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LeftSideCut (3776 KP) rated Scream 4 (2011) in Movies
Nov 12, 2020
11 years after Scream 3 "graced" cinema screens, Wes Craven returned to his meta horror series in an era where the genre had gone into full remake mode.
I'm not convinced that Scream 4 needs to exist, especially after the underwhelming way the third film closed out the original trilogy, but this entry is definitely a step up.
The Meta side of things is again a little over the top, but it's good to see Ghostface in a more modern setting. This Ghostface is brutal as well, and Scream 4 is arguably the goriest of the franchise, making it's iconic masked antagonist more intimidating than ever.
The returning cast are back again - Neve Campbell, Courtney Cox, and David Arquette - and have somehow survived all of the Scream movies - as per usual, it feels like a homecoming with them in tow. It's not often in horror you have one person make it this far, let alone three. It gives the series a uniqueness that I can appreciate.
The new characters are all written like typical cannon fodder slasher victims but they all serve there purpose well. Hayden Panittiere is a welcome addition, and it's nice to see Anthony Anderson in a pre Black-ish role.
The plot is so so. It's all ground that has been relentlessly trodden by this point, but it still works. Sidney is back in town. People start getting stabbed. Everyone is a suspect. Rinse and repeat.
The killer reveal in this one isn't too shoddy either, and makes more sense that the reveals in Scream 2 and 3, and there's a lot of direct homage to the first movie in how it's all executed (coming round full circle to the remake commentary)
All in all, Scream 4 is a bucket load of fun, even if it doesn't quite hit the heights if the original. It will be interesting to see how the upcoming sequel will turn out following Craven's death, but I have the feeling it won't quite be the same. Long live Wes Craven!
I'm not convinced that Scream 4 needs to exist, especially after the underwhelming way the third film closed out the original trilogy, but this entry is definitely a step up.
The Meta side of things is again a little over the top, but it's good to see Ghostface in a more modern setting. This Ghostface is brutal as well, and Scream 4 is arguably the goriest of the franchise, making it's iconic masked antagonist more intimidating than ever.
The returning cast are back again - Neve Campbell, Courtney Cox, and David Arquette - and have somehow survived all of the Scream movies - as per usual, it feels like a homecoming with them in tow. It's not often in horror you have one person make it this far, let alone three. It gives the series a uniqueness that I can appreciate.
The new characters are all written like typical cannon fodder slasher victims but they all serve there purpose well. Hayden Panittiere is a welcome addition, and it's nice to see Anthony Anderson in a pre Black-ish role.
The plot is so so. It's all ground that has been relentlessly trodden by this point, but it still works. Sidney is back in town. People start getting stabbed. Everyone is a suspect. Rinse and repeat.
The killer reveal in this one isn't too shoddy either, and makes more sense that the reveals in Scream 2 and 3, and there's a lot of direct homage to the first movie in how it's all executed (coming round full circle to the remake commentary)
All in all, Scream 4 is a bucket load of fun, even if it doesn't quite hit the heights if the original. It will be interesting to see how the upcoming sequel will turn out following Craven's death, but I have the feeling it won't quite be the same. Long live Wes Craven!
Kristy H (1252 KP) rated Cut to the Bone in Books
Aug 6, 2020
I absolutely love the Sayer Altair series and book three didn't disappoint one bit. What is not to love about an incredibly intelligent kickass black FBI agent who takes no prisoners? While Sayer lost her FBI agent fiancé, Jake, several years ago--something she's still reeling from--she's now surrounded herself by her own makeshift family: Adi; her neighbor, Tino; and Ezra. And, of course, there's her witty and tough grandmother, Nana, who raised Sayer. Coming back to this crew as a reader feels like returning to family. Cooper excels at capturing each character's unique voice, and I'm so fond of them all. We even get an appearance from Sayer's former boss, Holt, who has been kicked out of the FBI in a scandal covered in the previous books.
The mystery plot here is a really wild but totally engaging case. There are lots of references to Egypt and plenty to keep you on your toes. It is a tense and suspenseful tale and Cooper throws in plenty of well-timed twists and turns. The story turns personal for Sayer, and I was certainly riveted. Cooper writes in a quick, fast-paced style that makes it easy to keep flipping the pages.
All the books in this series are dark, and this one is no exception. They are not especially for the faint of heart. A lot of death and gruesome descriptions. It is easy to see that Cooper, who has a Ph.D. in anthropology and worked as a murder investigator, knows her stuff. For me, the authenticity just makes the story pop off the pages even more.
This book ends with a total boom for Sayer, and I cannot wait for the next installment. As I said, I love this series and adore Sayer and her little family. If you haven't read the entire series, I recommend starting with book one, but this one will standalone, especially if you love a twisty and engaging thriller. 4+ stars.
The mystery plot here is a really wild but totally engaging case. There are lots of references to Egypt and plenty to keep you on your toes. It is a tense and suspenseful tale and Cooper throws in plenty of well-timed twists and turns. The story turns personal for Sayer, and I was certainly riveted. Cooper writes in a quick, fast-paced style that makes it easy to keep flipping the pages.
All the books in this series are dark, and this one is no exception. They are not especially for the faint of heart. A lot of death and gruesome descriptions. It is easy to see that Cooper, who has a Ph.D. in anthropology and worked as a murder investigator, knows her stuff. For me, the authenticity just makes the story pop off the pages even more.
This book ends with a total boom for Sayer, and I cannot wait for the next installment. As I said, I love this series and adore Sayer and her little family. If you haven't read the entire series, I recommend starting with book one, but this one will standalone, especially if you love a twisty and engaging thriller. 4+ stars.
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BookblogbyCari (345 KP) rated Fallen (Fallen, #1) in Books
Dec 12, 2018
This bestselling genre-crossing book has a captivating start and end, and I’m already looking forward to reading the next in the series!
The gist of the book is given away on its cover, so there’s no element of surprise here. It’s a love story between a human girl and an angel.
Although it clearly lies under the paranormal genre, the book is predominantly a romance, and the characters, even though they’ve been alive centuries, are presented as come-of-age teenagers, placing the book under the young adult genre also. It also comes under the urban fantasy genre, with its edgy beginnings at a reform school.
The prologue is enchanting with its snippet of the angel’s love for the girl in her previous life. The rest of the story is written from the viewpoint of the girl, Luce. Lucy would be your typical, if a little nervous, American girl, if it weren’t for her visions of black shadows that seem to appear only to her. With no reasonable explanation for the shadows, she was put on anti-psychotic medication.
Her story begins when she’s placed at a reform school, following the death of a friend that for some reason she has little recollection of, and (perhaps therefore) blames herself for. As you can imagine, the reform school has some lively, dramatic and intriguing characters! A love triangle is sparked on her first day. There’s the somehow familiar Daniel, who smiles, then flips her the bird, and the charming charismatic Cam, who can’t wait to spend time with her.
Luce finds herself drawn to Daniel, but he keeps giving her the brush off. Cam meanwhile takes a special interest in Luce. Once Luce has her “first” kiss with Daniel, she decides to meet Cam to apologise for leading him on. However, she ends up kissing Cam and the black shadows come after them. Daniel’s identity as a fallen angel is revealed to Luce and a battle (rather than their previous fist fight) begins. Luce flees for safety, only to find herself in further danger!
The obvious comparison here is with Stephanie Meyers Twilight Saga, which has a similar love triangle, but with a vampire and werewolf rather than fallen angels. Lauren Kate’s writing is not as good as Stephanie Meyers’, but is just as good as some of the other YA paranormal authors such as L J Smith, and Cassandra Clare. Although the romance is the central feature of the book, there are no erotic scenes.
I watched the film before reading the book, and found the film quite forgettable - but the book had me hooked! My interest in the next book in the series isn’t so much for the romance between Luce and Daniel, but for the inclusion of the other characters and the clear impression that there’s a lot more to the story than what’s been discovered so far!
The gist of the book is given away on its cover, so there’s no element of surprise here. It’s a love story between a human girl and an angel.
Although it clearly lies under the paranormal genre, the book is predominantly a romance, and the characters, even though they’ve been alive centuries, are presented as come-of-age teenagers, placing the book under the young adult genre also. It also comes under the urban fantasy genre, with its edgy beginnings at a reform school.
The prologue is enchanting with its snippet of the angel’s love for the girl in her previous life. The rest of the story is written from the viewpoint of the girl, Luce. Lucy would be your typical, if a little nervous, American girl, if it weren’t for her visions of black shadows that seem to appear only to her. With no reasonable explanation for the shadows, she was put on anti-psychotic medication.
Her story begins when she’s placed at a reform school, following the death of a friend that for some reason she has little recollection of, and (perhaps therefore) blames herself for. As you can imagine, the reform school has some lively, dramatic and intriguing characters! A love triangle is sparked on her first day. There’s the somehow familiar Daniel, who smiles, then flips her the bird, and the charming charismatic Cam, who can’t wait to spend time with her.
Luce finds herself drawn to Daniel, but he keeps giving her the brush off. Cam meanwhile takes a special interest in Luce. Once Luce has her “first” kiss with Daniel, she decides to meet Cam to apologise for leading him on. However, she ends up kissing Cam and the black shadows come after them. Daniel’s identity as a fallen angel is revealed to Luce and a battle (rather than their previous fist fight) begins. Luce flees for safety, only to find herself in further danger!
The obvious comparison here is with Stephanie Meyers Twilight Saga, which has a similar love triangle, but with a vampire and werewolf rather than fallen angels. Lauren Kate’s writing is not as good as Stephanie Meyers’, but is just as good as some of the other YA paranormal authors such as L J Smith, and Cassandra Clare. Although the romance is the central feature of the book, there are no erotic scenes.
I watched the film before reading the book, and found the film quite forgettable - but the book had me hooked! My interest in the next book in the series isn’t so much for the romance between Luce and Daniel, but for the inclusion of the other characters and the clear impression that there’s a lot more to the story than what’s been discovered so far!
Bob Mann (459 KP) rated Sound of Metal (2019) in Movies
Apr 13, 2021
Acting by Riz Ahmed, Paul Raci AND Olivia Cooke (2 more)
Wonderful story: show not tell!
Sound design is simply epic
When I was young, I remember being scared to death by an old black and white movie about a woman who went blind.... I remember she was travelling on a bus and the movie simulated the view through her eyes as her vision dimmed and then went black. (I've googled this without joy, so can't place the movie!) I found the concept of suddenly losing one of your key senses to be utterly terrifying. So, I was fully engaged with Ruben's issues in this movie.
I thought the movie was going to be downbeat and depressing. But, both with it's positive portrayal of the deaf community and with the extraordinary ending, I found it to be a wonderfully heart-warming tale.
Positives:
- There is just SOOO much depth to this story: a character torn from his familiar world and struggling to adapt to the changes. It's fundamentally a movie about acceptance of self. The last two minutes of the screen time are momentous: one of the best endings of a movie I can remember in recent memory. A truly religious experience.
- "Sound of Metal" won the BAFTA at the weekend for Sound, and deservedly so. It's another leading character in the film, with the editing deftly weaving between the soundscape that most of us live in and Ruben's perception. Apparently, the sound team used a hyper-sensitive microphone in Ahmed's mouth to pick up the inner noises of his body.
- Both Riz Ahmed and Paul Raci are nominated for Oscars. Simply stunning performances from both of them.
- Although not nominated, I'd lob Olivia Cooke's name into that frame too. It's almost IMPOSSIBLE to see the same actress who played "Pixie" in the body of Lou. It's a transformation akin to Charlize Theron's in "Monster". (In fact, it took me until the Paris scenes to actually recognize her!)
- Director Darius Marder - IN HIS DIRECTORIAL FEATURE DEBUT! - delivers a fabulous example of "show not tell". All of the detail is present in the film to tell the story if you look for it. You don't need dialogue to give Lou's backstory: just a casual shot of her lower arm is enough.
Negatives:
- It's a VERY minor quibble but, with a 2 hour running length, the Paris scenes dragged just a little for me. I might have chosen to do a few nips and tucks there in the 'party' scenes. But I wouldn't have wanted to lose much.
"Sound of Metal" has - I'm sure - a guaranteed slot in my Films of the Year list. Simply stunning and highly recommended, this is currently showing in the UK on Amazon Prime.
(For the full graphical review, please check out the One Mann's Movies review here - https://bob-the-movie-man.com/2021/04/13/sound-of-metal-dont-ignore-that-ear-bud-volume-warning-on-your-phone-kids/ )
I thought the movie was going to be downbeat and depressing. But, both with it's positive portrayal of the deaf community and with the extraordinary ending, I found it to be a wonderfully heart-warming tale.
Positives:
- There is just SOOO much depth to this story: a character torn from his familiar world and struggling to adapt to the changes. It's fundamentally a movie about acceptance of self. The last two minutes of the screen time are momentous: one of the best endings of a movie I can remember in recent memory. A truly religious experience.
- "Sound of Metal" won the BAFTA at the weekend for Sound, and deservedly so. It's another leading character in the film, with the editing deftly weaving between the soundscape that most of us live in and Ruben's perception. Apparently, the sound team used a hyper-sensitive microphone in Ahmed's mouth to pick up the inner noises of his body.
- Both Riz Ahmed and Paul Raci are nominated for Oscars. Simply stunning performances from both of them.
- Although not nominated, I'd lob Olivia Cooke's name into that frame too. It's almost IMPOSSIBLE to see the same actress who played "Pixie" in the body of Lou. It's a transformation akin to Charlize Theron's in "Monster". (In fact, it took me until the Paris scenes to actually recognize her!)
- Director Darius Marder - IN HIS DIRECTORIAL FEATURE DEBUT! - delivers a fabulous example of "show not tell". All of the detail is present in the film to tell the story if you look for it. You don't need dialogue to give Lou's backstory: just a casual shot of her lower arm is enough.
Negatives:
- It's a VERY minor quibble but, with a 2 hour running length, the Paris scenes dragged just a little for me. I might have chosen to do a few nips and tucks there in the 'party' scenes. But I wouldn't have wanted to lose much.
"Sound of Metal" has - I'm sure - a guaranteed slot in my Films of the Year list. Simply stunning and highly recommended, this is currently showing in the UK on Amazon Prime.
(For the full graphical review, please check out the One Mann's Movies review here - https://bob-the-movie-man.com/2021/04/13/sound-of-metal-dont-ignore-that-ear-bud-volume-warning-on-your-phone-kids/ )
Lee (2222 KP) rated Happy Death Day (2017) in Movies
Oct 26, 2017
Plenty of humour (1 more)
Jessica Rothe is great
Enjoable Groundhog Day/Scream Mashup
It's not that scary, and there's no real blood or gore for die hard horror fans to enjoy, but Happy Death Day - the latest offering from Blumhouse Productions - still manages to deliver a wildly entertaining mashup of Groundhog Day and Scream.
College girl Tree Gelbman wakes up in the dorm of a boy she doesn't remember spending the night with. She has a pounding headache and can't wait to get out of there as quickly as possible. Sneering at the goth on her way out, avoiding the clipboard wielding tree hugger and blanking the less popular girl that smiles at her as she returns to her sorority house. Back in her room, her room mate has a birthday cupcake for Tree in honour of her special day, which she dumps in the bin on her way out to the class she's late for. Later on, we discover that she's sleeping with one of her college teachers, whose wife nearly catches them together. There certainly do seem to be a lot of people who have every right to be pissed at Tree. And, later that evening on her way to a party, Tree is approached by someone wearing a black hoodie and a baby mask. As the mysterious figure murders her, she wakes up, back in the boys dorm from that morning, and she finds herself having to endure her birth/death day once more.
Tree is understandably confused, as the days events begin to play out exactly as they did before, right up until the point where she's murdered again by the mask wearing killer. From there she goes through stages of anger, despair and acceptance, eventually coming to the conclusion that no matter what she does or where she hides, the Baby Faced killer is always going to find her and kill her, triggering the reset button on the day in the process. It's up to her to try and whittle down that big list of suspects, and take out the killer before they get chance to kill her. The only trouble is, each time that Tree dies the injuries she sustained leave a negative impact on her body, so she only has a limited number of days to find the killer and break the loop before she is gone forever.
So much of this movie rests on Jessica Rothe as Tree, and she just nails it, successfully moving Tree from victim to full-on bad-ass and becoming more and more likeable as she sets about changing her ways in order to get close to those potential suspects. There's a lot of humour throughout, and a pretty decent twist towards the end, just to keep you on your toes. Overall I really liked this. There's even a nice, last minute mention of Groundhog Day, the classic movie that this owes so much to.
College girl Tree Gelbman wakes up in the dorm of a boy she doesn't remember spending the night with. She has a pounding headache and can't wait to get out of there as quickly as possible. Sneering at the goth on her way out, avoiding the clipboard wielding tree hugger and blanking the less popular girl that smiles at her as she returns to her sorority house. Back in her room, her room mate has a birthday cupcake for Tree in honour of her special day, which she dumps in the bin on her way out to the class she's late for. Later on, we discover that she's sleeping with one of her college teachers, whose wife nearly catches them together. There certainly do seem to be a lot of people who have every right to be pissed at Tree. And, later that evening on her way to a party, Tree is approached by someone wearing a black hoodie and a baby mask. As the mysterious figure murders her, she wakes up, back in the boys dorm from that morning, and she finds herself having to endure her birth/death day once more.
Tree is understandably confused, as the days events begin to play out exactly as they did before, right up until the point where she's murdered again by the mask wearing killer. From there she goes through stages of anger, despair and acceptance, eventually coming to the conclusion that no matter what she does or where she hides, the Baby Faced killer is always going to find her and kill her, triggering the reset button on the day in the process. It's up to her to try and whittle down that big list of suspects, and take out the killer before they get chance to kill her. The only trouble is, each time that Tree dies the injuries she sustained leave a negative impact on her body, so she only has a limited number of days to find the killer and break the loop before she is gone forever.
So much of this movie rests on Jessica Rothe as Tree, and she just nails it, successfully moving Tree from victim to full-on bad-ass and becoming more and more likeable as she sets about changing her ways in order to get close to those potential suspects. There's a lot of humour throughout, and a pretty decent twist towards the end, just to keep you on your toes. Overall I really liked this. There's even a nice, last minute mention of Groundhog Day, the classic movie that this owes so much to.
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