"I grew up in a rural area and with four channels on a black and white TV. Birdman of Alcatraz would come on TV, anything with Don Knotts, like The Incredible Mr. Limpet, but Wizard of Oz was a big deal. That movie came on a couple times a year and as a little kid, as all kids are, I was pretty skeeved out by the flying monkeys. But I got past that and just really, really loved the film. I think that I related to the fantastical story as a whole, and also to the idea of being in a rural area and wondering what else is out there — what’s on the other side of the rainbow, so to speak. It was formative. When I was 19, I moved to Austin, Texas, and I went to the Varsity theater — rest in peace, Varsity theater — and saw the movie as an adult. When they’re in Oz and it’s suddenly color, I gasped, because I only had a black and white TV, and in the back of my head I knew the movie turned to color, but I had forgotten. That was a really wonderful surprise. Also, seeing it on a big screen made the movie that much more of a great gift."

"Same thing, The Wizard of Oz — that will always be one of my all-time favorites. The transition from black-and-white into color, you know, that idea of merging the two worlds using cinematic magic, to meld those worlds for the first time ever. I mean, you look back at the movie and obviously you can see now that there were backdrops and cheap sets and all of that kind of stuff, where today we would probably laugh at it and brush it off as a B-movie. But in those days it was magic. And it’s still magic."