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Gareth von Kallenbach (977 KP) rated 1408 (2007) in Movies
Aug 14, 2019
For writer Mike Enslin (John Cusack), ghosts and the supernatural are simply myths people use to bolster the local economy with tourism dollars. Mike has made a career of evaluating and debunking so called haunted inns, hotels, graveyards, and locales all over the nation.
While his books do well enough for his editors to be happy with his work, and for locales to be included in his next book, Mike lives a life of routine.
One a promising author, Mike abandoned his novels for his haunted travel guides, and a life of hotels and sparsely attended book signings.
While Mike is evaluating the numerous brochures sent to him by prospective topics, he notices a simple hotel post card that features the simple message “Do not stay in room 1408”. Intrigued, Mike attempts to book the room for a review, but is unable to as the room is no longer available to the public.
With the help of his editor and the legal staff, Mike is able to cover the mysterious room 1408 at the Dolphin Hotel in New York.
Upon his arrival, Mike is greeted by the hotel manager Gerald Olin (Samuel L. Jackson), who offers numerous incentives ranging from rare Brandy, to a penthouse suite if Mike will give up his request to stay in 1408.
It is learned that over 50 people have died while staying in that room and that nobody has even been able to last an hour before befalling some horrific tragedy. Mike is convinced that this is all just part of the hype and that Olin is simply trying to scare him off.
Despite the numerous pleads from Olin to reconsider, Mike insists upon staying in the room, and is soon alone in room 1408.
Upon entering the room, Mike finds it to be a cozy and well maintained room. At first nothing seems out of the ordinary, until a couple of bizarre things happen. Mike is at first convinced there is a member of the hotel staff in hiding, who is playing a trick on him, but soon, Mike realizes just how and why 1408 earned its reputation.
What follows is a serious of horrors that Mike is unable to escape from, despite his best efforts, and he must figure out the mystery of 1408 before it kills him.
The film is based on a short story by Stephen King and is one of the better adaptations of the author’s works. Briskly paced at around 90-minutes, the film is careful to setup the characters and locale, but once the bizarre starts, the audience is in for a thrill ride complete with twists, turns, and some bizarre and suspenseful moments.
Cusack does a masterful job of portraying the conflicted Mike, but never lets you lose sympathy for the man, and displays a very effective ability to blend action, horror, emotions, and pathos, as Mike walks a razor thin line between reality and chaos.
It is especially effective given the fact that Cusack has to carry large segments of the film on his own, without any co-stars in much of his scenes.
The film does lose some momentum in the final 20 minutes, but still rebounds nicely to come to an effective and memorable ending without overusing many of the hackneyed horror film staples.
That being said if chills are what you are looking for this summer, then make sure to check into ?”
While his books do well enough for his editors to be happy with his work, and for locales to be included in his next book, Mike lives a life of routine.
One a promising author, Mike abandoned his novels for his haunted travel guides, and a life of hotels and sparsely attended book signings.
While Mike is evaluating the numerous brochures sent to him by prospective topics, he notices a simple hotel post card that features the simple message “Do not stay in room 1408”. Intrigued, Mike attempts to book the room for a review, but is unable to as the room is no longer available to the public.
With the help of his editor and the legal staff, Mike is able to cover the mysterious room 1408 at the Dolphin Hotel in New York.
Upon his arrival, Mike is greeted by the hotel manager Gerald Olin (Samuel L. Jackson), who offers numerous incentives ranging from rare Brandy, to a penthouse suite if Mike will give up his request to stay in 1408.
It is learned that over 50 people have died while staying in that room and that nobody has even been able to last an hour before befalling some horrific tragedy. Mike is convinced that this is all just part of the hype and that Olin is simply trying to scare him off.
Despite the numerous pleads from Olin to reconsider, Mike insists upon staying in the room, and is soon alone in room 1408.
Upon entering the room, Mike finds it to be a cozy and well maintained room. At first nothing seems out of the ordinary, until a couple of bizarre things happen. Mike is at first convinced there is a member of the hotel staff in hiding, who is playing a trick on him, but soon, Mike realizes just how and why 1408 earned its reputation.
What follows is a serious of horrors that Mike is unable to escape from, despite his best efforts, and he must figure out the mystery of 1408 before it kills him.
The film is based on a short story by Stephen King and is one of the better adaptations of the author’s works. Briskly paced at around 90-minutes, the film is careful to setup the characters and locale, but once the bizarre starts, the audience is in for a thrill ride complete with twists, turns, and some bizarre and suspenseful moments.
Cusack does a masterful job of portraying the conflicted Mike, but never lets you lose sympathy for the man, and displays a very effective ability to blend action, horror, emotions, and pathos, as Mike walks a razor thin line between reality and chaos.
It is especially effective given the fact that Cusack has to carry large segments of the film on his own, without any co-stars in much of his scenes.
The film does lose some momentum in the final 20 minutes, but still rebounds nicely to come to an effective and memorable ending without overusing many of the hackneyed horror film staples.
That being said if chills are what you are looking for this summer, then make sure to check into ?”
Chris Sawin (602 KP) rated Gozu (2003) in Movies
Jun 21, 2019
Minami is stuck in a rather peculiar situation. Both him and his closest friend, Ozaki, are members of the Azamawari Crew. Their boss orders Minami to take Ozaki out of the picture. Rumors are swirling about how crazy Ozaki has become, as of late. He claimed a chihuahua was a "yakuza attack dog" and that a random car that happened to be behind them at the time was a "yakuza attack car." When Minami accidentally kills Ozaki before they reach the actual destination for Ozaki's "dismissal," he thinks that things can't get any worse. That is until he reaches the inn where everyone seems to be acting unusual and Ozaki's body disappears.
Now on a quest to find where Ozaki has gone, Minami must deal with the bizarre individuals along the way like the innkeeper who shares her breast milk secrets, the white faced man who seems a little to eager to help him on his quest, and then there's that cow-headed creature that shows up in his room late one night. Minami soon realizes that his quest for his lost friend will not only be a long one, but a perplexing one as well.
Let's just say that if you're familiar with Takashi Miike's previous work like Ichi the Killer, Audition, and the banned from TV Masters of Horror episode, "Imprint," that Gozu fits in quite well with Miike's reputation. Gozu reels you in with the opening scene and then seems to snowball as the film goes on. It seems to dawdle through its duration as its weird individuals and events begin to pile up. A particular scene from The Shining ran through my mind throughout the film. The bear costume fellatio sequence. The Shining is known for being bizarre and unsettling and that is a perfect description of Gozu from the opening minutes of the film until the credits roll.
This is also the second film of Miike's involving breast milk that I've had the pleasure of seeing. He must associate that with weirdness or something, which it is. It's not necessarily something that sounds appealing, but once it starts happening it winds up being too horrifying and too unusual to turn away from. Seeing how far Miike is willing to push ideas in his films is one of the reasons people find his films enjoyable. That and originality. Despite the strangeness found in his films, finding something similar to his work is practically impossible. Originality is something that should be cherished when it's found in someone's work, but maybe that's just a personal opinion.
It's hard to label Gozu as a specific genre as it has elements from just about every genre that comes to mind. A dramatic horror with a little bit of mystery thrown in for good measure is the best I can do. The film is definitely a unique trip that definitely isn't for everyone. The most bizarre ideas roaming around in your brain right now probably don't compare to the last twenty or so minutes of Gozu. The events that unfold during that time are pretty jaw dropping. So if you're a Miike fan or are looking for something incredibly different (I'm talking way out there), then this comes highly recommended. There is no way that everyone who views this film will enjoy it, but the ending is incredibly memorable if the viewer can make it that far.
Now on a quest to find where Ozaki has gone, Minami must deal with the bizarre individuals along the way like the innkeeper who shares her breast milk secrets, the white faced man who seems a little to eager to help him on his quest, and then there's that cow-headed creature that shows up in his room late one night. Minami soon realizes that his quest for his lost friend will not only be a long one, but a perplexing one as well.
Let's just say that if you're familiar with Takashi Miike's previous work like Ichi the Killer, Audition, and the banned from TV Masters of Horror episode, "Imprint," that Gozu fits in quite well with Miike's reputation. Gozu reels you in with the opening scene and then seems to snowball as the film goes on. It seems to dawdle through its duration as its weird individuals and events begin to pile up. A particular scene from The Shining ran through my mind throughout the film. The bear costume fellatio sequence. The Shining is known for being bizarre and unsettling and that is a perfect description of Gozu from the opening minutes of the film until the credits roll.
This is also the second film of Miike's involving breast milk that I've had the pleasure of seeing. He must associate that with weirdness or something, which it is. It's not necessarily something that sounds appealing, but once it starts happening it winds up being too horrifying and too unusual to turn away from. Seeing how far Miike is willing to push ideas in his films is one of the reasons people find his films enjoyable. That and originality. Despite the strangeness found in his films, finding something similar to his work is practically impossible. Originality is something that should be cherished when it's found in someone's work, but maybe that's just a personal opinion.
It's hard to label Gozu as a specific genre as it has elements from just about every genre that comes to mind. A dramatic horror with a little bit of mystery thrown in for good measure is the best I can do. The film is definitely a unique trip that definitely isn't for everyone. The most bizarre ideas roaming around in your brain right now probably don't compare to the last twenty or so minutes of Gozu. The events that unfold during that time are pretty jaw dropping. So if you're a Miike fan or are looking for something incredibly different (I'm talking way out there), then this comes highly recommended. There is no way that everyone who views this film will enjoy it, but the ending is incredibly memorable if the viewer can make it that far.
Goddess in the Stacks (553 KP) rated American Hippo (River of Teeth, #1-2) in Books
Jan 30, 2019
I actually read these volumes as separate books, so I have two separate reviews here.
River of Teeth (Part 1):
I somehow missed that this was a novella, every time I looked at it online. It wasn't until I checked it out from the library and was shocked at how small it was that I made that discovery. It was a welcome one, since I checked out seven other books that day, and finding something short was a relief!
And I AM SO GLAD I finally read this, because it's AMAZING. It opens on Winslow seducing a federal agent, and quickly moves to him gathering up a crew to drive feral hippos out of a marsh in Louisiana. I was expected a fun hippo-cowboy romp, and I got that - what I wasn't expected was strong, deadly women, a bisexual male hero, a nonbinary love interest, and hippo steeds. I don't know why hippo steeds didn't occur to me - it's not like they could wrangle hippos from atop horses! There is so much goodness packed into this little volume.
River of Teeth: short and sweet, action-packed with amazing characters and a fascinating, bizarre, but historical premise.
Taste of Marrow (Part 2):
Another quick novella, Taste of Marrow is the sequel to the bizarre alternate history novella River of Teeth. It picks up a few months after the ending of the first - people have had a chance to heal their injuries from the explosive ending of the first book, and hippos have begun to spread to previously safe waterways. The cast of this book consists of the surviving characters from the first, plus only one more semi-important character.
It's not quite as good as the first - no explosions and it's less of a rollercoaster - but there is some character development, and a deeper exploration of a few characters than we saw in the first book. I wish my library had the omnibus edition, because it includes two short stories set in the same world, and I'm very curious which aspects of the world she explored in those.
But this is a fun pair of books, very quick, easy reads, and it's just fun to say you're reading a book about hippos and cowboys!
You can find all my reviews at http://goddessinthestacks.com
River of Teeth (Part 1):
I somehow missed that this was a novella, every time I looked at it online. It wasn't until I checked it out from the library and was shocked at how small it was that I made that discovery. It was a welcome one, since I checked out seven other books that day, and finding something short was a relief!
And I AM SO GLAD I finally read this, because it's AMAZING. It opens on Winslow seducing a federal agent, and quickly moves to him gathering up a crew to drive feral hippos out of a marsh in Louisiana. I was expected a fun hippo-cowboy romp, and I got that - what I wasn't expected was strong, deadly women, a bisexual male hero, a nonbinary love interest, and hippo steeds. I don't know why hippo steeds didn't occur to me - it's not like they could wrangle hippos from atop horses! There is so much goodness packed into this little volume.
River of Teeth: short and sweet, action-packed with amazing characters and a fascinating, bizarre, but historical premise.
Taste of Marrow (Part 2):
Another quick novella, Taste of Marrow is the sequel to the bizarre alternate history novella River of Teeth. It picks up a few months after the ending of the first - people have had a chance to heal their injuries from the explosive ending of the first book, and hippos have begun to spread to previously safe waterways. The cast of this book consists of the surviving characters from the first, plus only one more semi-important character.
It's not quite as good as the first - no explosions and it's less of a rollercoaster - but there is some character development, and a deeper exploration of a few characters than we saw in the first book. I wish my library had the omnibus edition, because it includes two short stories set in the same world, and I'm very curious which aspects of the world she explored in those.
But this is a fun pair of books, very quick, easy reads, and it's just fun to say you're reading a book about hippos and cowboys!
You can find all my reviews at http://goddessinthestacks.com
Ross (3284 KP) rated Squeeze Me in Books
Oct 13, 2020
It's hard to satirise the most absurd president in history
I received a free advance copy of this book in exchange for an honest review.
I am quite a big fan of Carl Hiaasen, having discovered his quirky corrupt Floridian crime novels as a recommendation for fans of Chris Brookmyre. His books are filled with pollution, government corruption, and bizarre things happening to extreme characters.
Squeeze Me follows the strange disappearance of a rich old fan of the president (who isn't explicitly named but is a bulky chap who likes a tanning bed and has a younger, more attractive wife) at one of her many charity balls near her winter Florida home. Coincidentally, pest control expert Angie Armstrong is asked to dispose of a large, engorged python from the property. There then follows a rollicking tale of cover-ups, dodgy gangsters, racial intolerance, extra-marital affairs and murder, and a small appearance from everyone's favourite governor-turned-hobo-eco-terrorist.
This book is fairly typical of Hiaasen, with all the different characters crossing paths through unlikely events and plots. However, his books are famed for their extreme, unbelievable bad guys: the hoods hired to do a corrupt supposedly honest businessman/government official's dirty work. We have had someone in the past whose hand was bitten off and replaced with a weed-whacker, someone who was hooked on steroids and raped by a dolphin etc. This book is sadly lacking of such characters, as all the bad guys are fairly textbook thugs or criminals.
Also, Hiaasen readers are used to the unbelievable corruption at the hands of government officials, but when the real life president is so corrupt and unethical, any such corruption will struggle in comparison to the real thing. The president is more of a bumbling oaf who hires one man purely to service his sunbeds, another as a body double to test them out before he uses them. His racial hatred of non-North Americans is present, but becomes a small part of his character here.
This is a book about the bizarre adulation towards the president in those who are in his outer inner circle and clamouring for his attention, and the industry that builds up around them.
It is a little bit of a letdown from Hiaasen's best work, but still a great crime and corruption caper.
I am quite a big fan of Carl Hiaasen, having discovered his quirky corrupt Floridian crime novels as a recommendation for fans of Chris Brookmyre. His books are filled with pollution, government corruption, and bizarre things happening to extreme characters.
Squeeze Me follows the strange disappearance of a rich old fan of the president (who isn't explicitly named but is a bulky chap who likes a tanning bed and has a younger, more attractive wife) at one of her many charity balls near her winter Florida home. Coincidentally, pest control expert Angie Armstrong is asked to dispose of a large, engorged python from the property. There then follows a rollicking tale of cover-ups, dodgy gangsters, racial intolerance, extra-marital affairs and murder, and a small appearance from everyone's favourite governor-turned-hobo-eco-terrorist.
This book is fairly typical of Hiaasen, with all the different characters crossing paths through unlikely events and plots. However, his books are famed for their extreme, unbelievable bad guys: the hoods hired to do a corrupt supposedly honest businessman/government official's dirty work. We have had someone in the past whose hand was bitten off and replaced with a weed-whacker, someone who was hooked on steroids and raped by a dolphin etc. This book is sadly lacking of such characters, as all the bad guys are fairly textbook thugs or criminals.
Also, Hiaasen readers are used to the unbelievable corruption at the hands of government officials, but when the real life president is so corrupt and unethical, any such corruption will struggle in comparison to the real thing. The president is more of a bumbling oaf who hires one man purely to service his sunbeds, another as a body double to test them out before he uses them. His racial hatred of non-North Americans is present, but becomes a small part of his character here.
This is a book about the bizarre adulation towards the president in those who are in his outer inner circle and clamouring for his attention, and the industry that builds up around them.
It is a little bit of a letdown from Hiaasen's best work, but still a great crime and corruption caper.
Richard Crump (5 KP) rated Freddy Got Fingered (2001) in Movies
May 5, 2018 (Updated May 5, 2018)
The beastiality was too much. (1 more)
Had to watch it twice to find it funny
Over the top or just silly fun?
Gord Brody (Tom Green) is a cartoonist trying to pitch an animated show to Hollywood execs. After failing, he goes home and has to live with his parents and brother Freddy (Eddie Kaye Thomas). His father (Rip Torn) doesn't approve of Gord's career path and pressures him to get a real job and move out. That is, Until Gord claims his dad is molesting Freddy which leads to drastic and hilarious consequences.
Sounds crazy right? Very weird and surreal but it makes me chuckle. Very silly toilet humour tbf and there are a few scenes that are a bit inappropriate and because of this, I’m not sure if tom green is bizarre, needs medical attention or a genius.
So was it over the top or just a bit of silly fun?
IMO a bit of BOTH
Sounds crazy right? Very weird and surreal but it makes me chuckle. Very silly toilet humour tbf and there are a few scenes that are a bit inappropriate and because of this, I’m not sure if tom green is bizarre, needs medical attention or a genius.
So was it over the top or just a bit of silly fun?
IMO a bit of BOTH
Andy K (10821 KP) rated The Lobster (2015) in Movies
Apr 15, 2018 (Updated Apr 15, 2018)
Rather like a trip to the dentist!
The title may suggest I didn't like the film, but that's not correct. I guess I just meant watching a film directed by Yorgos Lanthimos makes you uneasy, awkward and you are not sure what is about to happen. In the case of this film, though, I found it very interesting, surreal, deadpan and funny all at the same time.
The unusual premise involves people checking into a hotel where they 45 days to find love or must become an animal. Colin Farrell and Rachel Weisz navigate their way through this extremely unusual film not for most tastes I would imagine. After recently watching The Killing of a Sacred Deer, i was curious to check this one out and I wasn't disappointed.
The actors must have had a hard time showing little emotion and not cracking up when they sputter the awkward, contrite but witty dialogue and some of the very bizarre situations they find themselves in.
Still, with myriads of films under my belt at this stage in my life, I'll gladly take something original over Fast & Furious 27.
The unusual premise involves people checking into a hotel where they 45 days to find love or must become an animal. Colin Farrell and Rachel Weisz navigate their way through this extremely unusual film not for most tastes I would imagine. After recently watching The Killing of a Sacred Deer, i was curious to check this one out and I wasn't disappointed.
The actors must have had a hard time showing little emotion and not cracking up when they sputter the awkward, contrite but witty dialogue and some of the very bizarre situations they find themselves in.
Still, with myriads of films under my belt at this stage in my life, I'll gladly take something original over Fast & Furious 27.
Phil Leader (619 KP) rated The Restaurant at the End of the Universe in Books
Nov 25, 2019
Like the first book, The Restaurant at the End of the Universe is based on the radio series Hitchhiker's Guide to the Galaxy. But where the first book was more-or-less the plot of the first four episodes, for the second book Adams included many of the best bits of the second series too, changing the story around to keep some semblance of plot (beyond Arthur's search for a decent cup of tea).
A perfect example of his ability to 'write backwards' the contents of 8 half hour radio scripts are condensed into one book, then expanded again with further footnotes and wry observations of the human condition. There is so much to like, so much to enjoy. The visit to the Hitchhiker head office, the Total Perspective Vortex, lemon soaked paper napkins, the Restaurant itself. And of course the classic and downbeat ending.
As a pair of books this and The Hitchhikers Guide to the Galaxy will keep you smiling for days, first as you read them and then as you remember all the little quotes, footnotes and bizarre extracts from The Book.
Nobody has ever come close to replicating Adams. This book shows why.
A perfect example of his ability to 'write backwards' the contents of 8 half hour radio scripts are condensed into one book, then expanded again with further footnotes and wry observations of the human condition. There is so much to like, so much to enjoy. The visit to the Hitchhiker head office, the Total Perspective Vortex, lemon soaked paper napkins, the Restaurant itself. And of course the classic and downbeat ending.
As a pair of books this and The Hitchhikers Guide to the Galaxy will keep you smiling for days, first as you read them and then as you remember all the little quotes, footnotes and bizarre extracts from The Book.
Nobody has ever come close to replicating Adams. This book shows why.
Sarah (7798 KP) rated A Gate at the Stairs in Books
Feb 9, 2020
Not bad but ultimately forgettable
I read this as part of a local reading group I’ve joined recently, and I was sceptical as some of the Goodreads reviews are scathing to say the least. However fortunately this isn’t as bad as others seem to think.
The problem is that this book is mostly forgettable. The writing is rather good, although does have a tendency to ramble off at rather bizarre tangents. I’m not sure if this is meant to be a nod to the disjointed and random thoughts of the narrator, but for me this didn’t quite work. When it got a little rambling I found my mind began to wander and I ended up skim reading more than I should. I also struggled with the anti-racism group, while they didn’t feature too often when they did their inane ramblings and chat I just couldn’t stand. Despite this the rest of the book isn’t too bad. Tassie is a rather shambolic protagonist and for the most part not very sympathetic or endearing. But the development of her and her friends and family is engaging enough to keep you reading, even if sadly this book is ultimately forgettable.
The problem is that this book is mostly forgettable. The writing is rather good, although does have a tendency to ramble off at rather bizarre tangents. I’m not sure if this is meant to be a nod to the disjointed and random thoughts of the narrator, but for me this didn’t quite work. When it got a little rambling I found my mind began to wander and I ended up skim reading more than I should. I also struggled with the anti-racism group, while they didn’t feature too often when they did their inane ramblings and chat I just couldn’t stand. Despite this the rest of the book isn’t too bad. Tassie is a rather shambolic protagonist and for the most part not very sympathetic or endearing. But the development of her and her friends and family is engaging enough to keep you reading, even if sadly this book is ultimately forgettable.
Erika (17788 KP) rated The Adventures of Tintin: The Secret of the Unicorn (2011) in Movies
Mar 20, 2020
Now... I know Herge himself chose Spielberg as the only director for Tintin before Herge passed away.
Instead of choosing to go with one adventure, or even two that were sequels/two-parts, the decision was made to mash up The Crab with the Golden Claws, and the Secret of the Unicorn. Tintin originally met Captain Haddock in the Crab with the Golden Claws (1941), not the Secret of the Unicorn (1943). Needless to say, I was completely confused. Tintin and Haddock were already friends, and Tintin bought the Unicorn as a gift... It was just bizarre to me. Why and how was that decision made? Yes, there were tons of homages to the adventures of Tintin overall, but the plot just felt all over the place.
I also did not dig the animation/mo-cap, it was very off-putting and distracting. Thank god the technology was improved in Ready Player One.
I think I was expecting too much. I wouldn't be remotely interested in a sequel for this. Maybe Spielberg will try it again? It would work better as a television series anyway, you've got 23 complete adventures, the stories need another chance.
Instead of choosing to go with one adventure, or even two that were sequels/two-parts, the decision was made to mash up The Crab with the Golden Claws, and the Secret of the Unicorn. Tintin originally met Captain Haddock in the Crab with the Golden Claws (1941), not the Secret of the Unicorn (1943). Needless to say, I was completely confused. Tintin and Haddock were already friends, and Tintin bought the Unicorn as a gift... It was just bizarre to me. Why and how was that decision made? Yes, there were tons of homages to the adventures of Tintin overall, but the plot just felt all over the place.
I also did not dig the animation/mo-cap, it was very off-putting and distracting. Thank god the technology was improved in Ready Player One.
I think I was expecting too much. I wouldn't be remotely interested in a sequel for this. Maybe Spielberg will try it again? It would work better as a television series anyway, you've got 23 complete adventures, the stories need another chance.
Optical Illusions - Images That Will Tease Your Brain
Book and Lifestyle
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*** Free for a limited time *** This highly entertaining collection of 100+ (153 to be exact)...