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Phillip McSween (751 KP) rated New Jack City (1991) in Movies
Mar 21, 2018
Good Movie
Released in 1991, New Jack City takes place in the late 80's with the perfect vibe to boot. A time during which Kangol hats and "gold ropes" were in and rap needed a hard bass beat to be considered car system-worthy. New Jack is a solid groove of a film that remains timeless even to this day.
While a handful of spots were farfetched, I appreciate the grit and realness of the film as a whole. It's an open awareness into the crack epidemic and how badly it damaged black communities. It's hard watching people destroy the lives of those in their community knowing full well their lives gave them little choice to do much else. In one of my favorite scenes, antagonist Nino Brown (Wesley Snipes) is having a meaningful conversation with an older man. At the heart of the conversation, they talk about how black people haven't gotten far from a societal progression standpoint since Martin Luther King Jr. died. No matter which side of the argument you're on, both had strong points that made you think.
The lead roles were consistently strong throughout. Chris Rock excelled in his role as Pookie, a crackhead trying to get his life together. You come to sympathize with his character hoping for a happy ending, but knowing the fate he is destined for. And you can't mention lead roles without giving Wesley Snipes his proper due as Nino Brown. Nino is smooth, a speaker for the people. His presence oozes with power in the criminal circuit yet the law sees him as just another delinquent. I give Rock the nod, but Snipes is a very close second.
Ice-T plays the role of Appleton, a cop hired to take a bite out of the crack epidemic by taking out one of its largest suppliers: Nino. The film as a whole is not without its faults as it lacks cohesiveness in certain spots. While the main actors are outstanding, the supporting roles are ghastly at best. I could definitely have done without Keisha (Vanessa Williams). If I heard "Rockabye baby" one more time, I'm pretty sure I would have lost it.
Not a classic for me, but still a consistent watch. I give New Jack City a 75.
While a handful of spots were farfetched, I appreciate the grit and realness of the film as a whole. It's an open awareness into the crack epidemic and how badly it damaged black communities. It's hard watching people destroy the lives of those in their community knowing full well their lives gave them little choice to do much else. In one of my favorite scenes, antagonist Nino Brown (Wesley Snipes) is having a meaningful conversation with an older man. At the heart of the conversation, they talk about how black people haven't gotten far from a societal progression standpoint since Martin Luther King Jr. died. No matter which side of the argument you're on, both had strong points that made you think.
The lead roles were consistently strong throughout. Chris Rock excelled in his role as Pookie, a crackhead trying to get his life together. You come to sympathize with his character hoping for a happy ending, but knowing the fate he is destined for. And you can't mention lead roles without giving Wesley Snipes his proper due as Nino Brown. Nino is smooth, a speaker for the people. His presence oozes with power in the criminal circuit yet the law sees him as just another delinquent. I give Rock the nod, but Snipes is a very close second.
Ice-T plays the role of Appleton, a cop hired to take a bite out of the crack epidemic by taking out one of its largest suppliers: Nino. The film as a whole is not without its faults as it lacks cohesiveness in certain spots. While the main actors are outstanding, the supporting roles are ghastly at best. I could definitely have done without Keisha (Vanessa Williams). If I heard "Rockabye baby" one more time, I'm pretty sure I would have lost it.
Not a classic for me, but still a consistent watch. I give New Jack City a 75.
Matthew Krueger (10051 KP) rated Twisted Metal: Black in Video Games
Mar 19, 2021
Let The Cars Hit The Floor PS2
Twisted Metal: Black- is a excellent vehicle combat game. I grew up on the twisted metal franchise. I think i only played this one or twice, so i dont remember this one to much.
Overview: In concept, Twisted Metal: Black is a demolition derby that permits the usage of ballistic projectiles. Players choose a vehicle and an arena—or a series of arenas in the story mode—to engage in battle with opposing drivers. A variety of weapons and upgrades are obtainable by pick-ups scattered throughout the stage. The objective of the game is to be the last one standing.
The basis of the plot follows the same structure as in all the previous games: Calypso runs a car-based contest called Twisted Metal (though in the game the contest is never called that), in which the various characters compete risking their lives to claim the tournament's prize - any single wish they desire, no matter the difficulty, rarity or even reality of such wish. Although Calypso is indeed malevolent, characters who have malevolent wishes (which make most of the cast) have their wishes granted without him tricking them on the wishes, while those seeking more noble ends (such as Outlaw's driver Agent Stone) find that Calypso usually has the last laugh.
In a somewhat different take from previous games, each character has their own story, which they narrate from their own point of view. Each of them starts with them being visited by Calypso, who knows what they desire and offers them in his contest. More of the characters' background is revealed in their midpoint cutscene, presented as a dream experienced when they briefly pass out after the sub-boss Minion is defeated. The characters' ending movie showing their wish being granted is presented after defeating the final boss Warhawk.
The game instead takes place within a single city known as "Midtown", with most competitors coming from the city's mental asylum, "Blackfield".
Twisted Metal: Black has a diverse cast made up from both new and returning characters, some of which have changed drastically from their previous appearances. There are a total of fifteen selectable characters, in which ten of them are selectable from the very beginning and the other five must be found and unlocked.
It got excellent reception from critics, and its getting a excellent reception from me.
Overview: In concept, Twisted Metal: Black is a demolition derby that permits the usage of ballistic projectiles. Players choose a vehicle and an arena—or a series of arenas in the story mode—to engage in battle with opposing drivers. A variety of weapons and upgrades are obtainable by pick-ups scattered throughout the stage. The objective of the game is to be the last one standing.
The basis of the plot follows the same structure as in all the previous games: Calypso runs a car-based contest called Twisted Metal (though in the game the contest is never called that), in which the various characters compete risking their lives to claim the tournament's prize - any single wish they desire, no matter the difficulty, rarity or even reality of such wish. Although Calypso is indeed malevolent, characters who have malevolent wishes (which make most of the cast) have their wishes granted without him tricking them on the wishes, while those seeking more noble ends (such as Outlaw's driver Agent Stone) find that Calypso usually has the last laugh.
In a somewhat different take from previous games, each character has their own story, which they narrate from their own point of view. Each of them starts with them being visited by Calypso, who knows what they desire and offers them in his contest. More of the characters' background is revealed in their midpoint cutscene, presented as a dream experienced when they briefly pass out after the sub-boss Minion is defeated. The characters' ending movie showing their wish being granted is presented after defeating the final boss Warhawk.
The game instead takes place within a single city known as "Midtown", with most competitors coming from the city's mental asylum, "Blackfield".
Twisted Metal: Black has a diverse cast made up from both new and returning characters, some of which have changed drastically from their previous appearances. There are a total of fifteen selectable characters, in which ten of them are selectable from the very beginning and the other five must be found and unlocked.
It got excellent reception from critics, and its getting a excellent reception from me.
The Beast Side: Living (and Dying) While Black in America
9.0
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A New York Times Best Seller! To many, the past 8 years under President Obama were meant to...
politics social issues
No Way but This: In Search of Paul Robeson
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Film star. Icon. Agitator. Martyr. Paul Robeson was a brilliant student and champion athlete who...
ClareR (5716 KP) rated The sentence in Books
May 1, 2022
I don’t envy whoever has to narrow down the books on the Women’s Prize 2022 from the long list to the shortlist this year. The books I’ve read so far I’ve enjoyed all equally.
The Sentence is, amongst other things, a book about books. It’s also a book about Tookie, who works in a bookshop and is haunted by a deceased customer. Tookie has a colourful past, which involves imprisonment after it was discovered she had smuggled drugs over county lines, strapped to the corpse of a friends boyfriend. She didn’t know about the drugs, but she certainly knew about the dead body! Prison gave her plenty of time to read, and she leaves prison with a huge knowledge of literature.
On release Tookie gets a job in a Native American bookshop, and marries the Police officer who arrested her. Like her, he is also Native American.
This is a book of two halves: before and during the Covid-19 pandemic. The ghost of the customer, Flora, remains in the bookshop for most of the book, whilst Minneapolis sees a lot of important things going on: the death of George Floyd, Black Lives Matter marches, the Covid-19 epidemic, isolation from friends and family, illness, near death experiences and the importance of heritage.
I loved this book. Like I’ve said, I’m just glad that I won’t have to decide the Women’s Prize winner. I still have some books to read from the long list, which I still want to read even though the shortlist has been announced - so watch this space!
The Sentence is, amongst other things, a book about books. It’s also a book about Tookie, who works in a bookshop and is haunted by a deceased customer. Tookie has a colourful past, which involves imprisonment after it was discovered she had smuggled drugs over county lines, strapped to the corpse of a friends boyfriend. She didn’t know about the drugs, but she certainly knew about the dead body! Prison gave her plenty of time to read, and she leaves prison with a huge knowledge of literature.
On release Tookie gets a job in a Native American bookshop, and marries the Police officer who arrested her. Like her, he is also Native American.
This is a book of two halves: before and during the Covid-19 pandemic. The ghost of the customer, Flora, remains in the bookshop for most of the book, whilst Minneapolis sees a lot of important things going on: the death of George Floyd, Black Lives Matter marches, the Covid-19 epidemic, isolation from friends and family, illness, near death experiences and the importance of heritage.
I loved this book. Like I’ve said, I’m just glad that I won’t have to decide the Women’s Prize winner. I still have some books to read from the long list, which I still want to read even though the shortlist has been announced - so watch this space!
Kristy H (1252 KP) rated Black-Eyed Susans in Books
Feb 13, 2018
When she was sixteeen, young Tessa "Tessie" Cartwright was found, hanging on to life, in a field of Black-Eyed Susans. The other girls "dumped" with Tessa did not survive (in fact, some were just bones), and Tessa is doomed to live her life as the surviving "Black-Eyed Susan" in the press. Justifiably, the event haunts her life and her nightmares. Further, she is tormented by the fact that her testimony about what happened helped put the suspect, Terrell, on death row.
Now, a grown woman and mother, Tessa is working with the Terrell's legal team to exonerate him. This includes a forensic scientist (the forensics in the book are detailed and excellent). Her main reason? It seems wherever she lives, a patch of Black-Eyed-Susans follows, forcing her to live in fear, and to wonder if the sentenced killer truly is guilty. But if he isn't, are Tessa and her daughter safe? Why can't she remember what happened nearly 20 years ago? Tessa fears she is going insane, but also can't live with herself if she doesn't try to find out what happened so long ago.
This was a wonderful book; the subject matter is frightening, but the book itself was a captivating page-turner. The mystery is extremely well-plotted and riveting. Even when I was pretty sure I had things figured out, I was rapidly turning pages, still guessing and eagerly awaiting to find out what had happened to Tessa (and the other "Susans," as she calls them) back then. The book flips between present-day Tessa's point of view and to "Tessie," as a younger Tessa was known, talking about events leading up to and right after Terrell's trial. It's a suspenseful plot device that works well here; I was up late turning pages, desperate to know what happened.
Tessa is a well-formed character, even with her angst and anxieties resulting from her horrific past. Her supporting cast - her daughter, Terrell's lead lawyer, the forensic scientist, a quirky neighbor, her best friend from her youth - are all well-done, too. At times, the book is confusing due to Tessa's unreliable narration; she is suffering from memory loss and anxiety, after all, but it only adds to the book's suspense and intrigue. Perhaps the only thing I can find to complain about is that the ending is a bit too pat: it pops up suddenly to resolve things, but there's still a door left open, and it does nothing to diminish how enjoyable the book and the story is. Overall, an excellent thriller and a worthy read.
Now, a grown woman and mother, Tessa is working with the Terrell's legal team to exonerate him. This includes a forensic scientist (the forensics in the book are detailed and excellent). Her main reason? It seems wherever she lives, a patch of Black-Eyed-Susans follows, forcing her to live in fear, and to wonder if the sentenced killer truly is guilty. But if he isn't, are Tessa and her daughter safe? Why can't she remember what happened nearly 20 years ago? Tessa fears she is going insane, but also can't live with herself if she doesn't try to find out what happened so long ago.
This was a wonderful book; the subject matter is frightening, but the book itself was a captivating page-turner. The mystery is extremely well-plotted and riveting. Even when I was pretty sure I had things figured out, I was rapidly turning pages, still guessing and eagerly awaiting to find out what had happened to Tessa (and the other "Susans," as she calls them) back then. The book flips between present-day Tessa's point of view and to "Tessie," as a younger Tessa was known, talking about events leading up to and right after Terrell's trial. It's a suspenseful plot device that works well here; I was up late turning pages, desperate to know what happened.
Tessa is a well-formed character, even with her angst and anxieties resulting from her horrific past. Her supporting cast - her daughter, Terrell's lead lawyer, the forensic scientist, a quirky neighbor, her best friend from her youth - are all well-done, too. At times, the book is confusing due to Tessa's unreliable narration; she is suffering from memory loss and anxiety, after all, but it only adds to the book's suspense and intrigue. Perhaps the only thing I can find to complain about is that the ending is a bit too pat: it pops up suddenly to resolve things, but there's still a door left open, and it does nothing to diminish how enjoyable the book and the story is. Overall, an excellent thriller and a worthy read.
Jackie, Janet & Lee: The Secret Lives of Janet Auchincloss and Her Daughters
9.0
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A dazzling biography of three of the most glamorous women of the 20th Century: Jacqueline Bouvier...
biography
I Can't Breathe: A Killing on Bay Street
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A work of riveting literary journalism that explores the roots and repercussions of the infamous...
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It's a dangerous time to be a dissident... 1938. Northern Italy. Since saving Angelo Grimani's...
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