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Black Dynamite (2009)
Black Dynamite (2009)
2009 | Action, Comedy
9
5.0 (2 Ratings)
Movie Rating
One of the most absurd, ridiculous, awesome, and hilarious action comedies ever. Highly recommended for kung fu, blaxploitation, and comedy fans. (0 more)
After his brother is killed, Black Dynamite decides to take matters into his own hands. Just who is Black Dynamite? He's an action legend, a one-man army, and anyone who gets on his bad side is going to wind up dead. Other than struggling with trying to figure out who's responsible for his brother's death, Black Dynamite also has other matters to attend to. There's that new smack being distributed on the street that's even somehow reaching the orphans at the local orphanage and there's something screwy about that Anaconda malt liquor that just doesn't sit well with him. Black Dynamite will do whatever it takes to find out who killed his brother and clean up the streets even if it means going all the way to the Honky House.

Black Dynamite has quite a reputation as just about every article or review that mentioned the film gave it high praise. Is it possible for a film to be incredible while paying homage to the films that inspired it? Sure it is. Directors like Quentin Tarantino and Robert Rodriguez make a living doing just that. With Black Dynamite, however, you may not know what to expect. Expect it to parody the blaxploitation films from the 70s, pay homage to classic kung fu films, have ridiculous dialogue, a storyline that hilariously doesn't make sense, and have a funky soundtrack with lyrics that are just as awesome as the rest of the film.

Michael Jai White is really the selling point of the film since he is Black Dynamite and you're with him the entire film. I hadn't seen much of White's work before this, but I'm definitely wanting to see more now. His fight scenes are top notch and from what I could tell, it looked like he did the majority of his own stunts. The word I've been hearing is that he's a fairly impressive actor overall, but has just never really picked the right roles and never really broke into the mainstream. Maybe after playing Gambol in The Dark Knight helped him out a bit because he definitely has a bright future as not only an action star, but an actor as well. Other than his superb martial arts work, White's comedic timing is also really important in a film like this and it really pays off. There's a scene where a boom mic is noticeably in the shot while Black Dynamite is giving a big speech. He draws attention to it by repeatedly glaring at the mic throughout the scene, but doesn't miss a beat of the dialogue. Ridiculous scenes like that were crucial in the overall enjoyment factor of the film.

The dialogue is laugh out loud funny at times. There's a scene where the CIA show up at Black Dynamite's house and Agent O'Leary says to Black Dynamite, "We heard about your brother's death and we don't want you running around turning the streets into rivers of blood." Black Dynamite responds with, "Then tell me who did it and I'll just leave a puddle." The storyline is just as absurd, as well. Other than the film missing scenes that were shown in the trailer and things not fully being resolved with Vincent "The Don" Rafelli, the scene where Black Dynamite and his crew figure out what Anaconda malt liquor's true purpose is is both hilariously long-winded and confusing.

Black Dynamite may not be for everyone, but it will be hilariously awesome for most who actually get to see it. The film somehow manages to blend comedy as absurd and ridiculous as films like Anchorman: The Legend of Ron Burgundy or Zoolander and have hard hitting action scenes that are noticeably a tribute to classic Bruce Lee films. This blaxploitation parody comes highly recommended, can you dig it?
  
We Were Eight Years in Power: An American Tragedy
We Were Eight Years in Power: An American Tragedy
Ta-Nehisi Coates | 2017 | Essays, History & Politics
9
9.5 (2 Ratings)
Book Rating
An honest look at the Obama years
The simplest way to describe "We Were Eight Years in Power" is as a selection of Ta-Nehisi Coates' most influential pieces from The Atlantic, organised chronologically. The book is actually far more than that, establishing Coates as the pre-eminent black public intellectual of his generation.

Coates is one of the first to show up to discuss all three contemporary themes: the man, the community, national identity. He critiques respectability politics. He writes about mass incarceration. He writes about Michelle Obama and Chicago's South Side. He writes about how Barack Obama was exceptional, in many senses, and about the paradoxical limits of the first black president's power to address race and racism. He writes about the qualitative difference between white economic prospects and black economic prospects, thanks to discriminatory policies promulgated by the government even during progressive times, and about how, in his view, reparations would be the only way to redress the problem.

An air of resignation begins to bleed into Coates' writing even before his last essay, coming into the final years of the Obama administration. It is an eloquent eulogy to the struggles that African Americans are facing and increasingly fearing today.
  
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