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The Town (2010)
7.7
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Doug MacRay, leader of a Boston bank robber gang but not cut from the same cloth as his fellow...
Bank heist cops & robbers shootout
Café Society (2016)
4.5
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Looking for an exciting career, young Bobby Dorfman leaves New York for the glitz and glamour of...
Bird (1700 KP) rated The Shallows (2016) in Movies
May 7, 2017
It does grip you (when you are eventually introduced to the shark) (3 more)
Blake Lively does well to pull off the role as the movie's almost exclusive focus
Some beautifully shot scenes
You genrerally share the fear. It's a simple premise - stuck in the ocean with a big shark!
The first part of the movie exists to develop Lively's character but takes far too long (5 more)
Endless, unnecessary shots of Lively's 'rear end' cheapens the movie in its early stages
You get a LOT of blood from from a leg wound
Nothing new here - feels like an amalgamation of a few other better known movies
Some plot holes
That electronic music!
Jaws meets Castaway
Laura lou (304 KP) rated A Simple Favor (2018) in Movies
Dec 16, 2018
unique plot (2 more)
great acting
twists and turns
I went into this movie blind, having never seen the trailer or read the plot, and i thoroughly enjoyed it! Anna Kendrik and Blake Lively come together to make a great pairing, both being great actors and filling their characters with personality that grips the viewers attention from the beginning.
The movie contains many twists and turns, most of them surprising but some of them a little predictable (which is why i only gave it a rating of 9). Unlike some movies with a similar theme to this, such as Gone Girl, i found that the plot pulled you in from the beginning, rather than taking a while to get going.
Overall i thought this was a great movie with a unique plot line, deep and interesting characters, and great acting.
The movie contains many twists and turns, most of them surprising but some of them a little predictable (which is why i only gave it a rating of 9). Unlike some movies with a similar theme to this, such as Gone Girl, i found that the plot pulled you in from the beginning, rather than taking a while to get going.
Overall i thought this was a great movie with a unique plot line, deep and interesting characters, and great acting.
Bob Mann (459 KP) rated The Shallows (2016) in Movies
Sep 29, 2021
The Deathly Shallows, part 1
Every shark movie is inevitably compared (unfavourably) against Spielberg’s classic 1975 tourist-muncher. And “The Shallows” is no exception. But while not a 5-Fad classic, this flick comes pretty close by being hugely enjoyable and having a lot going for it.
Waxing lyrically. The shapely Blake Liveley.
Waxing lyrically. The shapely Blake Liveley.
Blake Lively (“The Age of Adeline“) plays surfer and trainee doctor Nancy, still grieving the recent death from cancer of her mother and travelling to a remote Mexican surf beach where she has photos of her mother surfing while pregnant with her. While surfing alone, Nancy is attacked a couple of hundred yards from the shore by a Great White and severely injured. She has the choice of refuge of either a low rock or another less palatable floating object. Choosing the rock (at low tide) she is faced with the dilemma of both surviving her injuries and then being rescued before the high tide takes the rock and leaves her to the mercy of the ever circling big-fish.
We're going to need a bigger rock.
We’re going to need a bigger rock.
A big summer blockbuster this is not, with a total cast of eleven (not including a guest appearance of Steven Seagull (as himself)). But the small cast doesn’t make it less gripping, and gripping it most certainly is, with tension building progressively (emphasised periodically by an on-screen clock) with the countdown to high tide.
Blake Lively is an underrated actress and really delivers the goods here. And bearing in mind the problems that Spielberg had with his mechanical shark Bruce (named after Spielberg’s lawyer) the appearance of the shark is limited to where actually needed, with Lively having to fill in the blanks with reaction shots. As your imagination is still far better than any special effects, this is hugely effective for certain sequences.
Pure horror: here Dad had gone down to the video rental and come back with 'Dirty Grandpa'.
Pure horror: her Dad had gone down to the video rental and come back with ‘Dirty Grandpa’.
The film draws similarities to another interesting entry in the “Jaws” genre – “Open Water 2: Adrift” from 2006. In that film there was the same incessant threat of shark attack combined with the audience frustration that safety (in that case, the deck of their yacht, if only they had let a ladder down) being so near. Here the 200 yards to the shore is shoutable to but still 190 yards too far.
The cinematography (by Flavio Martínez Labiano) is also just beautifully done with some stunning surf and underwater shots that not only highlight Ms Lively’s lithely (sic) figure and her Californian surfing skills, but also the beauty of the ‘Mexican coast’ (actually Lord Howe Island in New South Wales, Australia).
“The Shallows” was written by Anthony Jaswinski and directed by Jaume Collet-Serra (the director of “Non-Stop“, aka Taken 3.5). It comes with a truly impressive BvS quotient of just 5.9%!
So with all of this going for it, you would think that my rating is heading towards at least a 4.5. But all films like this require a satisfying denouement, and unfortunately this is where this one comes off the rails. It is just plain silly and, together with an unnecessary and irritating epilogue scene, diminishes what was on track to be one of the best films of the summer. So here’s the “One Mann’s Movies” solution:
Using Final Cut X, Adobe Premier or your favourite video editing suite, cut out the scene from 115:00 to 116:00 from “Jaws”;
Photoshop Blake Lively’s face onto Roy Scheider’s body.
Insert the finished clip into “The Shallows” at about 82 minutes in.
Enjoy a 5-Fad classic!
This limitation aside, it’s still worth your while hunting it out at a cinema near you, since the fantastic cinematography is best suited to a big screen.
Waxing lyrically. The shapely Blake Liveley.
Waxing lyrically. The shapely Blake Liveley.
Blake Lively (“The Age of Adeline“) plays surfer and trainee doctor Nancy, still grieving the recent death from cancer of her mother and travelling to a remote Mexican surf beach where she has photos of her mother surfing while pregnant with her. While surfing alone, Nancy is attacked a couple of hundred yards from the shore by a Great White and severely injured. She has the choice of refuge of either a low rock or another less palatable floating object. Choosing the rock (at low tide) she is faced with the dilemma of both surviving her injuries and then being rescued before the high tide takes the rock and leaves her to the mercy of the ever circling big-fish.
We're going to need a bigger rock.
We’re going to need a bigger rock.
A big summer blockbuster this is not, with a total cast of eleven (not including a guest appearance of Steven Seagull (as himself)). But the small cast doesn’t make it less gripping, and gripping it most certainly is, with tension building progressively (emphasised periodically by an on-screen clock) with the countdown to high tide.
Blake Lively is an underrated actress and really delivers the goods here. And bearing in mind the problems that Spielberg had with his mechanical shark Bruce (named after Spielberg’s lawyer) the appearance of the shark is limited to where actually needed, with Lively having to fill in the blanks with reaction shots. As your imagination is still far better than any special effects, this is hugely effective for certain sequences.
Pure horror: here Dad had gone down to the video rental and come back with 'Dirty Grandpa'.
Pure horror: her Dad had gone down to the video rental and come back with ‘Dirty Grandpa’.
The film draws similarities to another interesting entry in the “Jaws” genre – “Open Water 2: Adrift” from 2006. In that film there was the same incessant threat of shark attack combined with the audience frustration that safety (in that case, the deck of their yacht, if only they had let a ladder down) being so near. Here the 200 yards to the shore is shoutable to but still 190 yards too far.
The cinematography (by Flavio Martínez Labiano) is also just beautifully done with some stunning surf and underwater shots that not only highlight Ms Lively’s lithely (sic) figure and her Californian surfing skills, but also the beauty of the ‘Mexican coast’ (actually Lord Howe Island in New South Wales, Australia).
“The Shallows” was written by Anthony Jaswinski and directed by Jaume Collet-Serra (the director of “Non-Stop“, aka Taken 3.5). It comes with a truly impressive BvS quotient of just 5.9%!
So with all of this going for it, you would think that my rating is heading towards at least a 4.5. But all films like this require a satisfying denouement, and unfortunately this is where this one comes off the rails. It is just plain silly and, together with an unnecessary and irritating epilogue scene, diminishes what was on track to be one of the best films of the summer. So here’s the “One Mann’s Movies” solution:
Using Final Cut X, Adobe Premier or your favourite video editing suite, cut out the scene from 115:00 to 116:00 from “Jaws”;
Photoshop Blake Lively’s face onto Roy Scheider’s body.
Insert the finished clip into “The Shallows” at about 82 minutes in.
Enjoy a 5-Fad classic!
This limitation aside, it’s still worth your while hunting it out at a cinema near you, since the fantastic cinematography is best suited to a big screen.
LoganCrews (2861 KP) rated The Rhythm Section (2019) in Movies
Sep 21, 2020
A weird, gross, seedy, nonsensical piece of tough-as-nails fluff that I found to be immensely enjoyable. In terms of both its looks and its writing, it plays a whole lot less like Reed Morano's heartbreaking portrait of grief in 𝘔𝘦𝘢𝘥𝘰𝘸𝘭𝘢𝘯𝘥 and a *lot* more like Ang Lee taking a stab at 𝘗𝘦𝘱𝘱𝘦𝘳𝘮𝘪𝘯𝘵. The main critique (besides the fact that this movie is illiterate pace-wise and makes not a drop of sense - both perfectly valid) seems to be that this didn't take the route of generic actioner, to which I reply with a resounding... lmfao k. Visually fetching, and that score *slaps* - not to mention the action is swift and brutal, that car chase is an all-fucking-timer. Amounts to a globetrotting asskicker where Blake Lively sleeps and stumbles around gorgeous locations while beating the shit out of and verbally chastising every man she comes across, we love to see it. Like a delectably oafish hybrid of 𝘏𝘢𝘺𝘸𝘪𝘳𝘦 and 𝘈𝘮𝘦𝘳𝘪𝘤𝘢𝘯 𝘈𝘴𝘴𝘢𝘴𝘴𝘪𝘯, which you can sign me right the hell up for.
Bob Mann (459 KP) rated A Simple Favor (2018) in Movies
Sep 28, 2021
A Dangerous Liaison.
Wow, this one starts spectacularly well! Who’s not to love some “Thomas Crown” style titles over a French language version of “Music to watch girls by”? Brilliant!
We are then introduced to the hyper-annoying single mum Stephanie Smothers (Anna Kendrick): someone so perky and goodie-two-shoes as a school helper that every other parent loathes her. What she does seem to have a talent for is filming cheesy “mom’s hints and tips” videos in her kitchen that she posts to her video blog.
Enter the polar opposite of Stephanie: the stylish, sophisticated, amoral and highly intimidating she-wolf called Emily (Blake Lively). On the excuse of play-dates between their sons, she seduces Stephanie with her swanky 5* lifestyle that she lives with her husband Sean (Henry Golding), a struggling writer. Given the oddness of the couple, there are more than a few hints – in line with the title of my review – that this is some kind of subtle grooming. But to what end?
How can someone so beautiful be so camera-shy? Anna Kendrick going for a cheeky snap of Blake Lively (and failing). (Source: GEM Entertainment).
When Emily suddenly goes missing without explanation, Sergeant Malloy (Andrew Moodie) has no shortage of suspects to investigate as Stephanie finds that she actually knew very little about the ghost-like Emily.
There is a surfeit of glossy style in Paul Feig‘s film. I’ve already enthused about the opening titles. But the stylish french-language music – coordinated by Theodore Shapiro – continues throughout, reaching a peak with Serge Gainsbourg’s sublime “Laisse Tomber Les Filles” over the equally entertaining end-titles.
Sharing confessions. A “BF” moment (and no… not “Best Friends”!). (Source: GEM Entertainment
But as a comedy thriller ther….
“HANG ON A MINUTE DR BOB! WHAT DID YOU JUST SAY? COMEDY THRILLER? I watched the trailer for this one, and it’s “Gone Girl” remade isn’t it? It wasn’t comedy! Even IMDB describe it as “Crime, Drama, Mystery”!”
Yes, quite, and therein lies the problem with this film. I found the trailers (the full trailer as well as the teaser trailer attached below) to be highly misleading about the “feel” of the film. The comedy is distributed throughout with some great comic put-downs (“Prudes are people too” coos Emily to Stephanie) and generally laugh-out-loud dialogue. So yes, it IS a “Gone Girl” or “The Girl on the Train” wannabe… but it’s with added ‘laffs’. Now this revelation might make the film appeal to you much more than the trailer did. But in my book, ‘thriller’ and ‘comedy’ are not genres to comfortably share a bed and for me the film became increasingly inconsistent. This inconsistency built to a finale where all semblance of plot and reality seemed to go right out of the window… it could have been an improv episode or “Who’s Line Is It Anyway?”.
The writer is Jessica Sharzer (who did the screenplay for “Nerve” which I very much liked). But I suspect the issue lies more with Paul Feig‘s background in comedies (“Bridesmaids”, “The Heat”, “Spy”) and he couldn’t resist spicing up the thriller with some out-of-place comedy. Which was a shame, since I really liked the overall thriller plot, and the dynamic built up between Kendrick and Lively.
Coming clean…ing. Anna Kendrick as an undercover mopper. (Source: GEM Entertainment).
Blake Lively (Mrs Deadpool of course) is actually staggeringly good as the unfathomable and slightly deranged Emily, and even Kendrick – who seems to have had a run of very so-so movies recently – is entertainingly quirky in this one.
I also enjoyed the performance of Rupert Friend (probably best known as Peter Quinn in “Homeland”) playing a vain and ego-centric fashion designer Dennis Nylon. Great fun.
Never trust a redhead. Emily being a-muse-ing. (Source: GEM Entertainment).
Was I entertained? Yes I was, so I am tempted to recommend you seeing this rather than not. But I was also irritated in equal measure…. I really felt from the opening scenes that this one had legs to make my Top 10 for the year. But no.
Please comment and let me know which side of the fence you sit on!
We are then introduced to the hyper-annoying single mum Stephanie Smothers (Anna Kendrick): someone so perky and goodie-two-shoes as a school helper that every other parent loathes her. What she does seem to have a talent for is filming cheesy “mom’s hints and tips” videos in her kitchen that she posts to her video blog.
Enter the polar opposite of Stephanie: the stylish, sophisticated, amoral and highly intimidating she-wolf called Emily (Blake Lively). On the excuse of play-dates between their sons, she seduces Stephanie with her swanky 5* lifestyle that she lives with her husband Sean (Henry Golding), a struggling writer. Given the oddness of the couple, there are more than a few hints – in line with the title of my review – that this is some kind of subtle grooming. But to what end?
How can someone so beautiful be so camera-shy? Anna Kendrick going for a cheeky snap of Blake Lively (and failing). (Source: GEM Entertainment).
When Emily suddenly goes missing without explanation, Sergeant Malloy (Andrew Moodie) has no shortage of suspects to investigate as Stephanie finds that she actually knew very little about the ghost-like Emily.
There is a surfeit of glossy style in Paul Feig‘s film. I’ve already enthused about the opening titles. But the stylish french-language music – coordinated by Theodore Shapiro – continues throughout, reaching a peak with Serge Gainsbourg’s sublime “Laisse Tomber Les Filles” over the equally entertaining end-titles.
Sharing confessions. A “BF” moment (and no… not “Best Friends”!). (Source: GEM Entertainment
But as a comedy thriller ther….
“HANG ON A MINUTE DR BOB! WHAT DID YOU JUST SAY? COMEDY THRILLER? I watched the trailer for this one, and it’s “Gone Girl” remade isn’t it? It wasn’t comedy! Even IMDB describe it as “Crime, Drama, Mystery”!”
Yes, quite, and therein lies the problem with this film. I found the trailers (the full trailer as well as the teaser trailer attached below) to be highly misleading about the “feel” of the film. The comedy is distributed throughout with some great comic put-downs (“Prudes are people too” coos Emily to Stephanie) and generally laugh-out-loud dialogue. So yes, it IS a “Gone Girl” or “The Girl on the Train” wannabe… but it’s with added ‘laffs’. Now this revelation might make the film appeal to you much more than the trailer did. But in my book, ‘thriller’ and ‘comedy’ are not genres to comfortably share a bed and for me the film became increasingly inconsistent. This inconsistency built to a finale where all semblance of plot and reality seemed to go right out of the window… it could have been an improv episode or “Who’s Line Is It Anyway?”.
The writer is Jessica Sharzer (who did the screenplay for “Nerve” which I very much liked). But I suspect the issue lies more with Paul Feig‘s background in comedies (“Bridesmaids”, “The Heat”, “Spy”) and he couldn’t resist spicing up the thriller with some out-of-place comedy. Which was a shame, since I really liked the overall thriller plot, and the dynamic built up between Kendrick and Lively.
Coming clean…ing. Anna Kendrick as an undercover mopper. (Source: GEM Entertainment).
Blake Lively (Mrs Deadpool of course) is actually staggeringly good as the unfathomable and slightly deranged Emily, and even Kendrick – who seems to have had a run of very so-so movies recently – is entertainingly quirky in this one.
I also enjoyed the performance of Rupert Friend (probably best known as Peter Quinn in “Homeland”) playing a vain and ego-centric fashion designer Dennis Nylon. Great fun.
Never trust a redhead. Emily being a-muse-ing. (Source: GEM Entertainment).
Was I entertained? Yes I was, so I am tempted to recommend you seeing this rather than not. But I was also irritated in equal measure…. I really felt from the opening scenes that this one had legs to make my Top 10 for the year. But no.
Please comment and let me know which side of the fence you sit on!
Emma @ The Movies (1786 KP) rated A Simple Favor (2018) in Movies
Sep 25, 2019
Fair warning, if you see this film you will want Blake Lively to be your lover by the end of the it.
There's no denying that this is an entertaining film. There's also no denying that it's predictable. Even without knowing the plot you can basically guess the way it's going to progress.
Blake Lively is amazing though. I honestly thought I'd never seen her in anything, but of course she's been in Green Lantern and Accepted. The latter being a favourite and the former... well, I thought Deadpool had taken care of that one for us... oh well. She does a great job of her role in this one. You can see her devious nature in the way she interacts with everyone and she really does improve the scenes she's in.
I love Anna Kendrick, she's funny and very talented but I wasn't overly keen on her character in this. While I understand that Stephanie takes a major character shift when she realises what has happened, I didn't enjoy the way they did that on the screen. There were some baby steps followed by some huge leaps. At one point I was convinced that they'd gone... "Anna Kendrick always sings... we should get some of that in there." I don't feel like it added anything to the film at all. I'd be interested to see how her character unfolds in the book.
The humour in it is entertaining but the side story of the other "mums" and particularly their inclusion in the summing up of the story feels out of place and more comedy than was right for this film.
Rating this one is tricky. Apart from those odd bits I didn't hate the film and none of it was badly dont... but I don't think I enjoyed it either. I took the evening to think it over and honestly I'm still not sure so therefore it's sitting at the three and a half mark. There's an outside possibility that I'll watch it again to see if I can figure it out, but I don't think it'll be any time soon unless I'm really at a loose end.
Based on the book A Simple Favour by Darcey Bell.
What should you do?
I personally wouldn't recommend watching this until it's streaming. But plenty of other people would disagree with me on that.
Movie thing you wish you could take home
Emily and Sean's house. Although I'm baffled as to why the kitchen is so small so I'd probably expand into the living room space.
There's no denying that this is an entertaining film. There's also no denying that it's predictable. Even without knowing the plot you can basically guess the way it's going to progress.
Blake Lively is amazing though. I honestly thought I'd never seen her in anything, but of course she's been in Green Lantern and Accepted. The latter being a favourite and the former... well, I thought Deadpool had taken care of that one for us... oh well. She does a great job of her role in this one. You can see her devious nature in the way she interacts with everyone and she really does improve the scenes she's in.
I love Anna Kendrick, she's funny and very talented but I wasn't overly keen on her character in this. While I understand that Stephanie takes a major character shift when she realises what has happened, I didn't enjoy the way they did that on the screen. There were some baby steps followed by some huge leaps. At one point I was convinced that they'd gone... "Anna Kendrick always sings... we should get some of that in there." I don't feel like it added anything to the film at all. I'd be interested to see how her character unfolds in the book.
The humour in it is entertaining but the side story of the other "mums" and particularly their inclusion in the summing up of the story feels out of place and more comedy than was right for this film.
Rating this one is tricky. Apart from those odd bits I didn't hate the film and none of it was badly dont... but I don't think I enjoyed it either. I took the evening to think it over and honestly I'm still not sure so therefore it's sitting at the three and a half mark. There's an outside possibility that I'll watch it again to see if I can figure it out, but I don't think it'll be any time soon unless I'm really at a loose end.
Based on the book A Simple Favour by Darcey Bell.
What should you do?
I personally wouldn't recommend watching this until it's streaming. But plenty of other people would disagree with me on that.
Movie thing you wish you could take home
Emily and Sean's house. Although I'm baffled as to why the kitchen is so small so I'd probably expand into the living room space.
Awix (3310 KP) rated Green Lantern (2011) in Movies
May 18, 2018
Boxing Glove ends up as Punch Line
Yet more proof that DC was capable of making slightly shoddy movies even before Zach Snyder was put in charge of their operation, Green Lantern may end up being better remembered as the butt of a whole series of jokes now that Ryan Reynolds has been much more successful playing a character for the opposition. Test pilot is given magic ring by dying alien which initiates him into universal police force (the 'Green Lanterns'); ring allows him to convert his willpower into giant green boxing gloves and anything else he can think of.
Too much blatant CGI, obviously, and also the storytelling is botched - the film is frontloaded with stuff about the Guardians of the Universe, Space Sector 2814, and many other things that could have been introduced more gradually in the course of the movie. Generally tries too hard to do too much and doesn't make enough use of Reynolds and Blake Lively (but, hey, they have kids now, so it wasn't like the movie was a total waste of time for them). Fingers crossed that DC get past this sometime soon and put a proper Green Lantern in one of their JLA-related films.
Too much blatant CGI, obviously, and also the storytelling is botched - the film is frontloaded with stuff about the Guardians of the Universe, Space Sector 2814, and many other things that could have been introduced more gradually in the course of the movie. Generally tries too hard to do too much and doesn't make enough use of Reynolds and Blake Lively (but, hey, they have kids now, so it wasn't like the movie was a total waste of time for them). Fingers crossed that DC get past this sometime soon and put a proper Green Lantern in one of their JLA-related films.
Gareth von Kallenbach (965 KP) rated A Simple Favor (2018) in Movies
Jul 2, 2019
When you look at the directorial line up from Paul Feig, with hilariously funny movies such as Ghostbusters, Bridesmaids, and The Heat under his belt, it’s a bit of a surprise to see him take on a suspense thriller. Don’t worry Feig fans, there’s plenty of outlandish, laugh out loud moments.
A Simple Favor centers around the perky Stephanie Smothers (Anna Kendrick), a widowed stay at home mommy vlogger whose life revolves around her son. She struggles with making friends due to her overly ambitious attempts at being the best at everything she does—think Stepford wife without the husband. Enter Emily (Blake Lively)—a brash, confident, mysterious woman whose son just happens to be best friend’s with Stephanie’s little boy. To both mom’s dismay, they are forced to hang out afterschool because their boys want to have a playdate. Stephanie thinks Emily has everything—the perfect marriage, the amazing career, and the gorgeous designer house. To the surprise of all the parents at school, the two moms spark an unlikely friendship. Until one day, Emily calls Stephanie and asks her for a simple favor. Little did Stephanie know this simple favor ends up uncovering a slew of secrets of deceit and lies.
Feig’s propensity for comedy still lingers even in the blackest of moments throughout the movie. He knew exactly which moments to take it up a notch and add in some witty humor to let his leading ladies shine. Lively exudes a callous charisma that makes her perfect to take on the role of Emily. I’d like to think Anna Kendrick’s acting chops are just that good, because she does such a great job at playing an insufferable perfectionist.
It’s hard to pick sides in this film. Everyone is so twisted, you find yourself rooting for one person in part of the movie, and then their skeleton’s come out, and you want to root for the other. This is a true testament to the screenwriters—they make you want to be both women. Doesn’t apologize for its sick and twisted manic storyline. It’s upscale garbage at its finest! Can’t help but love seeing the downfall of perfection.
A Simple Favor centers around the perky Stephanie Smothers (Anna Kendrick), a widowed stay at home mommy vlogger whose life revolves around her son. She struggles with making friends due to her overly ambitious attempts at being the best at everything she does—think Stepford wife without the husband. Enter Emily (Blake Lively)—a brash, confident, mysterious woman whose son just happens to be best friend’s with Stephanie’s little boy. To both mom’s dismay, they are forced to hang out afterschool because their boys want to have a playdate. Stephanie thinks Emily has everything—the perfect marriage, the amazing career, and the gorgeous designer house. To the surprise of all the parents at school, the two moms spark an unlikely friendship. Until one day, Emily calls Stephanie and asks her for a simple favor. Little did Stephanie know this simple favor ends up uncovering a slew of secrets of deceit and lies.
Feig’s propensity for comedy still lingers even in the blackest of moments throughout the movie. He knew exactly which moments to take it up a notch and add in some witty humor to let his leading ladies shine. Lively exudes a callous charisma that makes her perfect to take on the role of Emily. I’d like to think Anna Kendrick’s acting chops are just that good, because she does such a great job at playing an insufferable perfectionist.
It’s hard to pick sides in this film. Everyone is so twisted, you find yourself rooting for one person in part of the movie, and then their skeleton’s come out, and you want to root for the other. This is a true testament to the screenwriters—they make you want to be both women. Doesn’t apologize for its sick and twisted manic storyline. It’s upscale garbage at its finest! Can’t help but love seeing the downfall of perfection.