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Lee (2222 KP) rated Happy Death Day (2017) in Movies
Oct 26, 2017
Plenty of humour (1 more)
Jessica Rothe is great
Enjoable Groundhog Day/Scream Mashup
It's not that scary, and there's no real blood or gore for die hard horror fans to enjoy, but Happy Death Day - the latest offering from Blumhouse Productions - still manages to deliver a wildly entertaining mashup of Groundhog Day and Scream.
College girl Tree Gelbman wakes up in the dorm of a boy she doesn't remember spending the night with. She has a pounding headache and can't wait to get out of there as quickly as possible. Sneering at the goth on her way out, avoiding the clipboard wielding tree hugger and blanking the less popular girl that smiles at her as she returns to her sorority house. Back in her room, her room mate has a birthday cupcake for Tree in honour of her special day, which she dumps in the bin on her way out to the class she's late for. Later on, we discover that she's sleeping with one of her college teachers, whose wife nearly catches them together. There certainly do seem to be a lot of people who have every right to be pissed at Tree. And, later that evening on her way to a party, Tree is approached by someone wearing a black hoodie and a baby mask. As the mysterious figure murders her, she wakes up, back in the boys dorm from that morning, and she finds herself having to endure her birth/death day once more.
Tree is understandably confused, as the days events begin to play out exactly as they did before, right up until the point where she's murdered again by the mask wearing killer. From there she goes through stages of anger, despair and acceptance, eventually coming to the conclusion that no matter what she does or where she hides, the Baby Faced killer is always going to find her and kill her, triggering the reset button on the day in the process. It's up to her to try and whittle down that big list of suspects, and take out the killer before they get chance to kill her. The only trouble is, each time that Tree dies the injuries she sustained leave a negative impact on her body, so she only has a limited number of days to find the killer and break the loop before she is gone forever.
So much of this movie rests on Jessica Rothe as Tree, and she just nails it, successfully moving Tree from victim to full-on bad-ass and becoming more and more likeable as she sets about changing her ways in order to get close to those potential suspects. There's a lot of humour throughout, and a pretty decent twist towards the end, just to keep you on your toes. Overall I really liked this. There's even a nice, last minute mention of Groundhog Day, the classic movie that this owes so much to.
College girl Tree Gelbman wakes up in the dorm of a boy she doesn't remember spending the night with. She has a pounding headache and can't wait to get out of there as quickly as possible. Sneering at the goth on her way out, avoiding the clipboard wielding tree hugger and blanking the less popular girl that smiles at her as she returns to her sorority house. Back in her room, her room mate has a birthday cupcake for Tree in honour of her special day, which she dumps in the bin on her way out to the class she's late for. Later on, we discover that she's sleeping with one of her college teachers, whose wife nearly catches them together. There certainly do seem to be a lot of people who have every right to be pissed at Tree. And, later that evening on her way to a party, Tree is approached by someone wearing a black hoodie and a baby mask. As the mysterious figure murders her, she wakes up, back in the boys dorm from that morning, and she finds herself having to endure her birth/death day once more.
Tree is understandably confused, as the days events begin to play out exactly as they did before, right up until the point where she's murdered again by the mask wearing killer. From there she goes through stages of anger, despair and acceptance, eventually coming to the conclusion that no matter what she does or where she hides, the Baby Faced killer is always going to find her and kill her, triggering the reset button on the day in the process. It's up to her to try and whittle down that big list of suspects, and take out the killer before they get chance to kill her. The only trouble is, each time that Tree dies the injuries she sustained leave a negative impact on her body, so she only has a limited number of days to find the killer and break the loop before she is gone forever.
So much of this movie rests on Jessica Rothe as Tree, and she just nails it, successfully moving Tree from victim to full-on bad-ass and becoming more and more likeable as she sets about changing her ways in order to get close to those potential suspects. There's a lot of humour throughout, and a pretty decent twist towards the end, just to keep you on your toes. Overall I really liked this. There's even a nice, last minute mention of Groundhog Day, the classic movie that this owes so much to.
Debbiereadsbook (1359 KP) rated The Deception (The Secret Tales #2) in Books
Jun 26, 2024
Patrick and Charlotte are perfect for each other!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 2 in The Secret Tales series, but can totally be read as a stand alone. I would say, as a personal point, that you will get a better understanding of the ladies of this time, and what they have to do to stay safe. It's also a stunning 5 star read, so you know, get to it!
I loved The Bond, and I loved this one too, for very different reasons!
The Bond is a slow burn, low steam book. Very much a fade to black book. And this one? Not so much! It's a tad steamier, but not explicit, at all. Patrick and Charlotte are perfect for each other, even if they were never meant to be. And I loved that difference about the two books, I really did.
I loved how Patrick deals with his injury: by not letting it get the better of him. Being confined to a wheelchair after a life at sea would be hard for anyone to deal with, but Patrick and his family set out to make his life easier, but not limiting. I gather from reading this, that injuries of this sort at that time were far more devastating than they are in this time. But once Patrick got his head round what HE needed, he got to it, and devised his new wheelchair, adapted his house to accomodate his chair. I love that his sister devised a new saddle for him to continue to ride his horse.
Lottie's forging her father's work is their only real stumbling block, but once Patrick knows WHY she does it, he understands, but makes sure Lottie knows it cannot continue once they are married. But that takes a nasty turn, and I really did not see that coming at me!
I had to giggle though, out loud! It was so funny, reading about what Lottie thought was going to happen on her wedding night. She really had no clue and it was Rose who educated her. Proper made me laugh! I loved that Rose and Rhys (since Rhys is Patrick's brother) play a huge part here, it was so lovely to catch up with them.
I wrote at the end of my review for The Bond that I thought one of Rose's sisters was the second book, but I cannot remember which one! However, Lottie is not one of Rose's sisters and one of LOTTIE'S sisters has the next book.
I love this group of ladies, and the men who fall for them and I really look forward to catching up with the supporting cast in future books, cos there are some interesting side characters!
Loved it, so it can only get:
5 full and shiny stars
*same worded review will appear elsewhere
This is book 2 in The Secret Tales series, but can totally be read as a stand alone. I would say, as a personal point, that you will get a better understanding of the ladies of this time, and what they have to do to stay safe. It's also a stunning 5 star read, so you know, get to it!
I loved The Bond, and I loved this one too, for very different reasons!
The Bond is a slow burn, low steam book. Very much a fade to black book. And this one? Not so much! It's a tad steamier, but not explicit, at all. Patrick and Charlotte are perfect for each other, even if they were never meant to be. And I loved that difference about the two books, I really did.
I loved how Patrick deals with his injury: by not letting it get the better of him. Being confined to a wheelchair after a life at sea would be hard for anyone to deal with, but Patrick and his family set out to make his life easier, but not limiting. I gather from reading this, that injuries of this sort at that time were far more devastating than they are in this time. But once Patrick got his head round what HE needed, he got to it, and devised his new wheelchair, adapted his house to accomodate his chair. I love that his sister devised a new saddle for him to continue to ride his horse.
Lottie's forging her father's work is their only real stumbling block, but once Patrick knows WHY she does it, he understands, but makes sure Lottie knows it cannot continue once they are married. But that takes a nasty turn, and I really did not see that coming at me!
I had to giggle though, out loud! It was so funny, reading about what Lottie thought was going to happen on her wedding night. She really had no clue and it was Rose who educated her. Proper made me laugh! I loved that Rose and Rhys (since Rhys is Patrick's brother) play a huge part here, it was so lovely to catch up with them.
I wrote at the end of my review for The Bond that I thought one of Rose's sisters was the second book, but I cannot remember which one! However, Lottie is not one of Rose's sisters and one of LOTTIE'S sisters has the next book.
I love this group of ladies, and the men who fall for them and I really look forward to catching up with the supporting cast in future books, cos there are some interesting side characters!
Loved it, so it can only get:
5 full and shiny stars
*same worded review will appear elsewhere
Daniel Boyd (1066 KP) rated Captain America: Civil War (2016) in Movies
Jul 24, 2017
Battle Royale
Contains spoilers, click to show
This movie is amazing. I know, I’m supposed to start with an intro but this film is just too good. I knew that I would love it and that I was looking forward to it for a fairly long time, but I loved this movie in ways that I didn’t even expect to. Based on the seminal Mark Millar event comic that saw most of the Marvel comic book universe go up against each other, this movie pits the heroes of the MCU against each other, which results in an exciting battle of all of the heroes that we’ve grown to love. The film doesn’t take much else from the comic though, other than the idea of the heroes fighting one another, there is no talk of exposing secret identities here, nor is there a battle between the massive amount of combatants that there were in the comic. If someone had told me these facts before I saw the film, I would have been going into the movie on a downer, but the thing is that this movie doesn’t have to be totally faithful to the comic book to be great, which is a credit to the writers and directors of the film. Watching the film is still like watching a comic book onscreen, just not the same comic book that you have previously read, which is awesome.
The vast majority of the cast of characters that have been introduced in the MCU so far are present here, besides Thor and Hulk. I can see why they omitted these characters, as they really would have given whatever side they chose an unfair advantage. We are left with two sides, there is Team Cap, made up of Cap, Falcon, Bucky, Ant Man, Scarlett Witch and Hawkeye and then there is Team Stark, made up of Iron Man, Vision, Black Widow, War Machine, Black Panther and Spiderman. I went into this movie siding with Team Cap, probably because Iron Man was ultimately the antagonist in the book, but as the film progressed, I have to admit that I could see either side of the argument. The fight sequences are exciting, due to the excellent stunt work and convincing use of CGI, also the acting here is surprisingly deep, especially for a Marvel movie, with several cast members giving passionate, convincing performances. While the action and humour that we have come to expect from a Marvel movie is present here, this film definitely does take on a darker tone in a few sequences and it also questions the idea of superheroes as a concept, there is not only a physical battle present in this movie, but also a psychological one as well as a socio-political one.
The score is used well, there is actually not too many songs present and the score is mostly made up of orchestral instrumental pieces, which also tells you something about the tone of this movie in comparison with previous Marvel films. The editing is also good, snappy enough to keep a consistent pace, while being clear enough to still tell a comprehensible, cohesive story.
Okay it is becoming difficult to continue writing this review without spoiling the movie, so I’ll do a quick summary then I will delve into spoiler territory. This is probably the best Marvel movie to date. It works as a sequel to Captain America Winter Soldier, it works as an ensemble Avengers piece, it works as a sufficient introduction to several new characters and it also blends the more serious tone of previous Cap movies with the more light hearted tone we have previously seen in the Avengers movies. It is a well told, tightly woven story, that still feels large in scope, which is not an easy thing to achieve, *coughs* Batman V Superman, *coughs.* While it’s not what I expected to get when they told us they were making Civil War, it is still a fantastic comic book movie, 9/10.
Okay, spoiler time. This movie came out in the UK a week before it did in America, so I have had the opportunity to see it twice so far. However, I am very aware that this movie isn’t opening in America until May 5th, so I do want to make it very clear that if you haven’t seen the film yet, you really should before reading the rest of this review.
They absolutely nail Spiderman here, in every way. He is the most faithful adaption we have had on the big screen to date, Tom Holland was the perfect choice and it there is no doubt that this young actor clearly has a very bright future ahead of him. Aunt May is played by Marisa Tomei in the film and because she is so young compared to comic book Aunt May, I did initially have my doubts, but she also nails the small role that she has here. The suit is also awesome and after seeing Civil War, I honestly cannot wait for Spiderman: Homecoming. Black Panther is another new character that they introduce and do a good job with, they establish him quickly and clearly and from the get go, we understand this character and his motivations for feeling the ways that he does. The other surprise star of the film is Ant Man, who for the first time onscreen, becomes Giant Man and it is epic. This would have been so easy to make cheesy and just have it not work at all, but here it is convincing and very well implemented into the airport battle. The CGI during this scene is also fantastic. The airport scene is also a highlight of the movie, to see all of these characters onscreen together is truly amazing and as comic book fan I was in heaven. I still can’t believe that we got to see Spiderman making a Star Wars reference, whilst he was swinging around Giant Man, the nerd part of my brain went into overload and I physically couldn’t wipe off the massive, stupid grin that was on my face. The final battle is also pretty cool.
The third act starts off with Tony Stark deciding that he may be wrong about Bucky and that it wasn’t him who set off the bomb in Wakanda, so he, Bucky and Cap team up again to go and confront Zemo, but then the three are shown a CCTV tape from one of Bucky’s past missions, which reveals that it was in fact Bucky that killed Tony’s parents when he was being mind controlled and that Cap knew about this the whole time. This results in Tony being overcome with rage and attacking Cap and Bucky, during the fight he rips off Bucky’s robot arm, but Cap manages to overpower him and he sticks his shield through Tony’s ark reactor, shutting down his suit. We then learn that Black Panther has followed Tony and intends to kill Bucky for setting off the bomb that killed his father, but when he learns that Zemo was behind it, he confronts him and demands an explanation. Zemo tells him that his family were killed when Ultron attacked Sekovia and that he has planned to destroy the Avengers ever since, but because he knew he couldn’t take them down himself, he decided to instead pit them against each other and let them kill one another. Panther then decides that he is sick of seeing people being consumed by revenge and decides to let Zemo live, but Zemo attempts to kill himself anyway, before Panther stops him, telling him that he must remain alive to answer for his crimes. After their fight, Stark tells Cap that he doesn’t deserve his shield, and so Cap drops his shield and helps Bucky out of the bunker. The movie ends with Cap busting his teammates out of prison, where they were put after the airport battle and going into hiding in Black Panther’s mansion house in Wakanda. While the movie is fairly long I did feel that it could have went on a while longer, it’s almost as if the films are at a point now where they know they are going to continue the story in a few months, so they don’t even bother writing a proper ending for the films. This is the only criticism that I have though and like I said we will be getting another Marvel movie in a few months anyway so it doesn’t really matter how this one ends. So yeah, best Marvel movie so far and whether you are a comic book fan or not, this is a damn good time.
The vast majority of the cast of characters that have been introduced in the MCU so far are present here, besides Thor and Hulk. I can see why they omitted these characters, as they really would have given whatever side they chose an unfair advantage. We are left with two sides, there is Team Cap, made up of Cap, Falcon, Bucky, Ant Man, Scarlett Witch and Hawkeye and then there is Team Stark, made up of Iron Man, Vision, Black Widow, War Machine, Black Panther and Spiderman. I went into this movie siding with Team Cap, probably because Iron Man was ultimately the antagonist in the book, but as the film progressed, I have to admit that I could see either side of the argument. The fight sequences are exciting, due to the excellent stunt work and convincing use of CGI, also the acting here is surprisingly deep, especially for a Marvel movie, with several cast members giving passionate, convincing performances. While the action and humour that we have come to expect from a Marvel movie is present here, this film definitely does take on a darker tone in a few sequences and it also questions the idea of superheroes as a concept, there is not only a physical battle present in this movie, but also a psychological one as well as a socio-political one.
The score is used well, there is actually not too many songs present and the score is mostly made up of orchestral instrumental pieces, which also tells you something about the tone of this movie in comparison with previous Marvel films. The editing is also good, snappy enough to keep a consistent pace, while being clear enough to still tell a comprehensible, cohesive story.
Okay it is becoming difficult to continue writing this review without spoiling the movie, so I’ll do a quick summary then I will delve into spoiler territory. This is probably the best Marvel movie to date. It works as a sequel to Captain America Winter Soldier, it works as an ensemble Avengers piece, it works as a sufficient introduction to several new characters and it also blends the more serious tone of previous Cap movies with the more light hearted tone we have previously seen in the Avengers movies. It is a well told, tightly woven story, that still feels large in scope, which is not an easy thing to achieve, *coughs* Batman V Superman, *coughs.* While it’s not what I expected to get when they told us they were making Civil War, it is still a fantastic comic book movie, 9/10.
Okay, spoiler time. This movie came out in the UK a week before it did in America, so I have had the opportunity to see it twice so far. However, I am very aware that this movie isn’t opening in America until May 5th, so I do want to make it very clear that if you haven’t seen the film yet, you really should before reading the rest of this review.
They absolutely nail Spiderman here, in every way. He is the most faithful adaption we have had on the big screen to date, Tom Holland was the perfect choice and it there is no doubt that this young actor clearly has a very bright future ahead of him. Aunt May is played by Marisa Tomei in the film and because she is so young compared to comic book Aunt May, I did initially have my doubts, but she also nails the small role that she has here. The suit is also awesome and after seeing Civil War, I honestly cannot wait for Spiderman: Homecoming. Black Panther is another new character that they introduce and do a good job with, they establish him quickly and clearly and from the get go, we understand this character and his motivations for feeling the ways that he does. The other surprise star of the film is Ant Man, who for the first time onscreen, becomes Giant Man and it is epic. This would have been so easy to make cheesy and just have it not work at all, but here it is convincing and very well implemented into the airport battle. The CGI during this scene is also fantastic. The airport scene is also a highlight of the movie, to see all of these characters onscreen together is truly amazing and as comic book fan I was in heaven. I still can’t believe that we got to see Spiderman making a Star Wars reference, whilst he was swinging around Giant Man, the nerd part of my brain went into overload and I physically couldn’t wipe off the massive, stupid grin that was on my face. The final battle is also pretty cool.
The third act starts off with Tony Stark deciding that he may be wrong about Bucky and that it wasn’t him who set off the bomb in Wakanda, so he, Bucky and Cap team up again to go and confront Zemo, but then the three are shown a CCTV tape from one of Bucky’s past missions, which reveals that it was in fact Bucky that killed Tony’s parents when he was being mind controlled and that Cap knew about this the whole time. This results in Tony being overcome with rage and attacking Cap and Bucky, during the fight he rips off Bucky’s robot arm, but Cap manages to overpower him and he sticks his shield through Tony’s ark reactor, shutting down his suit. We then learn that Black Panther has followed Tony and intends to kill Bucky for setting off the bomb that killed his father, but when he learns that Zemo was behind it, he confronts him and demands an explanation. Zemo tells him that his family were killed when Ultron attacked Sekovia and that he has planned to destroy the Avengers ever since, but because he knew he couldn’t take them down himself, he decided to instead pit them against each other and let them kill one another. Panther then decides that he is sick of seeing people being consumed by revenge and decides to let Zemo live, but Zemo attempts to kill himself anyway, before Panther stops him, telling him that he must remain alive to answer for his crimes. After their fight, Stark tells Cap that he doesn’t deserve his shield, and so Cap drops his shield and helps Bucky out of the bunker. The movie ends with Cap busting his teammates out of prison, where they were put after the airport battle and going into hiding in Black Panther’s mansion house in Wakanda. While the movie is fairly long I did feel that it could have went on a while longer, it’s almost as if the films are at a point now where they know they are going to continue the story in a few months, so they don’t even bother writing a proper ending for the films. This is the only criticism that I have though and like I said we will be getting another Marvel movie in a few months anyway so it doesn’t really matter how this one ends. So yeah, best Marvel movie so far and whether you are a comic book fan or not, this is a damn good time.
Great Villain (1 more)
Great Crime Story
Too many characters (1 more)
Some characters not needed
An ex-child soldier, a violent, hairless man, and a drug lord make up the cast of characters in the Thomas Harris novel, 'Cari Mora.' Mora, our title character, is the ex-child soldier that now lives in Miami, Flordia, where she watches over a deceased drug lord's mansion. This drug lord is the real-life Pablo Escobar.
Written in Harris' crime fiction style, 'Cari Mora' quickly starts with men competing to get to the rumored millions of dollars in gold that is suppose to be at the Escobar mansion. One of these men is a very memorable German character named Hans-Peter Schneider, who readers come to know as someone that is hired to kill/deliver people to rich customers, as well as selling organs on the black market: " He [Schneider] could see his reflection in the glass side of his liquid cremation machine where he was dissolving Karla, a girl who hadn't worked out for business." When Schneider meets Mora, he immediately wants to sell her to a high paying customer.
The novel's main subject is Escobar's hidden gold, but readers also get a glimpse into the underworld of human trafficking and hired thugs. Most interestingly, the story surrounds the dark past of certain characters - - - mostly Mora and Schneider- - - who also happen to be the most put-together characters in all of the novel. All other characters seem to be filler, where most of their stories either don't end or aren't explained. Such as the character Benito, when the reader gets to follow him home, there is a mere snippet about his family life that leaves us wanting more: " Lupe was waiting at Benito's house, in spirit, in the small garden she had made behind Benito's house. He felt her presence warm and close to him as fireflies winked over the white blossoms, luminous under the moon. Benito poured a glass of Flor de Cana for himself and one for her. He drank both of them sitting in the garden with Lupe, and being there together was enough. "
While the treasure hunt is going on, a man named Jesus Villarreal becomes an important character that used to be Escobar's captain- - - and who knows exactly where the gold is hidden; he has not only made a deal with Schneider, but also another drug lord named Don Ernesto- - - if he tells exactly how to get the gold, safely, his wife, son and sister-in-law must be taken care of when he is gone.
This story has twist and turns known in every great crime fiction novel: a woman who is more than what she seems, thugs with guns, dark backstories, and fast-reading action. Yet, the story contains so many characters,even new ones coming in on almost every chapter, that it could be hard for readers to keep in mind who is who, especially with not enough description to tell them apart. Another disappointment is the character named Detective Terry Robles, who had such an amazing story to tell - - - from he and his wife being shot up by druggies to Robles seeking revenge when his wife can't exactly remember who she is,let alone who he is, because of her injury - - - but his story never comes to fruition, and we never get to experience the end of it.
As great as a character Mora is, I personally believe that Schneider would have been a much more interesting view point to read from. The story would have taken on a completely different appeal if the focus had been on strictly him. For instance, one of the most intriguing parts was reading about Schneider's past which may hold the key to why he is who he is : "His parents were in the freezer and he could hear their voices through the door. They could not get out because the freezer door was secured with a chain Hans had tied in an excellent chain knot, the way his father had taught him to tie a chain, shaking the knot until the links jammed tight. "
Although I wish for a different view point, I will say again that Mora is a well-written character - - - her character just becomes flat in certain places- - - but she still makes the story worth reading. Harris did a wonderful job in showing the darker side of life, as he has always done with his Hannibal series. If anyone is a fan of the Netflix show 'Narcos,' or crime fiction surrounding drug lords, they will certainly enjoy this book from beginning to end.
Written in Harris' crime fiction style, 'Cari Mora' quickly starts with men competing to get to the rumored millions of dollars in gold that is suppose to be at the Escobar mansion. One of these men is a very memorable German character named Hans-Peter Schneider, who readers come to know as someone that is hired to kill/deliver people to rich customers, as well as selling organs on the black market: " He [Schneider] could see his reflection in the glass side of his liquid cremation machine where he was dissolving Karla, a girl who hadn't worked out for business." When Schneider meets Mora, he immediately wants to sell her to a high paying customer.
The novel's main subject is Escobar's hidden gold, but readers also get a glimpse into the underworld of human trafficking and hired thugs. Most interestingly, the story surrounds the dark past of certain characters - - - mostly Mora and Schneider- - - who also happen to be the most put-together characters in all of the novel. All other characters seem to be filler, where most of their stories either don't end or aren't explained. Such as the character Benito, when the reader gets to follow him home, there is a mere snippet about his family life that leaves us wanting more: " Lupe was waiting at Benito's house, in spirit, in the small garden she had made behind Benito's house. He felt her presence warm and close to him as fireflies winked over the white blossoms, luminous under the moon. Benito poured a glass of Flor de Cana for himself and one for her. He drank both of them sitting in the garden with Lupe, and being there together was enough. "
While the treasure hunt is going on, a man named Jesus Villarreal becomes an important character that used to be Escobar's captain- - - and who knows exactly where the gold is hidden; he has not only made a deal with Schneider, but also another drug lord named Don Ernesto- - - if he tells exactly how to get the gold, safely, his wife, son and sister-in-law must be taken care of when he is gone.
This story has twist and turns known in every great crime fiction novel: a woman who is more than what she seems, thugs with guns, dark backstories, and fast-reading action. Yet, the story contains so many characters,even new ones coming in on almost every chapter, that it could be hard for readers to keep in mind who is who, especially with not enough description to tell them apart. Another disappointment is the character named Detective Terry Robles, who had such an amazing story to tell - - - from he and his wife being shot up by druggies to Robles seeking revenge when his wife can't exactly remember who she is,let alone who he is, because of her injury - - - but his story never comes to fruition, and we never get to experience the end of it.
As great as a character Mora is, I personally believe that Schneider would have been a much more interesting view point to read from. The story would have taken on a completely different appeal if the focus had been on strictly him. For instance, one of the most intriguing parts was reading about Schneider's past which may hold the key to why he is who he is : "His parents were in the freezer and he could hear their voices through the door. They could not get out because the freezer door was secured with a chain Hans had tied in an excellent chain knot, the way his father had taught him to tie a chain, shaking the knot until the links jammed tight. "
Although I wish for a different view point, I will say again that Mora is a well-written character - - - her character just becomes flat in certain places- - - but she still makes the story worth reading. Harris did a wonderful job in showing the darker side of life, as he has always done with his Hannibal series. If anyone is a fan of the Netflix show 'Narcos,' or crime fiction surrounding drug lords, they will certainly enjoy this book from beginning to end.
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I tried to avoid much about this before seeing it and despite the internet being what it is I somehow managed to avoid spoilers.
Harley is fresh off a breakup and she's looking for something to help her bounce back. When she finds the perfect way it's liberating, she's a whole new woman... she's also the managed to declare open season on herself. The who's who of Gotham villainy are looking for revenge and there's no one to protect her.
In the inevitable chaos she leaves in her wake she comes across a group of ladies who are all in need of some new friends.
I went in expecting something with a bit of sass, that's all I really had in mind before seeing it, violence and sass. It certainly didn't disappoint on that level. But there was some confusion for me because there was a lot of film without actually feeling we were into the meat of the story... or what I had assumed was the main point of the film. That fact left me pondering about whether this should have had a different title.
The opening was a particular surprise, it was so different and it really worked. It provided a quick recap on what we'd missed between previous offerings and did it in such a fun way. I loved the animation style and it had some nods of nostalgia in there too.
Being the villain with a touch of hero puts Harley on a level with other characters and films, there are many little flashes throughout that remind me of Deadpool and Suicide Squad. Even with those nods it definitely takes on its own twist. There's no denying that Harley is a great character, and Robbie plays her fantastically, but she's been done wrong by being given a film without the proper credit of it... Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn... As I said above, perhaps this name was misplaced. Giving the Birds Of Prey headline billing makes you think you're getting something very different. Traditionally you would go from existing content to new... here's Harley and introducing Birds Of Prey... but while the story does that the title does the complete opposite. I don't know why they wouldn't just have given the honour to Harley instead of a rather fanciful footnote of a subtitle.
Harley has some great moments in this film, the emotion on her face when she works out how to get closure and then this...
[sadly no amazing gif in this review, you can see it on my blog, link below]
I can see the whole thing as being within her personality, but somehow not the end of the film, that's the bit that didn't feel right to me.
The whole film feels like a set up for an actual Birds Of Prey film, but I'm not sure any of the characters really got their due. Renee Montoya was originally a character made for Batman's part of Gotham, not Harley's, she was affected by the corruption of the Police Department and her story feels like it was much more serious and dark there than it was here. Black Canary, again, doesn't seem to live up to existing backstory, though her caring nature in this is a welcome addition and she probably does the best out of the story. Huntress' story is a general amalgam of existing things, but she doesn't develop much, the fact that she's "new" to this lifestyle is played on a lot and her inexperience is used for humour most of the time. Cassandra Cain is probably the worst pickpocket in Gotham and yet somehow manages to steal a lot of stuff, what's more frustrating here is that the name holds a lot of weight in the DCEU but not in this film.
There are a lot of "main" characters and that doesn't help matters, but when they interact they all work quite well together. I don't think it would have hurt to have Montoya there in a lesser capacity, and the same goes for Cain. Neither character in this incarnation do a lot, though Cain physically has an important part to play.
Ewan McGregor's Roman Sionis/Black Mask. From the trailer I was keen to see what McGregor would do with this villainous role. It looked like it was going to be great, but the final product wasn't what I'd hoped for. Whether it was the reshoots or it was never there in the first place I don't know but it's a chaotic performance that probably should have been left to a new character. Naming him would have been fine if they'd actually given him the necessary story to explain him. As it is we get a glimpse of Black Mask and his gang but it doesn't mean a lot, and in the end it's a rather wasted opportunity.
There are a lot of things I want to say so I think I'm just going to list them off for a bit and then get back to something sensible...
Bojana Novakovic scene where she's on the table. It's completely out of place, there are plenty of ways to show Roman's paranoia and his bizarrely toxic relationship with Zsasz and any of them would have been better than this. The only good thing to take from it is that Black Canary has a really strong performance in it.
LGBT representation. There's so much of it and yet none whatsoever. They show us that Harley had a girlfriend in the past. Montoya is gay and we see the tatters of her relationship with Ellen Yee in a couple of brief exchanges. Roman and Zsasz... their relationship is an odd one, while not acknowledged as being gay they do have a very close bond. It could just be that they enable the destructive kindred spirit in each other, but Zsasz does have a jealous side that appears randomly. So like I said, there's a lot of inclusivity and yet none of it really get much airtime, and certainly not positive airtime.
Harley's narration and what it means for the story. The internet loves its controversy and one of the things with Birds Of Prey is that it's feminism gone made because all men are depicted as bad in the film. What I would say to that is that Harley is the narrator. She's fresh off her breakup with the Joker and she's angry... if she's telling this story the men are either going to be non-descript (police officers minding their own business in her attack) or bad (actual villains, minions or people who have wronged her friends who would therefore be bad in her mind). By that logic it's a really consistent narrative.
I think I've covered most of the random musings there.
Action in Birds Of Prey is really fun, but a little frustrating at times. The police station raid that we see in the trailer is brilliant and I love Harley's fun gun, it's a magical thing to watch and the explosions of colour add a great twist. It's really well choreographed and I actually think it builds well on Harley's changing nature from Suicide Squad. I do have issues with this same sequence though. Those sprinklers, there's no need for it apart from some added flair when they fight... and of course the bad guys all queue up to fight her one by one, very considerate. It then progresses to the evidence room and I don't think they took enough advantage of that for comedic effect, though I did like that it taught me a great technique for escaping an attacker and Harley got a great trick shot in.
The other big sequence is the finale where our leading ladies face off against those evil men inside the fun house (not the Pat Sharp one). There are a lot of oversized props and Cain is just kind of tossed around the set like a ragdoll but there are some amusing moments to be had out of it. My issue with this one is that they don't think things through and they get themselves into something that was entirely avoidable.
Design of everything from costumes to sets is fabulous, the colours in particular really jump out. The camerawork is great too and I enjoyed the slightly hyper nature to it with the way it switches up within scenes. Music choices are brilliant too and I've been on Spotify and got the songs to listen to, none of this album malarkey though, I found a list online of all the song, don't do it by halves... Barracuda and Black Betty need to be on your playlist!
I know I kind of fluffed over those bits very quickly but honestly I don't know how you're still reading this review at this point.
So, in conclusion... there are a lot of flaws, on first viewing I loved the beginning but felt let down by the end. My second viewing went a very similar way, though the divide blurred away a little bit. Even with these issues I really enjoyed Birds Of Prey, the acting is all good (it's only the characters I have problems with) and it's just crazy fun. People pick at the way DCEU films have been going, but honestly, I'm loving it.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/02/birds-of-prey-movie-review.html
Harley is fresh off a breakup and she's looking for something to help her bounce back. When she finds the perfect way it's liberating, she's a whole new woman... she's also the managed to declare open season on herself. The who's who of Gotham villainy are looking for revenge and there's no one to protect her.
In the inevitable chaos she leaves in her wake she comes across a group of ladies who are all in need of some new friends.
I went in expecting something with a bit of sass, that's all I really had in mind before seeing it, violence and sass. It certainly didn't disappoint on that level. But there was some confusion for me because there was a lot of film without actually feeling we were into the meat of the story... or what I had assumed was the main point of the film. That fact left me pondering about whether this should have had a different title.
The opening was a particular surprise, it was so different and it really worked. It provided a quick recap on what we'd missed between previous offerings and did it in such a fun way. I loved the animation style and it had some nods of nostalgia in there too.
Being the villain with a touch of hero puts Harley on a level with other characters and films, there are many little flashes throughout that remind me of Deadpool and Suicide Squad. Even with those nods it definitely takes on its own twist. There's no denying that Harley is a great character, and Robbie plays her fantastically, but she's been done wrong by being given a film without the proper credit of it... Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn... As I said above, perhaps this name was misplaced. Giving the Birds Of Prey headline billing makes you think you're getting something very different. Traditionally you would go from existing content to new... here's Harley and introducing Birds Of Prey... but while the story does that the title does the complete opposite. I don't know why they wouldn't just have given the honour to Harley instead of a rather fanciful footnote of a subtitle.
Harley has some great moments in this film, the emotion on her face when she works out how to get closure and then this...
[sadly no amazing gif in this review, you can see it on my blog, link below]
I can see the whole thing as being within her personality, but somehow not the end of the film, that's the bit that didn't feel right to me.
The whole film feels like a set up for an actual Birds Of Prey film, but I'm not sure any of the characters really got their due. Renee Montoya was originally a character made for Batman's part of Gotham, not Harley's, she was affected by the corruption of the Police Department and her story feels like it was much more serious and dark there than it was here. Black Canary, again, doesn't seem to live up to existing backstory, though her caring nature in this is a welcome addition and she probably does the best out of the story. Huntress' story is a general amalgam of existing things, but she doesn't develop much, the fact that she's "new" to this lifestyle is played on a lot and her inexperience is used for humour most of the time. Cassandra Cain is probably the worst pickpocket in Gotham and yet somehow manages to steal a lot of stuff, what's more frustrating here is that the name holds a lot of weight in the DCEU but not in this film.
There are a lot of "main" characters and that doesn't help matters, but when they interact they all work quite well together. I don't think it would have hurt to have Montoya there in a lesser capacity, and the same goes for Cain. Neither character in this incarnation do a lot, though Cain physically has an important part to play.
Ewan McGregor's Roman Sionis/Black Mask. From the trailer I was keen to see what McGregor would do with this villainous role. It looked like it was going to be great, but the final product wasn't what I'd hoped for. Whether it was the reshoots or it was never there in the first place I don't know but it's a chaotic performance that probably should have been left to a new character. Naming him would have been fine if they'd actually given him the necessary story to explain him. As it is we get a glimpse of Black Mask and his gang but it doesn't mean a lot, and in the end it's a rather wasted opportunity.
There are a lot of things I want to say so I think I'm just going to list them off for a bit and then get back to something sensible...
Bojana Novakovic scene where she's on the table. It's completely out of place, there are plenty of ways to show Roman's paranoia and his bizarrely toxic relationship with Zsasz and any of them would have been better than this. The only good thing to take from it is that Black Canary has a really strong performance in it.
LGBT representation. There's so much of it and yet none whatsoever. They show us that Harley had a girlfriend in the past. Montoya is gay and we see the tatters of her relationship with Ellen Yee in a couple of brief exchanges. Roman and Zsasz... their relationship is an odd one, while not acknowledged as being gay they do have a very close bond. It could just be that they enable the destructive kindred spirit in each other, but Zsasz does have a jealous side that appears randomly. So like I said, there's a lot of inclusivity and yet none of it really get much airtime, and certainly not positive airtime.
Harley's narration and what it means for the story. The internet loves its controversy and one of the things with Birds Of Prey is that it's feminism gone made because all men are depicted as bad in the film. What I would say to that is that Harley is the narrator. She's fresh off her breakup with the Joker and she's angry... if she's telling this story the men are either going to be non-descript (police officers minding their own business in her attack) or bad (actual villains, minions or people who have wronged her friends who would therefore be bad in her mind). By that logic it's a really consistent narrative.
I think I've covered most of the random musings there.
Action in Birds Of Prey is really fun, but a little frustrating at times. The police station raid that we see in the trailer is brilliant and I love Harley's fun gun, it's a magical thing to watch and the explosions of colour add a great twist. It's really well choreographed and I actually think it builds well on Harley's changing nature from Suicide Squad. I do have issues with this same sequence though. Those sprinklers, there's no need for it apart from some added flair when they fight... and of course the bad guys all queue up to fight her one by one, very considerate. It then progresses to the evidence room and I don't think they took enough advantage of that for comedic effect, though I did like that it taught me a great technique for escaping an attacker and Harley got a great trick shot in.
The other big sequence is the finale where our leading ladies face off against those evil men inside the fun house (not the Pat Sharp one). There are a lot of oversized props and Cain is just kind of tossed around the set like a ragdoll but there are some amusing moments to be had out of it. My issue with this one is that they don't think things through and they get themselves into something that was entirely avoidable.
Design of everything from costumes to sets is fabulous, the colours in particular really jump out. The camerawork is great too and I enjoyed the slightly hyper nature to it with the way it switches up within scenes. Music choices are brilliant too and I've been on Spotify and got the songs to listen to, none of this album malarkey though, I found a list online of all the song, don't do it by halves... Barracuda and Black Betty need to be on your playlist!
I know I kind of fluffed over those bits very quickly but honestly I don't know how you're still reading this review at this point.
So, in conclusion... there are a lot of flaws, on first viewing I loved the beginning but felt let down by the end. My second viewing went a very similar way, though the divide blurred away a little bit. Even with these issues I really enjoyed Birds Of Prey, the acting is all good (it's only the characters I have problems with) and it's just crazy fun. People pick at the way DCEU films have been going, but honestly, I'm loving it.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/02/birds-of-prey-movie-review.html
I have a tough time reviewing books about Black Feminism. I enjoy reading them - well, maybe "enjoy" isn't quite the right word. They can be tough. I am glad to have read them. But how to review them? I'm a white woman, it's not really my place to critique these works. But it would be remiss of me to not talk about them - denying them the same space on my blog that I give to everything else I read is its own kind of erasure. I'm not sure how best to resolve this, but for this specific book, at least, I can talk about what I learned from it.
What I learned is that some of my childhood was straight-up racist. I always thought of my childhood as pretty idyllic - my parents were high school sweethearts, and to this day still adore each other. We lived in a house my parents owned. (My most formative years were actually spent in the house my mother grew up in; my parents bought it from my grandparents when I was seven.) We got to run around and play on a quiet neighborhood street where we knew all of our neighbors. We had pets of various species, we got technology fairly quickly since my father was a computer geek, we had a garden out back that Mom canned beans out of every year.
But I was homeschooled until eighth grade. (With Bob Jones and Abeka Books, notoriously Christian curriculum. I thought humans lived with dinosaurs well into my twenties.) We went to a conservative Christian church every Sunday. (And Tuesday. And some Fridays.) While my parents taught that I could be anything I wanted to be, the church definitely over rode that with "women should be subservient to men" and "don't trust your own judgment, ask God/your parents/the elders."
The incident that Jerkins' book brought back to mind, though, was a party I went to. I'm pretty sure it was someone's birthday party, but at a church. Not our church. There were a lot of people, though, so I could be wrong about the birthday party. It was this party where I got the tiny scar in my eyebrow - some kid broke the bat on the pinata and threw it behind him, where it hit me in the face. Before that, though, was the cake walk. There were footprints laid out on the concrete floor, and we paced around them while music played, kind of like musical chairs, I think. (I was younger than ten, my memory is a little fuzzy.) I won the cake! I thought nothing of this until reading This Will Be My Undoing.
"The cakewalk was a dance performed in the late nineteenth century at slave get-togethers. You lean or rear back and kick your feet out left and right or vice versa as you move forward......White people would watch them dance, fascinated by the exoticness of it all. These spectacles were purposeful humiliations. But the cakewalk evolved as slaves' own form of subversion. While serving at large and fancy parties in the early 1800s, they would watch well-to-do white people perform strict and stiff dances, like cotillions and quadrilles, and mimic them, exaggerating the bowing and small skips and hops and adding some high steps and jumps. In diaries kept by white people in the antebellum South, the cakewalk is not depicted as a form of satire. After all, why would a sweet slave mock his benevolent master? To white people's eyes, this imitation seemed like flattery. They were delighted that the slaves were attempting their civilized dances. In fact, they would hold competitions and the winning slaves would receive a cake, hence the name. Yet they were being mocked, right in front of their faces."
WHY WAS THIS BEING HELD AT A CHURCH PARTY? I don't recall if it was all white kids, but it probably was. My hometown was not very ethnically diverse. The more I learn - academically, politically, socially, secularly - the more I realize my childhood was pretty fucked up in a lot of different ways. I don't know if it was more or less fucked up than most white kids' childhoods - white supremacy is insidious. I was an ignorant child at the time, but to realize, decades later, how racist holding a cakewalk is, stopped me in my tracks. (Incidentally, this means that calling something "a cakewalk" has its roots in racism, like so many other things in our language. Cakewalks weren't easy - but the best dancers made them look that way.)
So that's what I can say about this book. I learned something about my childhood. Beyond that, all I will offer is that Jerkins is an excellent writer; the book flows well and is an easy read, despite the subject matter not being easy. Read it. It's important.
You can find all my reviews at http://goddessinthestacks.com
What I learned is that some of my childhood was straight-up racist. I always thought of my childhood as pretty idyllic - my parents were high school sweethearts, and to this day still adore each other. We lived in a house my parents owned. (My most formative years were actually spent in the house my mother grew up in; my parents bought it from my grandparents when I was seven.) We got to run around and play on a quiet neighborhood street where we knew all of our neighbors. We had pets of various species, we got technology fairly quickly since my father was a computer geek, we had a garden out back that Mom canned beans out of every year.
But I was homeschooled until eighth grade. (With Bob Jones and Abeka Books, notoriously Christian curriculum. I thought humans lived with dinosaurs well into my twenties.) We went to a conservative Christian church every Sunday. (And Tuesday. And some Fridays.) While my parents taught that I could be anything I wanted to be, the church definitely over rode that with "women should be subservient to men" and "don't trust your own judgment, ask God/your parents/the elders."
The incident that Jerkins' book brought back to mind, though, was a party I went to. I'm pretty sure it was someone's birthday party, but at a church. Not our church. There were a lot of people, though, so I could be wrong about the birthday party. It was this party where I got the tiny scar in my eyebrow - some kid broke the bat on the pinata and threw it behind him, where it hit me in the face. Before that, though, was the cake walk. There were footprints laid out on the concrete floor, and we paced around them while music played, kind of like musical chairs, I think. (I was younger than ten, my memory is a little fuzzy.) I won the cake! I thought nothing of this until reading This Will Be My Undoing.
"The cakewalk was a dance performed in the late nineteenth century at slave get-togethers. You lean or rear back and kick your feet out left and right or vice versa as you move forward......White people would watch them dance, fascinated by the exoticness of it all. These spectacles were purposeful humiliations. But the cakewalk evolved as slaves' own form of subversion. While serving at large and fancy parties in the early 1800s, they would watch well-to-do white people perform strict and stiff dances, like cotillions and quadrilles, and mimic them, exaggerating the bowing and small skips and hops and adding some high steps and jumps. In diaries kept by white people in the antebellum South, the cakewalk is not depicted as a form of satire. After all, why would a sweet slave mock his benevolent master? To white people's eyes, this imitation seemed like flattery. They were delighted that the slaves were attempting their civilized dances. In fact, they would hold competitions and the winning slaves would receive a cake, hence the name. Yet they were being mocked, right in front of their faces."
WHY WAS THIS BEING HELD AT A CHURCH PARTY? I don't recall if it was all white kids, but it probably was. My hometown was not very ethnically diverse. The more I learn - academically, politically, socially, secularly - the more I realize my childhood was pretty fucked up in a lot of different ways. I don't know if it was more or less fucked up than most white kids' childhoods - white supremacy is insidious. I was an ignorant child at the time, but to realize, decades later, how racist holding a cakewalk is, stopped me in my tracks. (Incidentally, this means that calling something "a cakewalk" has its roots in racism, like so many other things in our language. Cakewalks weren't easy - but the best dancers made them look that way.)
So that's what I can say about this book. I learned something about my childhood. Beyond that, all I will offer is that Jerkins is an excellent writer; the book flows well and is an easy read, despite the subject matter not being easy. Read it. It's important.
You can find all my reviews at http://goddessinthestacks.com
Replica is a fascinating novel about human cloning that is written from two points of view. It's really unique because it can be read in three different ways. The first is from Lena's perspective. Lena is a replica, or clone, and has only known a life at Haven. The second is from Gemma's point of view. Gemma is a normal girl who doesn't feel like she fits in. The final method, and way I chose to read the book, was alternating chapters. The two stories are woven together seamlessly and make for a great read.
On an island surrounded by guard towers and fences, ocean and marsh, alligators and water mocassins is Have - Lyra's home. Each day she is told when to eat, sleep and take her medication. Her life is not her own. It's not even considered a life by most of the staff who address her as "it".. if they recognize her at all.
Gemma attends high school and has two overprotective parents. she was very sick as a child and her parents never quite got over it. Gemma isn't even allowed to participate in gym, which doesn't help shield her from school bullies. Instead, it makes her more of a target. Her only true friend is April.
Somehow, Gemma and April manage to convince their parents to allow them to spend their spring break at April's grandparent's house in Florida. Just days before their trip, there is an explosion at Haven. Gemma overhears her parents fighting about it and suddenly she's not longer allowed on her trip. hurt and confused, Gemma begins to dig into Haven wondering why it is so important. She discovers a world of conspiracies and realized she must uncover the truth.
Catching a ride to Florida with a classmate, Pete, Gemma rebels for the first time in her life. She goes on a harrowing adventure and her path eventually crosses with Lyra's. Together, they begin to learn the truth and uncover life-altering information about Haven and themselves.
Both Lyra and Gemma are well-written characters that the reader can relate to. Lyra, or number 24, is new to the world and slow to trust. Gemma is caring and curious. Personally, I related to Gemma more than Lyra but I know a lot of people say the opposite. They are joined by the talkative and reliable Pete; the only person to ever make it to Haven Jake; and a fellow Haven resident number 72, or Caelum. Each boy has a unique personality and purpose in the story.
The world of Haven and the replicas is fascinating. Unfortunately, we only know as much as out protagonists do. I eagerly await more world building in future books. The backstory was a giant mystery involving Gemma's father, but she slowly discovers little pieces and the world is exposed to us bit by bit.
The story immediately draws you in and you can't put the book down (or at least I couldn't!) Recommended for fans of science fiction (or fact) and mystery young adult books. Even if you don't normally gravitate towards science related fiction, this book is very accessible. Fans of BBC's Orphan Black will find themselves in love with this novel. Definitely a must read!
On an island surrounded by guard towers and fences, ocean and marsh, alligators and water mocassins is Have - Lyra's home. Each day she is told when to eat, sleep and take her medication. Her life is not her own. It's not even considered a life by most of the staff who address her as "it".. if they recognize her at all.
Gemma attends high school and has two overprotective parents. she was very sick as a child and her parents never quite got over it. Gemma isn't even allowed to participate in gym, which doesn't help shield her from school bullies. Instead, it makes her more of a target. Her only true friend is April.
Somehow, Gemma and April manage to convince their parents to allow them to spend their spring break at April's grandparent's house in Florida. Just days before their trip, there is an explosion at Haven. Gemma overhears her parents fighting about it and suddenly she's not longer allowed on her trip. hurt and confused, Gemma begins to dig into Haven wondering why it is so important. She discovers a world of conspiracies and realized she must uncover the truth.
Catching a ride to Florida with a classmate, Pete, Gemma rebels for the first time in her life. She goes on a harrowing adventure and her path eventually crosses with Lyra's. Together, they begin to learn the truth and uncover life-altering information about Haven and themselves.
Both Lyra and Gemma are well-written characters that the reader can relate to. Lyra, or number 24, is new to the world and slow to trust. Gemma is caring and curious. Personally, I related to Gemma more than Lyra but I know a lot of people say the opposite. They are joined by the talkative and reliable Pete; the only person to ever make it to Haven Jake; and a fellow Haven resident number 72, or Caelum. Each boy has a unique personality and purpose in the story.
The world of Haven and the replicas is fascinating. Unfortunately, we only know as much as out protagonists do. I eagerly await more world building in future books. The backstory was a giant mystery involving Gemma's father, but she slowly discovers little pieces and the world is exposed to us bit by bit.
The story immediately draws you in and you can't put the book down (or at least I couldn't!) Recommended for fans of science fiction (or fact) and mystery young adult books. Even if you don't normally gravitate towards science related fiction, this book is very accessible. Fans of BBC's Orphan Black will find themselves in love with this novel. Definitely a must read!
Louise (64 KP) rated The Breakdown in Books
Jul 2, 2018
*I received a copy of this book from Netgalley and the publisher in exchange for an honest review*
Sometimes it’s hard to find a really good Thriller novel, what with there being absolutely thousands upon thousands of them, you will read some mediocre and some pretty bad ones, ‘The Breakdown’ was neither of these, it was fantastic.
Cass has just been to a house-warming and deciding to call it a night, gets into her car and makes her way home. The weather is horrendous, it’s raining heavily, wild wind and it’s pitch black. Before she leaves she rings her husband to let him know she is on her way home and he makes her promise to take the longer route home due to the weather and that it’s 1am in the morning. However, Cass decides to take the shortcut through the woods despite promising her husband she wouldn’t. Through the woods/forest is 20 minutes off her journey and she really just wants to get to bed, however halfway through she sees a car parked up and a glimpses and woman inside. Cass pulls up and waits to see if the woman will jump out of her car for help, after 5 minutes with no sight of the woman Cass decides to carry on home. In the local papers the next morning a woman has been found dead exactly where Cass had stopped, the guilt builds up and she wants to tell the police but what if they think it was her? and what would her husband say if he knew she was in the woods?
I am not going to lie, I flipping loved this book a lot. I loved the characters, I loved the plot and the twist too. It just has everything you want in a good thriller. What made it great for me was the unreliable narrator and that it was so realistic and believable.
I adored Cass,I felt that I could relate to her in so many ways. She drove off after no-one jumped out of the car but I would have done the exact same thing. A young woman on their own in the woods is a no-go but I might have done somethings differently, who knows until you are put in that situation. She has a great husband who adores her and is very understanding. She seems to be having memory issues and becoming rather forgetful which is causing her to get stressed, the guilt of not doing anything in the woods is eating away at her and everything starts to become too much. Also she is getting silent phone calls,I mean how much more can one woman take.
All the side characters were good, such as her friends and colleagues and felt they were all integral to the story.
This is the first B A Paris book that I have read and I absolutely adored it, it was fast paced and had you on the edge of your seat. I felt so much sympathy for Cass but also a lot of respect. I cannot wait to read ‘Behind Closed Doors’.
The only thing that let this book down for me that it was a little bit predictable but the joy I got reading this book out weighed that con.
I rated this 4.5 out of 5 stars
Sometimes it’s hard to find a really good Thriller novel, what with there being absolutely thousands upon thousands of them, you will read some mediocre and some pretty bad ones, ‘The Breakdown’ was neither of these, it was fantastic.
Cass has just been to a house-warming and deciding to call it a night, gets into her car and makes her way home. The weather is horrendous, it’s raining heavily, wild wind and it’s pitch black. Before she leaves she rings her husband to let him know she is on her way home and he makes her promise to take the longer route home due to the weather and that it’s 1am in the morning. However, Cass decides to take the shortcut through the woods despite promising her husband she wouldn’t. Through the woods/forest is 20 minutes off her journey and she really just wants to get to bed, however halfway through she sees a car parked up and a glimpses and woman inside. Cass pulls up and waits to see if the woman will jump out of her car for help, after 5 minutes with no sight of the woman Cass decides to carry on home. In the local papers the next morning a woman has been found dead exactly where Cass had stopped, the guilt builds up and she wants to tell the police but what if they think it was her? and what would her husband say if he knew she was in the woods?
I am not going to lie, I flipping loved this book a lot. I loved the characters, I loved the plot and the twist too. It just has everything you want in a good thriller. What made it great for me was the unreliable narrator and that it was so realistic and believable.
I adored Cass,I felt that I could relate to her in so many ways. She drove off after no-one jumped out of the car but I would have done the exact same thing. A young woman on their own in the woods is a no-go but I might have done somethings differently, who knows until you are put in that situation. She has a great husband who adores her and is very understanding. She seems to be having memory issues and becoming rather forgetful which is causing her to get stressed, the guilt of not doing anything in the woods is eating away at her and everything starts to become too much. Also she is getting silent phone calls,I mean how much more can one woman take.
All the side characters were good, such as her friends and colleagues and felt they were all integral to the story.
This is the first B A Paris book that I have read and I absolutely adored it, it was fast paced and had you on the edge of your seat. I felt so much sympathy for Cass but also a lot of respect. I cannot wait to read ‘Behind Closed Doors’.
The only thing that let this book down for me that it was a little bit predictable but the joy I got reading this book out weighed that con.
I rated this 4.5 out of 5 stars
Hazel (1853 KP) rated Deep Blue (Waterfire Saga, #1) in Books
Dec 17, 2018
My rating: 3.5
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review</i>
Mermaids are perhaps one of the least written about mythical creature in novels. On the occasions that they are referred to they are often represented as evil siren-like females luring sailors to their deaths. The mermaids in Jennifer Donnelly’s <i>Waterfire Saga</i> are not like that at all, in fact their lives are not dissimilar to that of humans.
<i>Deep Blue</i> is the first novel in this saga but felt like it was mostly setting the scene for the yet-to-be-published sequels. It begins with Serafina, the Principessa of the House of Merrow, preparing for the Dokimí or betrothal ceremony occurring that evening. Although her songspell, a particularly difficult task, goes perfectly, assassins gatecrash the ceremony. The black-clad mermen fire poison arrows at the crowd, killing Sera’s father and fatally injuring her mother, the Regina.
Along with her best friend Neela, Serafina flees the city but it is not long before their assailants catch up with them. Throughout all this destruction the two mermaids discover that they have been having the same dream about being summoned by the Iele – a legendary group of river witches – and with no where else to go they head to the river Olt in Romania in order to find them and discover what they are being called upon for. As it turns out they are not the only girls heading that way. Six mermaids in total have been having the same dream and they eventually meet up on their way to the Iele.
Although the end of <i>Deep Blue</i> revealed the girls’ purposes, it will not be until the second book that this task is carried out. Due to this it feels as though the main storyline of the <i>Waterfire Saga</i> is yet to begin properly. Having said that, <i>Deep Blue</i> was still an entertaining read. It may take a while for readers to get into the story but the later half is full of action and even contains the odd humorous pun, which prevents the book from becoming too dark.
It must be difficult to write about mermaids as the setting is, naturally, deep under the surface of oceans, seas, rivers and lakes. The writer would need to think carefully about what is possible underwater, and remember to use words such as “swim” instead of “walk”. Even though Donnelly did a fantastic job there were occasions where the characters could easily be mistaken for humans with legs rather than fish tails.
There were lots of made up words and names used in this book which some people may find confusing thus making it difficult to keep track of who is who. The author has helpfully included a glossary of these terms and names which readers can refer to as and when they need to. It does not, however, include a pronunciation guide, which is a shame as some of the words have an Eastern European look to them and readers unfamiliar with those types of dialects may struggle with some of the expressions: for example, Baba Vrăja.
Overall this saga has the potential to become a magnificent set of books with a uniqueness setting them apart from other popular fantasy stories of today.
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review</i>
Mermaids are perhaps one of the least written about mythical creature in novels. On the occasions that they are referred to they are often represented as evil siren-like females luring sailors to their deaths. The mermaids in Jennifer Donnelly’s <i>Waterfire Saga</i> are not like that at all, in fact their lives are not dissimilar to that of humans.
<i>Deep Blue</i> is the first novel in this saga but felt like it was mostly setting the scene for the yet-to-be-published sequels. It begins with Serafina, the Principessa of the House of Merrow, preparing for the Dokimí or betrothal ceremony occurring that evening. Although her songspell, a particularly difficult task, goes perfectly, assassins gatecrash the ceremony. The black-clad mermen fire poison arrows at the crowd, killing Sera’s father and fatally injuring her mother, the Regina.
Along with her best friend Neela, Serafina flees the city but it is not long before their assailants catch up with them. Throughout all this destruction the two mermaids discover that they have been having the same dream about being summoned by the Iele – a legendary group of river witches – and with no where else to go they head to the river Olt in Romania in order to find them and discover what they are being called upon for. As it turns out they are not the only girls heading that way. Six mermaids in total have been having the same dream and they eventually meet up on their way to the Iele.
Although the end of <i>Deep Blue</i> revealed the girls’ purposes, it will not be until the second book that this task is carried out. Due to this it feels as though the main storyline of the <i>Waterfire Saga</i> is yet to begin properly. Having said that, <i>Deep Blue</i> was still an entertaining read. It may take a while for readers to get into the story but the later half is full of action and even contains the odd humorous pun, which prevents the book from becoming too dark.
It must be difficult to write about mermaids as the setting is, naturally, deep under the surface of oceans, seas, rivers and lakes. The writer would need to think carefully about what is possible underwater, and remember to use words such as “swim” instead of “walk”. Even though Donnelly did a fantastic job there were occasions where the characters could easily be mistaken for humans with legs rather than fish tails.
There were lots of made up words and names used in this book which some people may find confusing thus making it difficult to keep track of who is who. The author has helpfully included a glossary of these terms and names which readers can refer to as and when they need to. It does not, however, include a pronunciation guide, which is a shame as some of the words have an Eastern European look to them and readers unfamiliar with those types of dialects may struggle with some of the expressions: for example, Baba Vrăja.
Overall this saga has the potential to become a magnificent set of books with a uniqueness setting them apart from other popular fantasy stories of today.