Damn Few: Making the Modern SEAL Warrior
Book
This is the New York Times bestseller. With all the SEALs' recent successes, we have been getting a...
Kathryn Bigelow: Interviews
Book
With her gripping film The Hurt Locker, Kathryn Bigelow (b. 1951) made history in 2010 by becoming...
myQuran - Holy Quran with tafsir and tajweed rules
Reference and Book
App
myQuran application is your universal assistant, which allows you to benefit from reading and...
Recycling Our Future: A Global Strategy
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Every day, every one of us contributes to the waste problem but, despite being a part of our lives,...
Beautiful Backyards & Patios: Courtyards, Terraces, Patios, Decks, Balconies : Simple Ideas and Techniques to Transform Your Outside Space, with 280 Practical Photographs
Book
This title lets you select ideas from a range of popular styles including Traditional Lines,...
The Pressure Principle: Handle Stress, Harness Energy, and Perform When it Counts
Book
'A hush descends. All eyes are on you. One shot for glory. Your palms are clammy, your heart rate's...
Kurt Vile recommended Live At The East by Pharoah Sanders in Music (curated)
Awix (3310 KP) rated Hellbound: Hellraiser II (1988) in Movies
Jul 30, 2020
Meanwhile... oh, does it really matter? As you can perhaps begin to discern, the plot of Hellraiser II Makes No Sense Whatsoever (the Cotton house appears to have teleported from London to New York City in the gap between films, and this is only a minor issue), and there is something baffling and miraculous about the fact the film is as coherent and watchable as it is. Then again, it's not actually about logic, plot, or the motivation of the characters, just a succession of grisly, visceral, nightmarish, surreal images. In this respect at least the film is an astonishing success. Doesn't stop the story from being nonsense, though. Manages to be a very bad movie but also a terrific one, frequently at exactly the same time. Like I say, discombobulating.
JT (287 KP) rated The Drop (2014) in Movies
Mar 10, 2020
Tom Hardy plays Bob Saginowski a quiet unimposing figure who helps to tend the bar of his cousin Marv (James Gandolfini‘s last film before he sadly passed away). The bar is the main dropping off point for all money collected from mob owned businesses. The location of the bar changes each night.
When the bar is held up the money stolen belongs to the Chechen mob who want it back putting Bob and Marv in a tight spot. The setting is the streets of Brooklyn where age old mafioso have been replaced by a more brutal foe. In this instance in the form of the Chechen mob.
One night Bob finds a puppy in a bin and upon rescuing it meets Nadia (Noomi Rapace) who has a hidden past of her own, one that Bob refuses to question. The puppy will certainly tug at your heart strings but it’s Hardy’s spot on Brooklyn accent and good natured personality that wins through. Even when he’s harassed by Matthias Schoenaerts’s Eric Deeds he remains calm.
Deep down however we known that something inside him is going to snap, it’s just trying to predict the moment when it will happen. This makes for an engaging thriller with a twist ending that is more than satisfying.
The Drop is a slow burn that builds from the outset. It’s great to see Gandolfini on screen one last time and such a disappointment that he is no longer with us.