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Bob Mann (459 KP) rated Wild Rose (2018) in Movies
Sep 28, 2021
Three Chords and the Truth.
BAFTA named Jessie Buckley as one of their “Rising Stars” for 2019, and here she proves why.
Buckley plays Glaswegian Rose-Lynn Harlan, a decidedly wild child electronically tagged and released from the clink but straight down to some very public cowgirl sex with her erstwhile boyfriend. Only then does she have the afterthought of going round to the house of her Mum (Julie Walters) where two young children live. For Rose-Lynn is a single mum of two (#needs-to-be-more-careful-with-the-cowgirl-stuff), and the emotional damage metered out to the youngsters from her wayward life is fully evident.
Rose-Lynn is a frustrated ‘country-and-weste’… no, sorry… just ‘western’ singer, and she has a talent for bringing the house down in Glasgow during a show. The desire to ‘make it big’ in Nashville is bordering on obsession, and nothing – not her mum, not her children, nothing – will get in her way.
Rose-Lynn has no idea how to make her dream come true. (And no, she doesn’t bump into Bradley Cooper at this point). But things look up when she lies her way to a cleaning job for the middle class Susannah (Sophie Okonedo) who sees the talent in her and comes up with a couple of innovative ways to move her in the right direction.
Will she get out of her Glasgow poverty trap and rise to fame and fortune as a Nashville star?
Difficult to like.
Rose-Lynn is not an easy character to like. She is borderline sociopathic and has a self-centred selfish streak a mile wide. As she tramples all over her offspring’s young lives, breaking each and every promise like clockwork, then you just want to shout at her and give her a good shaking. It’s a difficult line for the film to walk (did the ghost of Johnny Cash make me write that?) and it only barely walks it unscathed.
Memories of Birdman.
A key shout-out needs to go to director Tom Harper (“Woman in Black 2“, and the TV epic “War and Peace”) and his cinematographer of choice George Steel. Some of the angles and framed shots are exquisitely done. A fantastic dance sequence through Susannah’s house (the best since Hugh Grant‘s No. 10 “Jump” in “Love Actually”) reveals the associated imaginary musicians in various alcoves reminiscent of the drummer in “Birdman“. And there are a couple of great drone shots: one (no spoilers) showing Rose-Lynn leaving a party is particularly effective.
The turns.
The camera simply loves Jessie Buckley. She delivers real energy in the good times and real pathos in the bad. She can – assuming it’s her performing – also sing! (No surprise since she was, you might remember, runner up to Jodie Prenger in the BBC search for a “Maria” for Lloyd Webber’s “Sound of Music”). She is certainly one to watch on the acting stage.
Supporting Buckley in prime roles are national treasure Julie Walters, effecting an impressive Glaswegian accent, and Sophie Okonedo, who is one of those well-known faces from TV that you can never quite place. BBC Radio 2’s Bob Harris also turns up as himself, being marvellously unconvincing as an actor!
But I don’t like country music?
Frankly neither do I. But it hardly matters. As long as you don’t ABSOLUTELY LOATHE it, I predict you’ll tolerate the tunes and enjoy the movie. Followers of this blog might remember that – against the general trend – I was highly unimpressed with “A Star is Born“. This movie I enjoyed far, far more.
Buckley plays Glaswegian Rose-Lynn Harlan, a decidedly wild child electronically tagged and released from the clink but straight down to some very public cowgirl sex with her erstwhile boyfriend. Only then does she have the afterthought of going round to the house of her Mum (Julie Walters) where two young children live. For Rose-Lynn is a single mum of two (#needs-to-be-more-careful-with-the-cowgirl-stuff), and the emotional damage metered out to the youngsters from her wayward life is fully evident.
Rose-Lynn is a frustrated ‘country-and-weste’… no, sorry… just ‘western’ singer, and she has a talent for bringing the house down in Glasgow during a show. The desire to ‘make it big’ in Nashville is bordering on obsession, and nothing – not her mum, not her children, nothing – will get in her way.
Rose-Lynn has no idea how to make her dream come true. (And no, she doesn’t bump into Bradley Cooper at this point). But things look up when she lies her way to a cleaning job for the middle class Susannah (Sophie Okonedo) who sees the talent in her and comes up with a couple of innovative ways to move her in the right direction.
Will she get out of her Glasgow poverty trap and rise to fame and fortune as a Nashville star?
Difficult to like.
Rose-Lynn is not an easy character to like. She is borderline sociopathic and has a self-centred selfish streak a mile wide. As she tramples all over her offspring’s young lives, breaking each and every promise like clockwork, then you just want to shout at her and give her a good shaking. It’s a difficult line for the film to walk (did the ghost of Johnny Cash make me write that?) and it only barely walks it unscathed.
Memories of Birdman.
A key shout-out needs to go to director Tom Harper (“Woman in Black 2“, and the TV epic “War and Peace”) and his cinematographer of choice George Steel. Some of the angles and framed shots are exquisitely done. A fantastic dance sequence through Susannah’s house (the best since Hugh Grant‘s No. 10 “Jump” in “Love Actually”) reveals the associated imaginary musicians in various alcoves reminiscent of the drummer in “Birdman“. And there are a couple of great drone shots: one (no spoilers) showing Rose-Lynn leaving a party is particularly effective.
The turns.
The camera simply loves Jessie Buckley. She delivers real energy in the good times and real pathos in the bad. She can – assuming it’s her performing – also sing! (No surprise since she was, you might remember, runner up to Jodie Prenger in the BBC search for a “Maria” for Lloyd Webber’s “Sound of Music”). She is certainly one to watch on the acting stage.
Supporting Buckley in prime roles are national treasure Julie Walters, effecting an impressive Glaswegian accent, and Sophie Okonedo, who is one of those well-known faces from TV that you can never quite place. BBC Radio 2’s Bob Harris also turns up as himself, being marvellously unconvincing as an actor!
But I don’t like country music?
Frankly neither do I. But it hardly matters. As long as you don’t ABSOLUTELY LOATHE it, I predict you’ll tolerate the tunes and enjoy the movie. Followers of this blog might remember that – against the general trend – I was highly unimpressed with “A Star is Born“. This movie I enjoyed far, far more.
Rachel King (13 KP) rated Last Breath (The Morganville Vampires, #11) in Books
Feb 11, 2019
I always crack open the next Morganville book knowing that I will love it before I read a single word. Rachel Caine is a writer I can depend on. In this book, she takes the concept that she used in the previous book of sharing the P.O.V. with another character and multiplies it. In other words, while Claire still gets the most narration, the reader also gets to read a bit of narration by Amelie, Shane, Michael, and Eve. Shane's thought process is familiar from the previous book, and Eve's reminds me of her diary entries from the early books in the series. Michael's are interesting because I got to see some of the darkness that he struggles with on a daily basis, while trying to hide it from the other members of the Glass House. I enjoy Amelie's P.O.V. the most because she obviously has the most secrets and history to reveal. Caine could easily make Amelie the main character of a prequel series about the founding of Morganville (how I wish!).
Claire is in top form as usual, as she has the unique -- and unexplained -- ability to see Magnus before anyone else, or before Magnus even wants to be seen. Magnus is quite the horror-movie creature, the draug, whom even the local vamps fear. Reading the detailed descriptions of what he can do with water gives me goosebumps. As for how Magnus retaliates against Claire, I simply refused to believe that Claire's state was permanent -- she is simply too essential to the series. Now I am wondering, though, how the series would fare if Claire went vamp -- but that's all up to Rachel Caine.
The one thing I really disliked, of course, was how the book ended -- the first cliff-hanger of the series. There was just way too big of a loose end hanging to leave me feeling satisfied. The rest of the book was still fabulous, though, and I can't wait for Black Dawn to hit the shelves.
Claire is in top form as usual, as she has the unique -- and unexplained -- ability to see Magnus before anyone else, or before Magnus even wants to be seen. Magnus is quite the horror-movie creature, the draug, whom even the local vamps fear. Reading the detailed descriptions of what he can do with water gives me goosebumps. As for how Magnus retaliates against Claire, I simply refused to believe that Claire's state was permanent -- she is simply too essential to the series. Now I am wondering, though, how the series would fare if Claire went vamp -- but that's all up to Rachel Caine.
The one thing I really disliked, of course, was how the book ended -- the first cliff-hanger of the series. There was just way too big of a loose end hanging to leave me feeling satisfied. The rest of the book was still fabulous, though, and I can't wait for Black Dawn to hit the shelves.
Sassy Brit (97 KP) rated My Lovely Wife in Books
Jun 5, 2019
Contains spoilers, click to show
In Samantha Downing’s book ‘My Lovely Wife‘, Millicent has designed her life just how she wants it. Nice house. Good job. Two kids. And a husband, she has been able to manipulate throughout their fifteen years of marriage- even to the point of sharing the same delightful hobby.
Murder.
Now, deaf ‘Tobias’ as he’s known to a few select and unlucky few, (when he is scouting around for their next victim), is beginning to see how what they do is starting to affect their own kids. His daughter is scared of this ‘serial killer’ in their home town, and his son is learning to be as manipulative as his mother. But this is nowhere near his biggest issue.
Of course, ‘Tobias’ the husband is no saint, but he’s been so well-trained in the art of doing what his wife Millicent tells him, he just gets on with his part of the job of victim selection, and let’s her do the rest. This his how they get their kicks. He’s never even questioned it.
Until the last woman they drugged, kidnapped and Millicent ‘took care of’ turns up dead in an abandoned building. She’d kept her alive for over a year and never even told him. What was Millicent doing with her all this time? Why didn’t she keep him updated? After all, they were partners in crime, weren’t they?
This is a creepy book about a couple with some very strange habits. On the outside they look like the average family, but together, in private they hold secrets that they’ll take to the grave. At least hope to. But when murder becomes a dangerous game for life, and not everyone is playing by the rules, things are not always as black and white. And that, dear reader, is the deadly sting in this tale, which will have you reading until the sun comes up the next morning and the truth is revealed.
I couldn’t read this fast enough! What a thrilling book this turned out to be!
Murder.
Now, deaf ‘Tobias’ as he’s known to a few select and unlucky few, (when he is scouting around for their next victim), is beginning to see how what they do is starting to affect their own kids. His daughter is scared of this ‘serial killer’ in their home town, and his son is learning to be as manipulative as his mother. But this is nowhere near his biggest issue.
Of course, ‘Tobias’ the husband is no saint, but he’s been so well-trained in the art of doing what his wife Millicent tells him, he just gets on with his part of the job of victim selection, and let’s her do the rest. This his how they get their kicks. He’s never even questioned it.
Until the last woman they drugged, kidnapped and Millicent ‘took care of’ turns up dead in an abandoned building. She’d kept her alive for over a year and never even told him. What was Millicent doing with her all this time? Why didn’t she keep him updated? After all, they were partners in crime, weren’t they?
This is a creepy book about a couple with some very strange habits. On the outside they look like the average family, but together, in private they hold secrets that they’ll take to the grave. At least hope to. But when murder becomes a dangerous game for life, and not everyone is playing by the rules, things are not always as black and white. And that, dear reader, is the deadly sting in this tale, which will have you reading until the sun comes up the next morning and the truth is revealed.
I couldn’t read this fast enough! What a thrilling book this turned out to be!
Louise (64 KP) rated Goth Girl: and the Ghost of a Mouse in Books
Jul 2, 2018
Ada Goth lives in Ghastly-Gorm Hall with her father, servants and a few ghosts. Ada’s father likes to keep himself to himself even when it comes to his daughter, he makes her wear clumpy shoes so he can hear her coming. Ada is very much alone in this huge mansion style house until one evening she meets a ghost in the form of a Mouse called Ishmael. Ishmael informs Ada that he was killed by a Mouse trap and that he is to roam the hall for all eternity. Together they go and investigate the rooms in which Ishmael was killed when they come upon some strange things and other denizens.
The book had a lot of characters in it, all shapes and sizes all very whimsical but none have much depth to them, you don’t get to find out an awful lot. I wish Ishmael could have been in the book a bit more than he was. He was introduced in chapter 1 and then didn’t have much involvement. The story is very slow to start off with and only really starts to get going in the second half.
This book definitely had its quirks, I loved the use of the footnotes that were written by ‘The foot’ which made me chuckle. There is also literary references such as Von Hellsung and Hebe Poppins. The Comic book at the back was an added bonus! I didn’t realise this was included when I picked it up.
This book is beautiful, it has a purple ribbon and metallic page edges, inside the cover is decorated in a silver/gold foil and also there is an additional pocket with a miniature comic book called ‘Memoirs of Mouse’. Not only did Chris Riddell Illustrate this book but he also wrote it. I love his artwork, it’s so detailed and definitely stunning to look at all in black and white. Everything was on point regarding presentation.
Overall I rated this 3.5 stars out of 5.
The book had a lot of characters in it, all shapes and sizes all very whimsical but none have much depth to them, you don’t get to find out an awful lot. I wish Ishmael could have been in the book a bit more than he was. He was introduced in chapter 1 and then didn’t have much involvement. The story is very slow to start off with and only really starts to get going in the second half.
This book definitely had its quirks, I loved the use of the footnotes that were written by ‘The foot’ which made me chuckle. There is also literary references such as Von Hellsung and Hebe Poppins. The Comic book at the back was an added bonus! I didn’t realise this was included when I picked it up.
This book is beautiful, it has a purple ribbon and metallic page edges, inside the cover is decorated in a silver/gold foil and also there is an additional pocket with a miniature comic book called ‘Memoirs of Mouse’. Not only did Chris Riddell Illustrate this book but he also wrote it. I love his artwork, it’s so detailed and definitely stunning to look at all in black and white. Everything was on point regarding presentation.
Overall I rated this 3.5 stars out of 5.
JT (287 KP) rated Headhunters (2012) in Movies
Mar 10, 2020
Roger Brown (Hennie) has it all, a gorgeous wife a beautiful house and lots of money. As a headhunter for a recruitment company he supplements this lifestyle by stealing rare and expensive paintings and replacing them with perfect copies.
At his wife Diana’s art gallery he is introduced to Clas (Coster-Waldau) who he lines up for a potential job with a big client. When Roger discovers that Clas is in possession of a rare painting he takes the opportunity to steal it, not realizing however that his actions will be traced back to him.
It’s clear that Roger’s flamboyant lifestyle and trophy wife is compensation for his own inferiority complex, as he explains in the opening monologue of the film. Filled with paranoia he soon believes that Clas is out to kill him, either for stealing the painting or to get rid of him so Clas can have Diana for his own.
It’s a simple game of cat and mouse between Roger and Clas that escalates into epic proportions as Roger goes on the run. Clas is extremely cool and calculated in his approach and toys with Roger, it’s a film that will keep you on the edge of your seat, tension that foreign film is seemingly well known for.
It’s adapted from the Jo Nesbø novel of the same name, and to be honest once Roger goes on the run it turns from thriller to black comedy and back again in an instant. Some scenes have shock value, others will turn your head away from the screen no sooner look at it but it’s all good fun.
Roger is put through the wringer as he’s slowly hunted down, avoiding capture by hiding in human faeces, trying to escape on the slowest form of transport imaginable and driven off the end of a cliff. At the end of all this the sympathy for Roger is overwhelming.
It’s a comically engaging film with twists and turns, gruesome in parts which you won’t expect.
At his wife Diana’s art gallery he is introduced to Clas (Coster-Waldau) who he lines up for a potential job with a big client. When Roger discovers that Clas is in possession of a rare painting he takes the opportunity to steal it, not realizing however that his actions will be traced back to him.
It’s clear that Roger’s flamboyant lifestyle and trophy wife is compensation for his own inferiority complex, as he explains in the opening monologue of the film. Filled with paranoia he soon believes that Clas is out to kill him, either for stealing the painting or to get rid of him so Clas can have Diana for his own.
It’s a simple game of cat and mouse between Roger and Clas that escalates into epic proportions as Roger goes on the run. Clas is extremely cool and calculated in his approach and toys with Roger, it’s a film that will keep you on the edge of your seat, tension that foreign film is seemingly well known for.
It’s adapted from the Jo Nesbø novel of the same name, and to be honest once Roger goes on the run it turns from thriller to black comedy and back again in an instant. Some scenes have shock value, others will turn your head away from the screen no sooner look at it but it’s all good fun.
Roger is put through the wringer as he’s slowly hunted down, avoiding capture by hiding in human faeces, trying to escape on the slowest form of transport imaginable and driven off the end of a cliff. At the end of all this the sympathy for Roger is overwhelming.
It’s a comically engaging film with twists and turns, gruesome in parts which you won’t expect.
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