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Gareth von Kallenbach (980 KP) rated Machete (2010) in Movies
Aug 8, 2019
This is the film your parents did not want you to see as a child. Violent, vulgar, and more than a little offensive Machete is shocking, not just for the eyes but also to moral sensibilities. Yet, it is also undeniably funny.
This make believe movie trailer highlighted in the movie Grindhouse was, due to its popularity, turned into a full length feature packed with ridiculous fight scenes and some of the most simplistic dialogue of any modern action film. The visuals stay with you. The action is impressive. This is not just another trip to the movies but a wild chaotic journey at the end of a giant blade.
Director and co-author, Robert Rodriguez, has mixed classic Tarantino styling, the wild world of B movies, and his own flair for dramatic character creation to create a film that is violently astonishing. The fight scenes are engaging from weapon selection all the way to last man standing, and do I really need to tell you who that man is? Of, course not.
Machete is not just your typical anti-hero, he is the vision of an anti-hero with ladies and one-liners in tow. While Danny Trejo (Machete) steals the show he is not the only big name appearing on this cast list. The film is packed with stars such as Jessica Alba (Sartana), Michelle Rodriguez (Luz), and Lindsey Lohan (April), who all play critical characters in this bizarre tale. And so far as the men go, there are also quality performances from Robert De Niro (Senator McLaughlin), Don Johnson (Lt. Stillman), Steven Segal (Torrez) and Cheech Marin (Padre).
Moreover, it is not a stretch to say that this film abruptly addresses some significant stereotypes. In fact Machete doesn’t just confront these issues, it wields a large blade of sarcasm in their direction. Giving a new base line for “over the top,” Machete is sure to be a hit with anyone who is not easily offended.
This make believe movie trailer highlighted in the movie Grindhouse was, due to its popularity, turned into a full length feature packed with ridiculous fight scenes and some of the most simplistic dialogue of any modern action film. The visuals stay with you. The action is impressive. This is not just another trip to the movies but a wild chaotic journey at the end of a giant blade.
Director and co-author, Robert Rodriguez, has mixed classic Tarantino styling, the wild world of B movies, and his own flair for dramatic character creation to create a film that is violently astonishing. The fight scenes are engaging from weapon selection all the way to last man standing, and do I really need to tell you who that man is? Of, course not.
Machete is not just your typical anti-hero, he is the vision of an anti-hero with ladies and one-liners in tow. While Danny Trejo (Machete) steals the show he is not the only big name appearing on this cast list. The film is packed with stars such as Jessica Alba (Sartana), Michelle Rodriguez (Luz), and Lindsey Lohan (April), who all play critical characters in this bizarre tale. And so far as the men go, there are also quality performances from Robert De Niro (Senator McLaughlin), Don Johnson (Lt. Stillman), Steven Segal (Torrez) and Cheech Marin (Padre).
Moreover, it is not a stretch to say that this film abruptly addresses some significant stereotypes. In fact Machete doesn’t just confront these issues, it wields a large blade of sarcasm in their direction. Giving a new base line for “over the top,” Machete is sure to be a hit with anyone who is not easily offended.
Phil Leader (619 KP) rated The Winter Queen (Erast Fandorin #1) in Books
Nov 28, 2019
Erast Fandorin is a low level civil servant in nineteenth century Russia. An orphan with no real friends or prospects he has been assigned to the police department as a clerk simply because he has to be somewhere. But following a bizarre suicide Fandorin reveals that under his unassuming exterior is a keen mind and he soon uncovers sinister goings on both at home in Russia and abroad in London.
This is the first appearance of Akunin's master detective. Lacking the arrogance of either Holmes or Poirot but easily their equal in terms of deduction and intelligence he makes a good hero. Each of Akunin's novels is designed to represent a different type of novel and this is closest to spy novels with Fandorin spending much of his time going undercover to infiltrate a secret society or staking out and sneaking into houses. There are also plenty of physical scenes for the young hero to endure.
The plot is suitably obscure and opaque with each clue removing another layer and moving both the reader and Fandorin closer to finding out what is going on.
There is also fascinating detail of life in Tsarist Russia although as with any novel set during that time the seemingly endless Russian names - so hard to pronounce for my Anglophone brain - are sometimes a little overwhelming.
Special mention to the translator who does a fantastic job. Some Russion idioms are left intact for authenticity but others are rendered into English. This may have been originally written in Russian but it reads as if Akunin is a native English speaker.
This wasn't my first Fandorin novel and to be honest I'm not sure it's the best one to start with, despite it being the genesis of the character. To me the complexities of having to understand the Tsarist Russia (and the names) and the plot would be frustrating. But nevertheless a good and interesting read.
This is the first appearance of Akunin's master detective. Lacking the arrogance of either Holmes or Poirot but easily their equal in terms of deduction and intelligence he makes a good hero. Each of Akunin's novels is designed to represent a different type of novel and this is closest to spy novels with Fandorin spending much of his time going undercover to infiltrate a secret society or staking out and sneaking into houses. There are also plenty of physical scenes for the young hero to endure.
The plot is suitably obscure and opaque with each clue removing another layer and moving both the reader and Fandorin closer to finding out what is going on.
There is also fascinating detail of life in Tsarist Russia although as with any novel set during that time the seemingly endless Russian names - so hard to pronounce for my Anglophone brain - are sometimes a little overwhelming.
Special mention to the translator who does a fantastic job. Some Russion idioms are left intact for authenticity but others are rendered into English. This may have been originally written in Russian but it reads as if Akunin is a native English speaker.
This wasn't my first Fandorin novel and to be honest I'm not sure it's the best one to start with, despite it being the genesis of the character. To me the complexities of having to understand the Tsarist Russia (and the names) and the plot would be frustrating. But nevertheless a good and interesting read.
ClareR (5955 KP) rated Haven’t They Grown in Books
Jan 23, 2020
A compelling story, with an unguessable ending - well, for me, anyway!
Haven’t They Grown starts off with what can only be described as a bizarre incident. Beth decides to go and see what her rich ex-best friend’s house looks like before she drops her son off at his football match - after all, its kind-of on the way. What she is confronted with though, is unbelievable: her friend, Flora, with her two children. Her two SMALL children. Which sounds perfectly normal, but the children look exactly the same as they did 12 years ago.
Beth becomes obsessed by this conundrum, and is determined to find out what is going on. Honestly, at several points I thought I might have picked up a science fiction novel, and there was going to be some rational, clone-based explanation (of course these kinds of explanations are ALWAYS rational in my world!). But there wasn’t. There is a perfectly TWISTED reason behind all of this (and you’ll have to read it to find out!). I didn’t for one moment guess the reason behind the ageless children.
Beth is a determined woman - luckily she seems to have a husband who backs down, supports her and lets her get on with it. Her daughter seems as persistent and driven as her mother - except for when her GCSE revision is involved. Living with a teenager in his final year at school, I can empathise with Beth here - my son will do anything to avoid his revision as well! But Beth’s daughter is a good sounding board for her, and pushes her to do things and ask people questions that her character probably wouldn’t have done on her own.
I really very much enjoyed this. The big reveal at the end completely floored me, and I most definitely hadn’t seen it coming. This is a great, entertaining story, and had me gripped throughout.
Many thanks to Readers First for my copy of this book to read and honestly review.
Beth becomes obsessed by this conundrum, and is determined to find out what is going on. Honestly, at several points I thought I might have picked up a science fiction novel, and there was going to be some rational, clone-based explanation (of course these kinds of explanations are ALWAYS rational in my world!). But there wasn’t. There is a perfectly TWISTED reason behind all of this (and you’ll have to read it to find out!). I didn’t for one moment guess the reason behind the ageless children.
Beth is a determined woman - luckily she seems to have a husband who backs down, supports her and lets her get on with it. Her daughter seems as persistent and driven as her mother - except for when her GCSE revision is involved. Living with a teenager in his final year at school, I can empathise with Beth here - my son will do anything to avoid his revision as well! But Beth’s daughter is a good sounding board for her, and pushes her to do things and ask people questions that her character probably wouldn’t have done on her own.
I really very much enjoyed this. The big reveal at the end completely floored me, and I most definitely hadn’t seen it coming. This is a great, entertaining story, and had me gripped throughout.
Many thanks to Readers First for my copy of this book to read and honestly review.
LeftSideCut (3776 KP) rated The Dead Don't Die (2019) in Movies
Jan 7, 2020 (Updated Jan 29, 2020)
Several Wild Animals
The Dead Don't Die is truly a bizarre experience.
Jim Jarmusch has crafted a gratuitously deadpan and self aware zombie film that tackles tired genre tropes in unique and confusing ways.
Truth be told, I was ready to hate it. I knew that it wasn't the same style of zombie-comedy as Zombieland, or Shaun of the Dead, and I expected to be bogged down in pretentiousness - I'm happy to admit that I was wrong in this case.
A lot of the complaints I've seen about TDDD is precisely that. That, and the fourth wall breaking, but those are two aspects that I actually really liked.
The humour is really subtle for the most part. The dead pan delivery of a lot of the script was quite jarring at first, but it didn't take long for it settle, and I actually ended up finding it pretty funny, just not in-your-face funny (which is a good thing).
The fourth wall stuff verges on being too-clever-for-its-own-good but it just about pulls it off, and gives an interesting alternate thought process to the general narrative.
The cast is brimming with people that I like and love - Bill Murray, Adam Driver (surely a full blown man crush by this point), Chloë Sevigny, Steve Buscemi, Danny Glover, Tilda Swinton... God damn I even love Iggy Pop. It's a great cast list for sure, and the charming and witty script gives them all a lot to do, even if some of the many characters feel under developed at times.
The zombie aspect is a bit if a back seat for me. I was certainly more invested in the aforementioned cast, than any actual zombie action, but I enjoyed the 'classic' shuffling zombies in a small town setting for what it's worth.
I'm not sure what I expected from The Dead Don't Die, but it certainly wasn't what I got, and that precisely why it stands out.
Jim Jarmusch has crafted a gratuitously deadpan and self aware zombie film that tackles tired genre tropes in unique and confusing ways.
Truth be told, I was ready to hate it. I knew that it wasn't the same style of zombie-comedy as Zombieland, or Shaun of the Dead, and I expected to be bogged down in pretentiousness - I'm happy to admit that I was wrong in this case.
A lot of the complaints I've seen about TDDD is precisely that. That, and the fourth wall breaking, but those are two aspects that I actually really liked.
The humour is really subtle for the most part. The dead pan delivery of a lot of the script was quite jarring at first, but it didn't take long for it settle, and I actually ended up finding it pretty funny, just not in-your-face funny (which is a good thing).
The fourth wall stuff verges on being too-clever-for-its-own-good but it just about pulls it off, and gives an interesting alternate thought process to the general narrative.
The cast is brimming with people that I like and love - Bill Murray, Adam Driver (surely a full blown man crush by this point), Chloë Sevigny, Steve Buscemi, Danny Glover, Tilda Swinton... God damn I even love Iggy Pop. It's a great cast list for sure, and the charming and witty script gives them all a lot to do, even if some of the many characters feel under developed at times.
The zombie aspect is a bit if a back seat for me. I was certainly more invested in the aforementioned cast, than any actual zombie action, but I enjoyed the 'classic' shuffling zombies in a small town setting for what it's worth.
I'm not sure what I expected from The Dead Don't Die, but it certainly wasn't what I got, and that precisely why it stands out.
JT (287 KP) rated The Hunter (2012) in Movies
Mar 10, 2020
There’s something about Willem Dafoe that unnerves me a little and I’ve never been able to quite understand the reason why? Putting my bizarre fears aside for a second The Hunter is a subtle thriller set against the backdrop of the Tasmanian wilderness.
Taking that wilderness as first point of call in the film its beautifully shot, long sweeping takes across desolate bush to the panoramic visuals of mountain ranges, it’s a harsh world to which Martin (Dafoe) finds himself in.
Tasked with locating the revered Tasmanian Tiger who most believe still exists even to this day, Martin goes in search of it with an almost no questions asked mentality. Of course during his stay it’s clear that he is ruffling a few local feathers as the logging population of the town see him as just another tree hugger.
He sets up camp in the home of a local family and although not wanting to at first bonds with the two children, Sass and Bike, who instantly take a liking to him, most likely as their father has gone missing mysteriously in the region that Martin explores weeks at a time.
The film lacks a certain amount of bite to it, and there isn’t really a lot in the way of thrills for the first hour at least. We follow Martin into the wild terrain watching him set traps and record data, it may sound a bit dull but Nettheim does enough to keep us intrigued.
It’s clear that Martin is not the only one after this urban legend, and when a few more sinister occurrences arise Martin starts to fear not just for his own life but for those he has grown close to.
The film has a satisfying conclusion and one that is probably expected, for all the build up has lead to it. The acting might not live up to much but the scenery certainly gives the film an absorbing contrast.
Taking that wilderness as first point of call in the film its beautifully shot, long sweeping takes across desolate bush to the panoramic visuals of mountain ranges, it’s a harsh world to which Martin (Dafoe) finds himself in.
Tasked with locating the revered Tasmanian Tiger who most believe still exists even to this day, Martin goes in search of it with an almost no questions asked mentality. Of course during his stay it’s clear that he is ruffling a few local feathers as the logging population of the town see him as just another tree hugger.
He sets up camp in the home of a local family and although not wanting to at first bonds with the two children, Sass and Bike, who instantly take a liking to him, most likely as their father has gone missing mysteriously in the region that Martin explores weeks at a time.
The film lacks a certain amount of bite to it, and there isn’t really a lot in the way of thrills for the first hour at least. We follow Martin into the wild terrain watching him set traps and record data, it may sound a bit dull but Nettheim does enough to keep us intrigued.
It’s clear that Martin is not the only one after this urban legend, and when a few more sinister occurrences arise Martin starts to fear not just for his own life but for those he has grown close to.
The film has a satisfying conclusion and one that is probably expected, for all the build up has lead to it. The acting might not live up to much but the scenery certainly gives the film an absorbing contrast.
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