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Vegas (725 KP) rated Ready or Not (2019) in Movies
Feb 20, 2020
Very strong cast (1 more)
The black humour
A fun horror rather than a gory horror
I really enjoy horrors, thrillers and dramas set predominantly in mansions, stately homes castles, chateaux etc so it gets off to a good start. The setting has a feel of a cross between Clue and the original Sleuth... Both of which are among my favourite films...
Marrying into a family who made their money through games all new family members have to play a random game, most harmless but draw one card and you are in for a bumpy ride, and might not see the night through...
An oddball bunch of family members make this a fun horror movie rather than a gory or suspenseful one, even though there is a lot of blood and gore it doesn't feel like it, it's certainly not like watching the Saw franchise, the black humour works brilliantly alongside the serious moments and you can really get behind Samara Weavings character, trying to remain alive in a cat and mouse chase around the Mansion with her portrayal of newlywed Grace who instead of spending her wedding night with her husband ends up playing a scary and dangerous game of hide and seek with her new family...
A well made film that delights with its humour, made stronger by the cast and not a stereotypical usage of the usual, lone girl (potential) victim/survivor seen in other horror films.
Marrying into a family who made their money through games all new family members have to play a random game, most harmless but draw one card and you are in for a bumpy ride, and might not see the night through...
An oddball bunch of family members make this a fun horror movie rather than a gory or suspenseful one, even though there is a lot of blood and gore it doesn't feel like it, it's certainly not like watching the Saw franchise, the black humour works brilliantly alongside the serious moments and you can really get behind Samara Weavings character, trying to remain alive in a cat and mouse chase around the Mansion with her portrayal of newlywed Grace who instead of spending her wedding night with her husband ends up playing a scary and dangerous game of hide and seek with her new family...
A well made film that delights with its humour, made stronger by the cast and not a stereotypical usage of the usual, lone girl (potential) victim/survivor seen in other horror films.
Waterloo: The History of Four Days, Three Armies and Three Battles
8.0
Rate It
Book
From the internationally bestselling author of the Sharpe novels - this is the true story of...
Morgan Spurlock recommended Scanners (1981) in Movies (curated)
Hazel (2934 KP) rated The New Girl in Books
Jan 23, 2022
After experiencing an horrific event whilst at university, Sophie has tried to re-build her life and put her past behind her. She is not happy at home and wants more from her life and when she is offered a job in London that sounds perfect and will give her the new start she is desperate for, she jumps at the chance but what's the saying "If it sounds too good to be true ... it probably is!"
Sophie is, in my opinion, a little naïve and pretty gullible. There were red flags and flashing warning signs everywhere but Sophie didn't seem to see them ... really??? A little implausible given her past, but I found the anticipation of how and when the penny would drop for her was quite engaging.
Full of interesting characters, well written and at a good pace, this is an enjoyable thriller with contemporary themes and whilst it isn't full of violence, blood or gore, there is a palpable sense of unease throughout. Some of the twists were quite obvious (to me anyway) and whilst the ending was satisfactory, the epilogue was disappointing in it's unrealistic outcome.
If you can get past the frustration of wanting to put your hands in the book and shake some sense into Sophie, this is an entertaining read and my thanks must go to Bookouture and NetGalley for my copy in return for an honest, unbiased and unedited review.
Sophie is, in my opinion, a little naïve and pretty gullible. There were red flags and flashing warning signs everywhere but Sophie didn't seem to see them ... really??? A little implausible given her past, but I found the anticipation of how and when the penny would drop for her was quite engaging.
Full of interesting characters, well written and at a good pace, this is an enjoyable thriller with contemporary themes and whilst it isn't full of violence, blood or gore, there is a palpable sense of unease throughout. Some of the twists were quite obvious (to me anyway) and whilst the ending was satisfactory, the epilogue was disappointing in it's unrealistic outcome.
If you can get past the frustration of wanting to put your hands in the book and shake some sense into Sophie, this is an entertaining read and my thanks must go to Bookouture and NetGalley for my copy in return for an honest, unbiased and unedited review.
Alice and her Knave (The Madness of Wonderland #1)
Book
It’s a dream, a hallucination…. Alice knew exactly what her future held and was determined to...
Dark Contemporary Fantasy Erotica TRIGGER WARNINGS: Profanity Sex
LeftSideCut (3778 KP) rated Studio 666 (2022) in Movies
Apr 6, 2022
If you like Foo Fighters, if you like metal, if you like The Evil Dead, then Studio 666 will be right up your street.
Considering that none of them are actors, the whole band do a pretty decent job here. Even the more awkward moments are played off nicely with a frequently funny script. The Foos have a well documented history of goofy music videos with a specific brand of humour, and Studio 666 definitely carries the same vibe over its feature length runtime. There are some familiar faces peppered throughout to pad up the cast. Jeff Garlin appears, being very Jeff Garlin. Leslie Grossman from American Horror Story, up-and-coming scream queen Jenna Ortega, and bonafide legend John Carpenter bring the horror credentials. A cameo from Lionel Richie (alongside a legit jump scare) and Slayer's Kerry King cover the music side of things, and the comedy is represented by the likes of Whitney Cummings and Will Forte. It's a pretty decent cast that surround Dave and the boys.
After the initial set up, proceedings do drag a fair bit in the middle, before everything goes full blown batshit. The gore in this movie is pretty ridiculous, and practically done for the most part with some impressive effects work. There's one kill in particular involving a chainsaw which is easily one of the gnarliest I've seen in a while. Even the CG demons don't look too shabby. As mentioned earlier, The Evil Dead has a huge part to play here, and the film is clearly influenced by it and its sequel, from the gratuitous blood sprays (and a blood filled lightbulb) to the way certain shots are framed, to an evil book made of human flesh, the whole project feels like one big homage.
Studio 666 is silly, visceral, gory fun, full of music industry jokes, a clear cut love for the horror genre, and a disgustingly riffy soundtrack. It could have quite easily been 15-20 minutes shorter, but it's a minor qualm that won't stop it from surely becoming a cult classic.
Considering that none of them are actors, the whole band do a pretty decent job here. Even the more awkward moments are played off nicely with a frequently funny script. The Foos have a well documented history of goofy music videos with a specific brand of humour, and Studio 666 definitely carries the same vibe over its feature length runtime. There are some familiar faces peppered throughout to pad up the cast. Jeff Garlin appears, being very Jeff Garlin. Leslie Grossman from American Horror Story, up-and-coming scream queen Jenna Ortega, and bonafide legend John Carpenter bring the horror credentials. A cameo from Lionel Richie (alongside a legit jump scare) and Slayer's Kerry King cover the music side of things, and the comedy is represented by the likes of Whitney Cummings and Will Forte. It's a pretty decent cast that surround Dave and the boys.
After the initial set up, proceedings do drag a fair bit in the middle, before everything goes full blown batshit. The gore in this movie is pretty ridiculous, and practically done for the most part with some impressive effects work. There's one kill in particular involving a chainsaw which is easily one of the gnarliest I've seen in a while. Even the CG demons don't look too shabby. As mentioned earlier, The Evil Dead has a huge part to play here, and the film is clearly influenced by it and its sequel, from the gratuitous blood sprays (and a blood filled lightbulb) to the way certain shots are framed, to an evil book made of human flesh, the whole project feels like one big homage.
Studio 666 is silly, visceral, gory fun, full of music industry jokes, a clear cut love for the horror genre, and a disgustingly riffy soundtrack. It could have quite easily been 15-20 minutes shorter, but it's a minor qualm that won't stop it from surely becoming a cult classic.
KatieLouCreate (162 KP) rated Empire of the Vampire in Books
Jul 10, 2023
Empire of the Vampire
This book is not for the feint hearted. Not only is it decidedly grotesque and gruesome, but its also a monster of a book, coming in at 725 pages with another book on the way.
It has been twenty-seven long years since the last sunrise. For nearly three decades, vampires have waged war against humanity; building their eternal empire even as they tear down our own.
Gabriel de León is a silversaint: a member of a holy brotherhood dedicated to defending realm and church from the creatures of the night. But even the Silver Order couldn’t stem the tide once daylight failed us, and now, only Gabriel remains.
Imprisoned by the very monsters he vowed to destroy, the last silversaint is forced to tell his story. A story of legendary battles and forbidden love, of faith lost and friendships won, of the Wars of the Blood and the Forever King and the quest for humanity’s last remaining hope:
The Holy Grail.
The book is dark and gruesome, but also delightfully entertaining. Kristoff puts an original spin on the vampire world and created a deep, well-rounded character with the biggest chip on his shoulder. All the characters are well-developed, to be honest.
The humour, as expected, is dark. Which is what makes it so great. I found myself laughing out loud in parts. I loved the witty banter and insults from the characters.
My woe with this book was, though I enjoyed it, it did feel like I was reading a 725 page book. Sometimes the time flew, and others I found myself counting the pages wondering how much longer this was going to go on for. I think the story could have been shorter without losing anything vital.
Read if you like:
Adult fantasy
Legendary battles
Blood and gore/violence
Religious occult
Dark humour
Don't read if:
You are a child
And dont like:
Prolific swearing
Sexual Content
Violence
Religious Themes
Trigger warnings:
Anything mentioned above
Drug addiction
Child abuse
Homophobia
It reminds me of Interview With a Vampire meets Van Helsing...
It has been twenty-seven long years since the last sunrise. For nearly three decades, vampires have waged war against humanity; building their eternal empire even as they tear down our own.
Gabriel de León is a silversaint: a member of a holy brotherhood dedicated to defending realm and church from the creatures of the night. But even the Silver Order couldn’t stem the tide once daylight failed us, and now, only Gabriel remains.
Imprisoned by the very monsters he vowed to destroy, the last silversaint is forced to tell his story. A story of legendary battles and forbidden love, of faith lost and friendships won, of the Wars of the Blood and the Forever King and the quest for humanity’s last remaining hope:
The Holy Grail.
The book is dark and gruesome, but also delightfully entertaining. Kristoff puts an original spin on the vampire world and created a deep, well-rounded character with the biggest chip on his shoulder. All the characters are well-developed, to be honest.
The humour, as expected, is dark. Which is what makes it so great. I found myself laughing out loud in parts. I loved the witty banter and insults from the characters.
My woe with this book was, though I enjoyed it, it did feel like I was reading a 725 page book. Sometimes the time flew, and others I found myself counting the pages wondering how much longer this was going to go on for. I think the story could have been shorter without losing anything vital.
Read if you like:
Adult fantasy
Legendary battles
Blood and gore/violence
Religious occult
Dark humour
Don't read if:
You are a child
And dont like:
Prolific swearing
Sexual Content
Violence
Religious Themes
Trigger warnings:
Anything mentioned above
Drug addiction
Child abuse
Homophobia
It reminds me of Interview With a Vampire meets Van Helsing...
ClareR (5726 KP) rated The Scarlet Letter in Books
Sep 29, 2018
Not a book I'd normally choose to read...
This book came up on the list of recommended reading for my 14 year old son in preparation for his GCSE English course. What a way to make a child hate reading - I was in danger of it myself! It's long-winded, convoluted (same thing, I know), dreary and the language is so complicate! How can anyone actually read this with even an ounce of enjoyment?!
It's interesting to see how times have changed: Hester Prynne (rhymes with 'sin' - you'll see what I mean in a minute) is forced to wear a bright red 'A' for 'Adulterer' on her dress for the rest of her life, for the crime that is/ was sex out of marriage. And she had the cheek to have a baby. But where I though her life would be made unbearable, she is ignored and eventually, even accepted. Not very '17th century Puritan' I feel. Not that I wanted blood and gore, you understand, but a bit of accuracy wouldn't have gone amiss. It would've been a much shorter book though - and that's not a bad thing. I got caught up with reading the authors introduction, which was interminable, and time that I'll never get back.
So, in conclusion, I won't be forcing the 14 year old boy to read this. I'm not that cruel. I have however noticed that Good Omens is on the list. Now that IS a book he'll probably like when he gets over the fact that it's a book recommended by a teacher!
It's interesting to see how times have changed: Hester Prynne (rhymes with 'sin' - you'll see what I mean in a minute) is forced to wear a bright red 'A' for 'Adulterer' on her dress for the rest of her life, for the crime that is/ was sex out of marriage. And she had the cheek to have a baby. But where I though her life would be made unbearable, she is ignored and eventually, even accepted. Not very '17th century Puritan' I feel. Not that I wanted blood and gore, you understand, but a bit of accuracy wouldn't have gone amiss. It would've been a much shorter book though - and that's not a bad thing. I got caught up with reading the authors introduction, which was interminable, and time that I'll never get back.
So, in conclusion, I won't be forcing the 14 year old boy to read this. I'm not that cruel. I have however noticed that Good Omens is on the list. Now that IS a book he'll probably like when he gets over the fact that it's a book recommended by a teacher!
Sarah (7798 KP) rated Scream 2 (1997) in Movies
Nov 1, 2018
“By definition alone, sequels are inferior films”
As much as this sequel tries to be very clever and for the most part succeeds, you can’t help realising that the line uttered by Randy about sequels being inferior films and the ensuing discussion in the film class, pretty much sums up this entire film.
Released only a year after the original, this sequel keeps most of what made the first one great - just sadly in lesser amounts. Yes it’s funny, witty and has some great film references, but it just isn’t quite up to the level of the original. There are some shocks and lots of blood and gore, and the ending is still a little unpredictable (but not as much as the original. Great cast again, both returning and fairly well known faces. The opening scene too is just as disturbing even if it’s missing the signature Ghostface phone call and I loved the entire scene set in the film class. The debate about life imitating art is a shame relevant now as it was when this was made over 20 years ago. It amazes me to think this film is 21 years old, and aside from the retro technology, it doesn’t feel dated in the slightest.
For a sequel, this is definitely one of the better ones out there. Yes it doesn’t have quite the impact of the original, but it definitely doesn’t suck and at least sticks to Randy’s rules to create a successful sequel. Shame 3 and 4 couldn’t do the same...
Released only a year after the original, this sequel keeps most of what made the first one great - just sadly in lesser amounts. Yes it’s funny, witty and has some great film references, but it just isn’t quite up to the level of the original. There are some shocks and lots of blood and gore, and the ending is still a little unpredictable (but not as much as the original. Great cast again, both returning and fairly well known faces. The opening scene too is just as disturbing even if it’s missing the signature Ghostface phone call and I loved the entire scene set in the film class. The debate about life imitating art is a shame relevant now as it was when this was made over 20 years ago. It amazes me to think this film is 21 years old, and aside from the retro technology, it doesn’t feel dated in the slightest.
For a sequel, this is definitely one of the better ones out there. Yes it doesn’t have quite the impact of the original, but it definitely doesn’t suck and at least sticks to Randy’s rules to create a successful sequel. Shame 3 and 4 couldn’t do the same...
Sarah (7798 KP) rated Luther - Season 5 in TV
Jan 12, 2019
A welcome return
It seems like such a long time ago since Luther was on our screens, and it’s really good to have him back. Idris Elba is as usual fantastic as the dark and tormented Luther, who as per usual can’t seem to catch a break in this new series. The returning cast are all as good as they’ve ever been, and it’s always good to see Ruth Wilson and Michael Smiley. I do however think some of the newer cast and characters were a little weak. I couldn’t stop staring at Hermione Norris’s face (looked a bit plastic) and Luther’s new partner Halliday was a stereotypical foil to Luther’s law breaking antics. She was definitely no Ripley and I think fell foul to a lack of interest and development in her character in general, only being needed to push along certain plot points.
The plot itself though was as entertaining as ever, switching from near horror film to cat and mouse cop thriller seamlessly. There are a number of shocks, and lots of blood and gore. One thing Luther always does well is that it really pushes the horror aspect of what would otherwise be just a detective show. Like some of the earlier series, there are scenes in this that are absolutely creepy and terrifying. Makers of modern horror films should really take note. I also think the ending of this series was rather fitting, and without spoiling it, I’m hoping that this may be a decent finale for Luther, assuming they doom overdo it and make more.
The plot itself though was as entertaining as ever, switching from near horror film to cat and mouse cop thriller seamlessly. There are a number of shocks, and lots of blood and gore. One thing Luther always does well is that it really pushes the horror aspect of what would otherwise be just a detective show. Like some of the earlier series, there are scenes in this that are absolutely creepy and terrifying. Makers of modern horror films should really take note. I also think the ending of this series was rather fitting, and without spoiling it, I’m hoping that this may be a decent finale for Luther, assuming they doom overdo it and make more.