Search
Black Mirror - Season 3
8.7
Rate It
TV Season
Black Mirror is a British science fictiontelevision anthology series created by Charlie...
Nation on Board: Becoming Nigerian at Sea
Book
In the 1940s, British shipping companies began the large-scale recruitment of African seamen in...
Loadhaul, Mainline and Transrail Livery
Book
Loadhaul, Mainline and Transrail were formed in 1994, when British Rail decided to concentrate its...
Mojo Skyline by Dust Coda
Album
Where will modern rock take us next Thundering into the New Wave Of Classic Rock scene with...
The Great Cat Massacre: A History of Britain in 100 Mistakes
Book
In 1914 a train pulled into a provincial British railway station. The porter, a curious chap, asked...
NF
Nothing Fancy: Recipes and Recollections of Soul-Satisfying Food
Book
Diana Kennedy is the world's preeminent authority on authentic Mexican cooking and one of its...
Hazel (2934 KP) rated Girl on Fire in Books
May 7, 2018
Addictive reading
"I woke up and the world was gone.
All was silent, all was black, the darkness so complete that it was as if all the light had been drained from the world."
Those are the dramatic opening lines to this book which had me hooked and eating up the pages as if my life depended on it.
Mr Parsons writes with grit, authenticity and humanity which I find very addictive and although Max isn't perfect by any stretch of the imagination, he is a very engaging character that I love getting to know a little more with each outing.
I must admit that there were times when I felt reality was ignored for the sake of the story (i.e. missed suspects which, in my opinion, were glaringly obvious) but I just put them to one side and continued to enjoy the ride on Mr Parsons' roller-coaster because, after all, this isn't a true story although the subject matter certainly is unfortunately.
Although this can be read as a standalone, I would very much recommend you read the others in the series as this will give more depth and understanding to the main characters and will enhance the whole reading experience.
I would highly recommend this series and Tony Parsons as a great British author and would like to thank the publisher, Random House UK, Cornerstone and NetGalley for my copy in return for an impartial review.
All was silent, all was black, the darkness so complete that it was as if all the light had been drained from the world."
Those are the dramatic opening lines to this book which had me hooked and eating up the pages as if my life depended on it.
Mr Parsons writes with grit, authenticity and humanity which I find very addictive and although Max isn't perfect by any stretch of the imagination, he is a very engaging character that I love getting to know a little more with each outing.
I must admit that there were times when I felt reality was ignored for the sake of the story (i.e. missed suspects which, in my opinion, were glaringly obvious) but I just put them to one side and continued to enjoy the ride on Mr Parsons' roller-coaster because, after all, this isn't a true story although the subject matter certainly is unfortunately.
Although this can be read as a standalone, I would very much recommend you read the others in the series as this will give more depth and understanding to the main characters and will enhance the whole reading experience.
I would highly recommend this series and Tony Parsons as a great British author and would like to thank the publisher, Random House UK, Cornerstone and NetGalley for my copy in return for an impartial review.
Lighting candles: A Paramilitary's War with Death, Drugs and Demons
Book
When Manny McDonnell was twelve he awoke to discover British troops surrounding his home in the...
Awix (3310 KP) rated Sightseers (2012) in Movies
Mar 8, 2018
Extremely offbeat study in British eccentricity works better as a very black comedy than a horror movie, but the level of gore suggests it really wants to be the latter; animal lovers may want to look away at some points, too. New-minted couple embark on caravan tour/erotic odyssey around northern England and manage to find time for a little light serial killing, too.
Attention to detail and atmosphere mean that this is a consistently funny film, with great performances from the two leads - it's really much more about their relationship than the campaign of bloody slaughter which ends up becoming a significant element of their holiday. This is excruciatingly well-observed and in some ways rather more disturbing than watching various characters get their heads smashed in. Micro-budget nature of the film is never in doubt, but also never really a problem. The ending is a bit arbitrary and abrupt, but not to the point where it's a major flaw in the film. By anyone's standards but Ben Wheatley's, this would be a fairly extraordinary little film, but for this director the extraordinary is actually fairly ordinary.
Attention to detail and atmosphere mean that this is a consistently funny film, with great performances from the two leads - it's really much more about their relationship than the campaign of bloody slaughter which ends up becoming a significant element of their holiday. This is excruciatingly well-observed and in some ways rather more disturbing than watching various characters get their heads smashed in. Micro-budget nature of the film is never in doubt, but also never really a problem. The ending is a bit arbitrary and abrupt, but not to the point where it's a major flaw in the film. By anyone's standards but Ben Wheatley's, this would be a fairly extraordinary little film, but for this director the extraordinary is actually fairly ordinary.
Bob Mann (459 KP) rated Black Panther (2018) in Movies
Sep 29, 2021
Black Ops.
There was a joke on the internet the other day that made me laugh and laugh. Virtually the only white people in “Black Panther” are the Hobbit/LOTR stars Martin Freeman and Andy Serkis…. they are the Tolkein white guys! It’s actually getting to feel quite isolating as an ‘average white guy’ at the movies! After a plethora of #SheDo films about empowered women, now comes the first black-centred Marvel film… stuffed full of powerful women too!
The setting is the hidden African kingdom of Wakanda, where due to an abundance of a an all-powerful mineral called McGuffinite… so, sorry, Vibranium… the leaders have made their city a technological marvel and developed all sorts of ad tech to help the people keep their goats well and weave their baskets better (there are a few odd scenes in this film!). T’Challa (Chadwick Boseman) succeeds his father T’Chaka (John Kani) to become the king and adopt the role of The Black Panther, being bestowed superhero powers by drinking a glass of Ribena.
But it emerges that T’Chaka has a dark secret in the form of Eric Killmonger (Michael B Jordan, “Creed“) who is determined to muscle in on the king-stuff. ‘It never rains but it pours’, and the whole of Wakanda’s secrets are in danger of being exposed by the antics of the vicious South African mercenary Ulysses Klaue (Andy Serkis, “War For The Planet Of The Apes“), trying to get his hands on vibranium to sell on to CIA operative Everett Ross (Martin Freeman, “The Hobbit: The Battle of the Five Armies“, “The World’s End“).
After “Thor: Ragnarok“, this is back to the more seriously-played end of the superhero spectrum: there are a few jokes but it’s not overtly played for comedy. Holding the film together are some sterling performances from the ensemble cast with Michael B Jordan very good as the villain of the piece. Adding to the significant black girl power in the film are Angela Bassett (“London Has Fallen“) as the queen mother; Danai Gurira (“Wonder Woman“) as the leader of the Dora Milaje: the all-female king’s guard; and Lupita Nyong’o (“12 Years a Slave“, “Star Wars: The Force Awakens“) as the spy and love interest Nakia. But the star performance for me, and one I found absolutely spot-on as a role model for young people, was Letitia Wright (“The Commuter“) as Shuri, the king’s chief scientist. She is absolutely radiant, adding beauty, rude gestures and energy to every scene she is in.
Man of the moment Daniel Kaluuya (“Get Out“) also adds to his movie-cred as a conflicted courtier.
On the white side of the shop Andy Serkis has enormous fun as Klaue and I really wanted to see more of his character than I did. Martin Freeman feels rather lightweight and under-used, and I couldn’t quite get past his dodgy American accent.
In terms of storyline, the film is a hotch-potch of plots from multiple other films, with “The Lion King” featuring strongly (but almost in reverse!). But that’s no crime, when the Shakespearean-style narrative is good, and interpolating the strongly emotional story into the Marvel universe works well.
Where I felt a little uncomfortable is the element of racism – that is, racism *against* white people – reflected in the story. If there was a movie plot centred (basically) on the topic of whites killing blacks and taking control of every black-controlled country in the world (yes, I know, I’m British and we have historically been there!) then there would be justified uproar, and the film would be shunned.
In the technical department, I had real problems with some of the effects employed. Starting with a dodgy ‘aircraft’ shadow, things nose-dive with an astonishingly poor waterfall scene with Forest Whitaker (“Rogue One“, “Arrival“) as Zuri, green-screened against some Disneyworld cascades and hundreds of cut and pasted tribesmen randomly inserted onto the cliffs. Almost matching that is a studio-set scene in a jungle clearing, where if feels they could hardly have bothered to take the plants out of their pots. Think “Daktari” quality (kids, ask your parents/grandparents).
But overall, the film, directed by Ryan Coogler (“Creed“), is a high-energy and uniquely different take on Marvel that absolutely pays off. And it is without doubt an important movie in moving the black agenda forward into properly mainstream cinema.
The setting is the hidden African kingdom of Wakanda, where due to an abundance of a an all-powerful mineral called McGuffinite… so, sorry, Vibranium… the leaders have made their city a technological marvel and developed all sorts of ad tech to help the people keep their goats well and weave their baskets better (there are a few odd scenes in this film!). T’Challa (Chadwick Boseman) succeeds his father T’Chaka (John Kani) to become the king and adopt the role of The Black Panther, being bestowed superhero powers by drinking a glass of Ribena.
But it emerges that T’Chaka has a dark secret in the form of Eric Killmonger (Michael B Jordan, “Creed“) who is determined to muscle in on the king-stuff. ‘It never rains but it pours’, and the whole of Wakanda’s secrets are in danger of being exposed by the antics of the vicious South African mercenary Ulysses Klaue (Andy Serkis, “War For The Planet Of The Apes“), trying to get his hands on vibranium to sell on to CIA operative Everett Ross (Martin Freeman, “The Hobbit: The Battle of the Five Armies“, “The World’s End“).
After “Thor: Ragnarok“, this is back to the more seriously-played end of the superhero spectrum: there are a few jokes but it’s not overtly played for comedy. Holding the film together are some sterling performances from the ensemble cast with Michael B Jordan very good as the villain of the piece. Adding to the significant black girl power in the film are Angela Bassett (“London Has Fallen“) as the queen mother; Danai Gurira (“Wonder Woman“) as the leader of the Dora Milaje: the all-female king’s guard; and Lupita Nyong’o (“12 Years a Slave“, “Star Wars: The Force Awakens“) as the spy and love interest Nakia. But the star performance for me, and one I found absolutely spot-on as a role model for young people, was Letitia Wright (“The Commuter“) as Shuri, the king’s chief scientist. She is absolutely radiant, adding beauty, rude gestures and energy to every scene she is in.
Man of the moment Daniel Kaluuya (“Get Out“) also adds to his movie-cred as a conflicted courtier.
On the white side of the shop Andy Serkis has enormous fun as Klaue and I really wanted to see more of his character than I did. Martin Freeman feels rather lightweight and under-used, and I couldn’t quite get past his dodgy American accent.
In terms of storyline, the film is a hotch-potch of plots from multiple other films, with “The Lion King” featuring strongly (but almost in reverse!). But that’s no crime, when the Shakespearean-style narrative is good, and interpolating the strongly emotional story into the Marvel universe works well.
Where I felt a little uncomfortable is the element of racism – that is, racism *against* white people – reflected in the story. If there was a movie plot centred (basically) on the topic of whites killing blacks and taking control of every black-controlled country in the world (yes, I know, I’m British and we have historically been there!) then there would be justified uproar, and the film would be shunned.
In the technical department, I had real problems with some of the effects employed. Starting with a dodgy ‘aircraft’ shadow, things nose-dive with an astonishingly poor waterfall scene with Forest Whitaker (“Rogue One“, “Arrival“) as Zuri, green-screened against some Disneyworld cascades and hundreds of cut and pasted tribesmen randomly inserted onto the cliffs. Almost matching that is a studio-set scene in a jungle clearing, where if feels they could hardly have bothered to take the plants out of their pots. Think “Daktari” quality (kids, ask your parents/grandparents).
But overall, the film, directed by Ryan Coogler (“Creed“), is a high-energy and uniquely different take on Marvel that absolutely pays off. And it is without doubt an important movie in moving the black agenda forward into properly mainstream cinema.