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Weak characters (1 more)
Mediocre ending
A haunted house thriller that could've been more
At Spring House, it’s not just a lone ghost that haunts the property—something has awoken. Almost as if the house were alive. That’s the impression I got going into The Vines, and I thought it was a unique twist to the classic haunted house story.
The book has several narrators starting with Caitlin, an heiress whom everyone loves to hate and who is taken advantage of and cheated on by her husband. Second is Nova, an educated young black woman employed at Spring that has a real chip on her shoulder. Lastly there is Blake, a homosexual male nurse that suffers from depression after witnessing the death of his lover. All of these character’s stories come together to form the mystery around Spring House.
I had a hard time really deciding how I wanted to rate this book overall. At certain points it was thrilling, I wanted to know more about the mystery surrounding Spring House and the action scenes are written in wonderful detail. On the other hand I also found myself pretty disappointed with how one dimensional many of the characters were, particularly Caitlin and Nova. I just couldn’t find myself caring much about either one of them, which made it a little bit hard to remain interested in their respective roles in the plot.
With Caitlin she didn’t seem to be such a bad person, but the hatred and scorn from the people around her have reduced her to being a shadow of a person, not much ever comes from her character. The development of her character is seemingly dropped, she’s just there, all blind anger and rage and while it’s understandable, she has little impact on, well, anything. Which was unexpected considering the book’s synopsis was about her. What is worse is that Nova isn’t too far off from Caitlin. While there is a part of me that likes how strong willed Nova is, it is kind of annoying how she is just as blinded by her own rage and prejudice. Even she is barely relevant to the plot, if I’m to be perfectly frank. It becomes obvious that the real story is about Blake and how he faces up to the past that has been haunting him for years. This is well and good and I enjoyed his story, but then all of the other characters just become filler and this was kind of a downer.
The book just took way too long to get to that point. The focus keeps shifting before the story really starts to pick up speed and it feels like it drags a bit. I also found the ending to be a little bit cheesy, it just didn’t do it for me. Overall the book was decent, Rice has a gift for description and it was entertaining for a while. I just didn’t find this one to be particularly memorable.
The book has several narrators starting with Caitlin, an heiress whom everyone loves to hate and who is taken advantage of and cheated on by her husband. Second is Nova, an educated young black woman employed at Spring that has a real chip on her shoulder. Lastly there is Blake, a homosexual male nurse that suffers from depression after witnessing the death of his lover. All of these character’s stories come together to form the mystery around Spring House.
I had a hard time really deciding how I wanted to rate this book overall. At certain points it was thrilling, I wanted to know more about the mystery surrounding Spring House and the action scenes are written in wonderful detail. On the other hand I also found myself pretty disappointed with how one dimensional many of the characters were, particularly Caitlin and Nova. I just couldn’t find myself caring much about either one of them, which made it a little bit hard to remain interested in their respective roles in the plot.
With Caitlin she didn’t seem to be such a bad person, but the hatred and scorn from the people around her have reduced her to being a shadow of a person, not much ever comes from her character. The development of her character is seemingly dropped, she’s just there, all blind anger and rage and while it’s understandable, she has little impact on, well, anything. Which was unexpected considering the book’s synopsis was about her. What is worse is that Nova isn’t too far off from Caitlin. While there is a part of me that likes how strong willed Nova is, it is kind of annoying how she is just as blinded by her own rage and prejudice. Even she is barely relevant to the plot, if I’m to be perfectly frank. It becomes obvious that the real story is about Blake and how he faces up to the past that has been haunting him for years. This is well and good and I enjoyed his story, but then all of the other characters just become filler and this was kind of a downer.
The book just took way too long to get to that point. The focus keeps shifting before the story really starts to pick up speed and it feels like it drags a bit. I also found the ending to be a little bit cheesy, it just didn’t do it for me. Overall the book was decent, Rice has a gift for description and it was entertaining for a while. I just didn’t find this one to be particularly memorable.
Acanthea Grimscythe (300 KP) rated The Coldest Girl in Coldtown in Books
May 16, 2018
Actual rating: 3.5. Rounded to 4.
I don’t really tend to read a lot of vampire books anymore, especially when they’ve been labeled young adult. Holly Black’s The Coldest Girl in Coldtown is definitely an exception to that habit. I needed a break from flipping pages and wanted to get in a little bit of time gaming. When I saw The Coldest Girl in Coldtown available for an immediate audio book borrow from OverDrive, I decided to give it a shot. I’d heard of Holly Black, even if I hadn’t read any of her work.
Black’s novel takes vampirism and spreads it in the same manner that most post-apocalyptic novels spread the infectious diseases that create zombies. Vampires are romanticized, as they often are, especially in young adult books, and in this case, they no longer live in the shadows; rather, they have taken up residence in government organized areas known as Coldtowns. Those that have been infected with the vampire virus are also holed up within the walls of this cities, and there’s no shortage of food, because people are dying to get in.
Waking up after passing out at a party, the main character, a young woman named Tana, finds herself amidst a massacre: people she knows have been slaughtered by vampires. The only survivors are her, an ex-boyfriend, and a strange boy. Her ex is infected, and the boy is a vampire. Deciding to turn him in for a bounty, and worried that her ex will become a vampire himself, the trio travel to Coldtown. It isn’t long before Tana finds herself caught up in what could loosely be described as vampire politics. Amongst betrayal, she must persevere in order to guarantee her own survival.
The majority of the story is told from Tana’s perspective, with a few chapters written in Gavriel, the vampire’s, and another one, maybe two, from her younger sister’s, Pearl’s, point-of-view. These changes exist solely to expound on certain events that have led the characters to where they are, such as Gavriel’s past — which is, undoubtedly, one of my favorite parts of the book. Each chapter also begins with an excerpt, usually from a poem that deals with death, the undead, or vampires.
Voices make a huge impact on listening to audio books, especially for me. If I can’t stand the voice, I will not finish the book more than likely. In the case of The Coldest Girl in Coldtown, the narrator, Christine Lakin, is absolutely amazing. Her voice is pleasant to listen to, and there is a clear difference between the way each of the characters speak.
The Coldest Girl in Coldtown isn’t among my favorite reads, perhaps because I prefer the more traditional approaches to vampires, but it is, undoubtedly, an fun journey. If you like your vampires a bit on the softer side of the spectrum, this one is definitely worth picking up.
I don’t really tend to read a lot of vampire books anymore, especially when they’ve been labeled young adult. Holly Black’s The Coldest Girl in Coldtown is definitely an exception to that habit. I needed a break from flipping pages and wanted to get in a little bit of time gaming. When I saw The Coldest Girl in Coldtown available for an immediate audio book borrow from OverDrive, I decided to give it a shot. I’d heard of Holly Black, even if I hadn’t read any of her work.
Black’s novel takes vampirism and spreads it in the same manner that most post-apocalyptic novels spread the infectious diseases that create zombies. Vampires are romanticized, as they often are, especially in young adult books, and in this case, they no longer live in the shadows; rather, they have taken up residence in government organized areas known as Coldtowns. Those that have been infected with the vampire virus are also holed up within the walls of this cities, and there’s no shortage of food, because people are dying to get in.
Waking up after passing out at a party, the main character, a young woman named Tana, finds herself amidst a massacre: people she knows have been slaughtered by vampires. The only survivors are her, an ex-boyfriend, and a strange boy. Her ex is infected, and the boy is a vampire. Deciding to turn him in for a bounty, and worried that her ex will become a vampire himself, the trio travel to Coldtown. It isn’t long before Tana finds herself caught up in what could loosely be described as vampire politics. Amongst betrayal, she must persevere in order to guarantee her own survival.
The majority of the story is told from Tana’s perspective, with a few chapters written in Gavriel, the vampire’s, and another one, maybe two, from her younger sister’s, Pearl’s, point-of-view. These changes exist solely to expound on certain events that have led the characters to where they are, such as Gavriel’s past — which is, undoubtedly, one of my favorite parts of the book. Each chapter also begins with an excerpt, usually from a poem that deals with death, the undead, or vampires.
Voices make a huge impact on listening to audio books, especially for me. If I can’t stand the voice, I will not finish the book more than likely. In the case of The Coldest Girl in Coldtown, the narrator, Christine Lakin, is absolutely amazing. Her voice is pleasant to listen to, and there is a clear difference between the way each of the characters speak.
The Coldest Girl in Coldtown isn’t among my favorite reads, perhaps because I prefer the more traditional approaches to vampires, but it is, undoubtedly, an fun journey. If you like your vampires a bit on the softer side of the spectrum, this one is definitely worth picking up.
Phillip McSween (751 KP) rated John Wick: Chapter 3 - Parabellum (2019) in Movies
Jun 3, 2019
Hoping it Doesn't Become a Victim of its Own Success
The world is trying to kill John Wick (Keanu Reeves)…but not before he kills them first.
Acting: 9
Beginning: 10
Characters: 8
This third installment brings back a lot of the characters we have become familiar with in the first two movies. There’s Wick, of course, striking like a black mamba and trying to kill everything in his path. Winston (Ian McShane) is back as the tasteful Manager of the underworld assassin hotel being his usual charming self. I was excited to see hotel concierge Charon (Lance Reddick) get a larger slice of the action this time around as it was long overdue in my opinion.
The rest of the characters? Meh. I could take them or leave them. Reason being, they mostly felt flat for some reason. Take The Adjudicator (Asia Kate Dillon) for example. It felt like she just showed up to be an asshole for two minutes then she would disappear. Her role was annoying at best. But Wick is who we come to see. And Wick delivers. Who cares if he’s shooting at a bunch of cardboard cut-outs?
Cinematography/Visuals: 10
Conflict: 10
Genre: 10
Memorability: 8
Slightly more forgettable than the first two installments as it stumbles through a few parts here and there. There were a number of amazing scenes I can say for certain I haven’t seen done in any other action movie or any movie period. What they did with animals alone was a pleasant treat. I won’t spoil anything that you probably should know already, but I will say that the creativity and the stylistic choices of the kills makes movies like these really hard to forget.
Pace: 10
Plot: 5
There were definitely some parts that left me shaking my head. I don’t know why director Chad Stahelski chose to throw certain things in. It was almost as if they did it for the sake of trying to add more drama. With movies like these, there is no need to force anything as the drama typically comes anyway. The story is all over the place at times, overdone in others.
Resolution: 6
I watched the ending thinking, “Good…but stop there please.” It didn’t leave me wanting more, rather for the series to be done. Not sure what could have been done differently, but I think it stumbles compared to the endings of the first two.
Overall: 86
A solid addition to the franchise for sure. However, I feel it must be said: This series needs to end while it still has life. I know there is a fourth one on the way in a couple of years along with a TV show. Let’s just hope John Wick doesn’t get Hollywooded to death as a victim of its own success.
Acting: 9
Beginning: 10
Characters: 8
This third installment brings back a lot of the characters we have become familiar with in the first two movies. There’s Wick, of course, striking like a black mamba and trying to kill everything in his path. Winston (Ian McShane) is back as the tasteful Manager of the underworld assassin hotel being his usual charming self. I was excited to see hotel concierge Charon (Lance Reddick) get a larger slice of the action this time around as it was long overdue in my opinion.
The rest of the characters? Meh. I could take them or leave them. Reason being, they mostly felt flat for some reason. Take The Adjudicator (Asia Kate Dillon) for example. It felt like she just showed up to be an asshole for two minutes then she would disappear. Her role was annoying at best. But Wick is who we come to see. And Wick delivers. Who cares if he’s shooting at a bunch of cardboard cut-outs?
Cinematography/Visuals: 10
Conflict: 10
Genre: 10
Memorability: 8
Slightly more forgettable than the first two installments as it stumbles through a few parts here and there. There were a number of amazing scenes I can say for certain I haven’t seen done in any other action movie or any movie period. What they did with animals alone was a pleasant treat. I won’t spoil anything that you probably should know already, but I will say that the creativity and the stylistic choices of the kills makes movies like these really hard to forget.
Pace: 10
Plot: 5
There were definitely some parts that left me shaking my head. I don’t know why director Chad Stahelski chose to throw certain things in. It was almost as if they did it for the sake of trying to add more drama. With movies like these, there is no need to force anything as the drama typically comes anyway. The story is all over the place at times, overdone in others.
Resolution: 6
I watched the ending thinking, “Good…but stop there please.” It didn’t leave me wanting more, rather for the series to be done. Not sure what could have been done differently, but I think it stumbles compared to the endings of the first two.
Overall: 86
A solid addition to the franchise for sure. However, I feel it must be said: This series needs to end while it still has life. I know there is a fourth one on the way in a couple of years along with a TV show. Let’s just hope John Wick doesn’t get Hollywooded to death as a victim of its own success.
Sophia (Bookwyrming Thoughts) (530 KP) rated Mask of Shadows in Books
Jan 23, 2020
<b><i>Review copy provided by SourcebooksFire via Netgalley</b></i>
I don’t think I follow enough people on social media, because I rarely see Mask of Shadows running around in my timeline and it deserves more hype if it hasn’t. I’ve also been reading a lot of “fluffy” reads with very little blood involved.
Mask of Shadows is a complete 180 from that. It is absolutely bloody and there are assassins involved, and sad to say, it is completely up my very dark alley of reading preferences.
My mother should be worried about me. “You’re a good kid compared to most of those I’ve seen out there. You don’t do drugs, don’t party, hang out with good people….”
I mean, has she seen the books I enjoy reading? (She would be very concerned.)
I honestly thought of The Hunger Games as an assassin edition while reading, even though the novel is pitched as Sarah J. Maas meets Leigh Bardugo. Our main character, Sal, finds an invitation to become one of the queen’s personal assassins, and sets off to audition in the hopes to get a new life. The auditions are full of trials and are a fight to the death – each of which are varied so there is never a dull moment. I’ve never read Maas, but I personally don’t see any comparisons to Bardugo unless we’re talking world building. The world building is absolutely amazing and stunning, and if I could actually draw some of the descriptions, I would totally do it. (Alas, I am just a graphic design minor.)
Emerald, a vision of steel and green silk, glided through the doorway. She was lithe and muscled, arms bare and flexed, streaked in scars with a pale silver dust twinkling over her skin like stars scattered across the evening sky. She walked past me in a breeze of perfume and peppermint, the apothecary scents clinging to her like the old, black ink of the dead runes scrawled across her. The silk layered and draped over her shoulders matched her high-cheeked, mouthless emerald mask perfectly. Beetle wings stitched into the train of her dress glittered in the light.
That is actually one of my favorite descriptions in the book. It is gorgeous.
Mask of Shadows is the first book I’ve read featuring a gender fluid character. Miller does a really good job of handling Sal’s character well, but the beginning seemed a little rocky, almost as though the author was trying to find the right foothold in the story. But after those rough patches, the story went along smoothly.
2017 was a fantastic reading year for me, and I am extremely happy to say that Mask of Shadows is one of my favorite books for the year. Miller’s debut novel is action packed and fast paced, and it will leave you turning the pages until the very end.
<a href="https://thatbookgal.wordpress.com/2018/03/23/guest-book-review-mask-of-shadows/">This review is originally posted on That Book Gal</a>
I don’t think I follow enough people on social media, because I rarely see Mask of Shadows running around in my timeline and it deserves more hype if it hasn’t. I’ve also been reading a lot of “fluffy” reads with very little blood involved.
Mask of Shadows is a complete 180 from that. It is absolutely bloody and there are assassins involved, and sad to say, it is completely up my very dark alley of reading preferences.
My mother should be worried about me. “You’re a good kid compared to most of those I’ve seen out there. You don’t do drugs, don’t party, hang out with good people….”
I mean, has she seen the books I enjoy reading? (She would be very concerned.)
I honestly thought of The Hunger Games as an assassin edition while reading, even though the novel is pitched as Sarah J. Maas meets Leigh Bardugo. Our main character, Sal, finds an invitation to become one of the queen’s personal assassins, and sets off to audition in the hopes to get a new life. The auditions are full of trials and are a fight to the death – each of which are varied so there is never a dull moment. I’ve never read Maas, but I personally don’t see any comparisons to Bardugo unless we’re talking world building. The world building is absolutely amazing and stunning, and if I could actually draw some of the descriptions, I would totally do it. (Alas, I am just a graphic design minor.)
Emerald, a vision of steel and green silk, glided through the doorway. She was lithe and muscled, arms bare and flexed, streaked in scars with a pale silver dust twinkling over her skin like stars scattered across the evening sky. She walked past me in a breeze of perfume and peppermint, the apothecary scents clinging to her like the old, black ink of the dead runes scrawled across her. The silk layered and draped over her shoulders matched her high-cheeked, mouthless emerald mask perfectly. Beetle wings stitched into the train of her dress glittered in the light.
That is actually one of my favorite descriptions in the book. It is gorgeous.
Mask of Shadows is the first book I’ve read featuring a gender fluid character. Miller does a really good job of handling Sal’s character well, but the beginning seemed a little rocky, almost as though the author was trying to find the right foothold in the story. But after those rough patches, the story went along smoothly.
2017 was a fantastic reading year for me, and I am extremely happy to say that Mask of Shadows is one of my favorite books for the year. Miller’s debut novel is action packed and fast paced, and it will leave you turning the pages until the very end.
<a href="https://thatbookgal.wordpress.com/2018/03/23/guest-book-review-mask-of-shadows/">This review is originally posted on That Book Gal</a>
Gareth von Kallenbach (980 KP) rated Underworld: Blood Wars (2017) in Movies
Jul 12, 2019
The latest installment of the Underworld franchise will not make you happy, but it may entertain you.
Let my preamble consist of this important note: I am a huge fan of the property. With that in mind, we’ll continue.
Kate Beckinsale is back in her black, skin-tight vinyl to deal death and continue the war that’s raged for 1500 years. While a few characters from previous movies show up in this film, most roles are taken by fresh faces. Scenes from the old movies as inserted under the guise of memories narrated by Selene, as well as the jumpy blood memories.
With so many films preceding this one, the creators were kind enough to run us through the major events that set up the current plot. However, as happens with most sequels, I cursed myself for not remembering to watch the previous film beforehand. I recommend doing so; it had been so long I’d forgotten connections and details.
The story of the war continues. The current crisis is coming to a head with a powerful Lycan named Marius in command of the pack. They are intent upon winning the war, once and for all, with a concentrated assault.
Both sides seek avenues to make their species more powerful, and in this case, it’s Selene’s daughter.
The action sequences are shot in the same choppy style as in previous films, but are somehow not captured as beautifully as before.
The plot proceeds at a breakneck pace, often too fast for its own good. Whether it’s due to poor writing, poor direction, or some combination of both, the short scenes feel forced. They exist purely as plot points and do little to attach the audience to the characters. Though the film was marketed as “the final showdown,” it lacks the same epic feeling of the previous one. It’s clear they are trying to milk this franchise for all it’s worth. The payout we all desperately want — a conclusive ending — just won’t come.
The crowning failure comes at a pivotal point when two characters are screaming at each other while pushing bullets out of their skin. It made me feel like I was watching a campy, low-budget action flick. It was so bad that my movie buddy and I started laughing out loud.
We are both huge fans of the property, but were greatly disappointed by poor movie-making and the lack of closure to the story. They probably won’t be given another chance to finish it.
Despite all of this, the acting is actually pretty good. And let’s be honest here: if you are a fan of this franchise, you’re going to go watch it no matter what I say. That’s fine, but don’t go in with high expectations. You can extract some entertainment, but this is just not a good film.
Let my preamble consist of this important note: I am a huge fan of the property. With that in mind, we’ll continue.
Kate Beckinsale is back in her black, skin-tight vinyl to deal death and continue the war that’s raged for 1500 years. While a few characters from previous movies show up in this film, most roles are taken by fresh faces. Scenes from the old movies as inserted under the guise of memories narrated by Selene, as well as the jumpy blood memories.
With so many films preceding this one, the creators were kind enough to run us through the major events that set up the current plot. However, as happens with most sequels, I cursed myself for not remembering to watch the previous film beforehand. I recommend doing so; it had been so long I’d forgotten connections and details.
The story of the war continues. The current crisis is coming to a head with a powerful Lycan named Marius in command of the pack. They are intent upon winning the war, once and for all, with a concentrated assault.
Both sides seek avenues to make their species more powerful, and in this case, it’s Selene’s daughter.
The action sequences are shot in the same choppy style as in previous films, but are somehow not captured as beautifully as before.
The plot proceeds at a breakneck pace, often too fast for its own good. Whether it’s due to poor writing, poor direction, or some combination of both, the short scenes feel forced. They exist purely as plot points and do little to attach the audience to the characters. Though the film was marketed as “the final showdown,” it lacks the same epic feeling of the previous one. It’s clear they are trying to milk this franchise for all it’s worth. The payout we all desperately want — a conclusive ending — just won’t come.
The crowning failure comes at a pivotal point when two characters are screaming at each other while pushing bullets out of their skin. It made me feel like I was watching a campy, low-budget action flick. It was so bad that my movie buddy and I started laughing out loud.
We are both huge fans of the property, but were greatly disappointed by poor movie-making and the lack of closure to the story. They probably won’t be given another chance to finish it.
Despite all of this, the acting is actually pretty good. And let’s be honest here: if you are a fan of this franchise, you’re going to go watch it no matter what I say. That’s fine, but don’t go in with high expectations. You can extract some entertainment, but this is just not a good film.
Kristy H (1252 KP) rated Enola Holmes and the Black Barouche in Books
Sep 2, 2021
I am excited to present my first guest review, from my wonderful wife, Kate! Thanks, babe, for your review of this book, the seventh in Nancy Springer's Enola Holmes' series.
When I heard there was going to be another book in the Enola Holmes series, I jumped at the chance and promised my book-loving wife that I would write a guest review. So, here it is! Please accept my apologies ahead of time for the fact that I cannot (and would never dare try to) match the quality and skill that my wife demonstrates in her own book reviews.
Enola Holmes and the Black Barouche, by Nancy Springer, is another book in the growing series following Ms. Enola Holmes, the 15 year old sister of the famous Sherlock Holmes. This book is being released over 10 years after the last published novel, which came out in 2010. The earlier six novels covered the ongoing story of Enola’s (often contentious) relationship with her brothers (Sherlock and Mycroft), as well as brought the reader resolution about Enola’s missing/runaway mother. This new story starts with a Prologue written by none other than Sherlock himself, who provides a summary of these tales, and tells of his earlier encounters with Enola. His introduction even suggests his level of respect for her has improved dramatically. The new story finds the young detective (or Scientific Perditorian, as she has dubbed herself) seeking the whereabouts of Miss Leticia Glover’s twin sister, Flossie. Glover has been told that her sister has died, but the circumstances surrounding Flossie’s death are mysteriously vague. Initially, Glover seeks the assistance of Mr. Sherlock Holmes, but she ends up with the masterful pair of Enola and Sherlock, who are finally working together on a case. The two detectives set out, albeit in opposite directions, to ascertain the fate of the missing twin.
I think the allure of these books for me is the underlying message that Enola is as good as, if not better (or at least cleverer) than her notorious older brother. In the previous stories I enjoyed her ability to reach conclusions before him, even if she was getting there with only a slight edge. This particular story seamlessly continues the message that Enola’s keen mind works in ways that Sherlock’s doesn’t.
I thoroughly enjoyed this seventh book in the Enola Holmes series and hope that the author continues with her story. And, while I do enjoy that Enola and Sherlock have mended their relationship and are able to work together, I hope Enola can still find time to shine on her own. This particular book began with a Prologue from Sherlock, and ended with an Epilogue also penned from his perspective. As these stories are supposed to be Enola’s, it felt wrong for the final word to be coming from someone else. Beyond that, this was an excellent mystery and fun, quick read.
When I heard there was going to be another book in the Enola Holmes series, I jumped at the chance and promised my book-loving wife that I would write a guest review. So, here it is! Please accept my apologies ahead of time for the fact that I cannot (and would never dare try to) match the quality and skill that my wife demonstrates in her own book reviews.
Enola Holmes and the Black Barouche, by Nancy Springer, is another book in the growing series following Ms. Enola Holmes, the 15 year old sister of the famous Sherlock Holmes. This book is being released over 10 years after the last published novel, which came out in 2010. The earlier six novels covered the ongoing story of Enola’s (often contentious) relationship with her brothers (Sherlock and Mycroft), as well as brought the reader resolution about Enola’s missing/runaway mother. This new story starts with a Prologue written by none other than Sherlock himself, who provides a summary of these tales, and tells of his earlier encounters with Enola. His introduction even suggests his level of respect for her has improved dramatically. The new story finds the young detective (or Scientific Perditorian, as she has dubbed herself) seeking the whereabouts of Miss Leticia Glover’s twin sister, Flossie. Glover has been told that her sister has died, but the circumstances surrounding Flossie’s death are mysteriously vague. Initially, Glover seeks the assistance of Mr. Sherlock Holmes, but she ends up with the masterful pair of Enola and Sherlock, who are finally working together on a case. The two detectives set out, albeit in opposite directions, to ascertain the fate of the missing twin.
I think the allure of these books for me is the underlying message that Enola is as good as, if not better (or at least cleverer) than her notorious older brother. In the previous stories I enjoyed her ability to reach conclusions before him, even if she was getting there with only a slight edge. This particular story seamlessly continues the message that Enola’s keen mind works in ways that Sherlock’s doesn’t.
I thoroughly enjoyed this seventh book in the Enola Holmes series and hope that the author continues with her story. And, while I do enjoy that Enola and Sherlock have mended their relationship and are able to work together, I hope Enola can still find time to shine on her own. This particular book began with a Prologue from Sherlock, and ended with an Epilogue also penned from his perspective. As these stories are supposed to be Enola’s, it felt wrong for the final word to be coming from someone else. Beyond that, this was an excellent mystery and fun, quick read.
BankofMarquis (1832 KP) rated Cocaine Bear (2023) in Movies
Mar 21, 2023
A Ton of Fun
When one decides to watch a film entitled COCAINE BEAR, one pretty much knows what one is getting themselves into.
And, fortunately, Director Elizabeth Banks knew exactly what type of film she was making and her (and her game cast) were up to the challenge…and the fun.
Based on a true event, where a cocaine smuggler fell to his death when his parachute failed to open, COCAINE BEAR posits the “what if” position of what would happen if a Bear ingested it and became aggressive and addicted to cocaine? This fun film takes us through that scenario.
Banks (Director of the PITCH PERFECT films) is the perfect person to helm this film, for she has her tongue planted firmly in her cheek and wisely walked the line between making it violent enough for idiots like me to enjoy and not TOO violent so that the target audience – I would assume that would be teenage boys – can attend as well. She paces the film briskly enough for the audience to not ask too many questions, and the film is short enough to be enjoyable, without beating the premise into the ground.
Jesse Tyler Ferguson (MODERN FAMILY), Kristofer Jivju (Tormand in GAME OF THRONES), Isiah Whitlock, Jr (BLACK KKKLANSMAN). and O’Shea Jackson, Jr (STRAIGHT OUTTA COMPTON) are all in on the fun and they look like they are having a GREAT time playing in this sandbox. As do Keri Russell, Matthew Rhys and the always-great Margo Martindale (forming a mini THE AMERICANS reunion). Martindale almost steals the film from the COCAINE BEAR…almost.
Special notice needs to be made of the work of Aiden Ehrenriech (erstwhile Hans Sole in SOLO: A STAR WARS STORY). He is one of those performers who looks like he is trying too hard to please, but not in this film. He looks comfortable and relaxed and this just might be the best performance of his career. The same can NOT be said for the late Ray Liotta (in his last film role). While not his best performance (that would be GOODFELLAS), it is a “classic Liotta” in that he plays the drug dealer who is looking for his lost cocaine with zest, energy and unapologetically. It’s a shame that we lost this wonderful film presence.
But…all of these performers play second fiddle to the titular character – the CGI creation that is COCAINE BEAR. Bravo to the company that did the effect in this film, they make the out-of-control bear believable while the character is doing unbelievable things.
A fun “B” flick in every sense of the word – COCAINE BEAR is a ton of fun (I laughed out loud LOUDLY a couple of times). Just know before you view it, what kind of film you are watching.
Letter Grade: B (of course)
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
And, fortunately, Director Elizabeth Banks knew exactly what type of film she was making and her (and her game cast) were up to the challenge…and the fun.
Based on a true event, where a cocaine smuggler fell to his death when his parachute failed to open, COCAINE BEAR posits the “what if” position of what would happen if a Bear ingested it and became aggressive and addicted to cocaine? This fun film takes us through that scenario.
Banks (Director of the PITCH PERFECT films) is the perfect person to helm this film, for she has her tongue planted firmly in her cheek and wisely walked the line between making it violent enough for idiots like me to enjoy and not TOO violent so that the target audience – I would assume that would be teenage boys – can attend as well. She paces the film briskly enough for the audience to not ask too many questions, and the film is short enough to be enjoyable, without beating the premise into the ground.
Jesse Tyler Ferguson (MODERN FAMILY), Kristofer Jivju (Tormand in GAME OF THRONES), Isiah Whitlock, Jr (BLACK KKKLANSMAN). and O’Shea Jackson, Jr (STRAIGHT OUTTA COMPTON) are all in on the fun and they look like they are having a GREAT time playing in this sandbox. As do Keri Russell, Matthew Rhys and the always-great Margo Martindale (forming a mini THE AMERICANS reunion). Martindale almost steals the film from the COCAINE BEAR…almost.
Special notice needs to be made of the work of Aiden Ehrenriech (erstwhile Hans Sole in SOLO: A STAR WARS STORY). He is one of those performers who looks like he is trying too hard to please, but not in this film. He looks comfortable and relaxed and this just might be the best performance of his career. The same can NOT be said for the late Ray Liotta (in his last film role). While not his best performance (that would be GOODFELLAS), it is a “classic Liotta” in that he plays the drug dealer who is looking for his lost cocaine with zest, energy and unapologetically. It’s a shame that we lost this wonderful film presence.
But…all of these performers play second fiddle to the titular character – the CGI creation that is COCAINE BEAR. Bravo to the company that did the effect in this film, they make the out-of-control bear believable while the character is doing unbelievable things.
A fun “B” flick in every sense of the word – COCAINE BEAR is a ton of fun (I laughed out loud LOUDLY a couple of times). Just know before you view it, what kind of film you are watching.
Letter Grade: B (of course)
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Movie Metropolis (309 KP) rated The Hunger Games (2012) in Movies
Jun 10, 2019
Director Gary Ross had his work cut out trying to create a film which brought to life the startling realism of Suzanne Collins’ successful trilogy of novels and here we have the first, The Hunger Games.
This film has come at a time where movie fans have been released from the clawing hooks of the Harry Potter franchise and the finale of the Twilight Saga is now on the horizon. Some would say, it’s the perfect time to begin a new franchise and for the most part, they’re right. Move over witches and vampires, there’s a new, more mature kid ready to take your crowns.
I for one went into The Hunger Games trilogy blindfolded. I have not read the books so this review is purely based on the film I saw before me and I must say; I was mightily impressed.
The film is set some way in the future and the world is a much different place; in a place called Panem (a post-apocalyptic North America) is where we find 12 Districts full of variety with different races living alongside each other, just as we have today. However, there is a more sinister side to things as we learn that once a year; The Hunger Games tournament takes place.
For those of you not familiar with the event itself, here’s a brief description. Each year, one boy and one girl aged between 12 and 18 from each district fights to the death until there is one winner, showered with riches for the remainder of their lives.
Jennifer Lawrence of X-Men First Class fame stars as Katniss Everdeen, a plucky young girl brought up in the coal mining community of District 12. After her young sister is picked to represent District 12, she decides the only thing to do is nominate herself and save her from certain death. Her male counterpart is Peeta Mellark played by a mature looking Josh Hutcherson of Journey to the Centre of the Earth fame.
Once the pair have been selected, they are taken to Capitol, a city brimming with the wealthy, a stark contrast to the coal mining community our District 12 heroes come from. Woody Harrelson stars as a previous winner of the games and the District 12 mentor, he takes it upon himself to train the ‘tributes’ and prepare them for the task ahead.
Once in battle, all chaos ensues and this is where the film begins to partially unravel. The actors and actresses all do excellent jobs, in particular Lawrence plays Katniss exceptionally well, her soft side comes through but you never forget her harsher, hunter like persona. Unfortunately, the action is held back by the ridiculous 12A certification the film has been lumbered with. It has become the case, as with The Woman in Black earlier this year that films based on best-selling and well known books or with teen stars have to be given this frankly dire classification. The violence is toned down to such a level that it becomes unrealistic and from what I have read, The Hunger Games is a much more brutal and unforgiving experience as a novel.
Other negatives include some shoddy CGI and too much hand based camera work, the battles at the beginning of the games are messy and not enjoyable to sit through. It’s a disappointing lapse in a film which is actually very good indeed.
Thankfully, the lengthy running time allows the final third to pick up nicely to leave you with a lasting impression.
The Hunger Games had the unenviable task of being on the receiving end of comparisons to Harry Potter and the Twilight franchises, and to an extent it has done its source material proud. Does it live up to the much-loved world of Hogwarts? Probably not. Does it live up to the lust and romance of the Twilight Saga? Most definitely. It sits, right smack in the middle and that’s not a bad place to be.
Gary Ross has produced a fine blockbuster with excellent performances from the cast and some fabulous design choices. Yes, it’s a little too long, there are some shoddy special effects and the character development lacks depth, but for fans of the series and newcomers alike, it moves the game on and is an enjoyable experience.
https://moviemetropolis.net/2012/04/05/the-hunger-games-2012-review/
This film has come at a time where movie fans have been released from the clawing hooks of the Harry Potter franchise and the finale of the Twilight Saga is now on the horizon. Some would say, it’s the perfect time to begin a new franchise and for the most part, they’re right. Move over witches and vampires, there’s a new, more mature kid ready to take your crowns.
I for one went into The Hunger Games trilogy blindfolded. I have not read the books so this review is purely based on the film I saw before me and I must say; I was mightily impressed.
The film is set some way in the future and the world is a much different place; in a place called Panem (a post-apocalyptic North America) is where we find 12 Districts full of variety with different races living alongside each other, just as we have today. However, there is a more sinister side to things as we learn that once a year; The Hunger Games tournament takes place.
For those of you not familiar with the event itself, here’s a brief description. Each year, one boy and one girl aged between 12 and 18 from each district fights to the death until there is one winner, showered with riches for the remainder of their lives.
Jennifer Lawrence of X-Men First Class fame stars as Katniss Everdeen, a plucky young girl brought up in the coal mining community of District 12. After her young sister is picked to represent District 12, she decides the only thing to do is nominate herself and save her from certain death. Her male counterpart is Peeta Mellark played by a mature looking Josh Hutcherson of Journey to the Centre of the Earth fame.
Once the pair have been selected, they are taken to Capitol, a city brimming with the wealthy, a stark contrast to the coal mining community our District 12 heroes come from. Woody Harrelson stars as a previous winner of the games and the District 12 mentor, he takes it upon himself to train the ‘tributes’ and prepare them for the task ahead.
Once in battle, all chaos ensues and this is where the film begins to partially unravel. The actors and actresses all do excellent jobs, in particular Lawrence plays Katniss exceptionally well, her soft side comes through but you never forget her harsher, hunter like persona. Unfortunately, the action is held back by the ridiculous 12A certification the film has been lumbered with. It has become the case, as with The Woman in Black earlier this year that films based on best-selling and well known books or with teen stars have to be given this frankly dire classification. The violence is toned down to such a level that it becomes unrealistic and from what I have read, The Hunger Games is a much more brutal and unforgiving experience as a novel.
Other negatives include some shoddy CGI and too much hand based camera work, the battles at the beginning of the games are messy and not enjoyable to sit through. It’s a disappointing lapse in a film which is actually very good indeed.
Thankfully, the lengthy running time allows the final third to pick up nicely to leave you with a lasting impression.
The Hunger Games had the unenviable task of being on the receiving end of comparisons to Harry Potter and the Twilight franchises, and to an extent it has done its source material proud. Does it live up to the much-loved world of Hogwarts? Probably not. Does it live up to the lust and romance of the Twilight Saga? Most definitely. It sits, right smack in the middle and that’s not a bad place to be.
Gary Ross has produced a fine blockbuster with excellent performances from the cast and some fabulous design choices. Yes, it’s a little too long, there are some shoddy special effects and the character development lacks depth, but for fans of the series and newcomers alike, it moves the game on and is an enjoyable experience.
https://moviemetropolis.net/2012/04/05/the-hunger-games-2012-review/
Movie Metropolis (309 KP) rated American Assassin (2017) in Movies
Jun 10, 2019
Great, another terrorism thriller
Just what the world needs, another ill-timed terrorism-based thriller – you can almost hear the groans can’t you? It seems the movie-going public just can’t get enough of these accounts of urban terrorism.
Last year’s diabolical London Has Fallen inexplicably took over $200million at the box office and the better-received Unlocked also performed well commercially. All of this in spite of the constant threat posed by terrorism across the globe.
Now, there’s a new kid on the block. American Assassin. But does this film based on the novel of the same name do enough to be different?
When Cold War veteran Stan Hurley (Michael Keaton) takes CIA black ops recruit Mitch Rapp (Dylan O’Brien) under his wing, they receive an assignment to investigate a wave of random attacks on both military and civilian targets. After discovering a pattern of violence, Hurley and Rapp join forces with a lethal Turkish agent to stop a mysterious operative who wants to start a global war.
Michael Cuesta’s film is propped up by a nicely shot opening in which Dylan O’Brien’s Mitch comes up against Islamic terrorists while on holiday with his fiancé. Naturally, she’s brutally murdered and it becomes Mitch’s life-ambition to hunt down terrorist cells across the world.
Yes, you heard me right. That’s the plot. Ridiculous in every way and frankly, a little boring, American Assassin is a poor excuse for a film riddled with dreadful dialogue, phoned-in performances and uninspiring camerawork.
What makes it worse is that Maze Runner rising star Dylan O’Brien thought it would be a good idea to helm such a vehicle. He performs well but feels at odds with the film’s dark tone and is in serious danger of doing a post-Abduction Taylor Lautner and tanking his promising career. Michael Keaton’s bizarre effort here is the polar opposite of his genuinely menacing turn in Spider-Man: Homecoming only two months ago.
The rest of the cast might as well be made of cardboard they’re that uninteresting and while globe-trotting should evoke some visual joy, the scenery feels flat, hampered by a dull colour palette and the fact it’s been done to death already.
As American Assassin steamrolls to a 70s-esque Bond finale, we’re subjected to some torturous CGI, though Cuesta does well to ramp up the tension a little, but it’s the subject matter once again that proves a sticking point.
In a world where our fears of urban terrorism are greater than ever, should we be classing films like this as ‘entertainment’? Take the opening sequence for example, as nicely choreographed as it is, the parallels to the dreadful Tunisian beach attack of 2015 linger in the back of my mind and I find it all very much in poor taste.
Overall, American Assassin is yet another addition to the already overstuffed terrorism thriller genre that adds absolutely nothing new. The performances are dull, the story is flat and the cinematography is uninspired. Poor Dylan O’Brien left the Maze for this?
https://moviemetropolis.net/2017/09/15/american-assassin-review/
Last year’s diabolical London Has Fallen inexplicably took over $200million at the box office and the better-received Unlocked also performed well commercially. All of this in spite of the constant threat posed by terrorism across the globe.
Now, there’s a new kid on the block. American Assassin. But does this film based on the novel of the same name do enough to be different?
When Cold War veteran Stan Hurley (Michael Keaton) takes CIA black ops recruit Mitch Rapp (Dylan O’Brien) under his wing, they receive an assignment to investigate a wave of random attacks on both military and civilian targets. After discovering a pattern of violence, Hurley and Rapp join forces with a lethal Turkish agent to stop a mysterious operative who wants to start a global war.
Michael Cuesta’s film is propped up by a nicely shot opening in which Dylan O’Brien’s Mitch comes up against Islamic terrorists while on holiday with his fiancé. Naturally, she’s brutally murdered and it becomes Mitch’s life-ambition to hunt down terrorist cells across the world.
Yes, you heard me right. That’s the plot. Ridiculous in every way and frankly, a little boring, American Assassin is a poor excuse for a film riddled with dreadful dialogue, phoned-in performances and uninspiring camerawork.
What makes it worse is that Maze Runner rising star Dylan O’Brien thought it would be a good idea to helm such a vehicle. He performs well but feels at odds with the film’s dark tone and is in serious danger of doing a post-Abduction Taylor Lautner and tanking his promising career. Michael Keaton’s bizarre effort here is the polar opposite of his genuinely menacing turn in Spider-Man: Homecoming only two months ago.
The rest of the cast might as well be made of cardboard they’re that uninteresting and while globe-trotting should evoke some visual joy, the scenery feels flat, hampered by a dull colour palette and the fact it’s been done to death already.
As American Assassin steamrolls to a 70s-esque Bond finale, we’re subjected to some torturous CGI, though Cuesta does well to ramp up the tension a little, but it’s the subject matter once again that proves a sticking point.
In a world where our fears of urban terrorism are greater than ever, should we be classing films like this as ‘entertainment’? Take the opening sequence for example, as nicely choreographed as it is, the parallels to the dreadful Tunisian beach attack of 2015 linger in the back of my mind and I find it all very much in poor taste.
Overall, American Assassin is yet another addition to the already overstuffed terrorism thriller genre that adds absolutely nothing new. The performances are dull, the story is flat and the cinematography is uninspired. Poor Dylan O’Brien left the Maze for this?
https://moviemetropolis.net/2017/09/15/american-assassin-review/
Bob Mann (459 KP) rated Freaky (2021) in Movies
Jul 3, 2021
No, not like the Disney version
Some B-movies really pack a much bigger punch than you would expect. "Nobody" is a perfect recent example. But movie karma needs to be balanced with something. Ladies and gentlemen - "Freaky"!
Positives:
- If you are into your "teen slasher" movies, then this is more of the same and features some innovative ways to dispatch the victims. One is certainly no way to treat a fine wine!
- Vince Vaughn has fun mincing around as his alter-ego and Kathryn Newton (soon to be in the next "Ant-Man" movie) is personable enough as the cutie-cum-serial-killer.
- It's always good to see Ferris-actor Alan Ruck on the big screen. Here, he actually plays two parts in the film. (This joke (C) One Mann's Movies.)
Negatives:
- It's flagged as "comedy/horror" but failed to meet my personal 6-laugh test. It's just not funny enough to pass muster unless, that is, you view crude dialogue as "funny". And the dialogue does get ickily crude at some points. For example, when evil-Millie ends up alone with three jocks, there's a line of misogynist dialogue (that I won't repeat) but which sets the level.
- As a Blumhouse production, the horror is ultra-gory which will put off many viewers lacking a strong stomach. But because of the associated black comedy, the horror isn't remotely tense or scary. This might be why the film only got a UK-15 certificate. But my personal view is that, with the violence and the offensive dialogue, the BBFC under called this one, and it should have been an 18.
- There's a lot of schmaltz layered on regarding the relationship between Millie and her mum (Katie Finneran, channelling a Laura Dern look). A store cubicle exchange between Finneran and Vaughn is particularly stomach-churning.
- The movie leaves logic at the door many times. A formulaic post-finale ending assumes a superhero ability to shrug off bullets.
Summary Thoughts on "Freaky": The 'body-swap idea has gone through dozens of movie versions, with Disney's "Freaky Friday" the most well known: it's actually had two outings, once in 1976 with a young Jodie Foster and Barbara Harris and again in 2003 with Lindsay Lohan and Jamie-Lee Curtis. (The latter is a firm Mann-family favourite).
This new version tries a serial-killer twist on the story, which is a good idea. But the movie fails to execute well on the concept. The director is Christopher Landon who did the "Happy Death Day" movies. This is in a similar vein. So teens who enjoyed those flicks might get a fun Saturday night out with this. But, for me, this fell between the stools of comedy and horror and is instantly forgettable.
(For the full graphical review, please check out One Mann's Movies on the web here - https://bob-the-movie-man.com/2021/07/03/freaky-no-its-not-remotely-like-the-disney-version/. One Mann's Movies is also on Facebook and Tiktok (@onemannsmovies). Thanks.)
Positives:
- If you are into your "teen slasher" movies, then this is more of the same and features some innovative ways to dispatch the victims. One is certainly no way to treat a fine wine!
- Vince Vaughn has fun mincing around as his alter-ego and Kathryn Newton (soon to be in the next "Ant-Man" movie) is personable enough as the cutie-cum-serial-killer.
- It's always good to see Ferris-actor Alan Ruck on the big screen. Here, he actually plays two parts in the film. (This joke (C) One Mann's Movies.)
Negatives:
- It's flagged as "comedy/horror" but failed to meet my personal 6-laugh test. It's just not funny enough to pass muster unless, that is, you view crude dialogue as "funny". And the dialogue does get ickily crude at some points. For example, when evil-Millie ends up alone with three jocks, there's a line of misogynist dialogue (that I won't repeat) but which sets the level.
- As a Blumhouse production, the horror is ultra-gory which will put off many viewers lacking a strong stomach. But because of the associated black comedy, the horror isn't remotely tense or scary. This might be why the film only got a UK-15 certificate. But my personal view is that, with the violence and the offensive dialogue, the BBFC under called this one, and it should have been an 18.
- There's a lot of schmaltz layered on regarding the relationship between Millie and her mum (Katie Finneran, channelling a Laura Dern look). A store cubicle exchange between Finneran and Vaughn is particularly stomach-churning.
- The movie leaves logic at the door many times. A formulaic post-finale ending assumes a superhero ability to shrug off bullets.
Summary Thoughts on "Freaky": The 'body-swap idea has gone through dozens of movie versions, with Disney's "Freaky Friday" the most well known: it's actually had two outings, once in 1976 with a young Jodie Foster and Barbara Harris and again in 2003 with Lindsay Lohan and Jamie-Lee Curtis. (The latter is a firm Mann-family favourite).
This new version tries a serial-killer twist on the story, which is a good idea. But the movie fails to execute well on the concept. The director is Christopher Landon who did the "Happy Death Day" movies. This is in a similar vein. So teens who enjoyed those flicks might get a fun Saturday night out with this. But, for me, this fell between the stools of comedy and horror and is instantly forgettable.
(For the full graphical review, please check out One Mann's Movies on the web here - https://bob-the-movie-man.com/2021/07/03/freaky-no-its-not-remotely-like-the-disney-version/. One Mann's Movies is also on Facebook and Tiktok (@onemannsmovies). Thanks.)
