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Neon's Nerd Nexus (360 KP) rated The Lighthouse (2019) in Movies
Mar 2, 2020
Spill yer beans
The Lighthouse is cinematic perfection that will leave anyone that lets it engulf thier mind and senses broken, disturbed, traumatised and violated. An experience like no other I can not stress enough that everyone must whitness this utter masterpiece. Primarily a character study about two lighthouse keepers descent into madness however the way the film depicts this reaches far deeper than I ever even imagined it would. (Possible spoilers ahead) Theres an unquestionable comparison to Greek mythology here and as the film plays out Willem Dafoe character draws several comparisons to King Trident, Zeus and Minos but ultimatly ends up becoming one of his own 'God of the lighthouse' keeping his prized possession locked away at the top of his tower. Robert Pattison also compares to the Titan Prometheus trying to steel this possesion/fire from this so called god. He can also be compared to Icarus trapped in a tower by a mean man with no means of escape and Odysseus constantly distracted/infatuated with the Sirens surrounding the lighthouse. I found these comparisions integrated into the story beautifully and theres constant fable/mythological imagry to reinforce these comparisons too which is hauntingly striking and terrifyingly prominent. Atmosphere is pin sharp here and as these two men begin to break you feel everything that starts to grate on them bombarding your senses as a viewr too. Everything is communicated flawlessly to really draw the viewer in as if we too are stuck with these to men feeling evrything build up, irritate, torment and add to the degradation of the mind until it hits its breaking point. Floors creaking & bowing, metal bending and screeching, wind howling, waves crashing, rain beating down, shutters rattling and birds squawking its intense and realistic sound design thats for sure. Mix this with a constant sence of dread from the narrow corridors, looming shadows, low lighting, claustrophobic living quaters, fog, harsh weather, mud, anoying seagulls, restricted views, countless foul smells, hard back breaking work, sexual frustrations, loneliness and alcohol its enough to make anyone go insane and as the film plays out cabin fever really intensifies (especially for us with the film being shot in black and white and with a smaller aspect ratio). This is some of the best acting ive seen for sure both Dafoe and Pattison portray these characters so well that you would be convinced you were watching historic archive footage of two people cooped up. Both are devious liars, have vicious tempers and nasty streaks as well as mysterious pasts and both are also constantly in a fight for dominance of the lighthouse and the secrets it holds. In this day and age The lighthouse is such a true gem to behold and is so unique and engrossing you would swear it transported you back in time while watching it. I also did not expect this film to take the turn it does half way through either almost becoming a distressing horror movie and as intense as a tesuo film and as my friend and me left the screening we found ourselves deeply disturbed/traumatised with our hearts pounding from what we had just been exposed to. Disgustingly intense, depressingly dripping in sadness, brutaly violent and deeply unsettling the lighthouse is one hell of a movie and may just be one of the best movies I have ever seen, it really is without a doubt a cinema experience I will certainly never forget. Comparable to the witch, the turin horse and apocalypse now the lighthouse deserves all the praise its been getting and more. Stunning.
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Ivana A. | Diary of Difference (1171 KP) rated A Throne of Swans in Books
Aug 3, 2020
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#1 <a href="https://www.goodreads.com/review/show/3069605291">A Throne of Swans</a> - ★★★★
<img src="https://diaryofdifference.com/wp-content/uploads/2020/05/Book-Review-Banner-52.png"/>;
A Throne of Swans by Katharine & Elizabeth Corr is the first book in the series. An epic fantasy about courage, secrets, betrayals and love.
<b><i>Synopsis</i></b>
When her father dies, Aderyn inherits the role of Protector of Atratys, a dominion in a kingdom where nobles can transform into birds. Aderyn's ancestral bird is a swan, But since witnessing the death of her mother, Aderyn hasn't been able to transform. Aderyn must venture to the Citadel to seek the truth about her mother's death and to fight for the land she has vowed to protect!
<b><i>My Thoughts:</i></b>
From the first moment I read the synopsis of A Thorn of Swans, I was intrigued. I am a sucker for fantasies that involve badass princesses. The cover of this book is also incredible.
From the very first pages we familiarise ourselves with Aderyn. She has already lost her mother, in fact, watched her die, and now she has lost her father too. She has been grieving her whole life, but she has also been wanting to find out what really happened that day. When her father dies and some clues are unveiled, she needs to travel to the Citadel to find answers.
However, this decision comes with a huge risk because of her current inability to transform into a swan. The punishment, if someone finds out the truth, is death.
On this trip, she is accompanied by Lucien, who is there to serve as an advisor and protector for Aderyn. They have a dynamic and interesting relationship, bonding over their vows to protect their kingdom. Lucien is also one of the few people that knows Aderyn cannot transform.
Following Aderyn's story, we witness revealing of secrets, betrayals, drama and gossip. She is determined to find answers, which sometimes includes trusting the wrong people and finding out more than she can cope with.
I was struggling with the fact that this book lacks strong side characters. People that are not main characters, but who you root for. Aderyn was an amazing character, but also the only one that had everything it takes.
<b><i>The story was very unpredictable until the very end, and quite unexpected at all times.</i></b>
I loved the plot twists and the cliffhanger at the end. I also shipped the romance, so I was quite perplexed with how the book ended regarding the romantic topic. Some questions remained unanswered and I am sure that the second book in the series will tackle them.
<b><i>I highly recommend A Throne of Swans if you love epic fantasies, castles, kingdoms and cool princesses!</i></b>
Thank you to ReadersFirst and Hot Key Books, for sending me a copy of this book in exchange for an honest review.
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#1 <a href="https://www.goodreads.com/review/show/3069605291">A Throne of Swans</a> - ★★★★
<img src="https://diaryofdifference.com/wp-content/uploads/2020/05/Book-Review-Banner-52.png"/>;
A Throne of Swans by Katharine & Elizabeth Corr is the first book in the series. An epic fantasy about courage, secrets, betrayals and love.
<b><i>Synopsis</i></b>
When her father dies, Aderyn inherits the role of Protector of Atratys, a dominion in a kingdom where nobles can transform into birds. Aderyn's ancestral bird is a swan, But since witnessing the death of her mother, Aderyn hasn't been able to transform. Aderyn must venture to the Citadel to seek the truth about her mother's death and to fight for the land she has vowed to protect!
<b><i>My Thoughts:</i></b>
From the first moment I read the synopsis of A Thorn of Swans, I was intrigued. I am a sucker for fantasies that involve badass princesses. The cover of this book is also incredible.
From the very first pages we familiarise ourselves with Aderyn. She has already lost her mother, in fact, watched her die, and now she has lost her father too. She has been grieving her whole life, but she has also been wanting to find out what really happened that day. When her father dies and some clues are unveiled, she needs to travel to the Citadel to find answers.
However, this decision comes with a huge risk because of her current inability to transform into a swan. The punishment, if someone finds out the truth, is death.
On this trip, she is accompanied by Lucien, who is there to serve as an advisor and protector for Aderyn. They have a dynamic and interesting relationship, bonding over their vows to protect their kingdom. Lucien is also one of the few people that knows Aderyn cannot transform.
Following Aderyn's story, we witness revealing of secrets, betrayals, drama and gossip. She is determined to find answers, which sometimes includes trusting the wrong people and finding out more than she can cope with.
I was struggling with the fact that this book lacks strong side characters. People that are not main characters, but who you root for. Aderyn was an amazing character, but also the only one that had everything it takes.
<b><i>The story was very unpredictable until the very end, and quite unexpected at all times.</i></b>
I loved the plot twists and the cliffhanger at the end. I also shipped the romance, so I was quite perplexed with how the book ended regarding the romantic topic. Some questions remained unanswered and I am sure that the second book in the series will tackle them.
<b><i>I highly recommend A Throne of Swans if you love epic fantasies, castles, kingdoms and cool princesses!</i></b>
Thank you to ReadersFirst and Hot Key Books, for sending me a copy of this book in exchange for an honest review.
Bob Mann (459 KP) rated King Arthur: Legend Of The Sword (2017) in Movies
Sep 29, 2021
The Arthurian legend: but with Cockneys.
So, bit difficult to describe this one… so I asked my bloke Alfie from Londinium to explain what’s it all about…
“‘Ere, OK bruv. So this is dun by that geezer Guy Ritchie – yer know, the one that dun that Sherlock Holmes with the Iron Man geezer Robert Junior Downey, that one. His new film is a rip-roarin’ acshun movie what retells da Arfurian legend in a novel new way.
That Hulk bloke Eric Bana is Arfur’s farfer an’ ‘e’s ‘avin’ a few problems wiv ‘is bruvver Vortigern (Jude Law, who’s a bi’ ov a cockney ‘imself, but ‘ere speaks like a posh bloke. Know what I mean?) So ‘e (Vortigern dat is) gets some magical ‘elp from some slippery watery bints in a puddle and so ‘is dad puts ‘is God Forbid in a boat an’ sends ‘im down da river ter The Smoke ter live wiv some prozzies.
But ‘e grows up big an’ strong an’ ‘andy wiv a sword. His friends tell ‘im ter get aaaht ov town as da King’s blokes are lookin’ fer da young geezer who would be king. An’ e says like “Scapa Flow sowf ov da river at dis time ov night. Are yew mad?”. So e gets caught like an’ gets tested by some famous football bloke ter pull a big sword aaaht ov just a random bi’ ov stone (nod, nod, wink wink, nice twist – ssshhh!).
The Vortigern bloke is very cross an’ tries to kill ‘im but ‘e gets rescued by some bird who can make birds, lol, an’ other fings do what she wants. So can Arfur beat ‘is uncle? Gawdon Bennet, I’m not gon’a tell yew da whole darn fing! Yer’ll ‘ave ter go an’ watch i’ ter find out.”
Thanks Alfie. Couldn’t have said it better myself!
The quirky style of Guy Ritchie isn’t one that you would think would translate well to the Arthurian setting, and as the film starts you tend to think you were right! But if you give it a chance it wears you down into acceptance and then – ultimately – a lot of enjoyment.
Jude Law is deliciously evil mixed with a heavy dose of mad, and delivers the goods.
Charlie Hunnam who plays Arthur (no, I hadn’t heard of him either but he was in the “Lost City of Z”) does a decent job as the medieval hunk, although he seems at time to have taken voice coaching in ‘Olde-English’ from Russell Crowe, since the lad’s Geordie accent seems to wander from Cockney through central southern England to Liverpudlian at one point (definitely channelling a young John Lennon)! Relative newcomer, the Spanish actress Astrid Bergès-Frisbey is effectively weird as the mage.
Particularly noteworthy (no pun intended) is the superb action soundtrack by Daniel Pemberton (“Steve Jobs“, “The Man from U.N.C.L.E.“) which propels the action really well and contains some standout moments.
Also a standout in the technical categories is the editing by James Herbert, who did both of Downey Junior’s “Sherlock Holmes” films (in a similar style) and also “Edge of Tomorrow“. The style is typified with Arthur’s growth to manhood in the streets of London which is stylishly done.
I saw the film in 3D – not a particularly favourite format – but quite well done, although falls into the “trying too hard” category at times with lots of drifting embers… you know the sort.
It’s not bloody Shakespeare. It’s not even the bloody Arthurian legend as you know it. But it is bloody good fun if you let it in.
“‘Ere, OK bruv. So this is dun by that geezer Guy Ritchie – yer know, the one that dun that Sherlock Holmes with the Iron Man geezer Robert Junior Downey, that one. His new film is a rip-roarin’ acshun movie what retells da Arfurian legend in a novel new way.
That Hulk bloke Eric Bana is Arfur’s farfer an’ ‘e’s ‘avin’ a few problems wiv ‘is bruvver Vortigern (Jude Law, who’s a bi’ ov a cockney ‘imself, but ‘ere speaks like a posh bloke. Know what I mean?) So ‘e (Vortigern dat is) gets some magical ‘elp from some slippery watery bints in a puddle and so ‘is dad puts ‘is God Forbid in a boat an’ sends ‘im down da river ter The Smoke ter live wiv some prozzies.
But ‘e grows up big an’ strong an’ ‘andy wiv a sword. His friends tell ‘im ter get aaaht ov town as da King’s blokes are lookin’ fer da young geezer who would be king. An’ e says like “Scapa Flow sowf ov da river at dis time ov night. Are yew mad?”. So e gets caught like an’ gets tested by some famous football bloke ter pull a big sword aaaht ov just a random bi’ ov stone (nod, nod, wink wink, nice twist – ssshhh!).
The Vortigern bloke is very cross an’ tries to kill ‘im but ‘e gets rescued by some bird who can make birds, lol, an’ other fings do what she wants. So can Arfur beat ‘is uncle? Gawdon Bennet, I’m not gon’a tell yew da whole darn fing! Yer’ll ‘ave ter go an’ watch i’ ter find out.”
Thanks Alfie. Couldn’t have said it better myself!
The quirky style of Guy Ritchie isn’t one that you would think would translate well to the Arthurian setting, and as the film starts you tend to think you were right! But if you give it a chance it wears you down into acceptance and then – ultimately – a lot of enjoyment.
Jude Law is deliciously evil mixed with a heavy dose of mad, and delivers the goods.
Charlie Hunnam who plays Arthur (no, I hadn’t heard of him either but he was in the “Lost City of Z”) does a decent job as the medieval hunk, although he seems at time to have taken voice coaching in ‘Olde-English’ from Russell Crowe, since the lad’s Geordie accent seems to wander from Cockney through central southern England to Liverpudlian at one point (definitely channelling a young John Lennon)! Relative newcomer, the Spanish actress Astrid Bergès-Frisbey is effectively weird as the mage.
Particularly noteworthy (no pun intended) is the superb action soundtrack by Daniel Pemberton (“Steve Jobs“, “The Man from U.N.C.L.E.“) which propels the action really well and contains some standout moments.
Also a standout in the technical categories is the editing by James Herbert, who did both of Downey Junior’s “Sherlock Holmes” films (in a similar style) and also “Edge of Tomorrow“. The style is typified with Arthur’s growth to manhood in the streets of London which is stylishly done.
I saw the film in 3D – not a particularly favourite format – but quite well done, although falls into the “trying too hard” category at times with lots of drifting embers… you know the sort.
It’s not bloody Shakespeare. It’s not even the bloody Arthurian legend as you know it. But it is bloody good fun if you let it in.