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The Most Dangerous Communist in the United States: A Biography of Herbert Aptheker
Book
When J. Edgar Hoover declared Herbert Aptheker "the most dangerous Communist in the United States,"...
Edge of the Orison: In the Traces of John Clare's Journey Out of Essex
Book
In Edge of the Orison the visionary Iain Sinclair walks in the steps of poet John Clare. In 1841 the...
The Women In The Castle
8.0
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Set at the end of World War II, in a crumbling Bavarian castle that once played host to all of...
The Ship That Would Not Die: USS Queens, SS Excambion and USTS Texas Clipper
Stephen Curley and J. Dale Shively
Book
Starting its life as an attack transport in World War II-and one of the last five left afloat by...
Great Contemporaries: Churchill Reflects on FDR, Hitler, Kipling, Chaplin, Balfour, and Other Giants of His Age
Winston S. Churchill, Paul E. Gottfried and James W. Muller
Book
Churchill Sizes Up the Giants of His Age, Offers Wisdom for Our Own Winston Churchill was awarded...
When the Game Was Ours
8.0
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Book
From the moment these two players took the court on opposing sides, they engaged in a fierce...
Wallpaper Plus - Cool Wallpapers, Cool Backgrounds
Entertainment and Lifestyle
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Beautiful, Quirky, Funny, Kitschy - whatever you need. Only Wallpaper App with 100,000+ awesome...
Acanthea Grimscythe (300 KP) rated The Eyes of My Mother (2016) in Movies
May 12, 2018
Though The Eyes of My Mother is listed as a slasher movie, the term “psychological thriller” feels far more appropriate. If a film bears the “slasher” label, I expect lots of gore. This film fails to meet that expectation. It may be the fact that this movie is in black and white that lessens the impact of its more gruesome moments. Nonetheless, The Eyes of My Mother is a haunting and terrifying journey that explores the depths of human depravity.
Starring Kika Magalhaes, The Eyes of My Mother follows Francisca as she matures. Her fear of loneliness reminds us that she is still human while her “hobbies” simultaneously tell us differently. Francisca is an extremely complicated character, but Magalhaes’s performance is genuine and lends credence to the role. It also helps that Magalhaes shares the same cultural background.
This movie is an art house film. If you aren’t a fan of this style, you may not enjoy it. If you are, you can find it on Netflix. I don’t have any large gripes about the film, nor do I have any complaints about its plot. It’s fairly simple and direct. If I must find an issue, it is the fact that no one takes notice of the fact that people disappear.
Overall, I can say that this is a film that I will watch again in the future.
Starring Kika Magalhaes, The Eyes of My Mother follows Francisca as she matures. Her fear of loneliness reminds us that she is still human while her “hobbies” simultaneously tell us differently. Francisca is an extremely complicated character, but Magalhaes’s performance is genuine and lends credence to the role. It also helps that Magalhaes shares the same cultural background.
This movie is an art house film. If you aren’t a fan of this style, you may not enjoy it. If you are, you can find it on Netflix. I don’t have any large gripes about the film, nor do I have any complaints about its plot. It’s fairly simple and direct. If I must find an issue, it is the fact that no one takes notice of the fact that people disappear.
Overall, I can say that this is a film that I will watch again in the future.
Kirk Bage (1775 KP) rated Black Mirror - Season 4 in TV
Mar 3, 2020
USS Callister - 7.5
A fascinatingly geeky episode, all else aside. Not only are there references to almost every significant sci-fi meme (in the true sociological sense of the word) you can think of, but there are also many links to past and even future Black Mirror episodes. It really is a spot the clever touch piece of the ensemble. Deceptively colourful and lively, this is a dark idea – taking identity theft to the next level and using stolen DNA to replicate and then trap a person in a virtual world where you are god. Jesse Plemons takes on two personas and has never been seen to such effect as in this rare lead role for him. Nominated for 8 Emmys and winning 4, the start to season four in late 2017 was a strong one, and a real indicator that the Universe of Black Mirror is all intrinsically linked. As I say, geek heaven! Points for spotting Kirsten Dunst in an unspoken cameo…
Arkangel - 6
Notable for the first big guest director credit of one Jodie Foster. This one moves from creepy idea to hard to swallow nonsense very quickly. Returning to the idea of brain implants and using the eyes of a person as a recorder than can be manipulated, the idea of aparent using such tech to protect a child is fine on the surface. But when you go deeper, it is impossible to imagine a parent stupid enough not to see the drawbacks and dangers of it, and fantastical to imagine the child not questioning it as they get older. Apart from a memorable moment of violence that works well in the context of the story, this episode largely doesn’t really work.
Crocodile - 7
An almost unrecognisable Andrea Riseborough is the best thing about this bleak thriller type episode, often compared to Scandi-dramas like The Bridge. It starts with a haunting accidental death and cover up scenario, progressing to a breakdown manifested in two very different ways. Once again, the tech on display is a machine not unlike the Voight-Kampf of Blade Runner, which can translate memory into images. The intrigue and tension are great, and when things really kick off, we find ourselves yelling “just stop” at our screens! Trouble is, the final twist undermines it all, by crossing the line of irony and into comedy. Memorable, but not in the top ten for me.
Hang the DJ - 8.5
Now, this one I really like! The unlikely chemistry of Joe Cole and Georgina Campbell, as two guinea pigs using an intense dating app in some vague dystopia, hits the right tone from the start and keeps you gripped. The basic idea being that the app tells you how long a couple can be together, before parting, whether they want to or not. The promise of the system being that in the end there is a 99.8% chance of finding your “perfect” partner. The empathy for the leads is huge by the time it comes to the inevitable conclusion that they must rebel to escape their fate and be together. What happens next: the simplicity, yet detail of the twist is absolute genius! Leaving you with a wry smile and a very strong lasting impression. Artistically, not he strongest; in terms of pure writing, one of the very best.
Metalhead - 7
Perhaps unfairly, this episode, shot in gorgeous black and white, is the lowest rated of all Black Mirror episodes on IMDb. David Slade, the man responsible for films such as Hard Candy and 30 Days of Night directs, and it is apparent this is going to be a minimal mood piece, with standard psychological horror elements. The most obvious comparison is The Terminator, but there is more going on than that. What I like about it is the ambiguity. How we got to this place and where “home” is and who is left there, are all left to our imagination, as we watch Maxine Peake struggle to survive against a machine that will not stop. I think many reject it out of hand because it is too vague and has little in the way of a clever twist. But, as a character study it works fine. Shorter than most, at 41 minutes, perhaps even that is a push, given the simple idea, which does have short film vibes pouring out of it. I can’t say I don’t like it though…
Black Museum - 8
A fitting end to season four was the trick of paying homage to old anthology horror movies of the 70s, where artifacts that link to dark stories are collected in one place and re-told by a perhaps sinister narrator. There are plenty of clever nods to recognisable props and images from earlier episodes, as well as new stuff that may have future significance, that,even more than USS Callister, this episode is basically one big Easter egg. Letitia Wright, best known from her role in Black Panther, to date, shows star quality in a tricky part that basically requires her to listen and wait patiently until the satisfying pay-off. The three linking tales of a doctor who becomes addicted to pain via an empathy implant; a dead mother whose soul is trapped in a childs toy forever; and a murderer condemned to relive his execution over and over for the gratification of paying customers – are all captivating within themselves, and fit into the macabre tongue in cheek vibe well. Thankfully, the climax does make it all gel and make sense, and we leave the season on a high, reflecting our own sense of “justice”.
A fascinatingly geeky episode, all else aside. Not only are there references to almost every significant sci-fi meme (in the true sociological sense of the word) you can think of, but there are also many links to past and even future Black Mirror episodes. It really is a spot the clever touch piece of the ensemble. Deceptively colourful and lively, this is a dark idea – taking identity theft to the next level and using stolen DNA to replicate and then trap a person in a virtual world where you are god. Jesse Plemons takes on two personas and has never been seen to such effect as in this rare lead role for him. Nominated for 8 Emmys and winning 4, the start to season four in late 2017 was a strong one, and a real indicator that the Universe of Black Mirror is all intrinsically linked. As I say, geek heaven! Points for spotting Kirsten Dunst in an unspoken cameo…
Arkangel - 6
Notable for the first big guest director credit of one Jodie Foster. This one moves from creepy idea to hard to swallow nonsense very quickly. Returning to the idea of brain implants and using the eyes of a person as a recorder than can be manipulated, the idea of aparent using such tech to protect a child is fine on the surface. But when you go deeper, it is impossible to imagine a parent stupid enough not to see the drawbacks and dangers of it, and fantastical to imagine the child not questioning it as they get older. Apart from a memorable moment of violence that works well in the context of the story, this episode largely doesn’t really work.
Crocodile - 7
An almost unrecognisable Andrea Riseborough is the best thing about this bleak thriller type episode, often compared to Scandi-dramas like The Bridge. It starts with a haunting accidental death and cover up scenario, progressing to a breakdown manifested in two very different ways. Once again, the tech on display is a machine not unlike the Voight-Kampf of Blade Runner, which can translate memory into images. The intrigue and tension are great, and when things really kick off, we find ourselves yelling “just stop” at our screens! Trouble is, the final twist undermines it all, by crossing the line of irony and into comedy. Memorable, but not in the top ten for me.
Hang the DJ - 8.5
Now, this one I really like! The unlikely chemistry of Joe Cole and Georgina Campbell, as two guinea pigs using an intense dating app in some vague dystopia, hits the right tone from the start and keeps you gripped. The basic idea being that the app tells you how long a couple can be together, before parting, whether they want to or not. The promise of the system being that in the end there is a 99.8% chance of finding your “perfect” partner. The empathy for the leads is huge by the time it comes to the inevitable conclusion that they must rebel to escape their fate and be together. What happens next: the simplicity, yet detail of the twist is absolute genius! Leaving you with a wry smile and a very strong lasting impression. Artistically, not he strongest; in terms of pure writing, one of the very best.
Metalhead - 7
Perhaps unfairly, this episode, shot in gorgeous black and white, is the lowest rated of all Black Mirror episodes on IMDb. David Slade, the man responsible for films such as Hard Candy and 30 Days of Night directs, and it is apparent this is going to be a minimal mood piece, with standard psychological horror elements. The most obvious comparison is The Terminator, but there is more going on than that. What I like about it is the ambiguity. How we got to this place and where “home” is and who is left there, are all left to our imagination, as we watch Maxine Peake struggle to survive against a machine that will not stop. I think many reject it out of hand because it is too vague and has little in the way of a clever twist. But, as a character study it works fine. Shorter than most, at 41 minutes, perhaps even that is a push, given the simple idea, which does have short film vibes pouring out of it. I can’t say I don’t like it though…
Black Museum - 8
A fitting end to season four was the trick of paying homage to old anthology horror movies of the 70s, where artifacts that link to dark stories are collected in one place and re-told by a perhaps sinister narrator. There are plenty of clever nods to recognisable props and images from earlier episodes, as well as new stuff that may have future significance, that,even more than USS Callister, this episode is basically one big Easter egg. Letitia Wright, best known from her role in Black Panther, to date, shows star quality in a tricky part that basically requires her to listen and wait patiently until the satisfying pay-off. The three linking tales of a doctor who becomes addicted to pain via an empathy implant; a dead mother whose soul is trapped in a childs toy forever; and a murderer condemned to relive his execution over and over for the gratification of paying customers – are all captivating within themselves, and fit into the macabre tongue in cheek vibe well. Thankfully, the climax does make it all gel and make sense, and we leave the season on a high, reflecting our own sense of “justice”.
Sam (74 KP) rated The Hate u Give in Books
Nov 30, 2018
Problematic
I was so excited to start reading this one. Because of how popular it had been, I'd put off buying it for ages. Waterstones had a special edition in and that was as much of an excuse as I needed to buy it.
It's got five-star reviews everywhere, has won so many awards, and literally, everyone is talking about it. So, of course, it's worth a try.
Only I didn't enjoy it to the point where I got halfway through and couldn't finish it. I wasn't even sure whether to post the review because I know that lots of people will disagree with me over this.
I was so excited for a book to be out that's about police brutality in America towards black teenagers, and was surprised, to begin with, that something as serious as this was in a YA book, but also happy that it was being told to teenagers. It sounded like my ideal book.
But I just couldn't get along with it at all. The whole idea with the book is to show what casual racism is doing to America, but at the same time on every few pages, there's another part talking about how horrible and funny and evil white people are. If a book wants to make a stand against racism, make a stand against it from both sides, not just one. You cannot end racism by calling the other race.
I just found it really one-sided in its battle against racism. I am definitely not saying that the police shooting was right, let me just say that, and Starr has every right to hate the police for shooting her best friend. However, this does not mean that every few pages there needs to be a comment about how awful white people are.
A much healthier focus for the book would have been equality, not switching the racism to the other side in a 'how-do-you-like-it-now' move.
Read the full review at https://ohbookit.blog
Read the full review at https://ohbookit.blog