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Rampage Unhinged
10.0
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Stalked. Hunted. Wrecked. Professor Sasha Petrovitch now belonged to him, body, mind, and soul....
Merissa (12069 KP) rated The Tea House in Books
Oct 13, 2021 (Updated Jul 12, 2023)
THE TEA HOUSE is a novella with a perfectly timed release - just in time for spooky season. Because that's what this is - spooky. There is some blood and gore but nothing too bad. Instead, you get that feeling of creepiness, that something is about to happen, you know it, you just don't know when.
Logan and Jaime are the perfect counterfoils for The Tea House and it starts off sweet enough. Be prepared for it to change though, and maybe not in the way you're expecting!
This is a short read that I enjoyed, but I will admit to wanting more. More from Jaime and him accepting certain things. More from Logan and his history, present, and future. And more of them together.
I did enjoy the ending, and it left me with a hopeful (evil) gleam in my eye!
A short one but absolutely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Oct 13, 2021
Logan and Jaime are the perfect counterfoils for The Tea House and it starts off sweet enough. Be prepared for it to change though, and maybe not in the way you're expecting!
This is a short read that I enjoyed, but I will admit to wanting more. More from Jaime and him accepting certain things. More from Logan and his history, present, and future. And more of them together.
I did enjoy the ending, and it left me with a hopeful (evil) gleam in my eye!
A short one but absolutely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Oct 13, 2021
LeftSideCut (3778 KP) rated Evil Dead (2013) in Movies
Jun 26, 2022 (Updated Jun 26, 2022)
The Evil Dead trilogy is beloved by many a horror fan the world over, and rightly so. I wouldn't envy the person who was made responsible for continuing the franchise after Sam Raimi, but Fede Alverez does an admirable job in giving us a film that has its own identity, but still retains the fingerprints of what came before. The first 30 minutes or so are a little cookie-cutter 2010s horror, with plenty of characters that are unlikable, flashes of weirdness here and there, and some questionable dialogue. When everything kicks off though, holy shit, it kicks off. There is no holding back when it comes to the gore and the last 45 minutes move at a break neck pace. It climaxes in a finale that is truly something to behold, sirens blaring, blood raining from the sky, all executed in a hellish fashion. The production values are top notch as well, which ties everything together nicely.
Overall, Evil Dead is a horrifically entertaining remake that goes in its own direction and doesn't give a fuck, and ultimately ensures that there isn't a weak entry in the whole series, something that not many horror franchises can boast.
Overall, Evil Dead is a horrifically entertaining remake that goes in its own direction and doesn't give a fuck, and ultimately ensures that there isn't a weak entry in the whole series, something that not many horror franchises can boast.
Envy (Seven Princes of Sin #5)
8.0
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Nothing lasts forever... All Becca wants is for Red Riot to make it big and being offered a gig...
Dark Contemporary Paranormal Romance TRIGGER WARNINGS Profanity
Ally and her Mad Hatter (The Madness of Wonderland #2)
8.0
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Wonderland is just a story.... Ally spent her whole life being told Wonderland was just a...
Dark BDSM Erotica Contemporary Fantasy TRIGGER WARNINGS Profanity
graveyardgremlin (7194 KP) rated The Blood Confession in Books
Feb 15, 2019
<i>4.5 stars</i>
After reading THE BLOOD CONFESSION, I find it a bit surprising that this is specifically targeted to young adults. Not that they wouldn't appreciate or like it, although I don't know how much the appeal would be to that age range unless they're especially morbid (as I was and still am), but because of the subtle nuances and intricate study of character, morality, and belief system, which is well suited for adult readers as well. The book is mainly a character study and the author does a fantastic job bringing Erzebet to life, while slowly and believably evolving her into a mentally ill woman. I never could quite figure out if she was narcissistic, schizophrenic, suffering from some sort of body dysmorphic disorder, something altogether different, or all previously mentioned.
The writing is solid and I found myself sinking into the world Ms. Libby created, with it's brilliant Gothic atmosphere. The pacing had a few slow spots, but nothing that made the book come to a screeching halt. I confess to a few queasy moments thanks to an overactive imagination, but the gore is minimal and the author doesn't romanticize blood letting or murder for vanity.
What I should warn readers is that comparing this Erzebet Bizecka to the real Erzsebet Bathory would be a mistake. This fictional Countess doesn't have much in common with the legendary figure and is only (very) loosely based on her. That Erzsebet Bathory bathed in blood is an unfounded rumor and no one really knows why she killed these girls or how many. Some even say she was framed. Unfortunately the truth is lost to history and we'll never really know.
Only a few quibbles keep me from giving it a perfect rating, but all in all, it was an absorbing read. A couple of lingering questions remained, such as how exactly did Erzebet's mother go insane? I can guess what could have helped it along, but I don't really believe that's all it would have taken. What happened to Snow at the end?
After reading THE BLOOD CONFESSION, I find it a bit surprising that this is specifically targeted to young adults. Not that they wouldn't appreciate or like it, although I don't know how much the appeal would be to that age range unless they're especially morbid (as I was and still am), but because of the subtle nuances and intricate study of character, morality, and belief system, which is well suited for adult readers as well. The book is mainly a character study and the author does a fantastic job bringing Erzebet to life, while slowly and believably evolving her into a mentally ill woman. I never could quite figure out if she was narcissistic, schizophrenic, suffering from some sort of body dysmorphic disorder, something altogether different, or all previously mentioned.
The writing is solid and I found myself sinking into the world Ms. Libby created, with it's brilliant Gothic atmosphere. The pacing had a few slow spots, but nothing that made the book come to a screeching halt. I confess to a few queasy moments thanks to an overactive imagination, but the gore is minimal and the author doesn't romanticize blood letting or murder for vanity.
What I should warn readers is that comparing this Erzebet Bizecka to the real Erzsebet Bathory would be a mistake. This fictional Countess doesn't have much in common with the legendary figure and is only (very) loosely based on her. That Erzsebet Bathory bathed in blood is an unfounded rumor and no one really knows why she killed these girls or how many. Some even say she was framed. Unfortunately the truth is lost to history and we'll never really know.
Only a few quibbles keep me from giving it a perfect rating, but all in all, it was an absorbing read. A couple of lingering questions remained, such as how exactly did Erzebet's mother go insane? I can guess what could have helped it along, but I don't really believe that's all it would have taken. What happened to Snow at the end?
LeftSideCut (3778 KP) rated Rambo: Last Blood (2019) in Movies
Mar 25, 2020
Honestly, I'm not a massive fan of the Rambo franchise. I don't hate them...the first movie is enjoyable enough, but anything else I can give or take.
Rambo: Last Blood, the fifth and (apparently) last chapter in this "saga" is no different.
The plot takes a fair while to really kick into gear. The set up heavily focuses on sex trafficking. It's not a pleasant subject by any means, and to Last Blood's credit, it doesn't glamourise this horrible avenue of humanity, much like the previous film doesn't glamourise war in Burma. It's gritty and horrible, and the film pulls no punches in what's it's willing to put on camera.
John Rambo is old, and still haunted by everything he's seen over the years, a plot point that the movie likes to beat us over the head with, and when his adopted daughter is abducted into the aforementioned sex trafficking nastiness, it's up to Rambo to get her back.
Sylvester Stallone looks damn tired at this point. He's still weirdly stacked, and it's still hard work trying to understand what the hell he is saying, but that's all part of the fun, I guess?
The second half is where it becomes 'business as usual'. A load of dudes come to fuck up Rambo, and gratuitous violence takes places. The ensuing carnage relishes in how over the top it is, and is undeniably fun to watch. It's difficult at times to look past the sub par CGI gore, but there's still enough moments to make you wince. Carrying the torch of Rambo 4 then...
Rambo: Last Blood is absolute nonsense, and I say that with enthusiastic certainty, but if you're willing to switch off abit, then there's enough to enjoy for a one off watch.
Rambo: Last Blood, the fifth and (apparently) last chapter in this "saga" is no different.
The plot takes a fair while to really kick into gear. The set up heavily focuses on sex trafficking. It's not a pleasant subject by any means, and to Last Blood's credit, it doesn't glamourise this horrible avenue of humanity, much like the previous film doesn't glamourise war in Burma. It's gritty and horrible, and the film pulls no punches in what's it's willing to put on camera.
John Rambo is old, and still haunted by everything he's seen over the years, a plot point that the movie likes to beat us over the head with, and when his adopted daughter is abducted into the aforementioned sex trafficking nastiness, it's up to Rambo to get her back.
Sylvester Stallone looks damn tired at this point. He's still weirdly stacked, and it's still hard work trying to understand what the hell he is saying, but that's all part of the fun, I guess?
The second half is where it becomes 'business as usual'. A load of dudes come to fuck up Rambo, and gratuitous violence takes places. The ensuing carnage relishes in how over the top it is, and is undeniably fun to watch. It's difficult at times to look past the sub par CGI gore, but there's still enough moments to make you wince. Carrying the torch of Rambo 4 then...
Rambo: Last Blood is absolute nonsense, and I say that with enthusiastic certainty, but if you're willing to switch off abit, then there's enough to enjoy for a one off watch.
Charlie Cobra Reviews (1840 KP) rated Crawl (2019) in Movies
Jul 7, 2020
Killer Alligators and Buckets Of Blood
Crawl is a 2019 disaster/horror movie directed by Alexandre Aja and written by Michael and Shawn Rasmussen. It was produced by Sam Raimi and Craig J. Flores and also Ghost House Pictures and Raimi Productions with distribution by Paramount Pictures. The film stars Kaya Scodelario and Barry Pepper.
Beth advises her sister, Haley Keller (Kaya Scodelario), an aspiring University of Florida swimmer to get out of the state, because a Category 5 hurricane is nearing. Concerned for the safety of her father, Dave (Barry Pepper), she goes against police instructions to evacuate, and goes to check on him. Hayley finds Dave's truck at their old Coral Lake home, where she goes into the crawlspace underneath the home to find her father. Now they both find themselves in a struggle for survival as large, ravenous alligators block their escape and they race against time as flood waters rise.
This movie was pretty awesome and better than I thought it was going to be. It was surprisingly delightful the way they built suspense and kept the tension in scenes. It was also pretty brutal with the blood and gore in the kill scenes. Kayla Scodelario performed amazingly and was great as Hayley Keller. Definitely an action-packed blood soaked adventure. The special effects were a little too unrealistic for me, especially in the beginning, which I thought would have bothered me more; but the plight the characters were in was done in such a way, that it just really draws you in. I know a lot of people would probably criticize the alligators behavior in this film too but I'm sure that could be said of movies like Jaws as well. If you don't over analyze it, you'll allow yourself to enjoy a rather exhilarating experience. I give it a 8/10.
This movie was pretty awesome and better than I thought it was going to be. It was surprisingly delightful the way they built suspense and kept the tension in scenes. Kayla Scodelario performed amazingly and was great as Hayley Keller. Definitely an action-packed, blood soaked adventure. The special effects were a little too unrealistic for me, especiallywhich I thought would have bothered me more but the plight the characters were done in such a that it just really draws you in. I know a lot of people would probably criticize the way the alligators behavior in this film but I'm sure that could be said of movies like Jaws as well. If you don't analyze it too harshly you'll allow yourself to enjoy a rather exhilarating experience. I give it a 8/10.
Beth advises her sister, Haley Keller (Kaya Scodelario), an aspiring University of Florida swimmer to get out of the state, because a Category 5 hurricane is nearing. Concerned for the safety of her father, Dave (Barry Pepper), she goes against police instructions to evacuate, and goes to check on him. Hayley finds Dave's truck at their old Coral Lake home, where she goes into the crawlspace underneath the home to find her father. Now they both find themselves in a struggle for survival as large, ravenous alligators block their escape and they race against time as flood waters rise.
This movie was pretty awesome and better than I thought it was going to be. It was surprisingly delightful the way they built suspense and kept the tension in scenes. It was also pretty brutal with the blood and gore in the kill scenes. Kayla Scodelario performed amazingly and was great as Hayley Keller. Definitely an action-packed blood soaked adventure. The special effects were a little too unrealistic for me, especially in the beginning, which I thought would have bothered me more; but the plight the characters were in was done in such a way, that it just really draws you in. I know a lot of people would probably criticize the alligators behavior in this film too but I'm sure that could be said of movies like Jaws as well. If you don't over analyze it, you'll allow yourself to enjoy a rather exhilarating experience. I give it a 8/10.
This movie was pretty awesome and better than I thought it was going to be. It was surprisingly delightful the way they built suspense and kept the tension in scenes. Kayla Scodelario performed amazingly and was great as Hayley Keller. Definitely an action-packed, blood soaked adventure. The special effects were a little too unrealistic for me, especiallywhich I thought would have bothered me more but the plight the characters were done in such a that it just really draws you in. I know a lot of people would probably criticize the way the alligators behavior in this film but I'm sure that could be said of movies like Jaws as well. If you don't analyze it too harshly you'll allow yourself to enjoy a rather exhilarating experience. I give it a 8/10.
Chris Sawin (602 KP) rated Daybreakers (2009) in Movies
Jun 22, 2019 (Updated Jun 23, 2019)
In the not too distant future, the majority of the population are vampires and the world has been modified to adjust to the daylight. Remaining humans are "farmed" for blood, but the supply is running thin and the human race is on the verge of extinction. Dr. Edward Dalton (Ethan Hawke) is a hematologist that works at Bromley Marks, the empire of Charles Bromley (Sam Neill), and is put in charge of finding a blood substitute, but has come up empty handed up until this point. Dalton is convinced that the vampire race has its work cut out for them with the blood supply being so low. He runs into a small group of humans one night at work and is eventually introduced to Lionel "Elvis" Cormac (Willem Dafoe), a former vampire who has something better than a blood substitute; a cure. Now Dalton finds himself risking everything on an experimental treatment that could be the key to saving mankind.
Daybreakers had all the ingredients of a film that should be loved by any horror fan. First and foremost, it's a new vampire movie that isn't Twilight. On top of that, it's R-rated so it doesn't pull any punches when it comes to blood and gore (and trust me, there's quite a bit). It also offers a bit of a new twist on what was otherwise exhausted when it comes to stories relating to vampires. With all that being said, however, it still wasn't as good as it should have been.
It was great to see Willem Dafoe and Sam Neill not only as part of the cast, but also both have decent amounts of screen time. Sam Neill was in John Carpenter's In the Mouth of Madness, which is a favorite of mine that managed to make me a fan of the Irish actor. Willem Dafoe just seems underrated and doesn't get the credit he deserves. Not that his role in this will really change anyone's minds regarding him as a great actor or anything, but that's jumping the gun a bit. The story is the film's strong point, but is still pretty flawed. Humans being farmed for blood and dying out is a great concept. The cure is rather different and unique than what you've become used to in vampire films, which lead to an interesting third act. The ending is probably where the film could potentially make someone dislike the film. Not everyone is going to like the finale, but it was a nice change of pace to not have the same recycled storyline or ending for once.
Regarding the acting though, there isn't much of it. Willem Dafoe shows a little personality and has a one-liner or two that will get a few laughs. Sam Neill also shows some signs of life and fits the role as the main villain of the film rather well. Every other character felt rather flat and showed no depth at all. While the blood used in the film was a fantastic color, some of the special effects seemed rather cheesy at times. Mainly the scene where a vampire is hanging from the ceiling fighting Ethan Hawke and his brother comes to mind. The cuts were quick, which seemed to try and cover up the fact, but it still stuck out. That may be nitpicking a bit since it was pretty top notch the rest of the time. The Underworld films (at least the first two) come to mind as they left the same kind of bitter aftertaste and seemed to suffer similar problems.
It's a shame Daybreakers didn't live up to its potential. It contains a strong cast and delivers an original take on something that's been associated with horror for nearly 200 years. The acting is what seems to hurt the film the most though since the way everyone says their lines makes it seem like they don't want to be there. It's still worth viewing, but you may want to rent before buying. In all honesty, it may be worth supporting just to get an R-rated vampire film a bit more recognition and slightly dim the spotlight currently shining on whatever teenage vampire franchise is currently taking off for whatever reason.
Daybreakers had all the ingredients of a film that should be loved by any horror fan. First and foremost, it's a new vampire movie that isn't Twilight. On top of that, it's R-rated so it doesn't pull any punches when it comes to blood and gore (and trust me, there's quite a bit). It also offers a bit of a new twist on what was otherwise exhausted when it comes to stories relating to vampires. With all that being said, however, it still wasn't as good as it should have been.
It was great to see Willem Dafoe and Sam Neill not only as part of the cast, but also both have decent amounts of screen time. Sam Neill was in John Carpenter's In the Mouth of Madness, which is a favorite of mine that managed to make me a fan of the Irish actor. Willem Dafoe just seems underrated and doesn't get the credit he deserves. Not that his role in this will really change anyone's minds regarding him as a great actor or anything, but that's jumping the gun a bit. The story is the film's strong point, but is still pretty flawed. Humans being farmed for blood and dying out is a great concept. The cure is rather different and unique than what you've become used to in vampire films, which lead to an interesting third act. The ending is probably where the film could potentially make someone dislike the film. Not everyone is going to like the finale, but it was a nice change of pace to not have the same recycled storyline or ending for once.
Regarding the acting though, there isn't much of it. Willem Dafoe shows a little personality and has a one-liner or two that will get a few laughs. Sam Neill also shows some signs of life and fits the role as the main villain of the film rather well. Every other character felt rather flat and showed no depth at all. While the blood used in the film was a fantastic color, some of the special effects seemed rather cheesy at times. Mainly the scene where a vampire is hanging from the ceiling fighting Ethan Hawke and his brother comes to mind. The cuts were quick, which seemed to try and cover up the fact, but it still stuck out. That may be nitpicking a bit since it was pretty top notch the rest of the time. The Underworld films (at least the first two) come to mind as they left the same kind of bitter aftertaste and seemed to suffer similar problems.
It's a shame Daybreakers didn't live up to its potential. It contains a strong cast and delivers an original take on something that's been associated with horror for nearly 200 years. The acting is what seems to hurt the film the most though since the way everyone says their lines makes it seem like they don't want to be there. It's still worth viewing, but you may want to rent before buying. In all honesty, it may be worth supporting just to get an R-rated vampire film a bit more recognition and slightly dim the spotlight currently shining on whatever teenage vampire franchise is currently taking off for whatever reason.
Hara05 (11 KP) rated The Haunting of Hill House in TV
Jun 30, 2019
The Haunting Of Hill House has brought horror back.
In an era of horrors which use chewed up, over used clichés - ridiculous, poorly times jump scares, unrealistic gore and mundane character profiles, to name a few - this Netflix series was both nostalgic and fresh at the same time.
From the moment the series started, I was on the edge of my seat. It does such a good job of building tension and fear that it's impossible to take everything in, indeed, on second viewing I noticed things I had completely missed during my first viewing. This series doesn't rely on simple jump scares and musical scores to make the view scared - it's so much more polished and intricate than that. It isn't just a series of blood and gore, of murderers chasing pretty girls with a kitchen knife or teenagers playing with ouija boards. Yes, there are ghosts. Yes, it's based in a haunted house but there is so much more to it!
The depths this series goes to draws you in from minute one. The well fleshed out characters, the great acting, the clever dialogue all mingles together to create an atmosphere the viewer gets lost in and a family the viewer grows to love. The family which this series is centred around is relatable, charasmatic and mysterious all at the same time. The horror is sometimes simple, sometimes obvious but always believable.
It's not very often that a series can have you crying from fear and heartbreak at the same time. The Haunting of Hill House not only manages this but does it splendidly. It's beautiful, harrowing and haunting all at the same time.
This series should be welcomed by anybody who loves the horror genre. It echoes some of the classics and is capable of redefining modern horrors at the same time. It's so refreshing to see the genre stripped back and cleverly delivered. So much of the genre is so repetitive now that my expectations for this series were low. Needless to say, it smashes those expectations.
In an era of horrors which use chewed up, over used clichés - ridiculous, poorly times jump scares, unrealistic gore and mundane character profiles, to name a few - this Netflix series was both nostalgic and fresh at the same time.
From the moment the series started, I was on the edge of my seat. It does such a good job of building tension and fear that it's impossible to take everything in, indeed, on second viewing I noticed things I had completely missed during my first viewing. This series doesn't rely on simple jump scares and musical scores to make the view scared - it's so much more polished and intricate than that. It isn't just a series of blood and gore, of murderers chasing pretty girls with a kitchen knife or teenagers playing with ouija boards. Yes, there are ghosts. Yes, it's based in a haunted house but there is so much more to it!
The depths this series goes to draws you in from minute one. The well fleshed out characters, the great acting, the clever dialogue all mingles together to create an atmosphere the viewer gets lost in and a family the viewer grows to love. The family which this series is centred around is relatable, charasmatic and mysterious all at the same time. The horror is sometimes simple, sometimes obvious but always believable.
It's not very often that a series can have you crying from fear and heartbreak at the same time. The Haunting of Hill House not only manages this but does it splendidly. It's beautiful, harrowing and haunting all at the same time.
This series should be welcomed by anybody who loves the horror genre. It echoes some of the classics and is capable of redefining modern horrors at the same time. It's so refreshing to see the genre stripped back and cleverly delivered. So much of the genre is so repetitive now that my expectations for this series were low. Needless to say, it smashes those expectations.