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Roma (2018)
Roma (2018)
2018 | Drama
A lush and beautiful memory
Alfonso Cuaron - the magnificent Director from Mexico who directed such big Hollywood hits as HARRY POTTER AND THE PRISONER OF AZKABAN (the best HP flick, IMHO) and GRAVITY (one of the best films of 2013, IMHO) has made a little "personal" film that was financed and released by Netflix. Netflix, in their wisdom, realized they might have an Oscar contender on it's hands, so has released ROMA in limited release to Theaters (mostly Art Houses) and...in some instances...you can catch a 70mm print of this film. Or...you can watch it on your TV via your Netflix subscription.

I would highly recommend checking this film out at your local movie theater house and, if you are lucky enough to have a theater that is showing the 70mm print, I would tell you to run...don't walk...to check this out.

For ROMA is a beautifully filmed Black and White film, in Spanish (with English subtitles) that tells a very personal story of a family in Mexico City in the early 1970's - as seen through the eyes of their house maid. This story is based (according to what I have read) on Cuaron's own childhood and he has lovingly, beautifully recreated this world and populated it with some interesting characters/experiences.

It is also languidly paced (read: slow) and - if I am honest about it - not much happens. So if you add languid pace with black and white photography with Spanish language (and English subtitles) with not much in the way of plot or action, your attention span will be stretched and, I'm afraid, if you're home, you will be tempted to be distracted by your phone, the dog, the dishes, a magazine, etc...

And that would be a shame, for I fell in love with this film, the beauty of the cinematography and the slow pace of it all and I think you will too if you give it a chance.

Cuaron, most certainly, will be nominated for an Oscar for his writing and directing of this piece - and I am sure that this film will be nominated for Best Picture (and deservedly so), but it is in two other places that I was entranced by ROMA. I have mentioned the first - the Cinematography. This film is a shoo-in for a Best Cinematography Oscar, the black and white is lush and rich throughout the film and adds to the memory-style idealized world that Cuaron has put on screen. So, the Best Cinematography Oscar should go to...Alfonso Cuaron.

The other area that I am surprised to say worked very well for me is the performances of the cast, all Mexican actors, unknown to U.S. audiences. Standing out most notably are Marina de Tavira as the matriarch of the family, Senora Sofia and, most surprisingly, Yalitza Aparicio as the focal point of this film, Cleo. Her part is mostly mute (or at least mute for me, for I don't speak Spanish) so the emotions I felt coming from her were brought forth through her facial features, looks and reactions, much more than what she says. I would be fine with either of these two getting an Oscar nomination.

Despite a slow start - and a slow pace throughout this film - and not much going on, I was entranced and enthralled by the world that Cuaron put on screen. A world that exists, mostly, in Cuaron's memory and that, now, exists for us to see in this wonderful film.

Letter Grade: A

9 (out of 10) stars and you can take that to the Bank(ofMarquis)
  
Eyes Without a Face (1960)
Eyes Without a Face (1960)
1960 | Horror

"I became obsessed with horror at a very early age. Knowing this, my dad would often recall the greatest horror film he ever saw. It was black and white, it was French, and it was, in his words, “really, really gory.” He would tell me it was about a mad surgeon who tries to restore the face of his daughter, disfigured in a car accident, by mutilating young women and stealing their fair skin. And he would go on and on about how great it was, how scary it was, and how I would simply have to see it. But . . . He could not recall the name of the film. I tried to cross-reference with horror guidebooks in the library, but without the invention of the Internet and plot keywords, I was left stumped for a long time. Years later, I saw Eyes Without a Face and called my dad immediately. I told him the crucial fact he’d been missing, the actual name of the greatest horror film he had ever seen. I then agreed with him that, yes, it was a quite extraordinary film."

Source
  
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Heathski (173 KP) rated the Xbox 360 version of Bloodforge in Video Games

Feb 27, 2019 (Updated Feb 27, 2019)  
Bloodforge
Bloodforge
2012 | Action, Fighting
Awesome hack and slash (1 more)
Cool art
Combat sometimes (1 more)
Camera angles
Bloody, awesome and a little infuriating
This is an awesome hack and slash game. When I want to vent some of my aggression, this is the one to reach for. It is similar to God of War except that its derived from Celtic mythology, which I love. It has had some negative reviews due to its basic combat, repetitive enemies and weak storyline. I disagree, I love it. The art is awesome, black and white and muted tones, with splashes or fountains of red. It is very bloody, grungy graphic novel style art. The main characters design is striking and unique. The combat can turn onto button mashing but, there are strategic combos which when performed correctly, have some cool and bloody, visual executions. You pick up different weapons on your adventure which opens up options for different fighting styles, combos and upgrades. The more combos you do, the more blood is spilled which means you can access RAGE mode. There is no blocking, so dodging is vital. Sometimes the gameplay mechanics are frustrating due to the annoying camera angles. Its a pretty awesome hack and slash game and love it.