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To Kill a Mockingbird
To Kill a Mockingbird
Harper Lee | 1989 | Children, Fiction & Poetry
8
8.6 (96 Ratings)
Book Rating
Well, February is definitely the month for discovering classics I’ve missed! For some reason, I’d always classed To Kill a Mockingbird in amongst the Agatha Christie genre of murder mysteries – not that I’ve read those either – and didn’t know enough about it for it to have piqued my interest. Now I’ve read it though, I can see what all the fuss is about, and it’s not surprising that, despite being published in 1960, it was still the <a href="http://www.guardian.co.uk/news/datablog/2012/aug/09/best-selling-books-all-time-fifty-shades-grey-compare">65th best-selling book of all time</a> in 2012. Beware of spoilers!

The story is set in Maycomb, Alabama in the 1930s, and is written from the perspective of Jean Louise ‘Scout’ Finch, who is between six and eight years old as the story progresses. The start of the book does an effective job of introducing us to all the characters. Scout lives with her widowed father, Atticus, a lawyer, her brother Jem (who is 4 years older than her) and Calpurnia, a black woman who acts as a type of mother figure. A friend, Dill, also joins them in the summer. The three children are intrigued by Arthur ‘Boo’ Radley, who lives in the house on the corner but is never seen outside. I really enjoyed this part of the story; it set the scene brilliantly, as well as helping me reminisce about my own childhood. Even if there is no ‘haunted’ house, children will always make one – at least, my brother and I did! With the limitless amounts of imagination children have, there will always be adventures to be had and ‘monsters’ to escape from. There was one particular house, when we were around the same age as Jem and Scout, where they had a doorbell you pulled, like a cord. My brother Josh said it was a doorbell that made you scream every time you pulled it, so we obviously had great fun in pulling it, screaming, and running away. If by some fluke the person living there is reading this, I’m really sorry, but it still makes me laugh! There was also every Christmas, when we went carol singing. We had decided that the houses beyond the wood were richer than the others, and every year would link arms, lighting matches to try and find our way in the dark and telling ghost stories the whole time.

Once everything has been established, the book moves on to a case Atticus is defending. A black man, Tom, has been accused of raping Mayella Ewell, part of a trashy white family with very poor education and even less money. This is where the casual prejudice of the time is evident – Jem and Scout have to put up with people calling their family a “nigger-lover” (sorry if that language offends, it is a direct quote and I mean no harm); Atticus faces repercussions for his whole-hearted attempt to save Tom; and many of the Maycomb women look down on the black community. However, there’s still a touch of hope – the way Atticus defends Tom’s case makes everybody think, a great feat in the setting where black and white people are in completely different classes. In this part of the story, I really looked up to Atticus, in his seemingly-infinite wisdom.

In the final part of the story, Jem and Scout finally get to meet Boo Radley, and it is here that the title of the book becomes apparent. In the middle of the book, after Jem and Scout get air-rifles, it is said:

<blockquote>When he gave us our air-rifles Atticus wouldn’t teach us to shoot. Uncle Jack instructed us in the rudiments thereof; he said Atticus wasn’t interested in guns. Atticus said to Jem one day, “I’d rather you shoot at tin cans in the back yard, but I know you’ll go after birds. Shoot all the bluejays you want, if you can hit ‘em, but remember it’s a sin to kill a mockingbird.”

That was the only time I ever heard Atticus say it was a sin to do something, and I asked Miss Maudie about it.

“Your father’s right,” she said. “Mockingbirds don’t do one thing but make music for us to enjoy. They don’t eat up people’s gardens, don’t nest in corncribs, they don’t do one thing but sing their hearts out for us. That’s why it’s a sin to kill a mockingbird.”</blockquote>

Obviously, not knowing what was coming, I thought the story must eventually be about the children shooting a mockingbird. The last page of the book, though, I realised that it was a lot more subtle and symbolic than that. The mockingjay is Boo Radley, the man who gives when he can and causes no harm.

I really wish I’d read this story as a child, to see what sort of perspective I’d have had back then. Reading as an adult means that, while Scout was a brilliant perspective, I was almost reading as an outsider. I could see her maturing, slowly fitting the pieces together to start acting like an adult, but at the same time it was an undeniably adult reading. I really really enjoyed the book, but I have a feeling it’s one of those multi-faceted ones where you read something different every time. I can’t help thinking that reading it as a child would have been a lot more powerful.

This review is also on my <a href="http://awowords.wordpress.com">blog</a>; - if you liked it, please check it out!
  
I received an uncorrected proof of a true-crime book about female serial killers by Tori Telfer called Lady Killers: Deadly Women Throughout History to peruse and review on Goodreads and Amazon. The book won’t released until October 10, 2017, by Harper Perennial, and I am so thrilled to be one of the few who get to read it first.

Some of the murderers/murderesses have been discussed on My Favorite Murder by Georgia and Karen but some are brand new to me.

From the back cover:
When you think of serial killers throughout history the names that come to mind are ones like Jack the Ripper, John Wayne Gacy and Ted Bundy but what about Tilly Klimek, Moulay Hassen and Kate Bender? The narrative we’re comfortable with is the one where women are the victims of violent crime, not the perpetrators, in fact, serial killers are thought to be so universally, overwhelmingly male that in 1998, FBI profiler Roy Hazelwood infamously declared in a homicide conference that, “There are no female serial killers.”

Lady Killers, based on the popular online series that appeared on Jezebel and The Hairpin, disputes that claim and offers 14 gruesome examples as evidence. Though largely forgotten by history, female serial killers such as Erzsebet Bathory, Nannie Doss, Mary Ann Cotton, and Darya Nikolayevna Saltykova rival their male counterparts and cunning, cruelty, and appetite for destruction.

Each chapter explores the crimes and history of a different subject and then proceeds to unpack her legacy and her portrayal in the media, as well as the stereotypes and sexist clichés that inevitably surround her. The first book to examine female serial killers through a feminist lens with a witty and dryly humorous tone lady killers dismisses explanations (she was hormonal, she did it for love, a man made her do it) and tired tropes (she was a femme fatale, a black widow, a witch) delving into the complex reality of a female aggression and predation. Featuring 14 illustrations from Dame Darcy, Lady Killers is a blood curdling, insightful, and irresistible journey into the heart of darkness.

Tori Telfer is a full-time freelance writer whose work has appeared in Salon, Vice, Jezebel, The Hairpin, Good Magazine, Bustle, barnesandnoble.com, Chicago Magazine, and elsewhere. She is a Pushcart nominee and the recipient of the Edwin L. Shuman Fiction Award. She has written, directed, and produced independent plays on both Chicago and Los Angeles.

The author’s official website is http://www.toridotgov.com.
The illustrator’s website is http://www.damedarcy.com

Table of Contents
The Blood Countess: Erzsebet Bathory
The Giggling Grandma: Nannie Doss
The Worst Woman on Earth: Lizzie Halliday
Devil in the Shape of a Saint: Elizabeth Ridgeway
Vipers: Raya and Sakina
The Wretched Woman: Mary Ann Cotton
The Tormentor: Darya Nikolayevna Saltykova
Iceberg Anna: Anna Marie Hahn
The Nightingale: Oum-El-Hassen
High Priestess of the Bluebeard Clique: Tillie Klimek
Sorceress of Kilkenny: Alice Kyteler
Beautiful Throat Cutter: Kate Bender
The Angel Makers of Nagyrev
Queen of Poisoners: Marie-Madeleine, the Marquis de Brinvilliers

It looked as if The Angel Makers of Nagyrev wasn’t included in the texts, though it is listed in the contents and notes. However, they are on the pages following the chapter and heading Beautiful Throat Cutter. I had mistakenly thought it wasn't included before. Hopefully, that oversight and will be corrected in the final copy. There were a few punctuation errors in the book and I had intended to leave them in the copy above but allowed Grammarly to correct them without thinking. But that's why they pay the editors the big bucks.

Needless to say, I can’t wait to delve deep in this book and read my little Murderino heart out. I am nearly through the book and will update with a review once I have completed it.

#SSDGM
#Stay Sexy Don't Get Murdered

#myfavoritemurder #murderino #toritelfer #harperperennial #harpercollins #damedarcy
#books #bookstagram #mfmpodcast #georgiahardstark #karenkilgariff #serialkiller #truecrime #murder #killers #ladykiller #ladykillers #serialkillers
  
Kink (Vixen Bluff #2)
Kink (Vixen Bluff #2)
Catherine Black | 2018 | Romance
7
7.0 (1 Ratings)
Book Rating
99 of 250
Kindle
Kink ( Vixen Bluff book 2)
By Catherine Black

Once read a review will be written via Smashbomb and link posted in comments

Molly I haven't been with a man in over five years. Yeah, yeah, I know what you're thinking. You're wondering if I have a couple dozen cats or if I have to sweep the cobwebs out before getting a Brazilian. But, ladies, I wanna let you in on a little secret... There is money to be made in what us working girls at White Light Sirens like to call 'non-penetrative fantasies'. That's right. You want me—Molly Wilder—to parade around the room dressed like a giant teddy bear while you touch yourself? Sure. You want me to paint your naked body, turning you into an impressionist's wet dream? I'm on it. But if you even think about sliding between my legs, I'll rip our contract to shreds and kick you out the door so fast your manhood won't have time to soften. Barrett Molly makes a snap judgment about me the second I walk through her studio door, but I'm used to it. Women take one look at this body, this face, and immediately label me. I can see the flashing sign above their heads every time. “Danger! Danger!” If they only knew... Molly thinks I'm a client—just another John—and that's fine. I'm content to play her game because when I break her rules, when I expose her secrets and have her on her knees, vulnerable and afraid, then she'll understand. But until then, I have a job to do, and my first order of business is to make Molly realize I'm a man worth breaking for. Whether she knows it or not, her dry spell is about to come to an end. Make it rain, Miss Wilder. Make it rain.

Haha this was just pure filth! I usually skip most sex scenes in some of these books but if I did that I would have about 50 pages to read! The only difference being this one I didn’t as it was well written! The only reason I haven’t gone with a 4 star as I think it lacked a little depth, I know it’s only a short book it took just over an hour to read I just can’t figure out what was missing. Not sure I’ll ever look at a jar of peanut butter the same way again though 😂.
  
Every Kind of Wicked (Gardiner and Renner #6)
Every Kind of Wicked (Gardiner and Renner #6)
Lisa Black | 2020 | Mystery
7
7.0 (1 Ratings)
Book Rating
I was provided with a complimentary copy of this book so I could give an honest review. The opinions are entirely my own, and any quotes are taken from the ARC and may be different in the final published copy.

Every Kind of Wicked by Lisa Black is the 6th book in her Gardiner and Renner series. I have not read any of the earlier books so, to give a fair review., I read the 1st book, That Darkness. While some novels allow you to pick up in the middle of the series, having a basic understanding of the main characters helped reading Every Kind of Wicked. I will include a description of them below this review.

Maggie Gardiner and Jack Renner investigate a murder which occurred where they first met, in the Erie Street Cemetery. She is having difficulty dealing with the events of the last eight months, and Rick, her ex-husband, is suspicious of Jack. Rick wants to investigate Jack and his past.

Black's Gardiner and Renner are an interesting duo. If you have not read any of the Gardiner and Renner series, think Bones meets Dexter. They allow people to believe they are dating to throw off any suspicions they have of Jack. The event which brought them together continues to pull them closer.

Once I knew who the characters were, I enjoyed the book. I will continue reading the series and start Black's Theresa MacLean series.

This 200-word review was published on Philomathinphila.com on 8/25/20.



Here is what you need to know to get the most out of Lisa Black's Gardiner and Renner series before reading book #6.

Maggie Gardiner forensic investigator for the Cleveland Police Department and she is good at it. She works alongside the homicide detectives, including Rick, her ex-husband, and Jack Renner. Maggie and Jack met eight months prior while working a case involving a Jane Doe discovered in the local cemetery.

Jack has a mission. He needs to find the women he is hunting, and has been hunting, through several states.

Maggie follows all of the clues which keep pointing to one person - Jack. After confronting Jack, Maggie needs to decide if it is moral to kill someone that has harmed others and that will do harm again. She agrees to give Jack time to leave so as not to arouse suspicions that the serial killings stopped when he left Cleveland.

At some point after the first book, That Darkness, but before the 6th book, Every Kind of Wicked, Rick becomes suspicious of Jack. He is determined to show Maggie the kind of man Jack is.
  
Don&#039;t Worry Darling (2022)
Don't Worry Darling (2022)
2022 | Crime, Drama, Horror
7
5.7 (7 Ratings)
Movie Rating
Plays it Too Safe
The previews for the new thriller/mystery DON’T WORRY DARLING shows a housewife in a seemingly idyllic 1950’s paradise community - but something about this seemingly perfect paradise is off - an intriguing premise for a film and one that I am a sucker for. Clearly, it will have some sort of twist that explains the weird situation our heroine is in. Most of the time, I can glean what that twist is going to be, but I gotta give DON’T WORRY DARLING credit, I couldn’t guess this one.

Starring Florence Pugh (BLACK WIDOW) and Harry Styles (of ONE DIMENSION fame), and Directed by Olvia Wilde (who also has a supporting role in this film), DON’T WORRY DARLING is a passable mystery/thriller with a plot twist that “plays fair” with the incongruities early in the film.

This is a safe film - and one that is safely paced - and that is the very definition of “damning with faint praise”. It doesn’t “lean into” the weirdness of the situation or the resultant take on the Male Dominated society of the 1950’s that marginalizes women into subordinate helpers.

Writer Katie Silberman (BOOKSMART) and Director Wilde just are too tame and cautious in their approach to this material and the film drags, slightly, in the first part of the film - a part of the film that could have used more injection of life into it by showing stronger instances of incongruity caused by “the twist” later on or stronger resistance by the Pugh character to break out of the background role her character is bound to, but they shy away from it.

Saving this film is the central performance of Pugh as housewife Alice who is slowly beginning to realize that something is wrong with this piece of heaven. Chris Pine is enigmatically mysterious as Frank, the boss of this experimental community while Wilde, Gemma Chan (THE ETERNALS) and Nick Kroll (WHAT WE DO IN THE SHADOWS) all provide solid - if unspectacular - supporting work.

Styles, on the other hand, works hard at his character and to hold his own in his scenes with Pugh, but he just isn’t on the same level of acting ability as Pugh, so his character falls short and seems thin in comparison to hers.

A film that could have been better if the Director and Writer had the courage of their commitments and pushed the envelope further AND if they could have found a counterpart performer to Pugh…but at least it does come up with an original and unique twist.

But, as it is, DON’T WORRY DARLING, falls squarely into “it’s fine, a good way to spend a few hours” category.

Letter Grade: B

7 stars (out of 10) and you can take that to the Bank(ofMarquis)