standoff over lamb chops at the Weboy ranch, but we are probably half-way into the film by then.
The slow pace however is broken by a couple of extremely violent scenes that earn the movie its UK-15 certificate. One (no spoilers here!) harks back to another Kevin Costner blockbuster where he was a bit luckier! And the finale turns a slightly sleepy tale of "two old folks" into an 'all guns blazing' action western that's highly unexpected. Although you could argue that this is tonally extremely uneven, it works and makes the movie a lot more memorable than it otherwise would be.
The standout leading performance here is the one from Diane Lane as the mentally tortured Granny pursuing her convictions across the country. Here writer/director Thomas Bezucha gives the character full rein. It's a memorable 'strong female' part, that would have been dominated by the male lead in the writing of films a few years back. Lane delivers a dramatic and rock-solid performance that has Oscar nomination written all over it.
I'm also a big fan of Kevin Costner, not just because he's a solid and reliable actor over many years. I always remember him gamely appearing as "The Postman"/'propeller-guy' in Billy Crystal's hilarious montage opening for the 70th Academy Awards. Anyhow, here he has his meatiest dramatic role in many years, and delivers fully on it. Top job, although I suspect this may not be his year for his elusive Best Actor award.
Finally, rounding out the Oscar hopefuls is the brilliant Lesley Manville as Blanche Weboy. It's a dream of a role for the Brighton-born star, nominated of course for the Best Supporting Actress two years ago for "Phantom Thread". And she is genuinely chilling here, firing on all cylinders like some sort of deranged Bette Davis on speed. She's used sparingly in the movie, but that makes her scenes all the more memorable. Another nomination perhaps? I'd predict so, yes.
I found this to be an uncomfortable watch, since I found myself in a moral quandary with the storyline. It's clear that Margaret is genuinely concerned for the safety of Jimmy (and less so, Lorna). Yet, what she is ultimately prepared to do is consider child abduction, when the law if probably on the side of the other party. Sure, the lifestyle and attitudes of the Weboys are alien to this more traditional "Granny". But although Blanche rules with a Victorian-level of grit, isn't she - at least before any of her more vicious tendencies emerge - entitled to do that? The film firmly roots itself behind the Blackledge's as "the good guys", but the script cleverly has you questioning that at various points,
Two technical categories in "Let Him Go" are also worthy of note. The cinematography is by Guy Godfree, and the sweeping vistas of Montana and North Dakota (actually Alberta in Canada!) are gloriously delivered. And the music by Michael Giacchino - one of my favourite composers - is cello-heavy and fitting for the sombre storyline. I always assess the quality of a score by whether I annoy the cinema cleaners by sitting until the last of the end credits have rolled, and this is one I did that to.
As the last movie I see before Christmas, "Let Him Go" is not exactly a feelgood festive offering. It's a well-crafted and thoughtful story, but not one to make you feel good inside, for the reasons outlined above. If you are a movie-lover though, then it's an interesting watch, if only for the fine acting performances on offer.
(For the full graphical review, please check out the "Bob the Movie Man" review on the web here - https://bob-the-movie-man.com/2020/12/23/let-him-go-is-not-a-joyous-affair-but-delivers-oscar-worthy-performances/. Thanks.)
There are strong similarities in this story with a sub-plot of the excellent "Ozark", where the psychopathic Darlene Snell (Lisa Emery) is intent on having a child to grow up with on her remote ranch. The sense of tension there is recreated here, exacerbated by the movie's extremely slow (read "glacial") pace in its early stages. It's the same sort of rising dread that I felt with "Nocturnal Animals". This reaches its peak at a tense standoff over lamb chops at the Weboy ranch, but we are probably half-way into the film by then.
The slow pace however is broken by a couple of extremely violent scenes that earn the movie its UK-15 certificate. One (no spoilers here!) harks back to another Kevin Costner blockbuster where he was a bit luckier! And the finale turns a slightly sleepy tale of "two old folks" into an 'all guns blazing' action western that's highly unexpected. Although you could argue that this is tonally extremely uneven, it works and makes the movie a lot more memorable than it otherwise would be.
The standout leading performance here is the one from Diane Lane as the mentally tortured Granny pursuing her convictions across the country. Here writer/director Thomas Bezucha gives the character full rein. It's a memorable 'strong female' part, that would have been dominated by the male lead in the writing of films a few years back. Lane delivers a dramatic and rock-solid performance that has Oscar nomination written all over it.
I'm also a big fan of Kevin Costner, not just because he's a solid and reliable actor over many years. I always remember him gamely appearing as "The Postman"/'propeller-guy' in Billy Crystal's hilarious montage opening for the 70th Academy Awards. Anyhow, here he has his meatiest dramatic role in many years, and delivers fully on it. Top job, although I suspect this may not be his year for his elusive Best Actor award.
Finally, rounding out the Oscar hopefuls is the brilliant Lesley Manville as Blanche Weboy. It's a dream of a role for the Brighton-born star, nominated of course for the Best Supporting Actress two years ago for "Phantom Thread". And she is genuinely chilling here, firing on all cylinders like some sort of deranged Bette Davis on speed. She's used sparingly in the movie, but that makes her scenes all the more memorable. Another nomination perhaps? I'd predict so, yes.
I found this to be an uncomfortable watch, since I found myself in a moral quandary with the storyline. It's clear that Margaret is genuinely concerned for the safety of Jimmy (and less so, Lorna). Yet, what she is ultimately prepared to do is consider child abduction, when the law if probably on the side of the other party. Sure, the lifestyle and attitudes of the Weboys are alien to this more traditional "Granny". But although Blanche rules with a Victorian-level of grit, isn't she - at least before any of her more vicious tendencies emerge - entitled to do that? The film firmly roots itself behind the Blackledge's as "the good guys", but the script cleverly has you questioning that at various points,
Two technical categories in "Let Him Go" are also worthy of note. The cinematography is by Guy Godfree, and the sweeping vistas of Montana and North Dakota (actually Alberta in Canada!) are gloriously delivered. And the music by Michael Giacchino - one of my favourite composers - is cello-heavy and fitting for the sombre storyline. I always assess the quality of a score by whether I annoy the cinema cleaners by sitting until the last of the end credits have rolled, and this is one I did that to.
As the last movie I see before Christmas, "Let Him Go" is not exactly a feelgood festive offering. It's a well-crafted and thoughtful story, but not one to make you feel good inside, for the reasons outlined above. If you are a movie-lover though, then it's an interesting watch, if only for the fine acting performances on offer.
(For the full graphical review, please check out the "Bob the Movie Man" review on the web here - https://bob-the-movie-man.com/2020/12/23/let-him-go-is-not-a-joyous-affair-but-delivers-oscar-worthy-performances/. Thanks.)
