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Mick Hucknall recommended Bob Dylan by Bob Dylan in Music (curated)

 
Bob Dylan by Bob Dylan
Bob Dylan by Bob Dylan
1962 | Folk
8.0 (4 Ratings)
Album Favorite

"I love this record. Of course Bob Dylan is a genius, and most of the acknowledgements of Dylan are for his compositions. These tracks, many of them I think are traditional songs, there's one or two originals. I love listening to this all the way through. His extraordinary rendition of 'The House Of The Rising Sun' is somehow overlooked. It amazes me. I know the Animals' one is brilliant, but I prefer the Dylan one, because it just tears your heart open. You really get a strong sense of the meaning of the lyric when Dylan does it, the melancholy of it. I think the reason why I love it is, you get the sense of the beginning of something. You know, this guy's gonna have a future. The simplicity of it, as well. It's just this guy with a harmonica and a guitar, yet it's profound. And I think credit has to be given to [producer] John Hammond as well, who's one of my great heroes. What a guy. A champion of African American music, yet at the same time, a champion of bringing white music and black music together. That to me is the message of the last century, more than anything. It's not separating the two, it's what they did together. You wouldn't have a job, and probably I wouldn't [laughs], without that marriage, because rock music wouldn't have happened without it, it wouldn't even exist."

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RəX Regent (349 KP) rated Night of the Living Dead (1968) in Movies

Feb 19, 2019  
Night of the Living Dead (1968)
Night of the Living Dead (1968)
1968 | Horror
8
8.5 (54 Ratings)
Movie Rating Watch
Iconic, influential and ground-breaking. All words to describe George A. Romero’s inaugural zombie horror, but what sets this apart from its contemporaries and the endless variations in the genre in which this Indie movie helped spawn?

Well to begin with, this is far from a simple zombie thriller. The real villains here are the collection of damaged human characters who all find themselves trapped together in an old farmhouse, barricaded within its fragile wooden walls, fighting not only the onslaught of zombie without, but the angst and fear from within.

At times they work together but unlike most films like this, the group rarely work at all, with conflicted views on how to survive, blinding them to the fact that if they only worked together they may just do so.

Instead, they all end up dead, with our leading man, a strong, smart black character, which at the time was a bold choice, being murdered by the redneck police posse, who mistake him for a zombie. But the metaphor, though hard to ignore, of a black man being gunned down without the white men bothering to ensure that he was zombie, may just be a coincidence, but the irony that he, Ben (Duane Jones) manages to survive until the end only be to gunned down in the final moments, is a tragedy that sums up this film’s tone.

With a killer child, a nude female zombie, a dysfunctional couple and the first named victim displaying a complacent contempt for God and the church, this group are real, though the acting standards are variable, the writing and direction are constantly very good, with a sense or gritty realism permeating throughout. Maintained by good pacing and gruesome cannibalistic action, this raised the bar of the genre, both now and then.

Even the zombies get a reasonable, yet none definitive explanation, as told through the radio and TV news. Radiation bringing the dead back to life, well, it may be the trope of 1960’s sci fi but it was well explained and the news reports were well composed, feeling more realistic than most movie news broadcasts.

Romero may have gone on to milk this franchise for all it is worth in the decades since but this opening low budget gem is a real piece of work; A complex moral drama set on one chaotic night in which the dead become living again.
  
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40x40

Phil Leader (619 KP) rated Deadly Harm in Books

Nov 25, 2019  
Deadly Harm
Deadly Harm
Owen Mullen | 2019 | Contemporary, Crime, Fiction & Poetry, Thriller
10
10.0 (1 Ratings)
Book Rating
Mackenzie is a survivor. She has survived a brutal kidnap ordeal and now runs a refuge for women who need to escape domestic violence. But when she has to turn a young woman away only for her husband to kill her, Mackenzie blames herself and resolves that she will do anything to prevent anything like that happening again. It isn't long before she must test her resolve. She has survived before. What will she do to survive now?

Once again Mullen demonstrates his credentials as one of the best crime writers out there, throwing a couple of extra murders into the mix and once again having dogged and dog-eared policeman Andrew Geddes play a large part, not only as an upholder of the law but also as Mackenzie's potential love interest. But how can a man who lives in terms of black and white cope when his girlfriend lives in the grey areas? The moral choices made by the leading characters may be questioned by the reader, but their motivations are always clear.

And what a cast of characters. The beauty of this is that everyone - Mackenzie, Geddes, the women at the refuge and killer Malkie Boyle - are all damaged from their lives and experiences. Even when Mullen's clean-cut private investigator Charlie Cameron crops up, it only serves to cast a light that reveals the shadows around the others. Everybody rings very true and the whole plot is very believable, and could be playing out at this moment.

And speaking of the plot, as usual this moves along at a breezy pace, introducing characters as it goes without slowing its momentum. This isn't a classic 'whodunnit' - it is clear exactly who did what - but isn't without twists and surprises, several plots simmering along next to each other and coming to the boil perfectly throughout the book.

Another fantastic read from simply one of the best authors there is. Very highly recommended