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The Dialogues: Conversations About the Nature of the Universe
Frank Wilczek and Clifford V. Johnson
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Physicist Clifford Johnson thinks that we should have more conversations about science. Science...
Jackie, Janet & Lee: The Secret Lives of Janet Auchincloss and Her Daughters
9.0
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A dazzling biography of three of the most glamorous women of the 20th Century: Jacqueline Bouvier...
biography
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Wedlocked: The Perils of Marriage Equality
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The staggering string of victories by the gay rights movement's campaign for marriage equality...
I’ll be going back to read more of Dawn’s books after this!
So Lucky by Dawn O’Porter starts off with the main characters, Beth and Ruby, feeling anything BUT lucky. In fact, Ruby in particular starts off as a pretty insular, unapproachable character. She has shut other people out, including her daughter and ex-husband, because of a medical condition that affects her appearance (and only bothers her).
Beth has a husband who is struggling with Beth’s roles as a mother and a wife and consequently won’t have sex with her. The final main character, Lauren, is a model and seems to have it all. At least that’s what her Instagram posts tell us (and by the way, some of the comments on her Instagram posts are so funny. Not very nice, but very funny!).
These are all very relatable women, we may not have ‘been there’ but we can understand and relate to where they’re coming from. Beth’s employee, Risky (and what an appropriate name that is!) was such a good character - she seemed to be there to remind the reader that everything is normal, and we should support and empower one another as women. And she was hilarious. Because I both laughed out loud and I cried at this book. Parts were just heartbreaking, saved by a healthy dose of black humour.
This is the first Dawn O’Porter book I’ve read, and it’s thanks to The Pigeonhole that I got the opportunity to do so. She’s not an author that I’d immediately think of reading, but I’m so glad that I did. This is an excellent book, and I’d highly recommend it.
Beth has a husband who is struggling with Beth’s roles as a mother and a wife and consequently won’t have sex with her. The final main character, Lauren, is a model and seems to have it all. At least that’s what her Instagram posts tell us (and by the way, some of the comments on her Instagram posts are so funny. Not very nice, but very funny!).
These are all very relatable women, we may not have ‘been there’ but we can understand and relate to where they’re coming from. Beth’s employee, Risky (and what an appropriate name that is!) was such a good character - she seemed to be there to remind the reader that everything is normal, and we should support and empower one another as women. And she was hilarious. Because I both laughed out loud and I cried at this book. Parts were just heartbreaking, saved by a healthy dose of black humour.
This is the first Dawn O’Porter book I’ve read, and it’s thanks to The Pigeonhole that I got the opportunity to do so. She’s not an author that I’d immediately think of reading, but I’m so glad that I did. This is an excellent book, and I’d highly recommend it.
Kate (493 KP) rated Rain City Lights in Books
Aug 28, 2020
This book took a while to get into but once I did it was really good. It was interesting to get a view into how black people were treated back in 1981 considering it wasn't that long ago. How black re forced into a dangerous profession because of their colour.
The book was supposed to be a crime book but there were so many other things going on. When thinking of the book I always remember the friendship between the 2 main characters than the murders.
As the author split the chapters between the 2 main characters so we got to hear from both of them. How different the 2 lives were considering how close they are.
I really felt sorry for 'Momti' and how she has been given the life she has. She tries to hard but it seems she is destined to go the same way all the other young women she meets throughout the story. My dislike of Sacha grew as the book went on. He was given a good life and seemed to throw it away.
I'm glad it followed the 2 characters from childhood through to adulthood as it gave me a chance to see what they become after the childhoods they lived. Just goes to show that whatever childhood you have, you have the power to chance your future and become what you want to become.
I would say this book has such a large target audience. It can be read from teenagers to people in their 40s.
I received a complimentary copy of the book from the author via Voracious Readers Only.
The book was supposed to be a crime book but there were so many other things going on. When thinking of the book I always remember the friendship between the 2 main characters than the murders.
As the author split the chapters between the 2 main characters so we got to hear from both of them. How different the 2 lives were considering how close they are.
I really felt sorry for 'Momti' and how she has been given the life she has. She tries to hard but it seems she is destined to go the same way all the other young women she meets throughout the story. My dislike of Sacha grew as the book went on. He was given a good life and seemed to throw it away.
I'm glad it followed the 2 characters from childhood through to adulthood as it gave me a chance to see what they become after the childhoods they lived. Just goes to show that whatever childhood you have, you have the power to chance your future and become what you want to become.
I would say this book has such a large target audience. It can be read from teenagers to people in their 40s.
I received a complimentary copy of the book from the author via Voracious Readers Only.
RS
Ridley Scott: Interviews
Laurence F. Knapp and Andrea F. Kulas
Book
Artisan, entrepreneur, and impresario, British filmmaker Ridley Scott accepts the profit motive as...
Eilidh G Clark (177 KP) rated Nasty Women in Books
May 13, 2017
Nasty women is hard-hitting, eye-opening, and unashamedly honest.
‘Sometimes the role model you need is not an example to aspire to, but someone who reflects back the parts of yourself that society deems fit.’ -
Becca Inglis
Nasty Women, published by 404 ink, is a collection of essays about what it is, and how it feels to be a woman in the 21st century. When I first picked up the book, I assumed, like I think most readers would, that it would be an easy book to just pick up and put down whenever I had a spare ten minutes. Wrong, I was sucked into this book right from the beginning, and read it all in a day. That doesn’t mean it was an easy read, or perhaps easy is the wrong word – it isn’t a comfortable read - and it isn’t meant to be. Nasty women is hard-hitting, eye-opening, and unashamedly honest.
The book opens with ‘Independence Day’ by Katie Muriel. A story of mixed race and identity in Trump’s America, Muriel discusses her experience of inter-family racism, heightened by political differences, ‘This is not the first, nor is it the last family divide Trump will leave in his wake, but I refuse to think of him as some deity who stands around shifting pieces on a board in his golden war room.’ The anger in this piece is clear, but it is the rationalism and clarity of the writer that speaks volumes. Race, racism and xenophobia, is a prominent feature in these stories. Claire L. Heuchan, for example, talks about ‘Othering’ a term that readers will see repeatedly in this book, ‘Scotland,’ she writes, ‘is a fairly isolating place to be a black woman.’
Survival is a key trope in Nasty Women. Mel Reeve, in ‘The Nastiness of Survival,’ talks about being a survivor of rape and emotional abuse, ‘I do not fit the ‘right’ definition of someone who has been raped.’ This statement alone is filled with irony.
I was particularly drawn to Laura Waddell’s essay, ‘Against Stereotypes: Working Class Girls and Working Class Art.’ Laura talks about the difficulty of both gender and class inequality, and, in particular, the lack of working class writers and working class fiction being published, ‘I have read a lot of fiction’ she says, ‘I have read almost none from housing estates such as the one I grew up on. These stories are missing, from shelves, and from the record.’ As a Scottish fiction writer from a working-class background myself, these words resonate deeply.
Alice Tarbuck’s ‘Foraging and Feminism: Hedge-Witchcraft in the 21st Century’, is almost fun to read in a deeply devastating way. There is a desperate tone in this piece, and a desperate need to escape society. ‘There is beauty and bounty around us if we look for it, and perhaps that is all the magic we need. Or perhaps, what we need is real magic, whether that comes in the form of resistance and community or the form of blackthorn charms and skullcap tinctures, and howling to the moon.
I loved this book. This book gives women a voice. And it is loud! Well done 404 Ink, and all the contributors, for bravely breaking the silence.
Becca Inglis
Nasty Women, published by 404 ink, is a collection of essays about what it is, and how it feels to be a woman in the 21st century. When I first picked up the book, I assumed, like I think most readers would, that it would be an easy book to just pick up and put down whenever I had a spare ten minutes. Wrong, I was sucked into this book right from the beginning, and read it all in a day. That doesn’t mean it was an easy read, or perhaps easy is the wrong word – it isn’t a comfortable read - and it isn’t meant to be. Nasty women is hard-hitting, eye-opening, and unashamedly honest.
The book opens with ‘Independence Day’ by Katie Muriel. A story of mixed race and identity in Trump’s America, Muriel discusses her experience of inter-family racism, heightened by political differences, ‘This is not the first, nor is it the last family divide Trump will leave in his wake, but I refuse to think of him as some deity who stands around shifting pieces on a board in his golden war room.’ The anger in this piece is clear, but it is the rationalism and clarity of the writer that speaks volumes. Race, racism and xenophobia, is a prominent feature in these stories. Claire L. Heuchan, for example, talks about ‘Othering’ a term that readers will see repeatedly in this book, ‘Scotland,’ she writes, ‘is a fairly isolating place to be a black woman.’
Survival is a key trope in Nasty Women. Mel Reeve, in ‘The Nastiness of Survival,’ talks about being a survivor of rape and emotional abuse, ‘I do not fit the ‘right’ definition of someone who has been raped.’ This statement alone is filled with irony.
I was particularly drawn to Laura Waddell’s essay, ‘Against Stereotypes: Working Class Girls and Working Class Art.’ Laura talks about the difficulty of both gender and class inequality, and, in particular, the lack of working class writers and working class fiction being published, ‘I have read a lot of fiction’ she says, ‘I have read almost none from housing estates such as the one I grew up on. These stories are missing, from shelves, and from the record.’ As a Scottish fiction writer from a working-class background myself, these words resonate deeply.
Alice Tarbuck’s ‘Foraging and Feminism: Hedge-Witchcraft in the 21st Century’, is almost fun to read in a deeply devastating way. There is a desperate tone in this piece, and a desperate need to escape society. ‘There is beauty and bounty around us if we look for it, and perhaps that is all the magic we need. Or perhaps, what we need is real magic, whether that comes in the form of resistance and community or the form of blackthorn charms and skullcap tinctures, and howling to the moon.
I loved this book. This book gives women a voice. And it is loud! Well done 404 Ink, and all the contributors, for bravely breaking the silence.
Whatchareadin (174 KP) rated Nine Women, One Dress in Books
May 10, 2018
Every woman needs a LBD(Little Black Dress). This book tells the story of one such dress. You get to follow the life of the dress at it is born until it meets it's demise. Max Hammer is the designer. Along the way, we meet the dressmaker, the runway model who first shows the dress to the world and the other women who have come in contact with the dress and the way it has affected their lives. The dress of the season has made it's way around New York City and the world.
I listened to this book over the past couple of weeks to and from work. It's a cute story about "the" dress of the season. Throughout the life of the dress you meet a host of characters that each have their moment with the dress. We have Natalie the Bloomingdale's sales girl, who uses the dress to help an actor get negative press away from his name. Then there's, Felicia who has been Mr. Winters assistant for the past 20 years and has been in love with him for just as long, she gets the dress in the best/worst mix-up ever. Then there's an actress in a Broadway play, the French girl who is normally only in a berka, the private eye who snoops out cheating husbands, and the runway model from Alabama making her debut in the dress. The whole story is centered around the Bloomingdale's where the dress is being sold and the employees who work there are just as pertinent to the story as the women who wear the dress.
Overall this was a cute story that made me laugh out loud at parts.
I listened to this book over the past couple of weeks to and from work. It's a cute story about "the" dress of the season. Throughout the life of the dress you meet a host of characters that each have their moment with the dress. We have Natalie the Bloomingdale's sales girl, who uses the dress to help an actor get negative press away from his name. Then there's, Felicia who has been Mr. Winters assistant for the past 20 years and has been in love with him for just as long, she gets the dress in the best/worst mix-up ever. Then there's an actress in a Broadway play, the French girl who is normally only in a berka, the private eye who snoops out cheating husbands, and the runway model from Alabama making her debut in the dress. The whole story is centered around the Bloomingdale's where the dress is being sold and the employees who work there are just as pertinent to the story as the women who wear the dress.
Overall this was a cute story that made me laugh out loud at parts.
Into the Black Nowhere: An Unsub Novel
10.0
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Inspired by real-life serial killer Ted Bundy, an exhilarating thriller in which FBI profiler...
thriller
The Women In The Castle
8.0
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Set at the end of World War II, in a crumbling Bavarian castle that once played host to all of...