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Hadley (567 KP) rated The Other Mrs. in Books
Apr 4, 2020
Mental illness done correctly (1 more)
Addictive
Mental illness.
I've read a lot of horror books that cover this subject, watched horror movies covering this subject, listened to music covering this subject, but none of them have covered mental illness as well and correctly as Mary Kubica's "The Other Mrs.."
So, with that said, if you have any type of PTSD, this book may be hard for you to read. Otherwise, this novel is very addicting, filled with so many twists and turns that you won't be able to set it down for long. For me, someone who deals with C-PTSD, 'The Other Mrs.' by Mary Kubica has been a heartache to read, but also very fulfilling to finish.
Kubica is known for her best-selling novel 'the Good Girl' - - - a thriller following a mother and a detective in search of the the former's missing daughter that leads them down a twisted tale of family secrets. From highly acclaimed critics, 'the Other Mrs.' has out-done 'the Good Girl' as Kubica's best novel so far. Kubica sticks with her psychological thriller writing that she is known for in this newest novel. She keeps the reader guessing at what will happen next, and she plays out mental illnesses in a way that most who suffer can relate while winding in a mystery well enough that the reader won't be able to guess everything before the ending.
I can't give such a heavy review on this book because, to do so, would give away a lot of the ending, so I'll stick to talking about noteworthy characters that make up the novel. The main character is a woman named Sadie, whose family is being uprooted from Chicago and moved to a small island in Maine after her husband's sister dies, which leaves them with not only a house in the will, but a sixteen-year-old niece named Imogen.
Sadie is already a mother of two sons, both younger than sixteen, when she suddenly finds herself in-charge of the stereo-typical edgy teenager, Imogen. Sadie describes her the first time she sees Imogen: " But there she stands, a morose figure dressed in black. Black jeans, a black shirt, bare feet. Her hair is black, long with bangs that slant sideways across her face. Her eyes are outlined in a thick slash of black eyeliner. Everything black, aside from the white lettering on her shirt, which reads, I want to die. The septum of her nose is pierced. Her skin, in contrast to everything else, is white, pallid, ghostlike. She's thin. "
Early one morning when Sadie is heading off to work, she finds a word spelled on her car window. The word reads: "Die." Sadie, as most readers, quickly assumes that Imogen is responsibly for this, as she tries to explain: "I've tried to be understanding because of how awful the situation must be for her. Her life has been upended. She lost her mother and now must share her home with people she doesn't know. But that doesn't justify threatening me. Because Imogen doesn't mince words. She means just what she said. She wants me to die."
The next character that makes up a big part of this story is a confident, self-centered woman, whose name is Camille,and is also the 'other woman' in this story. Camille is a woman who gets what and who she wants, and won't let anyone get in her way, including Sadie, whose husband is someone Camille wants. I can't go much into the things that Camille's character does because it would give away a lot of the surprises in this novel - - - I can say though that there is murder and mystery throughout; the book will leave most readers guessing until the very end.
One other character who deserves mentioning is a little girl- - - with the nickname 'Mouse' - - - who finds herself suddenly dealing with a horrific stepmother, who abuses her physically and mentally unbeknownst to Mouse's father. One time, in which Mouse shows how smart she is to her the stepmother while being in front of her father (who Mouse likes to call 'Fake Mom'), later that night, when Mouse's father isn't looking, Fake Mom lets Mouse know how she felt about that:
" But later that night, when he father wasn't looking, Fake Mom got down into Mouse's face and told her if she ever made her look stupid again in front of her father, there would be hell to pay. Fake Mom's face got all red. She bared her teeth like a dog does when it's mad. A vein stuck out of her forehead. It throbbed. Fake Mom spit when she spoke, like she was so mad she couldn't stop herself from spitting. Like she was spitting mad. She spit on Mouse's face but Mouse didn't dare raise a hand to wipe it away."
Mental and physical abuse make up all that The Other Mrs. is about. So far, this is the best story I have read in a long time. My only problem with it is it's written like a YA novel, where it seems Kubica tried to keep that from happening by throwing in some heavy syllable words to make it more fitting for adults. But, luckily, she left out most of the wishy-washy elements that make up YA novels, so I believe most adults will enjoy this. I highly recommend this book to people who love murder mysteries!
I've read a lot of horror books that cover this subject, watched horror movies covering this subject, listened to music covering this subject, but none of them have covered mental illness as well and correctly as Mary Kubica's "The Other Mrs.."
So, with that said, if you have any type of PTSD, this book may be hard for you to read. Otherwise, this novel is very addicting, filled with so many twists and turns that you won't be able to set it down for long. For me, someone who deals with C-PTSD, 'The Other Mrs.' by Mary Kubica has been a heartache to read, but also very fulfilling to finish.
Kubica is known for her best-selling novel 'the Good Girl' - - - a thriller following a mother and a detective in search of the the former's missing daughter that leads them down a twisted tale of family secrets. From highly acclaimed critics, 'the Other Mrs.' has out-done 'the Good Girl' as Kubica's best novel so far. Kubica sticks with her psychological thriller writing that she is known for in this newest novel. She keeps the reader guessing at what will happen next, and she plays out mental illnesses in a way that most who suffer can relate while winding in a mystery well enough that the reader won't be able to guess everything before the ending.
I can't give such a heavy review on this book because, to do so, would give away a lot of the ending, so I'll stick to talking about noteworthy characters that make up the novel. The main character is a woman named Sadie, whose family is being uprooted from Chicago and moved to a small island in Maine after her husband's sister dies, which leaves them with not only a house in the will, but a sixteen-year-old niece named Imogen.
Sadie is already a mother of two sons, both younger than sixteen, when she suddenly finds herself in-charge of the stereo-typical edgy teenager, Imogen. Sadie describes her the first time she sees Imogen: " But there she stands, a morose figure dressed in black. Black jeans, a black shirt, bare feet. Her hair is black, long with bangs that slant sideways across her face. Her eyes are outlined in a thick slash of black eyeliner. Everything black, aside from the white lettering on her shirt, which reads, I want to die. The septum of her nose is pierced. Her skin, in contrast to everything else, is white, pallid, ghostlike. She's thin. "
Early one morning when Sadie is heading off to work, she finds a word spelled on her car window. The word reads: "Die." Sadie, as most readers, quickly assumes that Imogen is responsibly for this, as she tries to explain: "I've tried to be understanding because of how awful the situation must be for her. Her life has been upended. She lost her mother and now must share her home with people she doesn't know. But that doesn't justify threatening me. Because Imogen doesn't mince words. She means just what she said. She wants me to die."
The next character that makes up a big part of this story is a confident, self-centered woman, whose name is Camille,and is also the 'other woman' in this story. Camille is a woman who gets what and who she wants, and won't let anyone get in her way, including Sadie, whose husband is someone Camille wants. I can't go much into the things that Camille's character does because it would give away a lot of the surprises in this novel - - - I can say though that there is murder and mystery throughout; the book will leave most readers guessing until the very end.
One other character who deserves mentioning is a little girl- - - with the nickname 'Mouse' - - - who finds herself suddenly dealing with a horrific stepmother, who abuses her physically and mentally unbeknownst to Mouse's father. One time, in which Mouse shows how smart she is to her the stepmother while being in front of her father (who Mouse likes to call 'Fake Mom'), later that night, when Mouse's father isn't looking, Fake Mom lets Mouse know how she felt about that:
" But later that night, when he father wasn't looking, Fake Mom got down into Mouse's face and told her if she ever made her look stupid again in front of her father, there would be hell to pay. Fake Mom's face got all red. She bared her teeth like a dog does when it's mad. A vein stuck out of her forehead. It throbbed. Fake Mom spit when she spoke, like she was so mad she couldn't stop herself from spitting. Like she was spitting mad. She spit on Mouse's face but Mouse didn't dare raise a hand to wipe it away."
Mental and physical abuse make up all that The Other Mrs. is about. So far, this is the best story I have read in a long time. My only problem with it is it's written like a YA novel, where it seems Kubica tried to keep that from happening by throwing in some heavy syllable words to make it more fitting for adults. But, luckily, she left out most of the wishy-washy elements that make up YA novels, so I believe most adults will enjoy this. I highly recommend this book to people who love murder mysteries!
Kirk Bage (1775 KP) rated BlacKkKlansman (2018) in Movies
Jan 22, 2021
I have had my issues with Spike Lee as a filmmaker over the years. It always seemed like his next film was the most “important” one, and that he didn’t make a film if it didn’t have something to say about race and the oppression of African Americans. Which in itself is not a problem, as long as that point isn’t laboured to the detriment of all other aspects of the film. My problem wasn’t the message, it was that a lot of the films were dull or just not that great.
I like Malcolm X to a point, but it is overlong and uneven. I think Do the Right Thing is a fine example of indie bravura, but also has faults. Of the rest, I really only rate 25th Hour and Inside Man, both of which are entertaining movies that move tentatively away from full on politics and therefore avoid the trap of being bombastic. In short, I’ve always wanted to like him as a director a lot more than I do.
The thing that drew me to BlacKkKlansman more than Lee, or the yet little known John David Washington, was the 100% dependable Adam Driver. I have yet to see a performance of his I didn’t like, and I’d heard that he was the standout of this film too, so it went on my list of must sees. And, yes, he is excellent, of course he is – there’s something about how easy and relaxed he can be within a character that is very rare. I’d suggest he is one of the very best male actors of that age group working today.
Now, obviously, it is entirely intentional that the two leads and eventual partners in the film are black and white… but the idea that this is a problem, or a thing at all, is not addressed as the only issue; in BlacKkKlansman it isn’t being black or white or anything else that defines you, it is what you do, what you say and what you stand for. And that idea is so crystal clear and well achieved that as an entertainment the film can then go anywhere it wants around that framework. Which it revels in doing.
It is both a good looking film and an exciting one; funny when it wants to be, smart all the time, and razor serious when it needs to be. A balancing act not to be sniffed at! And one that Lee has struggled with in the past. Here he nails the tone so well that it feels like his entire back catalogue was just a training exercise to get him to this point. I wouldn’t say it’s a masterpiece, but it is a damn fine work of art on many levels.
Washington as the focus of the tale, which also functions perfectly as an undercover cop movie of basic intent, i.e. infiltrate the bad guys and take them down, is perfectly cast and believable from minute one. His chemistry with the insanely gorgeous and talented Laura Harrier is a highlight, especially watching them dance and move with absolute cool in those 70s clothes and hairstyles. This movie has serious style that leaves you in no doubt that the black sub-culture is where it’s at, and the stupid bigoted klansmen are shown up as ridiculous as much as dangerous.
Every trope and icon of the Blacksploitation era is referenced and reclaimed as cool. Perhaps to a degree I am not aware of, as I’ve only seen one or two obvious examples in my time. We are given the tease to follow the notion that racism of this kind was a thing of the past, specifically related to the 70s and now it’s better in many ways. Before we are hit with the hammer blow of realisation at the very end of the film, where a juxtaposition of fantasy and horrific reality collide to magnificently shocking and depressing effect.
I felt after seeing it that I had been cleverly schooled. As in, I’m glad you enjoyed this, now go away and really think about it… and it worked, because I have tried to think about it more than I have before. And feel just that little bit more educated to a problem that is worldwide, but has never really felt directly part of my world.
Discussing anything related to the BLM movement in 2020 feels important and complicated in so many ways. It is an emotive subject that I’d feel I mostly want to avoid for fear of saying the wrong thing. Even though the basic idea of human rights and basic rights for all people has always been a no brainer; prejudice and hate crimes and fear are wrong, and we collectively must do whatever we can to educate ourselves and others not to make the mistakes of the past. Can a movie do that? No of course not, but it can open the door to dialogue that might not have happened otherwise.
Lee isn’t scared of what you think of this film, or any argument you may have against it. He knows his subject, and you feel that confidence in every scene. He doesn’t want to lecture you, or scream at you in despair, he wants to tell you an entertaining story that comes with a whole side discussion if you want it. Which is so much more powerful than any tactic he has tried before. And I think it works. I’d recommend anyone watch this, without hesitation.
I like Malcolm X to a point, but it is overlong and uneven. I think Do the Right Thing is a fine example of indie bravura, but also has faults. Of the rest, I really only rate 25th Hour and Inside Man, both of which are entertaining movies that move tentatively away from full on politics and therefore avoid the trap of being bombastic. In short, I’ve always wanted to like him as a director a lot more than I do.
The thing that drew me to BlacKkKlansman more than Lee, or the yet little known John David Washington, was the 100% dependable Adam Driver. I have yet to see a performance of his I didn’t like, and I’d heard that he was the standout of this film too, so it went on my list of must sees. And, yes, he is excellent, of course he is – there’s something about how easy and relaxed he can be within a character that is very rare. I’d suggest he is one of the very best male actors of that age group working today.
Now, obviously, it is entirely intentional that the two leads and eventual partners in the film are black and white… but the idea that this is a problem, or a thing at all, is not addressed as the only issue; in BlacKkKlansman it isn’t being black or white or anything else that defines you, it is what you do, what you say and what you stand for. And that idea is so crystal clear and well achieved that as an entertainment the film can then go anywhere it wants around that framework. Which it revels in doing.
It is both a good looking film and an exciting one; funny when it wants to be, smart all the time, and razor serious when it needs to be. A balancing act not to be sniffed at! And one that Lee has struggled with in the past. Here he nails the tone so well that it feels like his entire back catalogue was just a training exercise to get him to this point. I wouldn’t say it’s a masterpiece, but it is a damn fine work of art on many levels.
Washington as the focus of the tale, which also functions perfectly as an undercover cop movie of basic intent, i.e. infiltrate the bad guys and take them down, is perfectly cast and believable from minute one. His chemistry with the insanely gorgeous and talented Laura Harrier is a highlight, especially watching them dance and move with absolute cool in those 70s clothes and hairstyles. This movie has serious style that leaves you in no doubt that the black sub-culture is where it’s at, and the stupid bigoted klansmen are shown up as ridiculous as much as dangerous.
Every trope and icon of the Blacksploitation era is referenced and reclaimed as cool. Perhaps to a degree I am not aware of, as I’ve only seen one or two obvious examples in my time. We are given the tease to follow the notion that racism of this kind was a thing of the past, specifically related to the 70s and now it’s better in many ways. Before we are hit with the hammer blow of realisation at the very end of the film, where a juxtaposition of fantasy and horrific reality collide to magnificently shocking and depressing effect.
I felt after seeing it that I had been cleverly schooled. As in, I’m glad you enjoyed this, now go away and really think about it… and it worked, because I have tried to think about it more than I have before. And feel just that little bit more educated to a problem that is worldwide, but has never really felt directly part of my world.
Discussing anything related to the BLM movement in 2020 feels important and complicated in so many ways. It is an emotive subject that I’d feel I mostly want to avoid for fear of saying the wrong thing. Even though the basic idea of human rights and basic rights for all people has always been a no brainer; prejudice and hate crimes and fear are wrong, and we collectively must do whatever we can to educate ourselves and others not to make the mistakes of the past. Can a movie do that? No of course not, but it can open the door to dialogue that might not have happened otherwise.
Lee isn’t scared of what you think of this film, or any argument you may have against it. He knows his subject, and you feel that confidence in every scene. He doesn’t want to lecture you, or scream at you in despair, he wants to tell you an entertaining story that comes with a whole side discussion if you want it. Which is so much more powerful than any tactic he has tried before. And I think it works. I’d recommend anyone watch this, without hesitation.
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Midge (525 KP) rated The Year After You in Books
Feb 19, 2019
A Story Of Hope And Sadness
This is a wonderful, soul-searching, but sad story of hope and grief and it is one of the best books that I have read in a while.
It is set in Hope Hall, a Swiss boarding school located in the Alps. For me, one of the things that Nina de Pass did very cleverly was using the setting to maximum effect in THE YEAR AFTER YOU. Since my childhood, I have loved boarding school settings, as everything is so much more intense when in close proximity, such as romantic liaisons and relationships which tend to run at a different rate.
The main protagonist in this novel is Cara, who I found to be exceptionally frustrating at times, though this did not spoil the story for me in any way. From an honesty point of view, she was pretty unreliable as a narrator, however, I had a great deal of empathy for her because of what happened to her best friend Georgina. I loved that Nina de Pass developed Cara’s character so well.
I really liked all of the characters in THE YEAR AFTER YOU because they were so well formed as people with their own parts to play and were not just added after-thoughts to make the protagonist look better. For me, the story-telling also held some poignant messages about support mechanisms of friends and family and mental health issues.
I think that THE YEAR AFTER YOU is a book that I will remember. I would certainly recommend reading it.
Thank you to NetGalley, Black & White Publishing and Nina de Pass for a free ARC of this book in exchange for a voluntary, honest review.
It is set in Hope Hall, a Swiss boarding school located in the Alps. For me, one of the things that Nina de Pass did very cleverly was using the setting to maximum effect in THE YEAR AFTER YOU. Since my childhood, I have loved boarding school settings, as everything is so much more intense when in close proximity, such as romantic liaisons and relationships which tend to run at a different rate.
The main protagonist in this novel is Cara, who I found to be exceptionally frustrating at times, though this did not spoil the story for me in any way. From an honesty point of view, she was pretty unreliable as a narrator, however, I had a great deal of empathy for her because of what happened to her best friend Georgina. I loved that Nina de Pass developed Cara’s character so well.
I really liked all of the characters in THE YEAR AFTER YOU because they were so well formed as people with their own parts to play and were not just added after-thoughts to make the protagonist look better. For me, the story-telling also held some poignant messages about support mechanisms of friends and family and mental health issues.
I think that THE YEAR AFTER YOU is a book that I will remember. I would certainly recommend reading it.
Thank you to NetGalley, Black & White Publishing and Nina de Pass for a free ARC of this book in exchange for a voluntary, honest review.
Phil Leader (619 KP) rated Grey Areas - The Saga (Books 1-4) in Books
Nov 14, 2019
The Grey Areas saga encompasses 4 books - each pretty long in themselves - which can be read separately or all in one go, as each follows directly from the last.
It tells the story of a mysterious stranger called Henry Field who arrives in the small town of Gable, Iowa clearly wanting to forget whatever has happened in his recent past. Attempting to lie low proves difficult as he first becomes feted as a hero on the local news, falls in love and manages to become a witness to a drugs deal gone sour.
There is so much in each of the books it is hard to express just how good they are. There is drama, romance, humour, crime, action and police procedural. It is as if Carl wanted to cover as much ground as possible and he doesn't put a foot wrong at any point. Each page leads inevitably to the next as the fallout from Fields' brief stay in Gable causes ripples that put many people in difficult positions, grey areas, where there is no clear black or white, right or wrong.
For such a long story there are of course a large number of characters but every one has been drawn with care and are all distinct, all have depth and all seem very real and very human. Throughout the whole saga there is a thread of realism; this might be fiction but there is no suspension of belief required, no particular heroes, no particular villains. Just people trying to do what they think is best, and sometimes regretting their decisions.
Want a summer read that will genuinely last all summer and leave you thinking about it for months afterwards? This series will definitely fit the bill
It tells the story of a mysterious stranger called Henry Field who arrives in the small town of Gable, Iowa clearly wanting to forget whatever has happened in his recent past. Attempting to lie low proves difficult as he first becomes feted as a hero on the local news, falls in love and manages to become a witness to a drugs deal gone sour.
There is so much in each of the books it is hard to express just how good they are. There is drama, romance, humour, crime, action and police procedural. It is as if Carl wanted to cover as much ground as possible and he doesn't put a foot wrong at any point. Each page leads inevitably to the next as the fallout from Fields' brief stay in Gable causes ripples that put many people in difficult positions, grey areas, where there is no clear black or white, right or wrong.
For such a long story there are of course a large number of characters but every one has been drawn with care and are all distinct, all have depth and all seem very real and very human. Throughout the whole saga there is a thread of realism; this might be fiction but there is no suspension of belief required, no particular heroes, no particular villains. Just people trying to do what they think is best, and sometimes regretting their decisions.
Want a summer read that will genuinely last all summer and leave you thinking about it for months afterwards? This series will definitely fit the bill
Whatchareadin (174 KP) rated Don't Fail Me Now in Books
Apr 9, 2019
Michelle Devereaux in a police department with her younger siblings Cass and Denny waiting with a social worker for their aunt to pick them up. Their mother has been arrested. Unfortunately, this is not the first time this has happened. Her mother has been in jail several times and she hasn't seen her father in several years. When Michelle finds out that her father is dying in California and may have something for her, she sets out on a journey that will hopefully end in a windfall for her and her siblings.
This was a great YA Novel. A book about love, family and adventure. Michelle and her siblings are black kids from Baltimore, Maryland. Michelle knows that she and Cass have a half-sister, Leah, that is white, and that is about all the know about her. Until she shows up with her step-brother at Michelle's job with information about their father. With this new information and the current state of affairs, Michelle decides now is a good a time as any to drive across the country to see her father before he is no longer there.
Five kids, in an old station wagon are heading across the country without any of their parents being aware. They have very little money and barely more than the clothes on their back, but they are determined to find Buck Devereaux and collect whatever it is he has for them.
Their adventure is not without some complications. Will they make the journey successfully? Will these siblings, Michelle, Cass, and Leah be able to build a relationship? Will they reunite with the father they barely know? How will this trip change their lives for the future?
One of the things that drew me to this book where the characters. They were characters I could relate to, when I was that age and the kids are all from Maryland where I live. Plus, who doesn't love a good road trip. All of these factors made this an excellent book and something I would recommend to young adults from mixed racial backgrounds and diverse family dynamics.
This was a great YA Novel. A book about love, family and adventure. Michelle and her siblings are black kids from Baltimore, Maryland. Michelle knows that she and Cass have a half-sister, Leah, that is white, and that is about all the know about her. Until she shows up with her step-brother at Michelle's job with information about their father. With this new information and the current state of affairs, Michelle decides now is a good a time as any to drive across the country to see her father before he is no longer there.
Five kids, in an old station wagon are heading across the country without any of their parents being aware. They have very little money and barely more than the clothes on their back, but they are determined to find Buck Devereaux and collect whatever it is he has for them.
Their adventure is not without some complications. Will they make the journey successfully? Will these siblings, Michelle, Cass, and Leah be able to build a relationship? Will they reunite with the father they barely know? How will this trip change their lives for the future?
One of the things that drew me to this book where the characters. They were characters I could relate to, when I was that age and the kids are all from Maryland where I live. Plus, who doesn't love a good road trip. All of these factors made this an excellent book and something I would recommend to young adults from mixed racial backgrounds and diverse family dynamics.
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