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Hazel (1853 KP) rated The Poisoning Angel in Books
Dec 17, 2018
<i>I received this book for free through Goodreads First Reads.</i>
Some people may already know of the prolific French serial killer of the 1800s. Hélène Jégado, over a lengthy period of forty years, is thought to have murdered at least thirty-six people, most likely more, in the region of Brittany. By being hired as a cook in a wide range of establishments throughout her life gave her the opportunity to poison people through their meals, predominantly with arsenic. Jean Teulé, a French novelist, combines his own imagination with the historical statistics in order to create an insight to the tale of this infamous poisoner.
The tale begins at the beginning of the nineteenth century, when Hélène is only seven years old, in the small hamlet town Kerhordevin, Plouhinec. Nicknamed Thunderflower by her mother, a name that she is often referred as throughout the narrative, she becomes fascinated with superstitious stories about Death’s henchman, Ankou. In order to extinguish her fears of this formidable character – something she later claims – she decides to become Ankou beginning with the poisoning of her own mother. Soon after she sets off on her first of many journeys to work as a cook, where her killing spree begins.
It may seem surprising that she were not caught earlier on in her murderous career, especially with entire households succumbing to their deaths, but - at least in Teulé’s telling - the Breton’s still held strong belief in their old Celtic superstitions and altered between worshipping Hélène as a saint for not dying herself, or accusing her of witchcraft and bringing misfortune wherever she went. It is not until Hélène is approaching the age of fifty that the police begin to investigate, arrest and finally send her to the guillotine.
Each chapter begins with a map, detailing Hélène’s journey through Brittany so that the reader can see just how many places she went doing Ankou’s work. Teulé also turns this disturbing historical novel into a black comedy with the inclusion of two wig makers from Normandy who happen to go where Hélène goes, although are completely unconnected to, to whom bizarre misfortunes constantly fall.
<i>The Poisoning Angel</i> is an interesting tale and absurdly fascinating at times. From time to time it could fall a bit dull with the repetitiveness, but in a way it could not be helped, as it remains a fact that Hélène Jégado poisoned a large number of people. Melanie Florence must be commended for her translation from the original French, something that is by no means an easy feat.
Some people may already know of the prolific French serial killer of the 1800s. Hélène Jégado, over a lengthy period of forty years, is thought to have murdered at least thirty-six people, most likely more, in the region of Brittany. By being hired as a cook in a wide range of establishments throughout her life gave her the opportunity to poison people through their meals, predominantly with arsenic. Jean Teulé, a French novelist, combines his own imagination with the historical statistics in order to create an insight to the tale of this infamous poisoner.
The tale begins at the beginning of the nineteenth century, when Hélène is only seven years old, in the small hamlet town Kerhordevin, Plouhinec. Nicknamed Thunderflower by her mother, a name that she is often referred as throughout the narrative, she becomes fascinated with superstitious stories about Death’s henchman, Ankou. In order to extinguish her fears of this formidable character – something she later claims – she decides to become Ankou beginning with the poisoning of her own mother. Soon after she sets off on her first of many journeys to work as a cook, where her killing spree begins.
It may seem surprising that she were not caught earlier on in her murderous career, especially with entire households succumbing to their deaths, but - at least in Teulé’s telling - the Breton’s still held strong belief in their old Celtic superstitions and altered between worshipping Hélène as a saint for not dying herself, or accusing her of witchcraft and bringing misfortune wherever she went. It is not until Hélène is approaching the age of fifty that the police begin to investigate, arrest and finally send her to the guillotine.
Each chapter begins with a map, detailing Hélène’s journey through Brittany so that the reader can see just how many places she went doing Ankou’s work. Teulé also turns this disturbing historical novel into a black comedy with the inclusion of two wig makers from Normandy who happen to go where Hélène goes, although are completely unconnected to, to whom bizarre misfortunes constantly fall.
<i>The Poisoning Angel</i> is an interesting tale and absurdly fascinating at times. From time to time it could fall a bit dull with the repetitiveness, but in a way it could not be helped, as it remains a fact that Hélène Jégado poisoned a large number of people. Melanie Florence must be commended for her translation from the original French, something that is by no means an easy feat.
Three Graves Full
Jon Gray and Jamie Mason
Book
Hitchcock meets the Coen Brothers in a darkly comic suspense novel with the tense pacing of a...
Charlie Cobra Reviews (1840 KP) rated The Dead Don't Die (2019) in Movies
Jul 7, 2020 (Updated Oct 25, 2020)
An All Star Cast Couldn't Get This Film To Rise From The Grave
Contains spoilers, click to show
I was greatly disappointed in this movie. I thought it was a little funny in the beginning with Adam Driver's character breaking the fourth wall and talking about the theme song for the movie but a lot of the humor was kind or dry and fell flat for me. Bill Murray's character was too serious and Chloe Sevigny's too emotional but they were good in contrast to each other and I guess the police force in general were ok. What threw me off too was that it took so long for anything to happen. The pacing was off in this movie and nothing really happened for a long time. I was hoping that it was setting something up and that it would pay off but I can't say that it did in a successful way. The first scene with the zombies at the dinner attacking the workers there was pretty good and I thought it was funny with the whole "coffee" thing sure. But too many characters and scenes were wasted. I thought the Selena Gomez's car group were wasted and could have been utilized better and would have made the movie/story more interesting. The same with Danny Glover and Caleb Landy Jones who try their best to survive but are overtaken by zombies because the cops don't have the balls to leave their car to even check on them. Even Tom Waits character Hermit Bob was wasted because he never really does anything except hide in the woods and look at people through binoculars. I don't know i really don't, I mean I see such wasted potential in a movie having so many good actors. Makes me wonder what they think about the film if any of them have seen it. The only character I really liked was Tilda Swinton as the creepy mortician/undertaker and how she kicked ass with that samurai sword. Another thing that bothered me was when the zombies got their heads cut off or shot there was just this weaird black ash or sand that came out and no blood or anything. It was kind of a cool effect at first but then it was never explained or anything so it started bothering the crap out of me. There were a couple of other parts that were funny for me and one or two scenes of action but I have to say this was a below normal zombie comedy movie. Nothing like Zombieland. I give The Dead Don't Die a 4/10.
Charlie Cobra Reviews (1840 KP) rated Final Space in TV
Jul 7, 2020
Everything You Could Ask For In A Cool Space Cartoon
Contains spoilers, click to show
At first I thought this show was just going to be a comedy. Kind of like a Futurama type but in space, instead of in the future. I've never been happier to come into a show like Final Space not really knowing what I was getting myself into. I was pretty hyped for the show when I saw the original tv spots and the clip(s) when Olan Rogers came out on the Conan O'Brian show, but that first episode really set the tone. I really like when a show has good story arc and you can tell it's going in a certain direction where the episodes are not meaningless and Final Space does that but doesn't sacrifice on character or become too deeply plot driven. The plot is there and it feels like the characters motivations just naturally move the plot. For instance Gary's backstory of why he's a prisoner, which is hilarious by the way, and how he's been alone for nearly 5 years totally plays into why he has cabin fever and wants to get out/off the ship and be around actual people. KVN, as annoying as he is, actually made sense to me because someone like that, that can drive you crazy, probably would keep you sane if you were by yourself for years. For some people Gary might come off as a little annoying at first but I've dealt with more annoying characters who I totally grew to love like Naruto or Asta from Black Clover. I also enjoyed the character development and introduction of additional characters and how things change on the show from episode to episode and season 1 to season 2. What I wasn't prepared for was the emotional scenes, more than once this show has made my eyes misty. One thing that surprised me was the amount of action in the show and how it depicts violence. The show isn't shy when it comes to blood or guts and Gary even loses his arm in a fight against the Lord Commander who "force" rips it off of his body. There's a part where Gary must wear the skin of a dead alien to go incognito. Even Mooncake goes on a killing spree when he's put in gladiator style animal fight club. Definitely give this show a chance if you haven't already. As I said above I give it 8/10 and my "Must See Seal Of Approval".
LeftSideCut (3778 KP) rated Last Night in Soho (2021) in Movies
Dec 1, 2021
Straight off the bat, there is a whole lot to love about Last Night in Soho. It's a modern-London thriller with a dashing of supernatural horror. It's a modern horror with lashings of giallo. It's a giallo that is also a murder mystery. It bursting with colour, and has two exceptionally talented actors at it's helm.
I enjoy Anya Taylor-Joy in pretty much anything she's in, and the same applies here, stealing most of the scenes that she's in. Thomasin McKenzie is an infectiously likable protagonist, whether she's battling seedy-men ghosts, or the struggles of going to University in England (the scene near the beginning where she's stuck at a dorm party is a literal nightmare put straight onto the screen if you ask me). She's fantastic here as she was in Jojo Rabbit.
It boasts a strong supporting cast as well. Matt Smith plays a convincing shit-bag, and is quite clearly having a ball shouting in a cockney accent. It's always a pleasure to see Terence Stamp, and of course, Diana Rigg was one of the best in the game, and her performance here in her final role is testament to that.
LNIS is dripping with style, which is to be expected from Edgar Wright, but it's more subtle than a lot of his other works, substituting clever edits, cuts, and comedy for a film that's visual crack with a more serious tone. The vibrancy of its colour pallettes, both in the modern and 60s settings are as important as any character. Every frame feels like it's been lovingly poured over and is cinematic in every sense of the word. It also boasts a stellar soundtrack. I didn't realise how much I fucking love a bit of Cilla Black but here we are.
The only minor gripes I have is that it does drag ever so slightly during the final third. At one point it feels like a natural resolve is near, but then the narrative continues for a while longer before the twists and turns land. It also goes a little slasher-y at one point, which isn't necessarily an issue, but it feels a bit alien to the rest of the vibe (still manages to be a visually striking moment though!)
Overall though, Last Night in Soho is an incredibly engaging and enjoyable thriller, and is a proud addition to both Wright's filmography, and the modern resurgence of top quality horror.
I enjoy Anya Taylor-Joy in pretty much anything she's in, and the same applies here, stealing most of the scenes that she's in. Thomasin McKenzie is an infectiously likable protagonist, whether she's battling seedy-men ghosts, or the struggles of going to University in England (the scene near the beginning where she's stuck at a dorm party is a literal nightmare put straight onto the screen if you ask me). She's fantastic here as she was in Jojo Rabbit.
It boasts a strong supporting cast as well. Matt Smith plays a convincing shit-bag, and is quite clearly having a ball shouting in a cockney accent. It's always a pleasure to see Terence Stamp, and of course, Diana Rigg was one of the best in the game, and her performance here in her final role is testament to that.
LNIS is dripping with style, which is to be expected from Edgar Wright, but it's more subtle than a lot of his other works, substituting clever edits, cuts, and comedy for a film that's visual crack with a more serious tone. The vibrancy of its colour pallettes, both in the modern and 60s settings are as important as any character. Every frame feels like it's been lovingly poured over and is cinematic in every sense of the word. It also boasts a stellar soundtrack. I didn't realise how much I fucking love a bit of Cilla Black but here we are.
The only minor gripes I have is that it does drag ever so slightly during the final third. At one point it feels like a natural resolve is near, but then the narrative continues for a while longer before the twists and turns land. It also goes a little slasher-y at one point, which isn't necessarily an issue, but it feels a bit alien to the rest of the vibe (still manages to be a visually striking moment though!)
Overall though, Last Night in Soho is an incredibly engaging and enjoyable thriller, and is a proud addition to both Wright's filmography, and the modern resurgence of top quality horror.
Emma @ The Movies (1786 KP) rated Men in Black International (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
When Men In Black 3 came out 7 years ago I wasn't convinced they'd be able to follow the first two films, but it's probably become my favourite of the franchise for that ending alone. Seeing the trailers for International I was a little dubious but knowing how I felt the last time I was slightly optimistic about it.
*Eyes closed. Pinch bridge of nose. Slow, pained exhale.*
I hate it when the internet is right, it sets a very bad precedent. This film was not good, and it was fairly evident early on. Considering that at the beginning of the film we're seeing a kid discovering aliens for the first time I can't fathom how there is so little wonder and excitement in it. I found myself thinking it was cute, but cute isn't enough to kickstart a film.
I hoped for a while that it was just a slow burner, but after a third of the film had passed it was difficult to hold on to that hope. There was almost nothing that was exciting in it to make you want to ever see it again.
Somehow the effects have got both better and worse at the same time. The aliens in general look a little shoddy, apart from the main evil duo. There are some moments where they turn into a gaseous entity, their appearance changes to a galaxy like blur, and it's actually pretty beautiful to see... but then they turn back.
Tessa Thompson plays our obsessed wannabe woman in black. Relatively speaking her performance was quite good. I've only seen her in things from the last couple of years, and apart from Ragnarok I haven't been overly impressed with the roles she's played but Molly was a nice addition to her roster.
Chris Hemsworth... oh my dear boy... I'm not convinced that he should do comedy. Thor is great in Ragnarok but outside of that I'm not overly fond. There's only so far handsome and a little dumb can get you, and I think Thor and Kevin really used all of that up. When he's so good at drama I'm not sure why he keeps picking the same type of comedic pieces, as a dramatic actor in 12 Strong and Bad Times At The El Royale he was great and I really want to go back and see more of his serious roles. H in this is basically just Kevin from Ghostbusters in a black suit with a few more brain cells. It's a terribly scripted role and a massively disappointing lead in a series that has so much possibility behind it.
The standout performance for me is from Kumail Nanjiani as Pawny. Pawny is fantastically scripted, to the point that I wondered if someone else had written his part. The wonderful thing about it was that I could feel Nanjiani in everything that Pawny was doing, if you'd had him as a real-life character it would have been (almost) exactly the same performance. The only times I laughed were Pawny moments and I was genuinely annoyed when they were interrupted by the rest of the film.
Our four main supporting actors are a bit of a mix. Emma Thompson gives a repeat performance as O and ooooo is she glorious as always. Liam Neeson plays High T, the head of the London branch of MIB, it's fairly non-descript, sadly he's no Rip Torn. Rafe Spall plays Agent C who's a bit of a snitch. He has a rather slow start and when we meet him it's not a great scene for anyone involved, I found him to be terribly boring but thankfully his part does improve as we get deeper into it. Lastly we've got the surprise inclusion of Rebecca Ferguson as H's ex-girlfriend, Riza... I just... what was the point of her character?
"But the bad guy fights must have been good?"... am I the only one that felt like there wasn't really a bad guy in this? Don't get me wrong, there are plenty of options but we don't see enough of any of them to be really invested in the fact that they're bad. And when it comes to action scenes... were there really any of them either? I just... I can't even... ugh...
Considering I wasn't buzzing about this before I went in I'm amazed that I felt so disappointed by it. There was very little to enjoy beyond Nanjiani's Pawny, and hardly anything to workout as you watched because the trailers made it fairly obvious what was going to happen. You always hope that new instalments of series are going to stand up to its predecessors or at least not be so shit that they make you regret spending time watching it... yeah...
I want to like this more and I may give it a second chance after the slight success of Aladdin's second viewing, but no matter what happens, this is still going to be ranked fourth in the series.
What you should do
I really wouldn't bother watching this, spend your time rewatching the previous three instalments.
Movie thing you wish you could take home
I would like the only amazing thing from this film, one Pawny, please.
*Eyes closed. Pinch bridge of nose. Slow, pained exhale.*
I hate it when the internet is right, it sets a very bad precedent. This film was not good, and it was fairly evident early on. Considering that at the beginning of the film we're seeing a kid discovering aliens for the first time I can't fathom how there is so little wonder and excitement in it. I found myself thinking it was cute, but cute isn't enough to kickstart a film.
I hoped for a while that it was just a slow burner, but after a third of the film had passed it was difficult to hold on to that hope. There was almost nothing that was exciting in it to make you want to ever see it again.
Somehow the effects have got both better and worse at the same time. The aliens in general look a little shoddy, apart from the main evil duo. There are some moments where they turn into a gaseous entity, their appearance changes to a galaxy like blur, and it's actually pretty beautiful to see... but then they turn back.
Tessa Thompson plays our obsessed wannabe woman in black. Relatively speaking her performance was quite good. I've only seen her in things from the last couple of years, and apart from Ragnarok I haven't been overly impressed with the roles she's played but Molly was a nice addition to her roster.
Chris Hemsworth... oh my dear boy... I'm not convinced that he should do comedy. Thor is great in Ragnarok but outside of that I'm not overly fond. There's only so far handsome and a little dumb can get you, and I think Thor and Kevin really used all of that up. When he's so good at drama I'm not sure why he keeps picking the same type of comedic pieces, as a dramatic actor in 12 Strong and Bad Times At The El Royale he was great and I really want to go back and see more of his serious roles. H in this is basically just Kevin from Ghostbusters in a black suit with a few more brain cells. It's a terribly scripted role and a massively disappointing lead in a series that has so much possibility behind it.
The standout performance for me is from Kumail Nanjiani as Pawny. Pawny is fantastically scripted, to the point that I wondered if someone else had written his part. The wonderful thing about it was that I could feel Nanjiani in everything that Pawny was doing, if you'd had him as a real-life character it would have been (almost) exactly the same performance. The only times I laughed were Pawny moments and I was genuinely annoyed when they were interrupted by the rest of the film.
Our four main supporting actors are a bit of a mix. Emma Thompson gives a repeat performance as O and ooooo is she glorious as always. Liam Neeson plays High T, the head of the London branch of MIB, it's fairly non-descript, sadly he's no Rip Torn. Rafe Spall plays Agent C who's a bit of a snitch. He has a rather slow start and when we meet him it's not a great scene for anyone involved, I found him to be terribly boring but thankfully his part does improve as we get deeper into it. Lastly we've got the surprise inclusion of Rebecca Ferguson as H's ex-girlfriend, Riza... I just... what was the point of her character?
"But the bad guy fights must have been good?"... am I the only one that felt like there wasn't really a bad guy in this? Don't get me wrong, there are plenty of options but we don't see enough of any of them to be really invested in the fact that they're bad. And when it comes to action scenes... were there really any of them either? I just... I can't even... ugh...
Considering I wasn't buzzing about this before I went in I'm amazed that I felt so disappointed by it. There was very little to enjoy beyond Nanjiani's Pawny, and hardly anything to workout as you watched because the trailers made it fairly obvious what was going to happen. You always hope that new instalments of series are going to stand up to its predecessors or at least not be so shit that they make you regret spending time watching it... yeah...
I want to like this more and I may give it a second chance after the slight success of Aladdin's second viewing, but no matter what happens, this is still going to be ranked fourth in the series.
What you should do
I really wouldn't bother watching this, spend your time rewatching the previous three instalments.
Movie thing you wish you could take home
I would like the only amazing thing from this film, one Pawny, please.
Gareth von Kallenbach (965 KP) rated Sin City (2005) in Movies
Aug 14, 2019
In a dazzling blend of muted color, violence, and eroticism Frank Millers graphic novel Sin City has burst upon the screen with a visual style that is as diverse as the star studded cast that drives it.
Set in the fictional Basin City, the film is a series of segments that weave in and around each other to tell various stories and side plots without a clear cut beginning and end as the conclusion of one segment often mirrors portions of the events in another.
While the film does not have a linear plot in the traditional sense, each segment is a snapshot of life in Basin City and how it is viewed by the various people that dwell within. It does not take a genius to see that the city is rife with all manner of unsavory characters from child molesters to cannibals. Basin City is also a place where people are not always the sum of their parts as a violent and disfigured thug named Marv (Mickey Rourke) can show humanity and compassion as he attempts to avenge those who were wronged. It is a place where a person with a dubious past and a new face named Dwight (Clive Owen), is town between the life he left behind and his desire to protect those who are in danger.
The film is chocked full of dialogue that is reminiscent of classic pulp novels and comics of the 40’s and 50’s where characters were often as two dimensional as the pages in which their exploits were chronicled. While this at first seems awkward and hokey it tends to grow on you as it is an accurate reflection of the locales and inhabitants that comprise the city.
While most of the film is shot in a black and white style, there are flashes of color that make a gripping contrast to the usually blank characters. Examples of which are seen in many of the films violent action sequences where blood and other gore are used for artistic effect. In one example, graphic shooting segments are left in a muted black and white allowing us to see the gore in a muted sense. The impact of the scene is not lost but it is rendered in an artistic and unique manner that is amazing to see. While you should be horrified at what you see, you find yourself captivated by the clever color and camera work that is used to render the scene. At other times, the crimson color of blood is used to emphasize a scene and illustrate and illuminate a character.
If this sounds confusing, it is due to the fact that to many “Sin City”, is a film that is a unique looking film, that has a pacing and style all its own, and does not play by the traditional rules for a film. While films such as “Heavy Metal” and “Sky Captain and the World of Tomorrow” have brought graphic novels and visually unique pulp stories to the screen, it is the constant adherence to the source material, and directors Robert Rodriguez, Frank Miller, and Quentin Tarantinos ability to blend their unique styles seamlessly that makes this film interesting.
The action of the film is very well choreographed and despite being very, very graphic in places, it nonetheless entertains and rarely seems gratuitous. The film also has a surprising amount of comedy as there were several moments that caused the audience at my press screening to erupt.
While it does not offer much in the way of plot or acting, the performances are appropriate to the characters and settings .The all-star cast does a great job in conveying the motivations of their characters as the audience is given just what the need to know about a character to make the segments work.
While the film may not appeal to a mass audience due to the unique look and structure of the film, fans of Tarantino and Rodriguez are likely to embrace this film which should likely result in further adventures in Basin City sometime in the near future.
Set in the fictional Basin City, the film is a series of segments that weave in and around each other to tell various stories and side plots without a clear cut beginning and end as the conclusion of one segment often mirrors portions of the events in another.
While the film does not have a linear plot in the traditional sense, each segment is a snapshot of life in Basin City and how it is viewed by the various people that dwell within. It does not take a genius to see that the city is rife with all manner of unsavory characters from child molesters to cannibals. Basin City is also a place where people are not always the sum of their parts as a violent and disfigured thug named Marv (Mickey Rourke) can show humanity and compassion as he attempts to avenge those who were wronged. It is a place where a person with a dubious past and a new face named Dwight (Clive Owen), is town between the life he left behind and his desire to protect those who are in danger.
The film is chocked full of dialogue that is reminiscent of classic pulp novels and comics of the 40’s and 50’s where characters were often as two dimensional as the pages in which their exploits were chronicled. While this at first seems awkward and hokey it tends to grow on you as it is an accurate reflection of the locales and inhabitants that comprise the city.
While most of the film is shot in a black and white style, there are flashes of color that make a gripping contrast to the usually blank characters. Examples of which are seen in many of the films violent action sequences where blood and other gore are used for artistic effect. In one example, graphic shooting segments are left in a muted black and white allowing us to see the gore in a muted sense. The impact of the scene is not lost but it is rendered in an artistic and unique manner that is amazing to see. While you should be horrified at what you see, you find yourself captivated by the clever color and camera work that is used to render the scene. At other times, the crimson color of blood is used to emphasize a scene and illustrate and illuminate a character.
If this sounds confusing, it is due to the fact that to many “Sin City”, is a film that is a unique looking film, that has a pacing and style all its own, and does not play by the traditional rules for a film. While films such as “Heavy Metal” and “Sky Captain and the World of Tomorrow” have brought graphic novels and visually unique pulp stories to the screen, it is the constant adherence to the source material, and directors Robert Rodriguez, Frank Miller, and Quentin Tarantinos ability to blend their unique styles seamlessly that makes this film interesting.
The action of the film is very well choreographed and despite being very, very graphic in places, it nonetheless entertains and rarely seems gratuitous. The film also has a surprising amount of comedy as there were several moments that caused the audience at my press screening to erupt.
While it does not offer much in the way of plot or acting, the performances are appropriate to the characters and settings .The all-star cast does a great job in conveying the motivations of their characters as the audience is given just what the need to know about a character to make the segments work.
While the film may not appeal to a mass audience due to the unique look and structure of the film, fans of Tarantino and Rodriguez are likely to embrace this film which should likely result in further adventures in Basin City sometime in the near future.
Phillip McSween (751 KP) rated The Human Tornado (1976) in Movies
Jan 6, 2020
If You're Looking For Something New...
In blaxploitation movie The Human Tornado, Martial arts street pimp Dolemite has to dodge a racist sheriff while helping his good friend Queen Bee retake control of her nightclub.
Acting: 5
Nobody is winning any awards in this movie, but it works in certain spots. There is a certain charisma around Rudy Ray Moore who plays Dolemite that is quite hard to deny. He’s just fun to watch and, if nothing else, you know he’s giving you 100%. The rest of the actors go about their lines with the strength of dark roast coffee. They’re never really believable, but it somehow works in the grand scheme of things.
Beginning: 10
Characters: 10
Dolemite makes the movie. He’s suave, got a way with the ladies, and takes absolutely no shits from the man. His martial arts are a thing of legend and he’s even taken it up a notch from the first movie! His one-liners will leave you with quotes for days. At one point in the movie, we see Dolemite taking a woman into his room. He tells her, “You really came at a bad time. I’m very very busy. Relax, take off your things, and I’ll see ya later.” And trust me when I say that’s only one line of MANY. The other characters make for good fun as well although, I have to admit, I don’t remember most of their names.
Cinematography/Visuals: 9
Conflict: 9
Entertainment Value: 7
It’s hard not to settle in and enjoy this movie. Once it gets rolling, it's pretty consistent and nonstop with the action and the constant events that never cease to amaze you. I laughed, I clapped, and just when I thought I had seen it all, the movie gave me something new!
Memorability: 6
Pace: 5
The Human Tornado takes quite a few twists and turns that does slow the movie down in spots. There were also a few scenes where you scratch your head wondering why it had to be in there in the first place. It’s not boring, but it definitely could have been shorter.
Plot: 6
Resolution: 3
One of the most headscratching endings I think I’ve seen in film. And I’ve seen a lot of movies. I’ll just leave it at that.
Overall: 70
If you haven’t watched a blaxploitation film yet, you are missing out. They are not just comedy, but it’s also a bit empowering watching the main characters rise up against the man. You could do worse than The Human Tornado. Random Fact: This is one of Ernie Hudson’s first movie, the black Ghosbuster himself!
Acting: 5
Nobody is winning any awards in this movie, but it works in certain spots. There is a certain charisma around Rudy Ray Moore who plays Dolemite that is quite hard to deny. He’s just fun to watch and, if nothing else, you know he’s giving you 100%. The rest of the actors go about their lines with the strength of dark roast coffee. They’re never really believable, but it somehow works in the grand scheme of things.
Beginning: 10
Characters: 10
Dolemite makes the movie. He’s suave, got a way with the ladies, and takes absolutely no shits from the man. His martial arts are a thing of legend and he’s even taken it up a notch from the first movie! His one-liners will leave you with quotes for days. At one point in the movie, we see Dolemite taking a woman into his room. He tells her, “You really came at a bad time. I’m very very busy. Relax, take off your things, and I’ll see ya later.” And trust me when I say that’s only one line of MANY. The other characters make for good fun as well although, I have to admit, I don’t remember most of their names.
Cinematography/Visuals: 9
Conflict: 9
Entertainment Value: 7
It’s hard not to settle in and enjoy this movie. Once it gets rolling, it's pretty consistent and nonstop with the action and the constant events that never cease to amaze you. I laughed, I clapped, and just when I thought I had seen it all, the movie gave me something new!
Memorability: 6
Pace: 5
The Human Tornado takes quite a few twists and turns that does slow the movie down in spots. There were also a few scenes where you scratch your head wondering why it had to be in there in the first place. It’s not boring, but it definitely could have been shorter.
Plot: 6
Resolution: 3
One of the most headscratching endings I think I’ve seen in film. And I’ve seen a lot of movies. I’ll just leave it at that.
Overall: 70
If you haven’t watched a blaxploitation film yet, you are missing out. They are not just comedy, but it’s also a bit empowering watching the main characters rise up against the man. You could do worse than The Human Tornado. Random Fact: This is one of Ernie Hudson’s first movie, the black Ghosbuster himself!
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A darkly hilarious tale of a model family's disintegration. Professor Siem Sigerius - maths genius,...
Jesters_folly (230 KP) rated Blinded by the Light (2019) in Movies
Jul 10, 2019
One of the joys of having a cinema card are the previews, because you chose to pay monthly or yearly for unlimited films you get to see some films early, this can be anything from a day to a month. Then there are the secret films, a preview that can be a few months early but you only find out what you are seeing when the certificate card comes up. This is how I came to see Blinded by the Light. As the title came up I dug through my memory to see if I'd seen any trailers, I thought I had but couldn't remember anything about it. Five people left cinema so there must have been some trailers but people leaving doesn't really tell you much, there's always some one who leaves and it's better than the people who stay and mumble about how rubbish it is. After the title came the words ‘Inspired by real events.’ Which still doesn't give to much away, it could be an over the top farce like ‘I Tonya', a black comedy like ‘Three Billboards’ or a dull trudge like ‘The Post'.
It turns out that 'Blinded by the Light' is not really any of these, it's more of a 'slice of life' it the slice is a couple of years. The film centres on Javed, a Pakistani teen living in Luton, England in the late 1980s. Javed has written diaries and poems for most of his life but, due to his family life he has always kept them to himself. Not long after starting his A levels Javed is introduced to the music of Bruce Springsteen and finds that the lyrics speak to him in a way he's never felt before.
Blinded by the Light is a film about family, friends and finding your place. Javed starts off as a quiet, bookish character who, thanks to the people around him and his growing love of Bruce Springsteen records manages to find himself. However, this change leaded to problems as he clash’s with family and friends.
Being set in 80s and being about a Pakistani family the film also touches on the problem of racism and, from the clips I remembered from the trailer I found myself wondering if it was going to erupt into violence in the style of films like 'Made in England'. However, 'blinded by the Light' takes a more family friendly view, it does show some racism but less ‘violent’ and more personal making ‘Blinded by the Light’ a more family friendly film.
Although music plays a large part of the film it is not the music itself that’s important but the effect that it has on Javed, showing how the right music can change someone’s life.
It turns out that 'Blinded by the Light' is not really any of these, it's more of a 'slice of life' it the slice is a couple of years. The film centres on Javed, a Pakistani teen living in Luton, England in the late 1980s. Javed has written diaries and poems for most of his life but, due to his family life he has always kept them to himself. Not long after starting his A levels Javed is introduced to the music of Bruce Springsteen and finds that the lyrics speak to him in a way he's never felt before.
Blinded by the Light is a film about family, friends and finding your place. Javed starts off as a quiet, bookish character who, thanks to the people around him and his growing love of Bruce Springsteen records manages to find himself. However, this change leaded to problems as he clash’s with family and friends.
Being set in 80s and being about a Pakistani family the film also touches on the problem of racism and, from the clips I remembered from the trailer I found myself wondering if it was going to erupt into violence in the style of films like 'Made in England'. However, 'blinded by the Light' takes a more family friendly view, it does show some racism but less ‘violent’ and more personal making ‘Blinded by the Light’ a more family friendly film.
Although music plays a large part of the film it is not the music itself that’s important but the effect that it has on Javed, showing how the right music can change someone’s life.